TREBELL. And then?

AMY O'CONNELL. Well, if that's not an end in itself . . [_With a touch of romantic piety._] I suppose there's the hereafter.

TREBELL. [_Grimly material._] What, more developing! I watch people wasting time on themselves with amazement . . I refuse to look forward to wasting eternity.

AMY O'CONNELL. [_Shaking her head._] You are very self-satisfied.

TREBELL. Not more so than any machine that runs smoothly. And I hope not self-conscious.

AMY O'CONNELL. [_Rather attractively treating him as a child._] It would do you good to fall really desperately in love with me . . to give me the power to make you unhappy.

_He suddenly becomes very definite._

TREBELL. At twenty-three I engaged myself to be married to a charming and virtuous fool. I broke it off.

AMY O'CONNELL. Did she mind much?

TREBELL. We both minded. But I had ideals of womanhood that I wouldn't sacrifice to any human being. Then I fell in with a woman who seduced me, and for a whole year led me the life of a French novel . . played about with my emotion as I had tortured that other poor girl's brains.

Education you'd call it in the one case as I called it in the other.

What a waste of time!

AMY O'CONNELL. And what has become of your ideal?

TREBELL. [_Relapsing to his former mood._] It's no longer a personal matter.

AMY O'CONNELL. [_With coquetry._] You're not interested in my character?

TREBELL. Oh, yes, I am . . up to kissing point.

_She does not shrink, but speaks with just a shade of contempt._

AMY O'CONNELL. You get that far more easily than a woman. That's one of my grudges against men. Why can't women take love-affairs so lightly?

TREBELL. There are reasons. But make a good beginning with this one.

Kiss me at once.

_He leans towards her. She considers him quite calmly._

AMY O'CONNELL. No.

TREBELL. When will you, then?

AMY O'CONNELL. When I can't help myself . . if that time ever comes.

TREBELL. [_Accepting the postponement in a business-like spirit._] Well . . I'm an impatient man.

AMY O'CONNELL. [_Confessing engagingly._] I made up my mind to bring you within arms' length of me when we'd met at Lady Percival's. Do you remember? [_His face shows no sign of it._] It was the day after your speech on the Budget.

TREBELL. Then I remember. But I haven't observed the process.

AMY O'CONNELL. [_Subtly._] Your sister grew to like me very soon. That's all the cunning there has been.

TREBELL. The rest is just mutual attraction?

AMY O'CONNELL. And opportunities.

TREBELL. Such as this.

_At the drop of their voices they become conscious of the silent house._

AMY O'CONNELL. Do you really think everyone has gone to bed?

TREBELL. [_Disregardful._] And what is it makes my pressing attentions endurable . . if one may ask?

AMY O'CONNELL. Some spiritual need or other, I suppose, which makes me risk unhappiness . . in fact, welcome it.

TREBELL. [_With great briskness._] Your present need is a good shaking . .

I seriously mean that. You get to attach importance to these shades of emotion. A slight physical shock would settle them all. That's why I asked you to kiss me just now.

AMY O'CONNELL. You haven't very nice ideas, have you?

TREBELL. There are three facts in life that call up emotion . . Birth, Death, and the Desire for Children. The niceties are shams.

AMY O'CONNELL. Then why do you want to kiss me?

TREBELL. I don't . . seriously. But I shall in a minute just to finish the argument. Too much diplomacy always ends in a fight.

AMY O'CONNELL. And if I don't fight . . it'd be no fun for you, I suppose?

TREBELL. You would get that much good out of me. For it's my point of honour . . to leave nothing I touch as I find it.

_He is very close to her._

AMY O'CONNELL. You're frightening me a little . .

TREBELL. Come and look at the stars again. Come along.

AMY O'CONNELL. Give me my wrap . . [_He takes it up, but holds it._]

Well, put it on me. [_He puts it round her, but does not withdraw his arms._] Be careful, the stars are looking at you.

TREBELL. No, they can't see so far as we can. That's the proper creed.

AMY O'CONNELL. [_Softly, almost shyly._] Henry.

TREBELL. [_Bending closer to her._] Yes, pretty thing.

AMY O'CONNELL. Is this what you call being in love?

_He looks up and listens._