The Voice! Obliterated by the mental chaos it had caused, whelmed in the succeeding rush of fear, it now rose to recognition--a portentous fact.

He stood stunned, the suitcase dangling from his hands, immovable in aghast wonder as if it had just come to his ears. A voice without a personality, a voice behind which he could envisage no body, a voice of warning dropping out of the unknown, dropping doom!

His surface faculties were now obedient to his direction and automatically responded to the necessity for haste. As he went about collecting his clothes, tearing up letters, opening drawers, he ransacked his brain for a clew to the man's ident.i.ty, tried to rehear the voice and catch a familiar echo, went back and forth over the words. And in the fevered restoration of them, the last sentences, "You thought you'd struck someone who was helpless. But she could pay you back and she has,"

brought light in an illuminating flash. "Pancha," he whispered, "Pancha,"

and stood rooted, recalling, searching the past, linking the known with the deduced.

The man was the bandit, the old lover, the one he had supplanted, the one who had written the message on the paper. He had heard she was sick--come to see her--and she had told him, called upon him to avenge her as she said she would. And the man--he couldn't--his hands were tied. If Mayer had the paper--and the cache showed it was gone--Mayer could direct the pursuit to Pancha and to Pancha's "best beau." So, fact marshaled behind fact, he drew to the truth, grasped it, knew why he had been warned and by whom.

Pancha had found out somehow--but he did not linger on that; his mind wasted no time filling profitless gaps. Fiercely alive now it only saw what counted. He turned and looked out of the window, a glance in her direction. She had made good, kept her word, beaten him. The feeble thing, the scorned thing, that he had kicked out of his path, had risen and destroyed him. He stood for a still moment looking toward where she was, triumphant, waiting for his arrest, and he muttered, his gray face horrible.

Soon afterward he was ready, the old hat and coat on, the suitcase packed. There was a look about for forgotten details and he attended to them with swift competence. The papers on the desk--those expense accounts--were crammed into his pockets, the shades drawn up, the bed rumpled for the room boy's eye in the morning. Then a last sweeping survey and he turned out the gas, opened the door and peered into the hall. It stretched vacant to the window at the far end, a subdued light showing its carpeted length. His nostrils caught its unaired closeness, his ears the heavy stillness of a place enshrining sleep.

Night still held the streets, at this hour dim, deserted vistas, looking larger than they did by day. He stole along them feeling curiously small, dwarfed by their wide emptiness, wanting to hide from their observation. It was typical of what the rest of his life would be, shunning the light, footing it furtively through darkness, forever apprehensive, forever outcast.

His heart sank into blackness, dense, illimitable. It stretched from him out to the edges of the world and he saw himself never escaping from it, groping through it from pursuers, always retreating, always looking back in fear. Poverty would be his close companion; makeshifts, struggles, tricks of deceit, the occupation of his days. The effort of new endeavor rose before him like a mountain to be climbed and for which he had not the strength; the ease he was reft of, a paradise only valued now it was lost. Hate of those who had brought him so low surged in him, dominating even his misery. He set his teeth, looking up at the graying sky, feeling the poison pressing at his throat, aching in his limbs, burning at the ends of his fingers.

There was a faint diffused light when he reached the corner of Pancha's street, the first gleam of the coming day. Like one who sees temptation placed before him in living form and hesitates, reluctant yet impelled, he stood and gazed at the front of the Vallejo Hotel. The lamps showed up a pinkish orange, two spheres, concrete and solid, in a swimming, silvery unreality. Beyond the steps a man's figure moved, walking up the street, his back to Mayer. It was very quiet; the hush before the city, turning in its sleep, stretched, breathed deeply, and awakened.

Mayer went forward toward the lamps.

He had no definite intention; was actuated by no formed resolution; was, for the moment, a being filled to the skin by a single pa.s.sion. He felt light, as if his body weighed nothing, or as if he might have been carried by a powerful current buoyant and beyond his control. It took him up the steps to the door. Through a clear s.p.a.ce in the ground gla.s.s panel he looked in and saw that the hall was empty. His heart rose stranglingly and then contracted; his hand closed on the k.n.o.b, turned it and the door opened. That unexpected opening, the vacant hall and stairway stretching before him like an invitation, ended his lack of purpose. Despair and hate combined into the will to act, propelled him to a recognized goal.

He entered and mounted the stairs.

Cushing, having found the long vigil at the Vallejo exhausting, had contracted the habit of slipping out in the first reaches of the dawn to a saloon down the street. It was a safe habit, for even the few night-roving tenants the Vallejo had were housed at that hour, and if a belated reveler should stray in, the door was always left on the latch.

Moreover he only stayed a few minutes; a warming gulp and he was back again, wide-awake for the call of the day. His was the figure Mayer had seen walking down the street.

Pancha was asleep and dreaming. It was a childish dream, but it was impregnated with that imminent, hovering terror that often is a.s.sociated with the simple visions of sleep. She was back in the old shack in Inyo where her mother had died, and it was raining. Juana was sitting on the side of the bed, her dark hair parted, a shawl over her head framing her face. From the side of the bed she watched Pancha, who was sweeping, sweeping with urgent haste, haunted by some obscure necessity to finish and continually r.e.t.a.r.ded by obstacles. Against the door the rain fell, loud, and then louder. It grew so loud that it ceased to be like rain, became a shower of blows, a fearful noise, never before made by water.

Horror fell upon them, a horror of some sinister fate beyond the door.

Juana held out her arms and Pancha, dropping the broom, ran to her, and clinging close listened to the sound with a freezing heart.

She woke and it was still there, not so loud, very soft, and falling, between pauses, on her own door. Her fear was still with her and she sat up, seeing the room faintly charged with light. "Who is it?" she said and heard her voice a stifled whisper, then, the knocking repeated, she leaped out of bed and thrust her feet into slippers. She was awake now and thought of her father, no one else would come at such an hour. As she ran to the door she called, "What is it--is something the matter?"

Through the crack she heard an answering whisper, "Open--it's all right.

Let me in." It might have been anybody's voice. She opened the door and Boye Mayer came in.

They looked at one another without words, and after the look, she began to retreat, backing across the room, foot behind foot. He locked the door and then followed her. There were pieces of furniture in the way that she skirted or pushed aside, keeping her eyes on him, moving without sound. She knew the door into the sitting room was open and with one hand she felt behind her for the frame, afraid to turn her back on him, afraid to move her glance, the withheld shriek ready to burst out when he spoke or sprang.

She gained the doorway and backed through it and here breathed a hoa.r.s.e, "Boye, what do you want?" He made no answer, stealing on her, and she slid to the table and then round it, keeping it between them. In the pale light, eye riveted on eye, they circled it like partners in a fantastic dance, creeping, one away and one in pursuit, steps noiseless, movements delicately alert. Her body began to droop and cower, her breath to stifle her; it was impossible to bear it longer. "Boye!" she screamed and made a rush for the door. She had shot the bolt back, her hand was on the k.n.o.b, when he caught her. His grip was like iron, hopeless to resist, but she writhed, tore at him, felt herself pressed back against the wall, his fingers on her throat.

It was a quarter to five on the morning of April 18, 1906.

The first low rumble, the vibration beneath his feet, did not penetrate his madness. Then came a road, an enormous agglomeration of sound and movement, an unloosing of t.i.tanic elements--above them, under them, on them.

They were separated, each stricken aghast, no longer enemies, beings of a mutual life seized by a mutual terror. The man was paralyzed, not knowing what it was, but the girl, bred in an earthquake country, clasped her hands over her skull and bent, crouching low and screaming, "_El temblor!_" The floor beneath them heaved and dropped and rose, groaning as the ground throes wrenched it. From walls that strained forward and sank back, pictures flew, shelves hurled their contents. Breaking free, upright for a poised second, the long mirror lunged across the room, then crashed to its fall. On its ruin plaster showered, stretches of ceiling, the chandelier in a shiver of gla.s.s and coiled wires.

Through the dust they saw one another as ghosts, staggering, helpless, dodging toppling shapes. They shouted across the chaos and only knew the other had cried by the sight of the opened mouth. All sounds were drowned in the surrounding tumult, the roar of the shaken city and the _temblor's_ thunderous mutter. Rafters, crushed together, then strained apart, creaked and groaned and crunched. Walls receded with a reeling swing and advanced with a crackling rush. The paper split into shreds; the plaster skin beneath ripped open; lathes broke in splintered ends; mortar came thudding from above and swept in a swirling drive about their feet.

He shouted to her and made a run for the door. Hanging to the k.n.o.b he was thrown from side to side by the paroxysmal leaps of the building.

The door jammed, and, his wrenchings futile, he turned and dashed to the window. Here again the sash stuck. He kicked it, frantic, caught a glimpse of the street, people in nightgowns, a chimney swaying and then falling in a long drooping sweep. Somewhere beyond it a high building shook off its cornices like a terrier shaking water from its hair.

Grinding his teeth, cursing, he wrenched at the window, tore at the clasp, then turned in desperation and saw the door, loosed by a sudden throe, swing open. Through reeling dust clouds Pancha darted for it, her flight like the swoop of a bird, and he followed, running crazily along the heaving floor.

The hall was fog-thick with powdered mortar, and careening like a ship in a gale. He had an impression of walls zigzagged with cracks, of furniture, upturned, making dives across the pa.s.sage. White figures were all about; some ran, some stood in doorways and all were silent. He thrust a woman out of his way and felt her move, acquiescingly, as if indifferent. Another, a child in her arms, clawed at his back, forced him aside, and as she sped by he saw the child's face over her shoulder, placid and sweet, and caught her voice in a moaning wail, "Oh, my baby!

Oh, my baby!" A man, holding the hand of a girl, was thrown against the wall and dropped, the girl tugging at him, trying to drag him to his feet. Something, with blood on its whiteness, lay huddled across the sill of an open doorway.

Pancha was ahead of him, a long narrow shape that he could just discern.

A length of ceiling fell between them, a sofa, like a thing endowed with malign life, rushed from the wall and blocked his pa.s.sage. He scrambled over it and saw the stair head, and a clearer light. That meant deliverance--the street one flight below. The floor sagged and cracked, he could feel it going, and with a screaming leap he threw himself at the bal.u.s.trade, caught and clung. From above he heard a cry, "Up, up, not down!" had a vision of Pancha on the second flight, flying upward, and himself plunged downward to the street.

The litter of the great mirror lay across the landing, the light from the hall on its shattered fragments, broken glitterings amid a debris of gold. The bal.u.s.trade broke and swung loose, the stairs drooped, humped again, and gave, sinking amid an onrush of walls, of splintered beams, of ceilings suddenly gaping and discharging their weight in a shoot of plaster, snapped boards and furniture. Something struck him and he fell to his knees, struggled against a smothering ma.s.s, then sank, whelmed in the crumbling collapse.

Pancha at the stair top, lurching from wall to wall, felt a slow subsidence, a sinking under her feet, and then the frenzied movement settle into a long, rocking swing. A pallor of light showed through the dust rack, and making her way to it she found an open doorway giving on a front room. She pa.s.sed through; crawled over a heap of entangled furniture toward a window wide to the rising day. She thought she was on the third story, then heard voices, looked out and saw faces almost on a level with her own, the street a few feet below her, a clouded ma.s.sing of figures, moving, gesticulating, calling up to the windows. The greater bewilderment had shut out all lesser ones. She did not understand, did not ask to, only wanted to get out and be under the safe roof of the sky.

Climbing across the sill, she found her feet on gra.s.s, stumbled over a broken railing, heard someone shout, and was pulled to her feet by two men. They held her up, looking her over, shaking her a little. Both their faces were as white as if they had been painted.

"Are you hurt?" one of them cried, giving her arm a more violent shake as if to jerk the answer out quickly.

"Hurt?" she stammered. "No. I'm all right. But--but how did I get out this way--onto the street?"

She saw then that his teeth were chattering. Closing his lips tight to hide it he pointed to where she had come from.

She turned and looked. The Vallejo, slanting in a drunken sprawl, its roof railing hanging from one corner, its cornices strewn on the pavement, had sunk to one story. Built on the made ground of an old creek bed, it had buckled and gone down, the first and second stories crumpling like a closed accordion, the top floor, disjointed and wrecked, resting on their ruins.

CHAPTER x.x.xIV

LOST

Aunt Ellen always maintained the first shock threw her out of bed, and then she would amend the statement with a qualifying, "At any rate I was on the floor when Lorry came and I never knew how I got there." She also said that she thought it was the end of the world, and pulled to her feet by Lorry, announced the fact, and heard Lorry's answer, short and sharp, "No--it's an earthquake. Don't talk. Come quick--run!"

Lorry threw a wrapper about her and ran with her along the hall, almost dark and full of rending noises, and down the stairs that Aunt Ellen said afterward she thought "were going to come loose every minute." A long clattering crash made her scream, "There--it's the house--we're killed!"

And Lorry, wrestling with the front door, answered in that hard, breathless tone, "No, we're not--we're all right." The door swung open.

"Mind the gla.s.s, don't step in it. Down the steps--on the lawn--_quick_!"

They came to a stand by the front gate, were aware of the frantic leaps of the earth subsiding into a long, rhythmic roll, and stood dumbly, each staring at the other's face, unfamiliar in a blanched whiteness.

There were people in the street, scatterings, and huddled cl.u.s.ters and solitary figures. They were standing motionless in att.i.tudes of poised tension, as if stricken to stone. Holding s.n.a.t.c.hed up garments over their night clothes, they waited to see what was coming next, not speaking or daring to move, their eyes set in terrified expectancy. Lorry saw them like dream figures--the fantastic exaggerations of nightmare--and looked from them to the garden, the house--the solid realities. The ruins of the chimney lay sprawled across the flower beds, the splintered trunk of the fig tree rising from the debris. Stepping nimbly among the bricks, in his white coat and trousers as if prepared to wait on table, was Fong.

"Oh, Fong!" she cried. "Thank heaven, you're all 're all right!"

Fong, picking his way with cat-like neatness, answered cheerfully:

"I velly well. I see chimley fall out and know you and Missy Ellen all 'ighty. If chimley fall in you be dead."

"Oh, Fong!" Aunt Ellen wailed; "it's like the Day of Judgment."

Fong, having no opinions to offer on this view of the matter, eyed her costume with disapproval.