LETTER 299

CHARLES LAMB TO JOHN HOWARD PAYNE

Wednesday, 13 November, '22.

Dear P.--Owing to the inconvenience of having two lodgings, I did not get your letter quite so soon as I should. The India House is my proper address, where I am sure for the fore part of every day. The instant I got it, I addressed a letter, for Kemble to see, to my friend Henry Robertson, the Treasurer of Covent Garden Theatre. He had a conference with Kemble, and the result is, that Robertson, in the name of the management, recognized to me the full ratifying of your bargain: 250 for Ali, the Slaves, and another piece which they had not received. He a.s.sures me the whole will be paid you, or the proportion for the two former, as soon as ever the Treasury will permit it. He offered to write the same to you, if I pleased. He thinks in a month or so they will be able to liquidate it. He is positive no trick could be meant you, as Mr.

Planche's alterations, which were trifling, were not at all considered as affecting your bargain. With respect to the copyright of Ali, he was of opinion no money would be given for it, as Ali is quite laid aside.

This explanation being given, you would not think of printing the two copies together by way of recrimination. He told me the secret of the two Galley Slaves at Drury Lane. Elliston, if he is informed right, engaged Poole to translate it, but before Poole's translation arrived, finding it coming out at Cov. Gar., he procured copies of two several translations of it in London. So you see here are four translations, reckoning yours. I fear no copyright would be got for it, for anybody may print it and anybody has. Your's has run seven nights, and R. is of opinion it will not exceed in number of nights the nights of Ali,--about thirteen. But your full right to your bargain with the management is in the fullest manner recognized by him officially. He gave me every hope the money will be spared as soon as they can spare it. He said _a month or two_, but seemed to me to mean about _a month_. A new lady is coming out in Juliet, to whom they look very confidently for replenishing their treasury. Robertson is a very good fellow and I can rely upon his statement. Should you have any more pieces, and want to get a copyright for them, I am the worst person to negotiate with any bookseller, having been cheated by all I have had to do with (except Taylor and Hessey,--but they do not publish theatrical pieces), and I know not how to go about it, or who to apply to. But if you had no better negotiator, I should know the minimum you expect, for I should not like to make a bargain out of my own head, being (after the Duke of Wellington) the worst of all negotiators. I find from Robertson you have written to Bishop on the subject. Have you named anything of the copyright of the Slaves. R. thinks no publisher would pay for it, and you would not risque it on your own account. This is a mere business letter, so I will just send my love to my little wife at Versailles, to her dear mother, etc.

Believe me, yours truly, C.L.

[Payne's translation of the French play was produced at Covent Garden on November 6, 1822, under the t.i.tle "The Soldier's Daughter." On the same night appeared a rival version at Drury Lane ent.i.tled "Two Galley Slaves." Payne's was played eleven times. The new lady as Juliet was the other f.a.n.n.y Kelly not Lamb's: f.a.n.n.y H. Kelly, from Dublin. The revival began on November 14. Planche was James Robinson Planche (1796-1880), the most prolific of librettists. Robert William Elliston, of whom Lamb later wrote so finely, was then managing Drury Lane.

"Having been cheated." Lamb's particular reference was to Baldwin (see the letter to Barton, Jan. 9, 1823).

"The Duke of Wellington." A reference to the Duke's failure in representing England at the Congress of Powers in Vienna and Verona.

Lamb's "dear little wife" was Sophy Kenney.]

LETTER 300

MARY LAMB TO MRS. JAMES KENNEY

[No date. ?Early December, 1822.]

My dear Friend,--How do you like Harwood? Is he not a n.o.ble boy? I congratulate you most heartily on this happy meeting, and only wish I were present to witness it. Come back with Harwood, I am dying to see you--we will talk, that is, you shall talk and I will listen from ten in the morning till twelve at night. My thoughts are often with you, and your children's dear faces are perpetually before me. Give them all one additional kiss every morning for me. Remember there's one for Louisa, one to Ellen, one to Betsy, one to Sophia, one to James, one to Teresa, one to Virginia, and one to Charles. Bless them all! When shall I ever see them again? Thank you a thousand times for all your kindness to me.

I know you will make light of the trouble my illness gave you; but the recollection of it often sits heavy on my heart. If I could ensure my health, how happy should I be to spend a month with you every summer!

When I met Mr. Kenney there, I sadly repented that I had not dragged you on to Dieppe with me. What a pleasant time we should have spent there!

You shall not be jealous of Mr. Payne. Remember he did Charles and I good service without grudge or grumbling. Say to him how much I regret that we owe him unreturnable obligations; for I still have my old fear that we shall never see him again. I received great pleasure from seeing his two successful pieces. My love to your boy Kenney, my boy James, and all my dear girls, and also to Rose; I hope she still drinks wine with you. Thank Lou-Lou for her little bit of letter. I am in a fearful hurry, or I would write to her. Tell my friend the Poetess that I expect some French verses from her shortly. I have shewn Betsy's and Sophy's letters to all who came near me, and they have been very much admired.

Dear f.a.n.n.y brought me the bag. Good soul you are to think of me! Manning has promised to make f.a.n.n.y a visit this morning, happy girl! Miss James I often see, I think never without talking of you. Oh the dear long dreary Boulevards! how I do wish to be just now stepping out of a Cuckoo into them!

Farewel, old tried friend, may we meet again! Would you could bring your house with all its noisy inmates, and plant it, garden, gables and all, in the midst of Covent Garden.

Yours ever most affectionately,

M. LAMB.

My best respects to your good neighbours.

[Harwood was Harwood Holcroft.

"Louisa," etc. Mrs. Kenney's children by her first marriage were Louisa, Ellen, Betsy and Sophia. By her second, with Kenney, the others. Charles was named Charles Lamb Kenney.

"Payne's two successful pieces"--"Ali Pacha" and "The Soldier's Daughter."

f.a.n.n.y was f.a.n.n.y Holcroft, Mrs. Kenney's stepdaughter.

Miss Kelly has added to this letter a few words of affection to Mrs.

Kenney from "the real old original f.a.n.n.y Kelly."

Charles Lamb also contributed to this letter a few lines to James Kenney, expressing his readiness to meet Moore the poet. He adds that he made a hit at him as Little in the _London Magazine_, which though no reason for not meeting him was a reason for not volunteering a visit to him. The reference is to the sonnet to Barry Cornwall in the _London Magazine_ for September, 1820, beginning--

Let hate, or grosser heats, their foulness mask Neath riddling Junius, or in L----e's name.

The second line was altered in Lamb's _Alb.u.m Verses_, 1830, to--

Under the vizor of a borrowed name.]

LETTER 301

CHARLES LAMB TO JOHN TAYLOR

[Dated: Dec. 7, 1822.]

Dear Sir,--I should like the enclosed Dedication to be printed, unless you dislike it. I like it. It is in the olden style. But if you object to it, put forth the book as it is. Only pray don't let the Printer mistake the word _curt_ for _curst_.

C.L.

Dec. 7, 1822.

DEDICATION

TO THE FRIENDLY AND JUDICIOUS READER,

Who will take these Papers, as they were meant; not understanding every thing perversely in the absolute and literal sense, but giving fair construction as to an after-dinner conversation; allowing for the rashness and necessary incompleteness of first thoughts; and not remembering, for the purpose of an after taunt, words spoken peradventure after the fourth gla.s.s. The Author wishes (what he would will for himself) plenty of good friends to stand by him, good books to solace him, prosperous events to all his honest undertakings, and a candid interpretation to his most hasty words and actions. The other sort (and he hopes many of them will purchase his book too) he greets with the curt invitation of Timon, "Uncover, dogs, and lap:" or he dismisses them with the confident security of the philosopher, "you beat but on the case of ELIA."

C.L.

Dec. 7, 1822.

[_Elia. Essays which have appeared under that signature in the London Magazine_ was just about to be published. The book came out with no preface.

"You beat but on the case." When Anaxarchus, the philosopher, was being pounded to death in a mortar, by command of Alexander the Great, he made use of this phrase. After these words, in Canon Ainger's transcript, Lamb remarks:--"On better consideration, pray omit that Dedication. The Essays want no Preface: they are _all Preface_. A Preface is nothing but a talk with the reader; and they do nothing else. Pray omit it.

"There will be a sort of Preface in the next Magazine, which may act as an advertis.e.m.e.nt, but not proper for the volume.

"Let ELIA come forth bare as he was born."

The sort of Preface in the next magazine (January, 1823) was the "Character of the Late Elia," used as a preface to the _Last Essays_ in 1833.]