Picture-fanciers pay not so much for the merit, as for the age and the rarity of their works. The poorest may have the _seeing eye_ for beauty, while the rich man may be blind to it. The cheapest engraving may communicate the sense of beauty to the artizan, while the thousand-guinea picture may fail to communicate to the millionaire anything,--excepting perhaps the notion that he has got possession of a work which the means of other people cannot compa.s.s.

Does the picture give you pleasure on looking at it? That is one good test of its worth. You may grow tired of it; your taste may outgrow it, and demand something better, just as the reader may grow out of Montgomery's poetry into Milton's. Then you will take down the daub, and put up a picture with a higher idea in its place. There may thus be a steady progress of art made upon the room walls. If the pictures can be put in frames, so much the better; but if they cannot, no matter; up with them! We know that Owen Jones says it is not good taste to hang prints upon walls--he would merely hang room papers there. But Owen Jones may not be infallible; and here we think he is wrong. To our eyes, a room always looks unfurnished, no matter how costly and numerous the tables, chairs, and ottomans, unless there be pictures upon the walls.

It ought to be, and no doubt it is, a great stimulus to artists to know that their works are now distributed in prints and engravings, to decorate and beautify the homes of the people. The wood-cutter, the lithographer, and the engraver, are the popular interpreters of the great artist. Thus Turner's pictures are not confined to the wealthy possessors of the original works, but may be diffused through all homes by the Millars, and Brandards, and Wilmotts, who have engraved them.

Thus Landseer finds entrance, through woodcuts and mezzotints, into every dwelling. Thus Cruikshank preaches temperance, and Ary Scheffer purity and piety. The engraver is the medium by which art in the palace is conveyed into the humblest homes in the kingdom.

The Art of Living may be displayed in many ways. It may be summed up in the words,--Make the best of everything. Nothing is beneath its care; even common and little things it turns to account. It gives a brightness and grace to the home, and invests Nature with new charms. Through it, we enjoy the rich man's parks and woods, as if they were our own. We inhale the common air, and bask under the universal suns.h.i.+ne. We glory in the gra.s.s, the pa.s.sing clouds, and the flowers. We love the common earth, and hear joyful voices through all Nature. It extends to every kind of social intercourse. It engenders cheerful goodwill and loving sincerity. By its help we make others happy, and ourselves blest. We elevate our being and enn.o.ble our lot. We rise above the grovelling creatures of earth, and aspire to the Infinite. And thus we link time to eternity; where the true Art of Living has its final consummation.