"No, it just turns into a cold." She kissed him. "Your kiss has already turned me into a princess."

6. She Loves You, Yeah

The limo met them at La Guardia in the late afternoon on New Year's Day and they started out on the drive up the Hudson. "Shame we won't be able to see the river," Quentin said. "It'll be dark before we get over the Triborough."

"You can't see the river anyway," said Madeleine. "Not the way you can from the bluffs. The great houses were all built to be seen from the water. That was the highway then, the steamboats up the Hudson."

"The house is that old?"

"A fireplace in every room. The kitchen is an add-on. The bathrooms are carved out of hallways and stuck under stairs. All afterthoughts."

"They built these huge gorgeous mansions and then went outside to the privy?"

"Don't be silly," said Madeleine. "They had fine porcelain chamberpots. Which were emptied by the servants."

"Let me guess about the toilet paper."

"Every room had a water basin and towels. What do you think they were for?"

"Oh, for the good old days," said Quentin.

"I suppose your your people all had flush toilets from the fifteenth century." people all had flush toilets from the fifteenth century."

"No. But they dug their own latrines and built privies and used the Sears catalogue. n.o.body handled anybody else's sewage."

"The idea of money was different then," said Madeleine. "If there was a filthy job, other people did it, and you paid them."

"My people believed in independence. You did for yourself, beholden to no one."

"The sn.o.bbery of the poor."

"The helplessness of the rich."

"Only you're you're the one with money." the one with money."

"What, your family's broke?"

"We have what we need, I guess. Nothing on your your scale." scale."

"My money's an accident, Mad. It fell on me while I was doing what I cared about. I was lucky to be in a company run by a marketing madman. And once I had had money, I couldn't stop it from growing." money, I couldn't stop it from growing."

"That's what I love most about you, Tin. You have no ambition whatsoever."

"One ambition. To make a future with you."

She smiled at him.

He pulled the Beatles Anthology Beatles Anthology CD out of his carry-on bag and put it in the player in the limo. "I haven't had a chance to listen to this since you gave it to me." CD out of his carry-on bag and put it in the player in the limo. "I haven't had a chance to listen to this since you gave it to me."

"I thought you might want something from your childhood."

"It's not like I remember them. I was three years old when they did the Sullivan show."

"It's all ancient history to me."

"You're not that that much younger than I am." On the marriage license she had put 1965 as her year of birth. much younger than I am." On the marriage license she had put 1965 as her year of birth.

"I lived on another planet then," she said. "We didn't even have a radio in our house."

"Chamberpots, no radio."

"I did love to crank the Victrola."

"Seriously?"

"No. I suppose there was a radio somewhere, but it's not as if anyone would dream of letting me me choose the station. We didn't get out much." choose the station. We didn't get out much."

"Why not? Didn't you go to school?"

"Tutors. Family tradition."

"Were they trying trying to isolate you?" to isolate you?"

"I think perhaps so," said Madeleine. "Grandmother ruled with an iron fist. She never liked me."

"Grandmother? Will I meet her?"

"I don't know. She ought ought to be in a rest home, with tubes sticking out of her." to be in a rest home, with tubes sticking out of her."

Quentin had never heard such venom from her.

"Alzheimer's?" he asked.

"Advanced b.i.t.c.hiness," she answered.

"Give me a little preparation. Who is it I should try hardest not to offend?"

"Tin, don't you get it? I don't care who you offend. I've been free of their control for years now. I'm bringing you here to show them that there are good people in this world and I found one of them and if they don't like you, screw 'em."

Quentin digested this for a while, listening to the music, then looking at the booklet that came with the CD. "It's funny how all their early stuff sounds so much like Elvis. Only not as good."

"What?" She looked baffled.

"The Beatles."

"Oh, sorry, I wasn't listening."

"Listen to it now. That's Paul singing, only listen to what he's doing to his voice. Distorting it like crazy. They don't even sound like the Beatles."

"He can't hold his pitch very well, can he."

"That's what I mean. It's like they haven't found their own sound yet. Not one of these cuts before their first studio singles even sounds like the Beatles. It's like they walked into the studio as a club band that did Elvis and Ink Spots imitations, and came out as the Beatles."

"I thought you said you were only three when the Beatles came along."

"Yeah, well, when I was old enough to listen to music, what was there? England Dan and John Ford Coley. 'I Put My Blue Jeans On.' 'She's Gone.' And who can forget Fleetwood Mac?"

"I guess they must be forgotten because I never heard of any of those groups. 'I Put My Blue Jeans On' sounds like a commercial."

"It was a song, by this squiggy little guy from England I think. And they did did make it into an ad jingle. Or maybe it started that way, what do I know? And 'The Year of the Cat.' Man it was bad. Lizzy and I went back and listened to the old stuff. My parents were Elvis nuts but they also liked the Beatles. It was in their closet." make it into an ad jingle. Or maybe it started that way, what do I know? And 'The Year of the Cat.' Man it was bad. Lizzy and I went back and listened to the old stuff. My parents were Elvis nuts but they also liked the Beatles. It was in their closet."

"Well, if the Beatles were Elvis clones at first, that's understandable."

"The recorded stuff wasn't. What did you you listen to?" listen to?"

"I told you, nothing."

"Had to be disco. Let's see, you'd've been fifteen in 1980. Oh, I know. Michael Jackson! 'Billy Jean'! 'We Are the World.' Or maybe Springsteen."

"What is this, a test? A final exam or something?" She looked really annoyed.

"Look, I'm just talking about music, that's all."

"Well I don't know any of it! And there's no reason that I should, so stop it!"

She looked furious and frightened as she turned to look out the window into the deepening night. Lights and signs whipped by on the freeway.

"It wasn't a test," said Quentin quietly. "Why would I be testing you?"

"I don't know," she murmured.

"Well I wasn't. I love you whether you care about music or not. I was just trying to think what would have been current when you came of age. People usually know the music that was hot when they were about fifteen or so, and then for a few years till they get married. I got into it early because Lizzy took me with her when she she was that age. And I never stopped because I didn't get married till now. You have friends in DC, didn't was that age. And I never stopped because I didn't get married till now. You have friends in DC, didn't they they play any music?" play any music?"

"It never sounded like music to me. Nine Inch Nails." She shuddered.

"But they didn't play you any Counting Crows? Martin Page? Natalie Merchant?"

"We were bureaucrats. And what I cared about was government." She turned back to face him. "The Beatles. They were rich, weren't they? Famous, right?"

"More popular than Jesus Christ, I think the saying was."

"Yeah, well, what did they do with it?"

"Do?"

"With their money and fame. What was it for?"

"Music, I guess. Songs."

"No, that's what it was from from. What was it for?"

"For itself." He studied her face, wondering if someone he loved so much could be so blind to something as simple as this. "They did music because they loved the songs. Writing them and singing them."

"Like you loved the programming, is that it?"

"Sure. You do what you love, and sometimes money happens or fame happens, but mostly it doesn't happen but that's OK because you were doing what you loved."

She shook her head. "Like a kid who's given this big wonderful present, only when he unwraps it, all he can think to do is play with the box it came in. With the wrapping paper and ribbon."

"OK, so what's the present?"

She leaned toward him and spoke with such intensity that her words scoured his heart. "Running things."

He remembered what she had said in the garden. About power.

"But that's just the box, too," he said. "Power, I mean."

"No it isn't."

"Sure it is. What's power power for?" for?"

"I don't get what you're asking me."

"You asked the same question about money and fame-what are they for? Well, what about power? Running things? Running them for what? To accomplish what?"

"Whatever you want." The answer was so obvious to her that she clearly didn't understand a word he was saying.

"That's the point? What do you want?"

"To run things," she said.

"But all these candidates we've been encouraging, Mad, didn't we pick them out because they had purposes? Causes?"

"They had causes," she said. "That doesn't mean had causes," she said. "That doesn't mean I I have to." have to."

This att.i.tude was so baffling and unpleasant that Quentin wished he hadn't got into the conversation. "I thought you chose these people for their causes."

"I did," she said. "n.o.body's easier to control than a politician with a cause."

He shuddered. "That doesn't make any sense."

"Sure it does," she said. "I a.s.sumed you understood that. As long as he's accomplishing his cause, he'll do everything else else you tell him to. Like you do with the people you got into partnerships with." you tell him to. Like you do with the people you got into partnerships with."