"What a sublime art painting is!" thought my soul. "Happy is the man who has been touched by the spectacle of nature, who is not compelled to paint pictures for a living, and still less just to pa.s.s the time away; but who, struck by the majesty of a fine physiognomy and by the admirable play of light that blends in a thousand tints on a human face, tries to approach in his works the sublime effects of nature!"

While my soul was making these reflections, the beast was running its own way. Instead of going to court, as it had been ordered to, it swerved so much to the left that at the moment when my soul caught it up, it was at the door of Mme. de Hautcastel's house, half a mile from the palace.

If it is useful and pleasant to have a soul so disengaged from the material world that one can let her travel all alone when one wishes to, this faculty is not without its inconveniences. It was through it, for instance, that I burnt my fingers. I usually leave to my beast the duty of preparing my breakfast. It toasts my bread and cuts it in slices.

Above all, it makes coffee beautifully, and it drinks it very often without my soul taking part in the matter, except when she amuses herself with watching the beast at work. This, however, is rare, and a very difficult thing to do.

It is easy, during some mechanical act, to think of something else; but it is extremely difficult to study oneself in action, so to speak; or, to explain myself according to my own system, to employ one's soul in examining the conduct of one's beast, to see it work without taking any part. This is really the most astonishing metaphysical feat that man can execute.

I had laid my tongs on the charcoal to toast my bread, and some time after, while my soul was on her travels, a flaming stump rolled on the grate; my poor beast went to take up the tongs, and I burnt my fingers.

_IV.--A Great Picture_

The first stage of my journey round my room is accomplished. While my soul has been explaining my new system of metaphysic, I have been sitting in my armchair in my favourite att.i.tude, with the two front feet raised a couple of inches off the floor. By swaying my body to and fro, I have insensibly gained ground, and I find myself with a start close to the wall. This is the way in which I travel when I am not in a hurry.

My chamber is hung with prints and paintings which embellish it in an admirable manner. I should like the reader to examine them one after the other, and to entertain himself during the long journey that we must make in order to arrive at my desk. Look, here is a portrait of Raphael.

Beside it is a likeness of the adorable lady whom he loved.

But I have something still finer than these, and I always reserve it for the last. I find that both connoisseurs and ignoramuses, both women of the world and little children, yes, and even animals, are pleased and astonished by the way in which this sublime work renders every effect in nature. What picture can I present to you, gentlemen; what scene can I put beneath your lovely eyes, ladies, more certain of winning your favour than the faithful image of yourselves? The work of which I speak is a looking-gla.s.s, and n.o.body up to the present has taken it into his head to criticise it; it is, for all those who study it, a perfect picture in which there is nothing to blame. It is thus the gem of my collection.

You see this withered rose? It is a flower of the Turin carnival of last year. I gathered it myself at Valentin's, and in the evening, an hour before the ball, I went full of hope and joy to present it to Mme. de Hautcastel. She took it, and placed it on her dressing-table without looking at it, and without looking at me. But how could she take any notice of me? Standing in an ectasy before a great mirror, she was putting the last touches to her finery. So totally was she absorbed in the ribbons, the gauzes, the ornaments heaped up before her, that I could not obtain a glance, a sign. I finished my losing patience, and being unable to resist the feeling of anger that swept over me, I took up the rose and walked out without taking leave of my sweetheart.

"Are you going?" she said, turning round to see her figure in profile.

I did not answer, but I listened at the door to learn if my brusque departure produced any effect.

"Do you not see," exclaimed Mme. de Hautcastel to her maid, after a short silence, "that this pelisse is much too full at the bottom? Get some pins and make a tuck in it."

That is how I come to have a withered rose on my desk. I shall make no reflections on the affair. I shall not even draw any conclusions from it concerning the force and duration of a woman's love.

My forty-two days are coming to an end, and an equal s.p.a.ce of time would not suffice to describe the rich country in which I am now travelling, for I have at last reached my bookshelf. It contains nothing but novels--yes, I shall be candid--nothing but novels and a few choice poets. As though I had not enough troubles of my own, I willingly share in those of a thousand imaginary persons, and I feel them as keenly as if they were mine. What tears have I shed over the unhappiness of Clarissa!

But if I thus seek for feigned afflictions, I find, in compensation, in this imaginary world, the virtue, the goodness, the disinterestedness which I have been unable to discover together in the real world in which I exist. It is there that I find the wife that I desire, without temper, without lightness, without subterfuge; I say nothing about beauty--you can depend on my imagination for that! Then, closing the book which no longer answers to my ideas, I take her by the hand, and we wander together through a land a thousand times more delicious than that of Eden. What painter can depict the scene of enchantment in which I have placed the divinity of my heart? But when I am tired of love-making I take up some poet, and set out again for another world.

_V.--In Prison Again_

O charming land of imagination which has been given to men to console them for the realities of life, it is time for me to leave thee! This is the day when certain persons pretend to give me back my freedom, as though they had deprived me of it! As though it were in their power to take it away from me for a single instant, and to hinder me from scouring as I please the vast s.p.a.ce always open before me! They have prevented me from going out into a single town--Turin, a mere point on the earth--but they have left to me the entire universe; immensity and eternity have been at my service.

To-day, then, I am free, or rather I am going to be put back into irons.

The yoke of business is again going to weigh me down; I shall not be able to take a step which is not measured by custom or duty. I shall be fortunate if some capricious G.o.ddess does not make me forget one and the other, and if I escape from this new and dangerous captivity.

Oh, why did they not let me complete my journey! Was it really to punish me that they confined me in my room? In this country of delight which contains all the good things, all the riches of the world? They might as well have tried to chastise a mouse by shutting him up in a granary.

Yet never have I perceived more clearly that I have a double nature. All the time that I am regretting my pleasures of the imagination, I feel myself consoled by force. A secret power draws me away. It tells me that I have need of the fresh air and the open sky, and that solitude resembles death. So here am I dressed and ready. My door opens; I am rambling under the s.p.a.cious porticoes of the street of Po; a thousand charming phantoms dance before my eyes. Yes, this is her mansion, this is the door; I tremble with antic.i.p.ation.

SIR THOMAS MALORY

Morte d'Arthur

Little is known of Sir Thomas Malory, who, according to Caxton, "did take out of certain French books a copy of the n.o.ble histories of King Arthur and reduced it to English." We learn from the text that "this book was finished in the ninth year of the reign of King Edward the Fourth, by Sir Thomas Malory, Knight." That would be in the year 1469. Malory is said to have been a Welshman. The origin of the Arthurian romance was probably Welsh. Its first literary form was in Geoffrey of Monmouth's prose, in 1147. Translated into French verse, and brightened in the process, these legends appear to have come back to us, and to have received notable additions from Walter Map (1137-1209), another Welshman. A second time they were worked on and embellished by the French romanticists, and from these later versions Malory appears to have collated the materials for his immortal translation. The story of Arthur and Launcelot is the thread of interest followed in this epitome.

_I.--The Coming of Arthur_

It befell in the days of the n.o.ble Utherpendragon, when he was King of England, there was a mighty and n.o.ble duke in Cornwall, named the Duke of Tintagil, that held long war against him. And the duke's wife was called a right fair lady, and a pa.s.sing wise, and Igraine was her name.

And the duke, issuing out of the castle at a postern to distress the king's host, was slain. Then all the barons, by one a.s.sent, prayed the king of accord between the Lady Igraine and himself. And the king gave them leave, for fain would he have accorded with her; and they were married in a morning with great mirth and joy.

When the Queen Igraine grew daily nearer the time when the child Arthur should be born, Merlin, by whose counsel the king had taken her to wife, came to the king and said: "Sir, you must provide for the nourishing of your child. I know a lord of yours that is a pa.s.sing true man, and faithful, and he shall have the nourishing of your child. His name is Sir Ector, and he is a lord of fair livelihood." "As thou wilt," said the king, "be it." So the child was delivered unto Merlin, and he bare it forth unto Sir Ector, and made a holy man to christen him, and named him Arthur.

But, within two years, King Uther fell sick of a great malady, and therewith yielded up the ghost, and was interred as belonged unto a king; wherefore Igraine the queen made great sorrow, and all the barons.

Then stood the realm in great jeopardy a long while, for many weened to have been king. And Merlin went to the Archbishop of Canterbury, and counselled him to send for all the lords of the realm, and all the gentlemen of arms, to London before Christmas, upon pain of cursing, that Jesus, of His great mercy, should show some miracle who should be rightwise king. So in the greatest church of London there was seen against the high altar a great stone and in the midst thereof there was an anvil of steel, and therein stuck a fair sword, naked by the point, and letters of gold were written about the sword that said, "Whoso pulleth out this sword of this stone and anvil is rightwise king born of England."

And many essayed, but none might stir the sword.

And on New Year's Day the barons made a joust, and Sir Ector rode to the jousts; and with him rode Sir Kaye, his son, and young Arthur, that was his nourished brother.

And Sir Kaye, who was made knight at Allhallowmas afore, had left his sword at his father's lodging, and so prayed young Arthur to ride for it. Then Arthur said to himself, "I will ride to the churchyard and take the sword that sticketh in the stone for my brother Kaye." And so, lightly and fiercely, he pulled it out of the stone, and took horse and delivered to Sir Kaye the sword. "How got you this sword?" said Sir Ector to Arthur. "Sir, I will tell you," said Arthur; "I pulled it out of the stone without any pain." "Now," said Sir Ector, "I understand you must be king of this land." "Wherefore I?" said Arthur. "And for what cause?" "Sir," said Sir Ector, "for G.o.d will have it so." And therewithal Sir Ector kneeled down to the earth, and Sir Kaye also.

Then Sir Ector told him all how he had betaken him to nourish him; and Arthur made great moan when he understood that Sir Ector was not his father.

And at the Feast of Pentecost all manner of men essayed to pull out the sword, and none might prevail but Arthur, who pulled it out before all the lords and commons. And the commons cried, "We will have Arthur unto our king." And so anon was the coronation made.

And Merlin said to King Arthur, "Fight not with the sword that you had by miracle till you see that you go to the worst, then draw it out and do your best." And the sword, Excalibur, was so bright that it gave light like thirty torches.

_II.--The Marriage of Arthur_

In the beginning of King Arthur, after that he was chosen king by adventure and by grace, for the most part the barons knew not that he was Utherpendragon's son but as Merlin made it openly known. And many kings and lords made great war against him for that cause, but King Arthur full well overcame them all; for the most part of the days of his life he was much ruled by the counsel of Merlin. So it befell on a time that he said unto Merlin, "My barons will let me have no rest, but needs they will have that I take a wife, and I will none take but by thy advice."

"It is well done," said Merlin, "for a man of your bounty and n.o.bleness should not be without a wife. Now, is there any fair lady that ye love better than another?"

"Yea," said Arthur; "I love Guinever, the king's daughter, of the land of Cameliard. This damsel is the gentlest and fairest lady I ever could find."