"No," he returned after a pause and with that same air of unrelieved condescension, "the short story is what I want to specialize in."

"Well," I said to myself, "here is a young cub who certainly has talent, is crowded with it, and yet owing to the kind of thing he is starting out to do and the fact that life will give him slaps and to spare before he is many years older, he needs to be encouraged. I was like that myself not so long ago. And besides, if I do not encourage this type of work financially (which is the best way of all), who will?"

About a week later I was given another and still more gratifying surprise, for one day, in his usual condescending manner, he brought to me two short pieces of fiction and laid them most gingerly on my desk with scarcely a word--"Here was something I might read if I chose," I believe. The reading of these two stories gave me as much of a start as though I had discovered a fully developed genius. They were so truly new or different in their point of view, so very clear, incisive, brief, with so much point in them (_The Second Motive_; _The Right Man_). For by then having been struggling with the short-story problem in other magazine offices before this, I had become not a little pessimistic as to the trend of American short fiction, as well as long--the impossibility of finding any, even supposing it publishable once we had it. My own experience with "Sister Carrie" as well as the fierce opposition or chilling indifference which, as I saw, overtook all those who attempted anything even partially serious in America, was enough to make me believe that the world took anything even slightly approximating the truth as one of the rankest and most criminal offenses possible. One dared not "talk out loud," one dared not report life as it was, as one lived it. And one of the primary warnings I had received from the president of this very organization--a most eager and ambitious and distressing example of that American pseudo-morality which combines a pirate-like acquisitiveness with an inward and absolute conviction of righteousness--was that while he wanted something new in fiction, something more virile and life-like than that "mush," as he characterized it, to be found in the current magazines, still (1), it must have a strong appeal for the general reader (!); and (2), be very compelling in fact and _clean_, as the dear general reader would of course understand that word--a solid little pair of millstones which would unquestionably end in macerating everything vital out of any good story.

Still I did not despair; something might be done. And though I sighed, I hoped to be able to make my superior stretch a point in favor of the exceptional thing, or, as the slang phrase went, "slip a few over on him," but that of course meant nothing or something, as you choose. My dream was really to find one or many like this youth, or a pungent kind of realism that would be true and yet within such limits as would make it usable. Imagine, then, my satisfaction in finding these two things, tales that I could not only admire genuinely but that I could publish, things that ought to have an interest for all who knew even a little about life. True, they were ironic, cruel, but still with humor and color, so deftly and cleanly told that they were smile-provoking. I called him and said as much, or nearly so--a mistake, as I sometimes think now, for art should be long--and bought them forthwith, hoping, almost against hope, to find many more such like them.

By this time, by the way, and as I should have said before, I had still further enlarged my staff by one art director of the most flamboyant and erratic character, a genius of sorts, volatile, restless, emotional, colorful, a veritable Verlaine-Baudelaire-Rops soul, who, not content to arrange and decorate the magazine each month, must needs wish to write, paint, compose verse and music and stage plays, as well as move in an upper social world, _entree_ to which was his by birth. Again, there was by now an Irish-Catholic makeup editor, a graduate of some distinguished sectarian school, who was more interested in St. Jerome and his _Vulgate_, as an embodiment of cla.s.sic Latin, than he was in getting out the magazine. Still he had the advantage of being interesting--"and I learned about Horace from him." Again, there was a most interesting and youthful and pretty, if severe, example of the Wellesley-Mt.

Holyoke-Bryn Mawr school of literary art and criticism, a most engagingly interesting intellectual maiden, who functioned as a.s.sistant editor and reader in an adjoining room, along with the art-director, the makeup editor and an office boy. This very valuable and in some respects remarkable young woman, who while holding me in proper contempt, I fear, for my rather loose and unliterary ways, was still, as I had suspected before employing her, as keen for something new and vital in fiction and every other phase of the scriptic art as any one well could be. She was ever for culling, sorting, eliminating--repression carried to the N-th power. At first L---- cordially hated her, calling her a "simp," a "bluff," a "la-de-da," and what not. In addition to these there was a constantly swelling band of writers, artists, poets, critics, dreamers of reforms social, and I know not what else, who, holding the hope of achieving their ends or aims through some really forceful magazine, were by now beginning to make our place a center. It fairly swarmed for a time with aspirants; an amusing, vivid, strident world.

As for L----, all this being new to him, he was as interested, fascinated even, as any one well might be. He responded to it almost gayly at times, wondering whether something wonderful, international, enduring might not be made to come of it. He rapidly developed into one of the most pertinacious and even disconcerting youths I have ever met.

At times he seemed to have a positive genius for saying and doing irritable and disagreeable things, not only to me but to others. Never having heard of me before he met me here, he was convinced, I think, that I was a mere nothing, with some slight possibilities as an editor maybe, certainly with none as a writer or as one who could even suggest anything to writers. I had helped him, but that was as it should be. As for my art-director, he was at first a fool, later a genius; ditto my makeup man.

As for Miss E----, the Wellesley-Bryn Mawr-Mt. Holyoke a.s.sistant, who from the first had agreed with me that here indeed was a writer of promise, a genius really, he, as I have said, at first despised her.

Later, by dint of exulting in his force, sincerity of purpose, his keen insight and all but braggart strength, she managed, probably on account of her looks and physical graces, to install herself in his confidence and to convince him that she was not only an honest admirer of his skill but one who had taste and judgment of no mean caliber. Thereafter he was about as agreeable as a semi-caged wild animal would be about any office.

But above all he was affronted by M----, the publisher of the paper, concerning whom he could find no words equal to his contemptuous thoughts of him. The publisher, as L---- made quite bold to say to me, was little more than a "dodging, rat-like financial ferret," a "financial stool-pigeon for some trust or other," a "shrewd, material little shopkeeper." This because M---- was accustomed to enter and force a conversation here and there, anxious of course to gather the full import of all these various energies and enthusiasms. One of the things which L---- most resented in him at the time was his air of supreme material well-being, his obvious attempt and wish not to convey it, his carefully-cut clothes, his car, his numerous a.s.sistants and secretaries following him here and there from various other organizations with which he was connected.

M----'s idea, as he always said, was to spend and to live, only it wasn't. He merely induced others so to do. One of his customs (and it must have impressed L---- very much, innocent newcomer that he was) was to have one or another of his hirelings announce his pa.s.sing from one "important" meeting to another, within or without his own building, telephone messages being "thrown in" on his line or barred out, wherever he happened to be at the moment and when, presumably, he was deep in one of those literary conferences or confidences with one employee or another or with a group, for which he rapidly developed a pa.s.sion.

Another of his vanities was to have his automobile announced and he be almost forced into it by impetuous secretaries, who, because of orders previously given, insisted that he must be made to keep certain important engagements. Or he would send for one of his hirelings, wherever he chanced to be--club, restaurant, his home--midnight if necessary, to confer with him on some subject of great moment, and the hireling was supposed to call a taxi and come post haste in order that he might not be kept waiting.

"G.o.d!" L---- once remarked in my presence. "To think that a thinking being has to be beholden to a thing like that for his weekly income!

Somebody ought to tap him with a feather-duster and kill him!"

But the manner in which L---- developed in this atmosphere! It was interesting. At first, before the magazine became so significant or well-organized, it was a great pleasure for me to a.s.sociate with him outside office hours, and a curious and vivid companion he made. He was so intensely avid of life, so intolerant of the old, of anything different to that which he personally desired or saw, that at times it was most difficult to say anything at all for fear of meeting a rebuff or at least a caustic objection. As I was very pleased to note, he had a pa.s.sion for seeing, as all youth should have when it first comes to the great city--the great bridges, the new tunnels just then being completed or dug, the harbor and bay, Coney Island, the two new and great railway terminals, then under construction. Most, though, he reveled in different and even depressing neighborhoods--Eighth Avenue, for instance, about which he later wrote a story, and a very good one ("A Quiet Duet"); h.e.l.l's Kitchen, that neighborhood that lies (or did), on the West Side of Manhattan, between Eighth and Tenth Avenues, Thirty-sixth and Forty-first Streets; Little Italy, the region below Delancey and north of Worth Street on the East Side; Chinatown; Washington Street (Syria in America); the Greeks in Twenty-seventh and -eighth Streets, West Side. All these and many more phases of New York's multiplex life took his full and restless attention. Once he said to me quite excitedly, walking up Eighth Avenue at two in the morning--I was showing him some rear tenement slums in the summertime--"G.o.d, how I hate to go to bed in this town! I'm afraid something will happen while I'm asleep and I won't see it!" That was exactly how he felt all the time, I am sure.

And in those days he was most simple, a very Spartan of a boy. He hadn't the least taste for drink, lived in a small hall-bedroom somewhere--Eighth Avenue, I believe--and took his meals in those shabby little quick-lunch rooms where the characters were more important to him than the food. (My hat--my hat is in my hand!) Intellectually he was so stern and ambitious that I all but stood in awe of and reverence before him. Here, I said to myself, is one who will really do; let him be as savage as he pleases. In America he probably needs to be.

And during this short time, what sc.r.a.ps of his early life he revealed!

By degrees I picked up bits of his early deprivations and difficulties, if such they might be called. He had been a newspaper reporter, or had tried to be, in Kansas City, had worked in the college restaurant and laundry of the middle-West State university from which he had graduated, to help pay his way. Afterward he had a.s.sisted the janitor of some great skysc.r.a.per somewhere--Kansas City, I believe--and, what was most pleasing to me, he in nowise emphasized these as youthful difficulties or made any comment as to their being "hard." Neither did he try to boastingly minimize them as nothing at all--another wretched pose. From him I learned that throughout his youth he had been carried here and there by the iron woman who was his mother and whom he seemed to adore in some grim contentious way, smothering his comments as though he disliked to say anything at all, and yet describing her at times as coa.r.s.e and vulgar, but a mother to him "all right," someone who had made marked sacrifices for him.

She had once "run" a restaurant in a Western mining camp, had then or later carried him as a puling baby under her shawl or cloak across the Mojave Desert, on foot a part of the way. Apparently he did not know who his father was, and he was not very much concerned to know whether she did or not. His father had died, he said, when he was a baby. Later his mother, then a cook in some railroad hotel in Texas, had sent him to school there. Later still she had been a "bawler out," if you know what that means, an employee of a loan shark and used by him to compel delinquent, albeit petty and pathetic, creditors to pay their dues or then and there, before all their fellow-workers, be screamed at for their delinquency about the shop in which they worked! Later she became a private detective! an insurance agent--G.o.d knows what--a kind of rough man-woman, as she turned out to be, but all the while clinging to this boy, her pet, no doubt her dream of perfection. She had by turns sent him to common and high school and to college, remitting him such sums of money as she might to pay his way. Later still (at that very time in fact) she was seeking to come to New York to keep house for him, only he would not have that, perhaps sensing the need of greater freedom. But he wrote her regularly, as he confessed to me, and in later years I believe sent her a part of his earnings, which were to be saved by her for him against a rainy day. Among his posthumous writings later I found a very lovely story ("His Mother"), describing her and himself in unsparing and yet loving terms, a compound of the tender and the brutal in his own soul.

The thing that always made me hope for the best was that at that time he was not at all concerned with the petty little _moralic_ and economic definitions and distinctions which were floating about his American world in one form and another. Indeed he seemed to be entirely free of and even alien to them. What he had heard about the indwelling and abiding perfections of the human soul had gone, and rightly so, in one ear and out the other. He respected the virtues, but he knew of and reckoned with die antipathetic vices which gave them their reason for being. To him the thief was almost as important as the saint, the reason for the saint's being. And, better still, he had not the least interest in American politics or society--a wonderful sign. The American dream of "getting ahead" financially and socially was not part of him--another mark royal. All life was fascinating, acceptable, to be interpreted if one had the skill; it was a great distinction to have the skill--worth endless pains to acquire it.

But how unwilling would the average American of his day have been, stuffed as he was and still is with book and picture drivel about artists and art, to accept L---- as anything more than a raw, callow yokel, presuming to a.s.sail the outer portals of the temple with his muddy feet! A romping, stamping, irritable soul, with more the air of a young railroad brakeman or "hand," than an artist, and with so much coa.r.s.e language at times and such brutality of thought as to bar him completely, one might say, from having anything to do with great fiction, great artistic conceptions, or the temple of art. What, sit with the mighty!--that coa.r.s.e youth, with darkish-brown hair parted at one side and combed over one ear, in the manner of a grandiose barber; with those thick-soled and none too shapely brown shoes, that none too well-made store suit of clothes, that little round brown hat, more often a cap, pulled rather savagely and vulgarly, even insultingly, over one eye; that coa.r.s.e frieze overcoat, still worn on cold spring days, its "corners" back and front turned up by the damp and from being indifferently sat on; that brash corn-cob pipe and bag of cheap tobacco, extracted and lit at odd moments; what, that youth with the aggressive, irritating vibrant manner--almost the young tough with a chip on his shoulder looking for one to even so much as indicate that he is not all he should be! Positively, there was something brutal and yet cosmic (not comic) about him, his intellectual and art pretensions considered. At times his waspishness and bravado palled even on me. He was too aggressive, too forceful, too intolerant, I said. He should be softer.

At other times I felt that he needed to be all that and more to "get by," as he would have said. I wanted to modify him a little--and yet I didn't--and I remained drawn to him in spite of many irritating little circ.u.mstances, all but infuriating at times, and actually calculated, it seemed, with a kind of savage skill to reduce what he conceived to be my lofty superiority. At times I thought he ought to be killed--like a father meditating on an unruly son--but the mood soon pa.s.sed and his literary ability made amends for everything.

In so far as the magazine was concerned, once it began to grow and attract attention he was for me its most important a.s.set; not that he did so much directly as that he provided a definite standard toward which we all had to work. Not incuriously, he was swiftly recognized for what he was by all who came in touch with the magazine. In the first place, interested in his progress, I had seen to it that he was properly introduced wherever that was possible and of benefit to him, and later on, by sheer force of his mental capacity and integrity, his dreams and his critical skill, he managed to center about him an entire band of seeking young writers, artists, poets, playwrights, aspiring musicians; an amusing and as interesting a group as I have ever seen. Their points of rendezvous appeared to be those same shabby quick-lunches in back streets or even on the princ.i.p.al thoroughfares about Times Square, or they met in each other's rooms or my office at night after I had gone, giving me as an excuse that they had work to do. And during all this time the air fairly hummed with rumors of new singers, dancers, plays, stories being begun or under way, articles and essays contemplated; avid, if none too well financed frolics or bohemian midnight suppers here and there. Money was by no means plentiful, and in consequence there was endless borrowing and "paying up" among them. Among the most enthusiastic members of this circle, as I had begun to note, and finally rather nervously, were my art-director, a valiant knight in Bohemia if ever there was one, and she of Bryn Mawr-Wellesley standards. My makeup editor, as well as various contributors who had since become more or less closely identified with the magazine, were also following him up all the time.

If not directly profitable it was enlivening, and I was fairly well convinced by now that from the point of view of being "aware," "in touch with," "in sympathy with" many of the princ.i.p.al tendencies and undercurrents which make for a magazine's success and precedence, this group was as valuable to me as any might well be. It const.i.tuted a "kitchen cabinet" of sorts and brought hundreds of interesting ideas to the surface, and from all directions. Now it would be a new and hitherto unheard-of tenor who was to be brought from abroad and introduced with great noise to repute-loving Americans; a new sculptor or painter who had never been heard of in America; a great actor, perhaps, or poet or writer. I listened to any quant.i.ty of gossip in regard to new movements that were ready to burst upon the world, in sculpture, painting, the scriptic art. About the whole group there was much that was exceedingly warm, youthful, full of dreams. They were intensely informative and full of hope, and I used to look at them and wonder which one, if any, was destined to have his dreams realized.

Of L---- however I never had the least doubt. He began, it is true, to adopt rather more liberal tendencies, to wish always to be part and parcel of this gayety, this rushing here and there; and he drank at times--due princ.i.p.ally, as I thought, to my wildling art-director, who had no sense or reserve in matters material or artistic and who was all for a baccha.n.a.lian career, cost what it might. On more than one occasion I heard L---- declaring roundly, apropos of some group scheme of pilgrimage, "No, no! I will not. I am going _home_ now!" He had a story he wanted to work on, an article to finish. At the same time he would often agree that if by a certain time, when he was through, they were still at a certain place, or a second or third, he would look them up.

Never, apparently, did his work suffer in the least.

And it was about this time that I began to gather the true source and import of his literary predisposition. He was literally obsessed, as I now discovered, with Continental and more especially the French conception of art in writing. He had studied the works as well as the temperaments and experiences (more especially the latter, I fear) of such writers as de Maupa.s.sant, Flaubert, Baudelaire, Balzac, de Musset, Sand, Daudet, Dumas junior, and Zola, as well as a number of the more recent writers: Hervieu, Bourget, Louys and their contemporaries. Most of all, though, he was impressed, and deeply, by the life and art of de Maupa.s.sant, his method of approach, his unbiased outlook on life, his freedom from moral and religious and even sentimental predisposition. In the beginning of his literary career I really believe he slaved to imitate him exactly, although he could not very well escape the American temperament and rearing by which he was hopelessly conditioned. A certain Western critic and editor, to whom he had first addressed his hopes and scribblings before coming to me, writing me after L----'s death in reference to a period antedating that in which I had known him, observed, "He was crazy about the _fin de siecle_ stuff that then held the boards and from which (I hope the recording angel will put it to my credit) I steered him clear." I think so; but he was still very much interested in it. He admired Aubrey Beardsley, the poster artists of France, Verlaine, Baudelaire, Rops, the Yellow Book, even Oscar Wilde, although his was a far more substantial and plebeian and even radical point of view.

Unfortunately for L----, I have always thought, there now thrust himself forward the publisher and owner of the magazine, who from previously having been content to see that the mercantile affairs of the magazine were in good order, had decided that since it was attracting attention he should be allowed to share in its literary and artistic prestige, should indeed be closely identified with it and recognized as its true source and inspiration--a thing which in no fashion had been contemplated by me when I went there. From having agreed very distinctly with me that no such interference would at any time be indulged in, he now came forward with a plan for an advisory council which was to consist of himself and the very members of the staff which I had created.

I could not object and it did not disturb me so much personally. For some time I had been sensing that the thing was for me no end in itself, but an incident. This same I felt to be true for L----, who had been taking more and more interest in the magazine's technical composition.

At the same time I saw no immediate way of arranging my affairs and departing, which left me, for a very little while, more or less of a spectator. During this time I had the dissatisfaction of noting the growth of an influence with L---- which could, as I saw, prove only harmful. M---- was no suitable guide for him. He was a brilliant but superficial and very material type who was convinced that in the having and holding of many things material--houses, lands, corporation stocks, a place in the clubs and circles of those who were materially prosperous--was really to achieve all that was significant in the now or the hereafter. Knowing comparatively nothing of either art or letters, or that subtle thing which makes for personality and atmosphere in a magazine or in writing (and especially the latter), that grateful something which attracts and detains one, he was nevertheless convinced that he did. And what was more, he was determined not only to make friends with and hold all those whom I might have attracted, providing they could prove useful to him, but also a number of a much more successful group in these fields, those who had already achieved repute in a more commonplace and popular way and were therefore presumably possessed of a following and with the power to exact a high return for their product, and for the magazine, regardless of intrinsic merit. His constant talk was of money, its power to attract and buy, the significance of all things material. He now wanted the magazine to be representative of this glowing element, and at the same time, paradoxical as it might seem, the best that might be in literary and artistic thought.

Naturally the thing was impossible, but he had a facile and specious method of arguing, a most gay and in some respects magnetic personality, far from stodgy or gross, which for a time attracted many to him. Very briskly then indeed he proceeded to make friends with all those with whom I had surrounded myself, to enter into long and even private discussions with them as to the proper conduct of the magazine, to hint quite broadly at a glorious future in which all, each one particularly to whom he talked, was to share. Curiously, this new and (as I would have thought) inimical personality of M---- seemed to appeal to L---- very much.

I do not claim that the result was fatal. It may even, or at least might, have had value, combined with an older or slightly more balanced temperament. But it seemed to me that it offered too quickly what should have come, if at all, as the result of much effort. For in regard to the very things L---- should have most guarded against--show and the shallow pleasures of social and night and material life in New York--M---- was most specious. I never knew a more intriguing and fascinating man in this respect nor one who cared less for those he used to obtain his unimportant ends. He had positive genius for making the gaudy and the unworthy seem worthy and even perfect. During his earlier days there, L---- had more than once "cursed him out" (in his absence, of course), to use his own expressive phrase, for his middle-West trade views, as he described them, his shabby social and material ideals, and yet, as I could plainly see, even at that time the virus of his theories was working. For it must be remembered that L---- was very new to New York, very young, and never having had much of anything he was no doubt slightly envious of the man's material facility, the sense of all-sufficiency, exclusiveness and even a kind of petty trade grandeur with which he tried to surround himself.

Well, that might not have proved fatal either, only L---- needed some one to keep him true to himself, his individual capabilities, to constantly caution and if possible sober him to his very severe taste, and as it was he was all but surrounded by acolytes and servitors.

A little later, having left M----'s and a.s.sumed another editorial position, and being compelled to follow the various current magazines more or less professionally, I was disturbed to note that there began to appear in various publications--especially M----'s, which was flourishing greatly for the moment--stories which while exhibiting much of the deftness and repression as well as an avidity for the true color of things, still showed what I had at first feared they might: a decided compromise. That curse of all American fiction, the necessarily happy ending, had been impressed on him--by whom? To my sincere dissatisfaction, he began writing stories, some at least, which concerned (1), a young woman who successfully abandoned art dreams for advertising; (2), a middle-aged charmer, female, who attempted _libertinage_ and was defeated, American style; (3), a Christmas picture with sweetness and light reigning on every hand (d.i.c.kens at his sentimentalest could have done no worse); (4), a Broadway press agent who, attempting to bring patronage to a great hotel via chic vice, accidentally and unintentionally mates an all-too-good young society man turned hotel manager to a grand heiress. And so on and so on, not ad infinitum but for a period at least--the ten years in which he managed to live and work.

And, what was more, during this new period I heard and occasionally saw discouraging things in connection with him from time to time. True to his great promise, for I sincerely think M---- had a genuine fondness for his young protege, as much of a fondness as he could well have for anything, he guaranteed him perhaps as much as three thousand a year; sent him to Stockholm at the age of twenty-four or -five to meet and greet the famous false pole discoverer, Doctor Cook; allowed him to go to Paris in connection with various articles; to Rome; sent him into the middle and far West; to Broadway for dramatic and social studies. Well and good, only he wanted always in what was done for him the "uplift"

note, the happy ending--or at least one not vulgar or low--whereas my idea in connection with L----, gifted as he was, was that he should confine himself to fiction as an art and without any regard to theories or types of ending, believing, as I did, that he would definitely establish himself in that way in the long run. I had no objection of course to experiences of various kinds, his taking up with any line of work which might seem at the moment far removed from realistic writing, providing always that the star of his ideal was in sight. Whenever he wrote, be it early or late, it must be in the clear, incisive, uncompromising vein of these first stories and with that pa.s.sion for revelation which characterized him at first, that same unbiased and unfettered non-moral viewpoint.

But after meeting with and working for M---- under this new arrangement and being apparently fascinated for the moment by his personality, he seemed to me to gradually lose sight of his ideal, to be actually taken in by the plausible arguments which the latter could spin with the ease that a spider spins gossamer. In that respect I insist that M---- was a bad influence. Under his tutelage L---- gradually became, for instance, an habitue of a well-known and pseudo-bohemian chop-house, a most mawkish and navely imitative affair, intended frankly to be a copy or even the original, forsooth, of an old English inn, done, in so far as its woodwork was concerned, in smoked or dark-stained oak to represent an old English interior, its walls covered with long-stemmed pipes and pictures of English hunting and drinking scenes, its black-stained but unvarnished tables littered with riding, driving and country-life society papers, to give it that air of _sans ceremonie_ with an upper world of which its habitues probably possessed no least inkling but most eagerly craved. Here, along with a goodly group of his latter-day friends, far different from those by whom he had first been surrounded--a pretentious society poet of no great merit but considerable self-emphasis, a Wall Street broker, posing as a club man, _raconteur_, "first-nighter" and what not, and several young and ambitious playwrights, all seeking the heaven of a Broadway success--he began to pose as one of the intimates of the great city, its bosom child as it were, the cynosure and favorite of its most glittering precincts--a most M-----like proceeding. His clothes by now, for I saw him on occasion, had taken on a more l.u.s.trous if less convincing aspect than those he had worn when I first knew him. The small round hat or rakish cap, typical of his Western dreams, had now given way to a most pretentious square-topped derby, beloved, I believe, of undertakers and a certain severe type of banker as well as some clergymen, only it was a light brown. His suit and waistcoat were of a bright English tweed, reddish-brown or herring-bone gray by turns, his shoes box-toed perfections of the b.u.t.ton type. He carried a heavy cane, often a bright leather ma.n.u.script case, and seemed intensely absorbed in the great and dramatic business of living and writing. "One must," so I read him at this time, "take the pleasures as well as the labors of this world with the utmost severity." Here, with a grand manner, he patronized the manager and the waiters, sent word to his friend the cook, who probably did not know him at all, that his chop or steak was to be done just so.

These friends of his, or at least one of them (the poet) he met every day at five for an all-essential game of chess, after which an evening paper was read and the chop ordered. Ale--not beer--in a pewter mug was _comme il faut_, the only thing for a gentleman of letters, worthy of the name, to drink.

I am sorry to write so, for after all youth must have its fling. Still, I had expected better of L----, and I was a little disappointed to see that earlier dream of simplicity and privation giving way to an absolutely worthless show. Besides, twenty or thirty such stories as "The Right Man," "Sweet Dreams," "The Man With the Broken Fingers," "The Second Motive," would outweigh a thousand of the things he was getting published and the profits of which permitted him these airs.

Again, during the early days of his success with M----, he had married--a young nurse who had previously been a clerk in a store, a serious, earnest and from one point of view helpful person, seeing that she could keep his domestic affairs in order and bear him children, which she did, but she had no understanding of, or flair for, the type of thing he was called upon to do. She had no instinct for literature or the arts, and aside from her domestic capacities little skill or taste for "socializing." And, naturally, he was neglecting her. His head was probably surging with great ideas of art and hence a social supremacy which might well carry him anywhere. He had bought a farm some distance from New York, where in a community supposedly inhabited by successful and superior men of letters he posed as a farmer at times, mowing and c.o.c.king hay as became a Western plow-boy; and also, as the mood moved him, and as became a great and secluded writer, working in a den entirely surrounded by books in fine leather bindings (!) and being visited by those odd satellites of the scriptic art who see in genius of this type the _summum bonum_ of life. It was the thing to do at that time, for a writer to own a farm and work it. Horace had. One individual in particular, a man of genuine literary and critical ability and great taste in the matter of all the arts but with no least interest in or tolerance for the simplicities of effort, came here occasionally, as I heard, to help him pile hay, and this in a silk shirt and a monocle; a second--and a most fascinating intellectual _flaneur_, who, however, had no vision or the gift of dreams--came to eat, drink, talk of many things to be done, to steal a few ideas, borrow a little money perhaps or consume a little morphine, and depart; a third came to spout of his success in connection with plays, or his proposed successes; a fourth to paint a picture, urged on by L----; a fifth to compose rural verse; a sixth, a broker or race-track tout or city bar-tender (for color, this last), to marvel that one of L----'s sense, or any one indeed, should live in the country at all. There were drinking bouts, absolute drunkenness, in which, according to the Johnsonian tradition and that of Messieurs Rabelais and Moliere, the weary intellect and one's guiding genius were immersed in a comforting Lethe of rye.

Such things cost money, however. In addition, my young friend, due to a desire no doubt to share in the material splendors of his age (a doctrine M---- was ever fond of spouting--and as a duty, if you please), had saddled himself, for a time at least, with an apartment in an exclusive square on the East Side, the rent of which was a severe drain.

Before this there had been, and after it were still, others, obligations too much for him to bear financially, all in the main taken for show, that he might be considered a literary success. Now and again (so I was told by several of his intimates), confronted by a sudden exhaustion of his bank balance, he would leave some excellent apartment house or neighborhood, where for a few months he had been living in grand style, extracting his furniture as best he might, or leaving it and various debts beside, and would take refuge in some shabby tenement, or rear rooms even, and where, touched by remorse or encouraged by the great literary and art traditions (Balzac, Baudelaire, Johnson, Goldsmith, Verlaine) he would toil unendingly at definite money-yielding ma.n.u.scripts, the results of which carried to some well-paying _successful magazine_ would yield him sufficient to return to the white lights--often even to take a better apartment than that which last had been his. By now, however, one of the two children he eventually left behind him had been born. His domestic cares were multiplying, the marriage idea dull. Still he did not hesitate to continue those dinners given to his friends, the above-mentioned group or its spiritual kin, either in his apartment or in a bohemian restaurant of great show in New York. In short, he was a fairly successful short-story writer and critic in whom still persisted a feeling that he would yet triumph in the adjacent if somewhat more difficult field of popular fiction.

It was during this period, if I may interpolate an incident, that I was waiting one night in a Broadway theater lobby for a friend to appear, when who should arrive on the scene but L----, most outlandishly dressed in what I took to be a _reductio ad absurdum_ of his first pose, as I now half-feared it to be: that of the uncouth and rugged young American, disclaiming style in dress at least, and content to be a clod in looks so long as he was a Sh.e.l.ley in brains. His suit was of that coa.r.s.e ill-fitting character described as Store, and shelf-worn; his shoes all but dusty brogans, his headgear a long-visored yellowish-and-brown cross-barred cap. He had on a short, badly-cut frieze overcoat, his hands stuck defiantly in his trousers pockets, forcing its lapels wide open. And he appeared to be partially if not entirely drunk, and very insolent. I had the idea that the drunkenness and the dress were a pose, or else that he had been in some neighborhood in search of copy which required such an outfit. Charitably let us accept the last. He was accompanied by two satellic souls who were doing their best to restrain him.

"Come, now! Don't make a scene. We'll see the show all right!"

"Sure we'll see the show!" he returned contentiously. "Where's the manager?"

A smug mannikin whose uniform was a dress suit, the business manager himself, eyed him in no friendly spirit from a nearby corner.

"This is Mr. L----," one of the satellites now approached and explained to the manager. "He's connected with M----'s Magazine. He does short stories and dramatics occasionally."

The manager bowed. After all, M----'s Magazine had come to have some significance on Broadway. It was as well to be civil. Courtesy was extended for three, and they went in.

As for myself, I resented the mood and the change. It was in no way my affair--his life was his own--and still I resented it. I did not believe that he was as bad as he seemed. He had too much genuine sense. It was just boyish swagger and show, and still it was time that he was getting over that and settling down. I really hoped that time would modify all this.

One thing that made me hope for the best was that very shortly after this M----'s Magazine blew completely up, leaving him without that semi-financial protection which I felt was doing him so much harm. The next favorable sign that I observed was that a small volume of short stories, some sixteen in number, and containing the cream of his work up to that time, was brought to a publishing house with which I was financially identified at the time, and although no word was said to me (I really think he took great care not to see me), still it was left and on my advice eventually published (it sold, I believe, a little under five hundred copies). But the thing that cheered me was that it contained not one story which could be looked upon as a compromise with his first views. And better, it had been brought to the concern with which I was connected--intentionally, I am sure. I was glad to have had a hand in its publication. "At least," I said, "he has not lost sight of his first ideal. He may go on now."

And thereafter, in one magazine and another, excellent enough to have but a small circulation, I saw something of his which had genuine merit.

A Western critical journal began to publish a series of essays by him, for which I am sure he received nothing at all. Again, three or four years later, a second volume of stories, almost if not quite as good as his first, was issued by this same Western paper. He was trying to do serious work; but he still sought and apparently craved those grand scenes on the farm or in some New York restaurant or an expensive apartment, and when he could no longer afford it. He still wrote happy-ending, or compromise, stories for any such magazine as would receive him, and was apparently building up a reasonably secure market for them. In the meantime the moving-picture scenario market had developed, and he wrote for it. His eyes were also turning toward the stage, as one completed ma.n.u.script and several "starts" turned over to me after his death proved. One day some one who knew him and me quite well a.s.sured me that L----, having sent out many excellent stories only to have them returned, had one day cried and then raged, cursing America for its att.i.tude toward serious letters--an excellent sign, I thought, good medicine for one who must eventually forsake his hope of material grandeur and find himself. "In time, in time," I said, "he will eat through the husks of these other things, the 'M---- complex,' and do something splendid. He can't help it. But this fantastic dream of grandeur, of being a popular success, will have to be lived down."

For a time now I heard but little more save once that he was connected with a moving-picture concern, suggesting plots and making some money.

Then I saw a second series of essays in the same Western critical paper--that of the editor who had published his book--and some of them were excellent, very searching and sincere. I felt that he was moving along the right line, although they earned him nothing. Then one week, very much to my surprise, there was a very glowing and extended commentary on myself, concerning which for the time being I decided to make no comment; and a little later, perhaps three weeks, a telephone call. Did I recall him? (!) Could he come and see me? (!) I invited him to dinner, and he came, carrying, of all things--and for him, the ex-railroad boy--a great armful of red roses. This touched me.

"What's the idea?" I inquired jovially, laughing at him.

He blushed like a girl, a little irritably too, I thought, for he found me (as perhaps he had hoped not to) examining and critical, and he may have felt that I was laughing at him, which I wasn't. "I wished to give them to you, and I brought 'em. Why shouldn't I?"