"Are they really clever this time?" she asked roguishly--"for you must admit that they are usually sticks."
Tommy blinked at this. "I really believe, Mrs. Jerry," he said slowly, "it is you who don't know who I am!"
"You prepare the aristocracy for the stage, don't you?" she said plaintively.
"I!" he thundered.
"He had a beard," she said, in self-defence.
"Who?"
"Oh, I don't know! Please forgive me! I do remember, of course, who you are--I remember too well!" said Mrs. Jerry, generously.
"What is my name?" Tommy demanded.
She put her hands together again, beseechingly. "Please, please!" she said. "I have such a dreadful memory for names, but--oh, please!"
"What am I?" he insisted.
"You are the--the man who invents those delightful thingumbobs," she cried with an inspiration.
"I never invented anything, except two books," said Tommy, looking at her reproachfully.
"I know them by heart," she cried.
"One of them is not published yet," he informed her.
"I am looking forward to it so excitedly," she said at once.
"And my name is Sandys," said he.
"Thomas Sandys," she said, correcting him triumphantly. "How is that dear, darling little Agnes--Elspeth?"
"You have me at last," he admitted.
"'Sandys on Woman!'" exclaimed Mrs. Jerry, all rippling smiles once more. "Can I ever forget it!"
"I shall never pretend to know anything about women again," Tommy answered dolefully, but with a creditable absence of vindictiveness.
"Please, please!" said the little hands again.
"It is a nasty jar, Mrs. Jerry."
"Please!"
"Oh that I could forget so quickly!"
"Please!"
"I forgive you, if that is what you want."
She waved her whip. "And you will come and see me?"
"When I have got over this. It needs--a little time." He really said this to please her.
"You shall talk to me of the new book," she said, confident that this would fetch him, for he was not her first author. "By the way, what is it about?"
"Can you ask, Mrs. Jerry?" replied Tommy, passionately. "Oh, woman, woman, can you ask?"
This puzzled her at the time, but she understood what he had meant when the book came out, dedicated to Pym. "Goodness gracious!" she said to herself as she went from chapter to chapter, and she was very self-conscious when she heard the book discussed in society, which was not quite as soon as it came out, for at first the ladies seemed to have forgotten their Tommy.
But the journals made ample amends. He had invented, they said, something new in literature, a story that was yet not a story, told in the form of essays which were no mere essays. There was no character mentioned by name, there was not a line of dialogue, essays only, they might say, were the net result, yet a human heart was laid bare, and surely that was fiction in its highest form. Fiction founded on fact, no doubt (for it would be ostrich-like to deny that such a work must be the outcome of a painful personal experience), but in those wise and penetrating pages Mr. Sandys called no one's attention to himself; his subject was an experience common to humanity, to be borne this way or that; and without vainglory he showed how it should be borne, so that those looking into the deep waters of the book (made clear by his pellucid style) might see, not the author, but themselves.
A few of the critics said that if the book added nothing to his reputation, it detracted nothing from it, but probably their pen added this mechanically when they were away. What annoyed him more was the two or three who stated that, much as they liked "Unrequited Love,"
they liked the "Letters" still better. He could not endure hearing a good word said for the "Letters" now.
The great public, I believe, always preferred the "Letters," but among important sections of it the new book was a delight, and for various reasons. For instance, it was no mere story. That got the thoughtful public. Its style, again, got the public which knows it is the only public that counts.
Society still held aloof (there was an African traveller on view that year), but otherwise everything was going on well, when the bolt came, as ever, from the quarter whence it was least expected. It came in a letter from Grizel, so direct as to be almost as direct as this: "I think it is a horrid book. The more beautifully it is written the more horrid it seems. No one was ever loved more truly than you. You can know nothing about unrequited love. Then why do you pretend to know? I see why you always avoided telling me anything about the book, even its title. It was because you knew what I should say. It is nothing but sentiment. You were on your wings all the time you were writing it. That is why you could treat me as you did. Even to the last moment you deceived me. I suppose you deceived yourself also. Had I known what was in the manuscript I would not have kissed it, I would have asked you to burn it. Had you not had the strength, and you would not, I should have burned it for you. It would have been a proof of my love. I have ceased to care whether you are a famous man or not. I want you to be a real man. But you will not let me help you. I have cried all day. GRIZEL."
Fury. Dejection. The heroic. They came in that order.
"This is too much!" he cried at first, "I can stand a good deal, Grizel, but there was once a worm that turned at last, you know. Take care, madam, take care. Oh, but you are a charming lady; you can decide everything for everybody, can't you! What delicious letters you write, something unexpected in everyone of them! There are poor dogs of men, Grizel, who open their letters from their loves knowing exactly what will be inside--words of cheer, words of love, of confidence, of admiration, which help them as they sit into the night at their work, fighting for fame that they may lay it at their loved one's feet. Discouragement, obloquy, scorn, they get in plenty from others, but they are always sure of her,--do you hear, my original Grizel?--those other dogs are always sure of her. Hurrah! Grizel, I was happy, I was actually honoured, it was helping me to do better and better, when you quickly put an end to all that. Hurrah, hurrah!"
I feel rather sorry for him. If he had not told her about his book it was because she did not and never could understand what compels a man to write one book instead of another. "I had no say in the matter; the thing demanded of me that I should do it, and I had to do it. Some must write from their own experience, they can make nothing of anything else; but it is to me like a chariot that won't budge; I have to assume a character, Grizel, and then away we go. I don't attempt to explain how I write, I hate to discuss it; all I know is that those who know how it should be done can never do it. London is overrun with such, and everyone of them is as cock-sure as you. You have taken everything else, Grizel; surely you might leave me my books."
Yes, everything else, or nearly so. He put upon the table all the feathers he had extracted since his return to London, and they did make some little show, if less than it seemed to him. That little adventure in the park; well, if it started wrongly, it but helped to show the change in him, for he had determinedly kept away from Mrs.
Jerry's house. He had met her once since the book came out, and she had blushed exquisitely when referring to it, and said: "How you have suffered! I blame myself dreadfully." Yes, and there was an unoccupied sofa near by, and he had not sat down on it with her and continued the conversation. Was not that a feather? And there were other ladies, and, without going into particulars, they were several feathers between them. How doggedly, to punish himself, he had stuck to the company of men, a sex that never interested him!
"But all that is nothing. I am beyond the pale, I did so monstrous a thing that I must die for it. What was this dreadful thing? When I saw you with that glove I knew you loved me, and that you thought I loved you, and I had not the heart to dash your joy. You don't know it, but that was the crime for which I must be exterminated, fiend that I am!"
Gusts of fury came at intervals all the morning. He wrote her appalling letters and destroyed them. He shook his fist and snapped his fingers at her, and went out for drink (having none in the house), and called a hansom to take him to Mrs. Jerry's, and tore round the park again and glared at everybody. He rushed on and on. "But the one thing you shall never do, Grizel, is to interfere with my work; I swear it, do you hear? In all else I am yours to mangle at your will, but touch it, and I am a beast at bay."
And still saying such things, he drew near the publishing offices of Goldie & Goldie, and circled round them, less like a beast at bay than a bird that is taking a long way to its nest. And about four of the afternoon what does this odd beast or bird or fish do but stalk into Goldie & Goldie's and order "Unrequited Love" to be withdrawn from circulation.
"Madam, I have carried out your wishes, and the man is hanged."
Not thus, but in words to that effect, did Tommy announce his deed to Grizel.
"I think you have done the right thing," she wrote back, "and I admire you for it." But he thought she did not admire him sufficiently for it, and he did not answer her letter, so it was the last that passed between them.
Such is the true explanation (now first published) of an affair that at the time created no small stir. "Why withdraw the book?" Goldie & Goldie asked of Tommy, but he would give no reason. "Why?" the public asked of Goldie & Goldie, and they had to invent several. The public invented the others. The silliest were those you could know only by belonging to a club.
I swear that Tommy had not foreseen the result. Quite unwittingly the favoured of the gods had found a way again. The talk about his incomprehensible action was the turning-point in the fortunes of the book. There were already a few thousand copies in circulation, and now many thousand people wanted them. Sandys, Sandys, Sandys! where had the ladies heard that name before? Society woke up, Sandys was again its hero; the traveller had to go lecturing in the provinces.
The ladies! Yes, and their friends, the men. There was a Tommy society in Mayfair that winter, nearly all of the members eminent or beautiful, and they held each other's hands. Both sexes were eligible, married or single, and the one rule was something about sympathy. It afterwards became the Souls, but those in the know still call them the Tommies.
They blackballed Mrs. Jerry (she was rather plump), but her married stepdaughter, Lady Pippinworth (who had been a Miss Ridge-Fulton), was one of them. Indeed, the Ridge-Fultons are among the thinnest families in the country.