The touching and the sublime resemble in this point, that both one and the other produce a pleasure by a feeling at first of displeasure, and that consequently (pleasure proceeding from suitability, and displeasure from the contrary) they give us a feeling of suitability which presupposes an unsuitability.

The feeling of the sublime is composed in part of the feeling of our feebleness, of our impotence to embrace an object; and, on the other side, of the feeling of our moral power--of this superior faculty which fears no obstacle, no limit, and which subdues spiritually that even to which our physical forces give way. The object of the sublime thwarts, then, our physical power; and this contrariety (impropriety) must necessarily excite a displeasure in us. But it is, at the same time, an occasion to recall to our conscience another faculty which is in us--a faculty which is even superior to the objects before which our imagination yields. In consequence, a sublime object, precisely because it thwarts the senses, is suitable with relation to reason, and it gives to us a joy by means of a higher faculty, at the same time that it wounds us in an inferior one.

The touching, in its proper sense, designates this mixed sensation, into which enters at the same time suffering and the pleasure that we find in suffering. Thus we can only feel this kind of emotion in the case of a personal misfortune, only when the grief that we feel is sufficiently tempered to leave some place for that impression of pleasure that would be felt by a compa.s.sionate spectator. The loss of a great good prostrates for the time, and the remembrance itself of the grief will make us experience emotion after a year. The feeble man is always the prey of his grief; the hero and the sage, whatever the misfortune that strikes them, never experience more than emotion.

Emotion, like the sentiment of the sublime, is composed of two affections--grief and pleasure. There is, then, at the bottom a propriety, here as well as there, and under this propriety a contradiction. Thus it seems that it is a contradiction in nature that man, who is not born to suffer, is nevertheless a prey to suffering, and this contradiction hurts us. But the evil which this contradiction does us is a propriety with regard to our reasonable nature in general, insomuch as this evil solicits us to act: it is a propriety also with regard to human society; consequently, even displeasure, which excites in us this contradiction, ought necessarily to make us experience a sentiment of pleasure, because this displeasure is a propriety. To determine in an emotion if it is pleasure or displeasure which triumphs, we must ask ourselves if it is the idea of impropriety or that of propriety which affects us the more deeply. That can depend either on the number of the aims reached or abortive, or on their connection with the final aim of all.

The suffering of the virtuous man moves us more painfully than that of the perverse man, because in the first case there is contradiction not only to the general destiny of man, which is happiness, but also to this other particular principle, viz., that virtue renders happy; whilst in the second case there is contradiction only with regard to the end of man in general. Reciprocally, the happiness of the wicked also offends us much more than the misfortune of the good man, because we find in it a double contradiction: in the first place vice itself, and, in the second place, the recompense of vice.

There is also this other consideration, that virtue is much more able to recompense itself than vice, when it triumphs, is to punish itself; and it is precisely for this that the virtuous man in misfortune would much more remain faithful to the cultus of virtue than the perverse man would dream of converting himself in prosperity.

But what is above all important in determining in the emotions the relation of pleasure and displeasure, is to compare the two ends--that which has been fulfilled and that which has been ignored--and to see which is the most considerable. There is no propriety which touches us so nearly as moral propriety, and no superior pleasure to that which we feel from it. Physical propriety could well be a problem, and a problem forever unsolvable. Moral propriety is already demonstrated. It alone is founded upon our reasonable nature and upon internal necessity. It is our nearest interest, the most considerable, and, at the same time, the most easily recognized, because it is not determined by any external element but by an internal principle of our reason: it is the palladium of our liberty.

This moral propriety is never more vividly recognized than when it is found in conflict with another propriety, and still keeps the upper hand; then only the moral law awakens in full power, when we find it struggling against all the other forces of nature, and when all those forces lose in its presence their empire over a human soul. By these words, "the other forces of nature," we must understand all that is not moral force, all that is not subject to the supreme legislation of reason: that is to say, feelings, affections, instincts, pa.s.sions, as well as physical necessity and destiny. The more redoubtable the adversary, the more glorious the victory; resistance alone brings out the strength of the force and renders it visible. It follows that the highest degree of moral consciousness can only exist in strife, and the highest moral pleasure is always accompanied by pain.

Consequently, the kind of poetry which secures us a high degree of moral pleasure, must employ mixed feelings, and please us through pain or distress,--this is what tragedy does specially; and her realm embraces all that sacrifices a physical propriety to a moral one; or one moral propriety to a higher one. It might be possible, perhaps, to form a measure of moral pleasure, from the lowest to the highest degree, and to determine by this principle of propriety the degree of pain or pleasure experienced. Different orders of tragedy might be cla.s.sified on the same principle, so as to form a complete exhaustive tabulation of them. Thus, a tragedy being given, its place could be fixed, and its genus determined. Of this subject more will be said separately in its proper place.

A few examples will show how far moral propriety commands physical propriety in our souls.

Theron and Amanda are both tied to the stake as martyrs, and free to choose life or death by the terrible ordeal of fire--they select the latter. What is it which gives such pleasure to us in this scene? Their position so conflicting with the smiling destiny they reject, the reward of misery given to virtue--all here awakens in us the feeling of impropriety: it ought to fill us with great distress. What is nature, and what are her ends and laws, if all this impropriety shows us moral propriety in its full light. We here see the triumph of the moral law, so sublime an experience for us that we might even hail the calamity which elicits it. For harmony in the world of moral freedom gives us infinitely more pleasure than all the discords in nature give us pain.

When Coriola.n.u.s, obedient to duty as husband, son, and citizen, raises the siege of Rome, them almost conquered, withdrawing his army, and silencing his vengeance, he commits a very contradictory act evidently.

He loses all the fruit of previous victories, he runs spontaneously to his ruin: yet what moral excellence and grandeur he offers! How n.o.ble to prefer any impropriety rather than wound moral sense; to violate natural interests and prudence in order to be in harmony with the higher moral law! Every sacrifice of a life is a contradiction, for life is the condition of all good; but in the light of morality the sacrifice of life is in a high degree proper, because life is not great in itself, but only as a means of accomplishing the moral law. If then the sacrifice of life be the way to do this, life must go. "It is not necessary for me to live, but it is necessary for Rome to be saved from famine," said Pompey, when the Romans embarked for Africa, and his friends begged him to defer his departure till the gale was over.

But the sufferings of a criminal are as charming to us tragically as those of a virtuous man; yet here is the idea of moral impropriety. The antagonism of his conduct to moral law, and the moral imperfection which such conduct presupposes, ought to fill us with pain. Here there is no satisfaction in the morality of his person, nothing to compensate for his misconduct. Yet both supply a valuable object for art; this phenomenon can easily be made to agree with what has been said.

We find pleasure not only in obedience to morality, but in the punishment given to its infraction. The pain resulting from moral imperfection agrees with its opposite, the satisfaction at conformity with the law.

Repentance, even despair, have n.o.bleness morally, and can only exist if an incorruptible sense of justice exists at the bottom of the criminal heart, and if conscience maintains its ground against self-love.

Repentance comes by comparing our acts with the moral law, hence in the moment of repenting the moral law speaks loudly in man. Its power must be greater than the gain resulting from the crime as the infraction poisons the enjoyment. Now, a state of mind where duty is sovereign is morally proper, and therefore a source of moral pleasure. What, then, sublimer than the heroic despair that tramples even life underfoot, because it cannot bear the judgment within? A good man sacrificing his life to conform to the moral law, or a criminal taking his own life because of the morality he has violated: in both cases our respect for the moral law is raised to the highest power. If there be any advantage it is in the case of the latter; for the good man may have been encouraged in his sacrifice by an approving conscience, thus detracting from his merit. Repentance and regret at past crimes show us some of the sublimest pictures of morality in active condition. A man who violates morality comes back to the moral law by repentance.

But moral pleasure is sometimes obtained only at the cost of moral pain.

Thus one duty may clash with another. Let us suppose Coriola.n.u.s encamped with a Roman army before Antium or Corioli, and his mother a Volscian; if her prayers move him to desist, we now no longer admire him. His obedience to his mother would be at strife with a higher duty, that of a citizen. The governor to whom the alternative is proposed, either of giving up the town or of seeing his son stabbed, decides at once on the latter, his duty as father being beneath that of citizen. At first our heart revolts at this conduct in a father, but we soon pa.s.s to admiration that moral instinct, even combined with inclination, could not lead reason astray in the empire where it commands. When Timoleon of Corinth puts to death his beloved but ambitious brother, Timophanes, he does it because his idea of duty to his country bids him to do so. The act here inspires horror and repulsion as against nature and the moral sense, but this feeling is soon succeeded by the highest admiration for his heroic virtue, p.r.o.nouncing, in a tumultuous conflict of emotions, freely and calmly, with perfect rect.i.tude. If we differ with Timoleon about his duty as a republican, this does not change our view. Nay, in those cases, where our understanding judges differently, we see all the more clearly how high we put moral propriety above all other.

But the judgments of men on this moral phenomenon are exceedingly various, and the reason of it is clear. Moral sense is common to all men, but differs in strength. To most men it suffices that an act be partially conformable with the moral law to make them obey it; and to make them condemn an action it must glaringly violate the law. But to determine the relation of moral duties with the highest principle of morals requires an enlightened intelligence and an emanc.i.p.ated reason.

Thus an action which to a few will be a supreme propriety, will seem to the crowd a revolting impropriety, though both judge morally; and hence the emotion felt at such actions is by no means uniform. To the ma.s.s the sublimest and highest is only exaggeration, because sublimity is perceived by reason, and all men have not the same share of it. A vulgar soul is oppressed or overstretched by those sublime ideas, and the crowd sees dreadful disorder where a thinking mind sees the highest order.

This is enough about moral propriety as a principle of tragic emotion, and the pleasure it elicits. It must be added that there are cases where natural propriety also seems to charm our mind even at the cost of morality. Thus we are always pleased by the sequence of machinations of a perverse man, though his means and end are immoral. Such a man deeply interests us, and we tremble lest his plan fail, though we ought to wish it to do so. But this fact does not contradict what has been advanced about moral propriety,--and the pleasure resulting from it.

Propriety, the reference of means to an end, is to us, in all cases, a source of pleasure; even disconnected with morality. We experience this pleasure unmixed, so long as we do not think of any moral end which disallows action before us. Animal instincts give us pleasure--as the industry of bees--without reference to morals; and in like manner human actions are a pleasure to us when we consider in them only the relation of means to ends. But if a moral principle be added to these, and impropriety be discovered, if the idea of moral agent comes in, a deep indignation succeeds our pleasure, which no intellectual propriety can remedy. We must not call to mind too vividly that Richard III., Iago, and Lovelace are men; otherwise our sympathy for them infallibly turns into an opposite feeling. But, as daily experience teaches, we have the power to direct our attention to different sides of things; and pleasure, only possible through this abstraction, invites us to exercise it, and to prolong its exercise.

Yet it is not rare for intelligent perversity to secure our favor by being the means of procuring us the pleasure of moral propriety. The triumph of moral propriety will be great in proportion as the snares set by Lovelace for the virtue of Clarissa are formidable, and as the trials of an innocent victim by a cruel tyrant are severe. It is a pleasure to see the craft of a seducer foiled by the omnipotence of the moral sense.

On the other hand, we reckon as a sort of merit the victory of a malefactor over his moral sense, because it is the proof of a certain strength of mind and intellectual propriety.

Yet this propriety in vice can never be the source of a perfect pleasure, except when it is humiliated by morality. In that case it is an essential part of our pleasure, because it brings moral sense into stronger relief. The last impression left on us by the author of Clarissa is a proof of this. The intellectual propriety in the plan of Lovelace is greatly surpa.s.sed by the rational propriety of Clarissa.

This allows us to feel in full the satisfaction caused by both.

When the tragic poet has for object to awaken in us the feeling of moral propriety, and chooses his means skilfully for that end, he is sure to charm doubly the connoisseur, by moral and by natural propriety. The first satisfies the heart, the second the mind. The crowd is impressed through the heart without knowing the cause of the magic impression.

But, on the other hand, there is a cla.s.s of connoisseurs on whom that which affects the heart is entirely lost, and who can only be gained by the appropriateness of the means; a strange contradiction resulting from over-refined taste, especially when moral culture remains behind intellectual. This cla.s.s of connoisseurs seek only the intellectual side in touching and sublime themes. They appreciate this in the justest manner, but you must beware how you appeal to their heart! The over-culture of the age leads to this shoal, and nothing becomes the cultivated man so much as to escape by a happy victory this twofold and pernicious influence. Of all other European nations, our neighbors, the French, lean most to this extreme, and we, as in all things, strain every nerve to imitate this model.

SCHILLER'S PHILOSOPHICAL LETTERS.

PREFATORY REMARKS.

The reason pa.s.ses, like the heart, through certain epochs and transitions, but its development is not so often portrayed. Men seem to have been satisfied with unfolding the pa.s.sions in their extremes, their aberration, and their results, without considering how closely they are bound up with the intellectual const.i.tution of the individual.

Degeneracy in morals roots in a one-sided and wavering philosophy, doubly dangerous, because it blinds the beclouded intellect with an appearance of correctness, truth, and conviction, which places it less under the restraining influence of man's instinctive moral sense. On the other hand, an enlightened understanding enn.o.bles the feelings,--the heart must be formed by the head.

The present age has witnessed an extraordinary increase of a thinking public, by the facilities afforded to the diffusion of reading; the former happy resignation to ignorance begins to make way for a state of half-enlightenment, and few persons are willing to remain in the condition in which their birth has placed then. Under these circ.u.mstances it may not be unprofitable to call attention to certain periods of the awakening and progress of the reason, to place in their proper light certain truths and errors, closely connected with morals, and calculated to be a source of happiness or misery, and, at all events, to point out the hidden shoals on which the reason of man has so often suffered shipwreck. Rarely do we arrive at the summit of truth without running into extremes; we have frequently to exhaust the part of error, and even of folly, before we work our way up to the n.o.ble goal of tranquil wisdom.

Some friends, inspired by an equal love of truth and moral beauty, who have arrived at the same conviction by different roads, and who view with serener eye the ground over which they have travelled, have thought that it might be profitable to present a few of these resolutions and epochs of thought. They propose to represent these and certain excesses of the inquiring reason in the form of two young men, of unequal character, engaged in epistolary correspondence. The following letters are the beginning of this essay.

The opinions that are offered in these letters can only be true and false relatively, and in the form in which the world is mirrored in the soul of the correspondent, and of him only. But the course of the correspondence will show that the one-sided, often exaggerated and contradictory opinions at length issue in a general, purified, and well-established truth.

Scepticism and free-thinking are the feverish paroxysms of the human mind, and must needs at length confirm the health of well-organized souls by the unnatural convulsion which they occasion. In proportion to the dazzling and seducing nature of error will be the greatness of the triumphs of truth: the demand for conviction and firm belief will be strong and pressing in proportion to the torment occasioned by the pangs of doubt. But doubt was necessary to elicit these errors; the knowledge of the disease had to precede its cure. Truth suffers no loss if a vehement youth fails in finding it, in the same way that virtue and religion suffer no detriment if a criminal denies them.

It was necessary to offer these prefatory remarks to throw a proper light on the point of view from which the following correspondence has to be read and judged.

LETTER I.

Julius to Raphael. October.

You are gone, Raphael--and the beauty of nature departs: the sere and yellow leaves fall from the trees, while a thick autumn fog hangs suspended like a bier over the lifeless fields. Solitary, I wander through the melancholy country. I call aloud your name, and am irritated that my Raphael does not answer me.

I had received your last embrace. The mournful sound of the carriage wheels that bore you away had at length died upon my ear. In happier moments I had just succeeded in raising a tumulus over the joys of the past, but now again you stand up before me, as your departed spirit, in these regions, and you accompany me to each favorite haunt and pleasant walk. These rocks I have climbed by your side: by your side have my eyes wandered over this immense landscape. In the dark sanctuary of this beech-grove we first conceived the bold ideal of our friendship. It was here that we unfolded the genealogical tree of the soul, and that we found that Julius was so closely related to Raphael. Not a spring, not a thicket, or a hill exists in this region where some memory of departed happiness does not come to destroy my repose. All things combine to prevent my recovery. Wherever I go, I repeat the painful scene of our separation.

What have you done to me, Raphael? What am I become? Man of dangerous power! would that I had never known or never lost you! Hasten back; come on the wings of friendship, or the tender plant, your nursling, shall have perished. How could you, endowed with such tender feelings, venture to leave the work you had begun, but still so incomplete. The foundations that your proud wisdom tried to establish in my brain and heart are tottering; all the splendid palaces which you erected are crumbling, and the worm crushed to earth is writhing under the ruins.

Happy, heavenly time, when I groped through life, with bandaged eyes, like a drunken man,--when all my knowledge and my wishes were confined to the narrow horizon of my childhood's teachings! Blessed time, when a cheerful sunset raised no higher aspiration in my soul than the wish of a fine day on the morrow; when nothing reminded me of the world save the newspaper; nothing spoke of eternity save the pa.s.sing bell; only ghost-stories brought to mind the thought of death and judgment; when I trembled at the thought of the devil, and was proportionately drawn to the G.o.dhead! I felt and was happy. Raphael has taught me to think I am on the way to regret that I was ever created.

Creation? No, that is only a sound lacking all meaning, which my reason cannot receive. There was a time when I knew nothing, when no one knew me: accordingly, it is usual to say, I was not. That time is past: therefore it is usual to say that I was created. But also of the millions who existed centuries ago nothing more is now known, and yet men are wont to say, they are. On what do we found the right to grant the beginning and to deny the end? It is a.s.sumed that the cessation of thinking beings contradicts Infinite Goodness. Did, then, Infinite Goodness cone first into being at the creation of the world? If there was a period when there were no spirits, Infinite Goodness must have been imperative for a whole eternity. If the fabric of the universe is a perfection of the Creator, He, therefore, lacked a perfection before the creation of the world. But an a.s.sumption like this contradicts the idea of perfect goodness, therefore there is no creation. To what have I arrived, Raphael? Terrible fallacy of my conclusions! I give up the Creator as soon as I believe in a G.o.d. Wherefore do I require a G.o.d, if I suffice without the Creator?

You have robbed me of the thought that gave me peace. You have taught me to despise where I prayed before. A thousand things were venerable in my sight till your dismal wisdom stripped off the veil from them. I saw a crowd of people streaming to church, I heard their enthusiastic devotion poured forth in a common act of prayer and praise; twice did I stand beside a deathbed, and saw--wonderful power of religion!--the hope of heaven triumphant over the terror of annihilation, and the serene light of joy beaming from the eyes of those departing.

"Surely that doctrine must be divine," I exclaimed, "which is acknowledged by the best among men, which triumphs and comforts so wondrously!" Your cold-blooded wisdom extinguished my enthusiasm. You affirmed that an equal number of devotees streamed formerly round the Irmensaeule and to Jupiter's temple; an equal number of votaries, with like exultation, ascended the stake kindled in honor of Brahma. "Can the very feeling," you added, "which you found so detestable in heathenism prove the truth of your doctrine?"

You proceeded to say: "Trust nothing but your own reason. There is nothing holy, save truth." I have obeyed you: I have sacrificed all my opinions, I have set fire to all my ships when I landed on this island, and I have destroyed all my hopes of return. Never can I become reconciled to a doctrine which I joyfully welcomed once. My reason is now all to me--my only warrant for G.o.d, virtue, and immortality. Woe to me if I catch this, my only witness, in a contradiction! if my esteem for its conclusions diminishes! if a broken vessel in my brain diverts its action! My happiness is henceforth intrusted to the harmonious action of my sensorium: woe to me if the strings of this instrument give a false note in the critical moments of my life--if my convictions vary with my pulsations!