"Their work all depends on the men that ride them. In bareback riding there's a knack in jumping on the horse. If a man lands awkwardly and jars the horse's back, the horse will get out of step and flinch at each jump, and he isn't nearly so good to perform on. A ring horse must not swerve or change his pace; if you're up in the air, throwing a somersault, and the horse swerves from underneath you--where are you?"

"Some people think that horses take a lot of notice of the band--is that so?"

"Not that I know of. If there are any horses in the show with an ear for music, I haven't heard of them. They take a lot of notice of the ringmaster."

"Does it take them long to learn this work?"

"Not long; a couple of months will teach a ring horse; of course, some are better than others."

"First of all we teach them to come up to you, with the whip, like horsebreakers do. Then we run them round the ring with a lunging rein for a long time; then, when they are steady to the ring, we let them run with the rein loose, and the trainer can catch hold of it if they go wrong. Then we put a roller on them--a broad surcingle that goes round the horse's body--and the boys jump on them and canter round, holding on to the roller, or standing up, lying down, and doing tricks till the horse gets used to it."

"Well?"

"Well, you give 'em a couple of hours of it, perhaps, and then dry them and feed them, and give them a spell, and then bring them out again.

They soon get to know what you want; but you can't break in horses on the move. The shifting and worry and noise and excitement put it all out of their heads. We have a fixed camp where we break them in. And a horse may know his work perfectly well when there is no one about, but bring him into the ring at night, and he is all abroad."

"Do you have to give them much whip?"

"Not much. If a horse doesn't know what you want him to do, it only ruins him to whip him. But once he does a thing a few times, and then won't do it, then you must whip him."

"What about trick horses?"

"A trick horse rolls a barrel, or lies down and goes to bed with the clown, or fires a pistol--does any trick like that. Some small circuses make the same horses do both trick and ring work, but it isn't a good line. A horse is all the better to have only one line of business--same as a man."

"How do you teach them tricks?"

"Oh, it takes a long time and a lot of hard work and great patience.

Even to make a horse lie down when he's ordered takes a couple of months sometimes. To make a horse lie down, you strap up one leg, and then pull his head round; after a while he gets so tired of the strained position that he lies down, after which he learns to do it at command. If you want him to pick up a handkerchief, you put a bit of carrot in it, and after a while they know that you want them to pick it up--but it takes a long time. Then a strange hand in the ring will flurry them, and if anything goes wrong, they get all abroad. A good active pony, with a bit of Arab blood in him, is the best for tricks."

"What's a school horse?"

"Ah, that's a line of business that isn't appreciated enough out here.

On the Continent they think a lot of them. A school horse is one that is taught to do pa.s.saging, to change his feet at command, to move sideways and backwards; in fact, to drill. Out here no one thinks much of it. But in Germany, where everyone goes through military riding schools, they do. The Germans are the best horse-trainers in the world; and the big German circus-proprietors have men to do all their business for them, while they just attend to the horses."

"How long does it take to turn out a school horse?"

"Well, Chiarini was the best trainer out here, and he used to take two years to get a horse to his satisfaction. For school horses, you must have thoroughbreds, because their appearance is half their success. We had a New Zealand thoroughbred that had raced, and was turning out a splendid school horse, and he got burnt after costing a year's training.

That's the luck of the game, you know. You keep at it year after year, and sometimes they die, and sometimes they get crippled--it's all in the luck of the game. You may give fifty pounds for a horse, and find that he can never get over his fear of the elephant, while you give ten pounds for another, and find him a ready-made performer almost."

We pa.s.sed out through the ghostly circus and the menagerie tent down to the stable tent. There, among a lot of others, a tranquil-looking animal was munching some feed, while in front of him hung a placard, "Tiger Horse".

"That's a new sort! What is he, ring, trick, or school horse?"

"Well, he's a cla.s.s by himself. I suppose you'd call him a ring horse.

That's the horse that the tiger rides on."

"Did it take him long to learn that?"

"Well, it did not take this horse long; but we tried eleven others before we could get one to stand it. They're just like men, all different. What one will stand another won't look at. Well, good-bye."

Just like men--no doubt; most men have to carry tigers of various sorts through life to get a living.

THE CAT

Most people think that the cat is an unintelligent animal, fond of ease, and caring little for anything but mice and milk. But a cat has really more character than most human beings, and gets a great deal more satisfaction out of life. Of all the animal kingdom, the cat has the most many-sided character.

He--or she--is an athlete, a musician, an acrobat, a Lothario, a grim fighter, a sport of the first water. All day long the cat loafs about the house, takes things easy, sleeps by the fire, and allows himself to be pestered by the attentions of our womenfolk and annoyed by our children. To pa.s.s the time away he sometimes watches a mouse-hole for an hour or two--just to keep himself from dying of ennui; and people get the idea that this sort of thing is all that life holds for the cat.

But watch him as the shades of evening fall, and you see the cat as he really is.

When the family sits down to tea, the cat usually puts in an appearance to get his share, and purrs noisily, and rubs himself against the legs of the family; and all the time he is thinking of a fight or a love-affair that is coming off that evening. If there is a guest at table the cat is particularly civil to him, because the guest is likely to have the best of what is going. Sometimes, instead of recognizing this civility with something to eat, the guest stoops down and strokes the cat, and says, "Poor p.u.s.s.y! poor p.u.s.s.y!"

The cat soon tires of that; he puts up his claw and quietly but firmly rakes the guest in the leg.

"Ow!" says the guest, "the cat stuck his claws into me!" The delighted family remarks, "Isn't it sweet of him? Isn't he intelligent? _He wants you to give him something to eat_."

The guest dares not do what he would like to do--kick the cat through the window--so, with tears of rage and pain in his eyes, he affects to be very much amused, and sorts out a bit of fish from his plate and hands it down. The cat gingerly receives it, with a look in his eyes that says: "Another time, my friend, you won't be so dull of comprehension," and purrs maliciously as he retires to a safe distance from the guest's boot before eating it. A cat isn't a fool--not by a long way.

When the family has finished tea, and gathers round the fire to enjoy the hours of indigestion, the cat slouches casually out of the room and disappears. Life, true life, now begins for him.

He saunters down his own backyard, springs to the top of the fence with one easy bound, drops lightly down on the other side, trots across the right-of-way to a vacant allotment, and skips to the roof of an empty shed. As he goes, he throws off the effeminacy of civilisation; his gait becomes lithe and pantherlike; he looks quickly and keenly from side to side, and moves noiselessly, for he has so many enemies--dogs, cabmen with whips, and small boys with stones.

Arrived on the top of the shed, the cat arches his back, rakes his claws once or twice through the soft bark of the old roof, wheels round and stretches himself a few times; just to see that every muscle is in full working order; then, dropping his head nearly to his paws, he sends across a league of backyards his call to his kindred--a call to love, or war, or sport.

Before long they come, gliding, graceful shadows, approaching circuitously, and halting occasionally to reconnoitre--tortoisesh.e.l.l, tabby, and black, all domestic cats, but all transformed for the nonce into their natural state. No longer are they the hypocritical, meek creatures who an hour ago were cadging for fish and milk. They are now ruffling, swaggering blades with a Gascon sense of dignity. Their fights are grim and determined, and a cat will be clawed to ribbons before he will yield.

Even young lady cats have this inestimable superiority over human beings, that they can work off jealousy, hatred, and malice in a sprawling, yelling combat on a flat roof. All cats fight, and all keep themselves more or less in training while they are young. Your cat may be the acknowledged lightweight champion of his district--a Griffo of the feline ring!

Just think how much more he gets out of his life than you do out of yours--what a hurricane of fighting and lovemaking his life is--and blush for yourself. You have had one little love-affair, and never had a good, all-out fight in your life!

And the sport they have, too! As they get older and retire from the ring they go in for sport more systematically; the suburban backyards, that are to us but dullness indescribable, are to them hunting-grounds and trysting-places where they may have more gallant adventure than ever had King Arthur's knights or Robin Hood's merry men.

Grimalkin decides to kill a canary in a neighbouring verandah. Consider the fascination of it--the stealthy reconnaissance from the top of the fence; the care to avoid waking the house-dog, the noiseless approach and the hurried dash, and the fierce clawing at the fluttering bird till its mangled body is dragged through the bars of the cage; the exultant retreat with the spoil; the growling over the feast that follows. Not the least entertaining part of it is the demure satisfaction of arriving home in time for breakfast and hearing the house-mistress say: "Tom must be sick; he seems to have no appet.i.te."

It is always levelled as a reproach against cats that they are more fond of their home than of the people in it. Naturally, the cat doesn't like to leave his country, the land where all his friends are, and where he knows every landmark. Exiled in a strange land, he would have to learn a new geography, to exploit another tribe of dogs, to fight and make love to an entirely new nation of cats. Life isn't long enough for that sort of thing. So, when the family moves, the cat, if allowed, will stay at the old house and attach himself to the new tenants. He will give them the privilege of boarding him while he enjoys life in his own way. He is not going to sacrifice his whole career for the doubtful reward which fidelity to his old master or mistress might bring.

SITTING IN JUDGMENT

The show ring was a circular enclosure of about four acres, with a spiked batten fence round it, and a listless crowd of back-country settlers propped along the fence. Behind them were the sheds for produce, and the machinery sections where steam threshers and earth scoops hummed and buzzed and thundered unnoticed. Crowds of sightseers wandered past the cattle stalls to gape at the fat bullocks; side-shows flourished, a blase goose drew marbles out of a tin canister, and a boxing showman displayed his muscles outside his tent, while his partner urged the youth of the district to come in and be thumped for the edification of the spectators.

Suddenly a gate opened at the end of the show ring, and horses, cattle, dogs, vehicles, motor-cars, and bicyclists crowded into the arena. This was the general parade, but it would have been better described as a general chaos. Trotting horses and ponies, in harness, went whirling round the ring, every horse and every driver fully certain that every eye was fixed on them; the horses--the vainest creatures in the world--arching their necks and lifting their feet, whizzed past in bewildering succession, till the onlookers grew giddy. Inside the whirling circle blood stallions stood on their hind legs, screaming defiance to the world at large; great s.h.a.ggy-fronted bulls, with dull vindictive eyes, paced along, looking as though they were trying to remember who it was that struck them last. A showground bull always seems to be nursing a grievance.