"It's too rainy to start to-day," said Cousin Gustus. "I have known people drowned by swollen rivers and such while trying to travel in just such a deluge as this. We will start to-morrow."

"Wet or fine," added Anonyma.

"The fact remains," said Kew, "that I must leave you by the ten something. I must leave you to sniff without my help, like bloodhounds, along the trail of the elusive Jay. But I won't bid any one a fervent good-bye, because I daresay I shall be back again on leave for lack of anything else to do in three weeks' time, if we can't get across the Channel. In that case I'll meet you one day next month--say at Land's End or the Firth of Forth. Otherwise--say forty years hence in Heaven."

"It is very wrong to joke about Death," said Cousin Gustus. "I once knew a man who died with just such a joke on his lips."

"I hope it was a better joke than that," said Kew. "It can't be wrong to laugh at Death. Death is such a silly, cynical thing that a little wholesome leg-pulling by an impartial observer ought to do it good."

Mr. Russell was heard asking his Hound in a low voice for the truth about Death and Immortality.

So Kew went away, and left the Family gazing at the rain. Mrs. Russell was conducting a mysterious process known as writing up notes. It was hardly possible, by the way, that Anonyma could have loved the possessor of a rival notebook.

It rained very earnestly. There was no hole in the sky for hope to look through. The puddles in the village street jumped into the air with the force of the rain. You will, without difficulty, remember that it rained several times in the Spring of 1916. But this day was a most perfect example of its kind.

Cousin Gustus was both depressed and depressing. I am afraid I have not given you a very flattering portrait of Cousin Gustus. I ought to have told you that he was very well provided with human affections, and that he loved Kew better than any one else in the world. I might say that the departure of Kew let loose Cousin Gustus's intense grievance against the Germans, except that I could hardly describe a grievance as let loose that had never been pent up.

Cousin Gustus was always angry with the Germans whatever they did, but the thing that made him more angry than ever was to read in his paper some report admitting courageous or gracious behaviour in a German.

"The partings and the troubles that these Germans have caused ought to hang like mill-stones round their necks for ever," said Cousin Gustus.

"Talk about Iron Crosses--Pish! I should like to have a German here for ten minutes. I should say to him: 'My Kew was a good boy, I would almost say a clever boy, doing well in his profession: no more thought than that dog has of being a soldier till War broke out. Does that look as if we were prepared for War?' I should say. 'Doesn't that show where the blame lies?' What could he answer?"

Mr. Russell and his Hound were apparently listening, but they could offer no suggestions.

"Kew's going has upset me so that my headache has returned, and I cannot get any Aspirin here," continued Cousin Gustus. "I know a man who was very much addicted to these neuralgic headaches, who committed suicide by throwing himself from the bathroom window, solely owing to neuralgia. And the rain does nothing towards improving matters. They say the German guns bring on the rain. I tell you there is no limit to their guilt. Look at this morning's paper: 'The enemy bombarded this section of our front with increasing intensity during the day....' I ask you, IS THAT WAR?"

"Yes," said Mr. Russell absently.

"Nonsense," said Cousin Gustus. "What we ought to do is to shoot every German we can catch. Shooting's too good for them. Hang them. That would teach them. Any Government but ours would have thought of it long ago.

Iron Crosses, indeed, Pish!"

Cousin Gustus finds the Iron Cross very useful for the filling up of crannies in his edifice of wrath.

Anonyma said: "When I think of those old fairy-like German songs, I feel as if I had lost a bit of my heart and shall never find it again. That is what I regret most about this War. It is bad art."

"Art, indeed," said Cousin Gustus. "Why, every time they steal a picture they get an Iron Cross. I know a man who saw a German wearing a perfect rosary of Iron Crosses; the fellow was boasting of having bayoneted more babies than any other man in the regiment. Listen to this: 'The enemy attacked the outskirts of the village of What D'you Call'em, and engaged our troops in hand-to-hand fighting.' Think of it, and we used to say they were a civilised race. At the point of the bayonet, it says--isn't it atrocious? 'The enemy were finally repulsed at the point of the bay--' oh well, of course that may be different. I don't pretend to be a military expert...."

"I hate the Germans," said Anonyma, "because they have spoilt my own idea of them. I hate having a mistake brought home to me."

"I hate the Germans," began Mr. Russell, "because--"

"I'm going for a walk," said Anonyma. "I am sick of sitting here and hearing you two old fogies argue about the War. If War is bad art, it is vulgar to refer to it."

I know exactly what Mr. Russell was going to say. He had a vague culinary metaphor in his mind. I hate the Germans because they are underdone, they are red meat. Their vices and their virtues and their music, and their greed and their fairyism and their militarism, all seem to have been roasted in a hurry, and to contain, like red meat, the natural juices to an extent that seems to us excessive. The reason why some of us dislike red meat is that it reminds us too much of what our food originally was.

As we ourselves, possibly, are rather overcooked by the fire of civilisation, this vulgar deficiency in our enemy is very apparent to us.

This is an elaborate, but not a pleasing a.n.a.logy, and it was fortunate that Mr. Russell was interrupted. Otherwise, I think he might have been trying to this day to explain it to an exasperated Cousin Gustus. He spoke of it to his Hound, and the idea interested that animal very much.

Mr. Russell, unfortunately, had a cold, and was therefore unable on such a wet day to leave the house or Cousin Gustus. But Anonyma went out in a mackintosh that gave her the "silhouette" of a Cossack, and a beautiful little tarpaulin sou'wester, and high boots, and a skirt short enough to give the boots every chance of advertis.e.m.e.nt. The notebook was safe in a water-tight pocket.

She covered with great speed and enthusiasm the few miles to the sea. She reached it at a point where the cliff dwindled into flatness, where the gentle tide rattled on pebbles instead of on sand, where the tall breakwaters contradicted the line of the sh.o.r.e. The furthest breakwater had seaweed like hair waving on the water. At intervals it would seem to be thrust up between two gla.s.sy waves, like a victim beckoning for deliverance from the grip of some monster. And then the sea's lips would close on it again. The sea was freckled by the rain, the waves were beaten into submission. The tide was rather low, and not very far away a great company of porpoises bowed each other through the mazes of a slow quadrille. There were a few rocks spotted like leopards, and on one of these a young brown seagull rested, and allowed itself occasionally to be washed gracefully away.

"Lazy Nature!" said Anonyma reprovingly. "To sketch such a scheme in a few careless lines."

For the whole world was rain-colour. There was no horizon to the sea, the downs were blotted out, the wet shingle reflected its surroundings, the waves broke unmarked by foam or shadow. There was nothing but the porpoises and the breakwaters and the rocks, and a little bald sand dune, sketched on the canvas of that pale day.

Anonyma perpetuated in her notebook her opinion of Nature as an artist.

On the whole, it was a flattering opinion. Then she sat on the breakwater, and thought how fortunate she was to be able to think such interesting thoughts about what she saw. How fortunate to enjoy thought and to cause thought! How fortunate to feel oneself a member of the comforting fellowship of intelligence! "It is much more delightful,"

Anonyma informed the sea, "to be intelligent than to be beautiful. Why do we all try to make our outsides beautiful? There is compet.i.tion in beauty, but there is brotherhood in intelligence. To be clever is to share a secret and a smile with all clever people." A vision of the coast of the United Kingdom encircled by a ring of consciously clever Anonymas sitting on breakwaters, sharing each with all a secret and a smile, came vaguely to her.

She put all that she could of her soliloquy into her notebook.

And then she noticed the face of a man, with its eyes upon her, appearing stealthily over a breakwater. The face wore the grin that some people wear when they are doing anything with great caution. This gave it a very empty, bright expression, like the mask that represents comedy in a theatre decoration. The face dropped down behind the breakwater, after meeting Anonyma's surprised eye for a second or two.

Anonyma kept her head.

First she thought it was the face of a bather, the path to whose clothes she was unwittingly barring.

Then she thought it was the face of a picnicker, resentful of her intrusion.

Then she thought it was the face of a German spy.

The first two of these three thoughts she rejected because the weather reduced their possibility to a minimum. The third she instinctively adopted as a certainty. The face at once became obviously German in her eyes. It was broader about the chin than about the forehead, it was pink, the architecture of the nose was painfully un-English.

She scanned the sea for the periscope of a submarine.

Anonyma remembered that she had written in her notebook, a day or two before, an intimate description of the coast as seen from the Ring. She also remembered distinctly seeing in the bar of the inn a notice warning her to the effect that walls--and probably breakwaters--have ears and eyes in these days, and that the German Government has a persistent wish to possess itself of private diaries and notebooks.

"I am having an adventure," said Mrs. Gustus. "I must keep cool."

She got up from her breakwater, holding her notebook very tightly, and began to walk away. When she looked back, she saw the top of the man's head moving behind the breakwater, in a parallel direction to her own course. When he reached the point where the breakwater ended and denied him cover, he wavered for a moment, and then, with an expression of elaborate indifference, followed her.

"I must keep even cooler than this," thought Anonyma. "I must try and catch the spy."

She walked across some waste land sown with memories of picnics, and reached the main road. The man crossed the waste land behind her. He tried in a futile way to look as if he were not doing so.

On the main road, Anonyma turned and waited for him. It seemed useless in that empty landscape to sustain the pretence that they were unaware of each other.

"Did you wish to speak to me?" she asked, as well as she could for the great lump of excitement that beat in her throat. Before her eyes visions of headlines danced: "LADY NOVELIST'S PLUCKY CAPTURE OF A SPY."

The man became dark red as she spoke. "Yes," he said. "I wanted to ask you what you were writing in that notebook?"

Anonyma paused for a moment, as she decided what she ought to do. Then she said in a hoa.r.s.e voice: "I have detailed military information about this coast for twenty miles round in my notebook, with accurate reports as to the depth of the water. If you come to my lodgings in D----, I can show you a map that I have made."

A tremor ran through the stranger.

"A map?" he repeated.

"Yes, a map," said Anonyma; and then, as he did not move, she added on the spur of the moment, "Also a design for a new kind of bomb which I bought from a man in London."