After a long time he began to think of Genevieve Rod. He was having a long conversation with her about his music, and in his imagination she kept telling him that he must finish the "Queen of Sheba," and that she would show it to Monsieur Gibier, who was a great friend of a certain concert director, who might get it played. How long ago it must be since they had talked about that. A picture floated through his mind of himself and Genevieve standing shoulder to shoulder looking at the Cathedral at Chartres, which stood up nonchalantly, above the tumultuous roofs of the town, with its sober tower and its gaudy towers and the great rose windows between. Inexorably his memory carried him forward, moment by moment, over that day, until he writhed with shame and revolt.

Good G.o.d! Would he have to go on all his life remembering that? "Teach him how to salute," the officer had said, and Handsome had stepped up to him and hit him. Would he have to go on all his life remembering that?

"We tied up the uniform with some stones, and threw it overboard," said Rosaline, jabbing him in the shoulder to draw his attention.

"That was a good idea."

"Are you going to get up? It's nearly time to eat. How you have slept."

"But I haven't anything to put on," said Andrews, laughing, and waved a bare arm above the bedclothes.

"Wait, I'll find something of the old man's. Say, do all Americans have skin so white as that? Look."

She put her brown hand, with its grimed and broken nails, on Andrews's arm, that was white with a few silky yellow hairs.

"It's because I'm blond," said Andrews. "There are plenty of blond Frenchmen, aren't there?"

Rosaline ran off giggling, and came back in a moment with a pair of corduroy trousers and a torn flannel shirt that smelt of pipe tobacco.

"That'll do for now," she said. "It's warm today for April. Tonight we'll buy you some clothes and shoes. Where are you going?"

"By G.o.d, I don't know."

"We're going to Havre for cargo." She put both hands to her head and began rearranging her straggling rusty-colored hair. "Oh, my hair," she said, "it's the water, you know. You can't keep respectable-looking on these filthy barges. Say, American, why don't you stay with us a while?

You can help the old man run the boat."

He found suddenly that her eyes were looking into his with trembling eagerness.

"I don't know what to do," he said carelessly. "I wonder if it's safe to go on deck."

She turned away from him petulantly and led the way up the ladder.

"Oh, v'la le camarade," cried the old man who was leaning with all his might against the long tiller of the barge. "Come and help me."

The barge was the last of a string of four that were describing a wide curve in the midst of a reach of silvery river full of glittering patches of pale, pea-green lavender, hemmed in on either side by frail blue roots of poplars. The sky was a mottled luminous grey with occasional patches, the color of robins' eggs. Andrews breathed in the dank smell of the river and leaned against the tiller when he was told to, answering the old man's curt questions.

He stayed with the tiller when the rest of them went down to the cabin to eat. The pale colors and the swishing sound of the water and the blue-green banks slipping by and unfolding on either hand, were as soothing as his deep sleep had been. Yet they seemed only a veil covering other realities, where men stood interminably in line and marched with legs made all the same length on the drill field, and wore the same clothes and cringed before the same hierarchy of polished belts and polished puttees and stiff-visored caps, that had its homes in vast offices crammed with index cards and card catalogues; a world full of the tramp of marching, where cold voices kept saying:--"Teach him how to salute." Like a bird in a net, Andrews's mind struggled to free itself from the obsession.

Then he thought of his table in his room in Paris, with its piled sheets of ruled paper, and he felt he wanted nothing in the world except to work. It would not matter what happened to him if he could only have time to weave into designs the tangled skein of music that seethed through him as the blood seethed through his veins.

There he stood, leaning against the long tiller, watching the blue-green poplars glide by, here and there reflected in the etched silver mirror of the river, feeling the moist river wind flutter his ragged shirt, thinking of nothing.

After a while the old man came up out of the cabin, his face purplish, puffing clouds of smoke out of his pipe.

"All right, young fellow, go down and eat," he said.

Andrews lay flat on his belly on the deck, with his chin resting on the back of his two hands. The barge was tied up along the river bank among many other barges. Beside him, a small fuzzy dog barked furiously at a yellow mongrel on the sh.o.r.e. It was nearly dark, and through the pearly mist of the river came red oblongs of light from the taverns along the bank. A slip of a new moon, shrouded in haze, was setting behind the poplar trees. Amid the round of despairing thoughts, the memory of the Kid intruded itself. He had sold a Ford for five hundred francs, and gone on a party with a man who'd stolen an ammunition train, and he wanted to write for the Italian movies. No war could down people like that. Andrews smiled, looking into the black water. Funny, the Kid was dead, probably, and he, John Andrews, was alive and free. And he lay there moping, still whimpering over old wrongs. "For G.o.d's sake be a man!" he said to himself. He got to his feet.

At the cabin door, Rosaline was playing with the parrot.

"Give me a kiss, Coco," she was saying in a drowsy voice, "just a little kiss. Just a little kiss for Rosaline, poor little Rosaline."

The parrot, which Andrews could hardly see in the dusk, leaned towards her, fluttering his feathers, making little clucking noises.

Rosaline caught sight of Andrews.

"Oh, I thought you'd gone to have a drink with the old man," she cried.

"No. I stayed here."

"D'you like it, this life?"

Rosaline put the parrot back on his perch, where he swayed from side to side, squawking in protest: "Les bourgeois a la lanterne, nom de dieu!"

They both laughed.

"Oh, it must be a wonderful life. This barge seems like heaven after the army."

"But they pay you well, you Americans."

"Seven francs a day."

"That's luxury, that."

"And be ordered around all day long!"

"But you have no expenses.... It's clear gain.... You men are funny. The old man's like that too.... It's nice here all by ourselves, isn't it, Jean?"

Andrews did not answer. He was wondering what Genevieve Rod would say when she found out he was a deserter.

"I hate it.... It's dirty and cold and miserable in winter," went on Rosaline. "I'd like to see them at the bottom of the river, all these barges.... And Paris women, did you have a good time with them?"

"I only knew one. I go very little with women."

"All the same, love's nice, isn't it?"

They were sitting on the rail at the bow of the barge. Rosaline had sidled up so that her leg touched Andrews's leg along its whole length.

The memory of Genevieve Rod became more and more vivid in his mind. He kept thinking of things she had said, of the intonations of her voice, of the blundering way she poured tea, and of her pale-brown eyes wide open on the world, like the eyes of a woman in an encaustic painting from a tomb in the Fayoum.

"Mother's talking to the old woman at the Creamery. They're great friends. She won't be home for two hours yet," said Rosaline.

"She's bringing my clothes, isn't she?"

"But you're all right as you are."

"But they're your father's."