A nose very sharp on the tip of it, and neither too long nor too short, too thick nor too thin, denotes the person, if a man, to be of a fretful disposition, always pining and peevish; and if a woman, a scold, or contentious, wedded to her own humours, of a morose and dogged carriage, and if married, a plague to her husband. A nose very round at the end of it, and having but little nostrils, shows the person to be munificent and liberal, true to his trust, but withal, very proud, credulous and vain. A nose very long and thin at the end of it, and something round, withal, signifies one bold in his discourse, honest in his dealings, patient in receiving, and slow in offering injuries, but yet privately malicious. He whose nose is naturally more red than any other part of his face, is thereby denoted to be covetous, impious, luxurious, and an enemy to goodness. A nose that turns up again, and is long and full at the tip of it, shows the person that has it to be bold, proud, covetous, envious, luxurious, a liar and deceiver, vain, glorious, unfortunate and contentious. He whose nose riseth high in the middle, is prudent and polite, and of great courage, honourable in his actions, and true to his word. A nose big at the end shows a person to be of a peaceable disposition, industrious and faithful, and of a good understanding. A very wide nose, with wide nostrils, denotes a man dull of apprehension, and inclined more to simplicity than wisdom, and withal vain, contentious and a liar.

When the nostrils are close and thin, they denote a man to have but little t.e.s.t.i.c.l.es, and to be very desirous of the enjoyment of women, but modest in his conversation. But he whose nostrils are great and wide, is usually well hung and l.u.s.tful; but withal of an envious, bold and treacherous disposition and though dull of understanding, yet confident enough.

A great and wide mouth shows a man to be bold, warlike, shameless and stout, a great liar and as great a talker, also a great eater, but as to his intellectuals, he is very dull, being for the most part very simple.

A little mouth shows the person to be of a quiet and pacific temper, somewhat reticent, but faithful, secret, modest, bountiful, and but a little eater.

He whose mouth smells of a bad breath, is one of a corrupted liver and lungs, is oftentimes vain, wanton, deceitful, of indifferent intellect, envious, covetous, and a promise-breaker. He that has a sweet breath, is the contrary.

The lips, when they are very big and blubbering, show a person to be credulous, foolish, dull and stupid, and apt to be enticed to anything.

Lips of a different size denote a person to be discreet, secret in all things, judicious and of a good wit, but somewhat hasty. To have lips, well coloured and more thin than thick, shows a person to be good-humoured in all things and more easily persuaded to good than evil.

To have one lip bigger than the other, shows a variety of fortunes, and denotes the party to be of a dull, sluggish temper, but of a very indifferent understanding, as being much addicted to folly.

When the teeth are small, and but weak in performing their office, and especially if they are short and few, though they show the person to be of a weak const.i.tution, yet they denote him to be of a meek disposition, honest, faithful and secret in whatsoever he is intrusted with. To have some teeth longer and shorter than others, denotes a person to be of a good apprehension, but bold, disdainful, envious and proud. To have the teeth very long, and growing sharp towards the end, if they are long in chewing, and thin, denotes the person to be envious, gluttonous, bold, shameless, unfaithful and suspicious. When the teeth look very brown or yellowish, whether they be long or short, it shows the person to be of a suspicious temper, envious, deceitful and turbulent. To have teeth strong and close together, shows the person to be of a long life, a desirer of novelties, and things that are fair and beautiful, but of a high spirit, and one that will have his humour in all things; he loves to hear news, and to repeat it afterwards, and is apt to entertain anything on his behalf. To have teeth thin and weak, shows a weak, feeble man, and one of a short life, and of a weak apprehension; but chaste, shame-faced, tractable and honest.

A tongue to be too swift of speech shows a man to be downright foolish, or at best but a very vain wit. A stammering tongue, or one that stumbles in the mouth, signifies a man of a weak understanding, and of a wavering mind, quickly in a rage, and soon pacified. A very thick and rough tongue denotes a man to be apprehensive, subtle and full of compliments, yet vain and deceitful, treacherous, and p.r.o.ne to impiety.

A thin tongue shows a man of wisdom and sound judgment, very ingenious and of an affable disposition, yet somewhat timorous and too credulous.

A great and full voice in either s.e.x shows them to be of a great spirit, confident, proud and wilful. A faint and weak voice, attended with but little breath, shows a person to be of good understanding, a nimble fancy, a little eater, but weak of body, and of a timorous disposition.

A loud and shrill voice, which sounds clearly denotes a person provident, sagacious, true and ingenious, but withal capricious, vain, glorious and too credulous. A strong voice when a man sings denotes him to be of a strong const.i.tution, and of a good understanding, a nimble fancy, a little eater, but weak of body, and of a timorous disposition.

A strong voice when a man sings, denotes him to be of a strong const.i.tution, and of a good understanding, neither too penurious nor too prodigal, also ingenious and an admirer of the fair s.e.x. A weak and trembling voice shows the owner of it to be envious, suspicious, slow in business, feeble and fearful. A loud, shrill and unpleasant voice, signifies one bold and valiant, but quarrelsome and injurious and altogether wedded to his own humours, and governed by his own counsels.

A rough and hoa.r.s.e voice, whether in speaking or singing, declares one to be a dull and heavy person, of much guts and little brains. A full and yet mild voice, and pleasing to the hearer, shows the person to be of a quiet and peaceable disposition (which is a great virtue and rare to be found in a woman), and also very thrifty and secret, not p.r.o.ne to anger, but of a yielding temper. A voice beginning low or in the ba.s.s, and ending high in the treble, denotes a person to be violent, angry, bold and secure.

A thick and full chin abounding with too much flesh, shows a man inclined to peace, honest and true to his trust, but slow in invention, and easy to be drawn either to good or evil. A peaked chin and reasonably full of flesh, shows a person to be of a good understanding, a high spirit and laudable conversation. A double chin shows a peaceable disposition, but dull of apprehension, vain, credulous, a great supplanter, and secret in all his actions. A crooked chin, bending upwards, and peaked for want of flesh, is by the rules of physiognomy, according to nature, a very bad man, being proud, imprudent, envious, threatening, deceitful, p.r.o.ne to anger and treachery, and a great thief.

The hair of young men usually begins to grow down upon their chins at fifteen years of age, and sometimes sooner. These hairs proceed from the superfluity of heat, the fumes whereof ascend to their chin, like smoke to the funnel of a chimney; and because it cannot find an open pa.s.sage by which it may ascend higher, it vents itself forth in the hairs which are called the beard. There are very few, or almost no women at all, that have hairs on their cheeks; and the reason is, that those humours which cause hair to grow on the cheeks of a man are by a woman evacuated in the monthly courses, which they have more or less, according to the heat or coldness of their const.i.tution, and the age and motion of the moon, of which we have spoken at large in the first part of this book. Yet sometimes women of a hot const.i.tution have hair to be seen on their cheeks, but more commonly on their lips, or near their mouths, where the heat most aboundeth. And where this happens, such women are much addicted to the company of men, and of a strong and manly const.i.tution. A woman who hath little hair on her cheeks, or about her mouth and lips, is of a good complexion, weak const.i.tution, shamefaced, mild and obedient, whereas a woman of a more hot const.i.tution is quite otherwise. But in a man, a beard well composed and thick of hair, signifies a man of good nature, honest, loving, sociable and full of humanity; on the contrary, he that hath but a little beard, is for the most part proud, pining, peevish and unsociable. They who have no beards, have always shrill and a strange kind of squeaking voices, and are of a weak const.i.tution, which is apparent in the case of eunuchs, who, after they are deprived of their virility are transformed from the nature of men into the condition of women.

Great and thick ears are a certain sign of a foolish person, or a bad memory and worse understanding. But small and thin ears show a person to be of a good wit, grave, sweet, thrifty, modest, resolute, of a good memory, and one willing to serve his friend. He whose ears are longer than ordinary, is thereby signified to be a bold man, uncivil, vain, foolish, serviceable to another more than to himself, and a man of small industry, but of a great stomach.

A face apt to sweat on every motion, shows a person to be of a very hot const.i.tution, vain and luxurious, of a good stomach, but of a bad understanding, and a worse conversation. A very fleshy face shows the person to be of a fearful disposition, but a merry heart, and withal bountiful and discreet, easy to be entreated, and apt to believe everything. A lean face, by the rules of physiognomy, denotes the person to be of a good understanding, but somewhat capricious and disdainful in his conversation. A little and round face, shows a person to be simple, very fearful, of a bad memory, and a clownish disposition. A plump face, full of carbuncles, shows a man to be a great drinker of wine, vain, daring, and soon intoxicated. A face red or high coloured, shows a man much inclined to choler, and one that will be soon angry and not easily pacified. A long and lean face, shows a man to be both bold, injurious and deceitful. A face every way of a due proportion, denotes an ingenious person, one fit for anything and very much inclined to what is good. One of a broad, full, fat face is, by the rules of physiognomy, of a dull, lumpish, heavy const.i.tution, and that for one virtue has three vices. A plain, flat face, without any rising shows a person to be very wise, loving and courtly in his carriage, faithful to his friend and patient in adversity. A face sinking down a little, with crosses in it, inclining to leanness, denotes a person to be very laborious, but envious, deceitful, false, quarrelsome, vain and silly, and of a dull and clownish behaviour. A face of a handsome proportion, and more inclining to fat than lean, shows a person just in his actions, true to his word, civil, and respectful in his behaviour, of an indifferent understanding, and of an extraordinary memory. A crooked face, long and lean, denotes a man endued with as bad qualities as the face is with ill features. A face broad about the brows, and sharper and less as it grows towards the chin, shows a man simple and foolish in managing his affairs, vain in his discourse, envious in his nature, deceitful, quarrelsome and rude in his conversation. A face well-coloured, full of good features, and of an exact symmetry, and a just proportion in all its parts, and which is delightful to look upon, is commonly the index of a fairer mind and shows a person to be well disposed; but withal declares that virtue is not so impregnably seated there, but that by strong temptations (especially by the fair s.e.x) it may be supplanted and overcome by vice. A pale complexion, shows the person not only to be fickle, but very malicious, treacherous, false, proud, presumptuous, and extremely unfaithful. A face well-coloured, shows the person to be of a praiseworthy disposition and a sound complexion, easy of belief, and respectful to his friend, ready to do a courtesy, and very easy to be drawn to anything.

A great head, and round, withal, denotes the person to be secret, and of great application in carrying on business, and also ingenious and of a large imaginative faculty and invention; and likewise laborious, constant and honest. The head whose gullet stands forth and inclines towards the earth, signifies a person thrifty, wise, peaceable, secret, of a retired temper, and constant in the management of his affairs. A long head and face, and great, withal, denotes a vain, foolish, idle and weak person, credulous and very envious. To have one's head always shaking and moving from side to side, denotes a shallow, weak person, unstable in all his actions, given to lying, a great deceiver, a great talker, and prodigal in all his fortunes. A big head and broad face, shows a man to be very courageous, a great hunter after women, very suspicious, bold and shameless. He who hath a very big head, but not so proportionate as it ought to be to the body, if he hath a short neck and crooked gullet is generally a man of apprehension, wise, secret, ingenious, of sound judgment, faithful, true and courteous to all. He who hath a little head, and long, slender throat, is for the most part a man very weak, yet apt to learn, but unfortunate in his actions. And so much shall suffice with respect to judgment from the head and face.

CHAPTER III

_Of Judgments drawn from several other parts of Man's Body._

In the body of man the head and feet are the princ.i.p.al parts, being the index which heaven has laid open to every one's view to make a judgment therefrom, therefore I have been the larger in my judgment from the several parts thereof. But as to the other parts, I shall be much more brief as not being so obvious to the eyes of men; yet I would proceed in order.

The throat, if it be white, whether it be fat or lean, shows a man to be vain-glorious, timorous, wanton, and very much subject to choler. If the throat be so thin and lean that the veins appear, it shows a man to be weak, slow, and a dull and heavy const.i.tution.

A long neck shows one to have a long and slender foot, and that the person is stiff and inflexible either to good or evil. A short neck shows one to be witty and ingenious, but deceitful and inconstant, well skilled in the use of arms, and yet cares not to use them, but is a great lover of peace and quietness.

A lean shoulder bone, signifies a man to be weak, timorous, peaceful, not laborious, and yet fit for any employment. He whose shoulder bones are of a great bigness is commonly, by the rule of physiognomy, a strong man, faithful but unfortunate; somewhat dull of understanding, very laborious, a great eater and drinker, and one equally contented in all conditions. He whose shoulder bone seems to be smooth, is by the rule of nature, modest in his look, and temperate in all his actions, both at bed and board. He whose shoulder bone bends, and is crooked inwardly, is commonly a dull person and deceitful.

Long arms, hanging down and touching the knees, though such arms are rarely seen, denotes a man liberal, but withal vain-glorious, proud and inconstant. He whose arms are very short in respect to the stature of his body, is thereby signified to be a man of high and gallant spirit, of a graceful temper, bold and warlike. He whose arms are full of bones, sinews and flesh, is a great desirer of novelties and beauties, and one that is very credulous and apt to believe anything. He whose arms are very hairy, whether they be lean or fat, is for the most part a luxurious person, weak in body and mind, very suspicious and malicious withal. He whose arms have no hair on them at all, is of a weak judgment, very angry, vain, wanton, credulous, easily deceived himself, yet a great deceiver of others, no fighter, and very apt to betray his dearest friends.

CHAPTER IV

_Of Palmistry, showing the various Judgments drawn from the Hand._

Being engaged in this fourth part to show what judgment may be drawn, according to physiognomy, from the several parts of the body, and coming in order to speak of the hands, it has put me under the necessity of saying something about palmistry, which is a judgment made of the conditions, inclinations, and fortunes of men and women, from the various lines and characters nature has imprinted in their hands, which are almost as serious as the hands that have them.

The reader should remember that one of the lines of the hand, and which indeed is reckoned the princ.i.p.al, is called the line of life; this line encloses the thumb, separating it from the hollow of the hand. The next to it, which is called the natural line, takes its beginning from the rising of the forefinger, near the line of life, and reaches to the table line, and generally makes a triangle. The table line, commonly called the line of fortune, begins under the little finger, and ends near the middle finger. The girdle of Venus, which is another line so called begins near the first joint of the little finger, and ends between the fore-finger and the middle finger. The line of death is that which plainly appears in a counter line to that of life, and is called the sister line, ending usually as the other ends; for when the line of life is ended, death comes, and it can go no farther. There are lines in the fleshy parts, as in the ball of the thumb, which is called the mount of Venus; under each of the fingers are also mounts, which are governed by several planets; and the hollow of the hand is called the plain of Mars.

I proceed to give judgment from these several lines:--In palmistry, the left hand is chiefly to be regarded, because therein the lines are most visible, and have the strictest communication with the heart and brain.

In the next place, observe the line of life, and if it be fair, extended to its full length, and not broken with an intermixture of cross lines, it shows long life and health, and it is the same if a double line appears, as there sometimes does. When the stars appear in this line, it is a signification of great losses and calamities; if on it there be the figures of two O's or a Q, it threatens the person with blindness; if it wraps itself about the table line, then does it promise wealth and honour to be attended by prudence and industry. If the line be cut and jagged at the upper end, it denotes much sickness; if this line be cut by any lines coming from the mount of Venus, it declares the person to be unfortunate in love and business also, and threatens him with sudden death. A cross below the line of life and the table line, shows the person to be very liberal and charitable, one of a n.o.ble spirit. Let us now see the signification of the table line.

The table line, when broad and of a lively colour, shows a healthful const.i.tution, and a quiet contented mind, and a courageous spirit, but if it has crosses towards the little finger, it threatens the party with much affliction by sickness. If the line be double, or divided into three parts at any of the extremities, it shows the person to be of a generous temper, and of a good fortune to support it; but if this line be forked at the end, it threatens the person shall suffer by jealousies and doubts, and loss of riches gotten by deceit. If three points such as these

are found in it, they denote the person prudent and liberal, a lover of learning, and of a good temper, if it spreads towards the fore and middle finger and ends blunt, it denotes preferment. Let us now see what is signified by the middle line. This line has in it oftentimes (for there is scarce a hand in which it varies not) divers very significant characters. Many small lines between this and the table line threaten the party with sickness, and also gives him hopes of recovery. A half cross branching into this line, declares the person shall have honour, riches, and good success in all his undertakings. A half moon denotes cold and watery distempers; but a sun or star upon this line, denotes prosperity and riches; this line, double in a woman, shows she will have several husbands, but no children.

[Ill.u.s.tration]

The line of Venus, if it happens to be cut or divided near the forefinger, threatens ruin to the party, and that it shall befall him by means of lascivious women and bad company. Two crosses upon the line, one being on the forefinger and the other bending towards the little finger, show the party to be weak, and inclined to modesty and virtue, indeed it generally denotes modesty in women; and therefore those who desire such, usually choose them by this standard.

The liver line, if it be straight and crossed by other lines, shows the person to be of a sound judgment, and a piercing understanding, but if it be winding, crooked and bending outward, it draws deceit and flattery, and the party is not to be trusted. If it makes a triangle or quadrangle, it shows the person to be of a n.o.ble descent, and ambitious of honour and promotion. If it happens that this line and the middle line begin near each other, it denotes a person to be weak in his judgment, if a man; but if a woman, in danger by hard labour.

The plain of Mars being in the hollow of the hand, most of the lines pa.s.s through it, which renders it very significant. This plain being crooked and distorted, threatens the party to fall by his enemies. When the lines beginning at the wrist are long within the plain, reaching to the brawn of the hand, that shows the person to be much given to quarrelling, often in broils and of a hot and fiery spirit, by which he suffers much damage. If deep and long crosses be in the middle of the plain, it shows the party shall obtain honour by martial exploits; but if it be a woman, she shall have several husbands and easy labour with her children.

The line of Death is fatal, when crosses or broken lines appear in it; for they threaten the person with sickness and a short life. A clouded moon appearing therein, threatens a child-bed woman with death. A b.l.o.o.d.y spot in the line, denotes a violent death. A star like a comet, threatens ruin by war, and death by pestilence. But if a bright sun appears therein, it promises long life and prosperity.

As for the lines of the wrist being fair, they denote good fortune; but if crossed and broken, the contrary.

CHAPTER V

_Judgments according to Physiognomy, drawn from the several parts of the Body, from the Hands to the Feet._