He reached the end of the street, but he felt a reluctance to leave it, and turned back again, walking still more slowly and heavily than before. So far as any outward object or circ.u.mstance could be said to be in harmony with his mood, the dismal lane, the failing light, the bitter air, were at that moment sympathetic to him. The tomb itself is not more sepulchral than certain streets and places in Prague on a dark winter's afternoon. In the certainty that the last and the greatest of misfortunes had befallen him, the Wanderer turned back into the gloomy by-way as the pale, wreathing ghosts, fearful of the sharp daylight and the distant voices of men, sink back at dawn into the graves out of which they have slowly risen to the outer air in the silence of the night.

Death, the arch-steward of eternity, walks the bounds of man's entailed estate, and the headstones of men's graves are landmarks in the great possession committed to his stewardship, enclosing within their narrow ring the wretched plot of land which makes up all of life's inheritance.

From ever to always the generations of men do bondsmen's service in that single field, to plough it and sow it, and harrow it and water it, to lay the sickle to the ripe corn if so be that their serfdom falls in the years of plenty and the ear is full, to eat the bread of tears, if their season of servitude be required of them in a time of scarcity and famine. Bondsmen of death, from birth, they are sent forth out of the sublime silence of the pathless forest which hems in the open glebe land of the present and which is eternity, past and to come; bondsmen of death, from youth to age, they join in the labour of the field, they plough, they sow, they reap, perhaps, tears they shed many, and of laughter there is also a little amongst them; bondsmen of death, to the last, they are taken in the end, when they have served their tale of years, many or few, and they are led from furrow and gra.s.s land, willing or unwilling, mercifully or cruelly, to the uttermost boundary, and they are thrust out quickly into the darkness whence they came. For their place is already filled, and the new husbandmen, their children, have in their turn come into the field, to eat of the fruit they sowed, to sow in turn a seed of which they themselves shall not see the harvest, whose sheaves others shall bind, whose ears others shall thresh, and of whose corn others shall make bread after them. With our eyes we may yet see the graves of two hundred generations of men, whose tombs serve but to mark that boundary more clearly, whose fierce warfare, when they fought against the master, could not drive back that limit by a handbreadth, whose uncomplaining labour, when they accepted their lot patiently, earned them not one scant foot of soil wherewith to broaden their inheritance as reward for their submission; and of them all, neither man nor woman was ever forgotten in the day of reckoning, nor was one suffered to linger in the light. Death will bury a thousand generations more, in graves as deep, strengthening year by year the strong chain of his grim landmarks. He will remember us every one when the time comes; to some of us he will vouchsafe a peaceful end, but some shall pa.s.s away in mortal agony, and some shall be dragged unconscious to the other side; but all must go. Some shall not see him till he is at hand, and some shall dream of him in year-long dreams of horror, to be taken unawares at the last. He will remember us every one and will come to us, and the place of our rest shall be marked for centuries, for years, or for seconds, for each a stone, or a few green sods laid upon a mound beneath the sky, or the ripple on a changing wave when the loaded sack has slipped from the smooth plank, and the sound of a dull splash has died away in the wind. There be strong men, as well as weak, who shudder and grow cold when they think of that yet undated day which must close with its black letter their calendar of joy and sorrow; there are weaklings, as well as giants, who fear death for those they love, but who fear not anything else at all. The master treats courage and cowardice alike; Achilles and Thersites must alike perish, and none will be so bold as to say that he can tell the dust of the misshapen varlet from the ashes of the swift-footed destroyer, whose hair was once so bright, whose eyes were so fierce, whose mighty heart was so slothless, so wrathful, so inexorable and so brave.

The Wanderer was of those who dread nothing save for the one dearly-beloved object, but who, when that fear is once roused by a real or an imaginary danger, can suffer in one short moment the agony which should be distributed through a whole lifetime. The magnitude of his pa.s.sion could lend to the least thought or presentiment connected with it the force of a fact and the overwhelming weight of a real calamity.

In order to feel any great or n.o.ble pa.s.sion a man must have an imagination both great and sensitive in at least one direction. The execution of a rare melody demands as a prime condition an instrument of wide compa.s.s and delicate construction, and one of even more rich and varied capabilities is needed to render those grand harmonies which are woven in the modulation of sonorous chords. A skilful hand may draw a scale from wooden blocks set upon ropes of straw, but the great musician must hold the violin, or must feel the keys of the organ under his fingers and the responsive pedals at his feet, before he can expect to interpret fittingly the immortal thought of the composer. The strings must vibrate in perfect tune, the priceless wood must be seasoned and penetrated with the melodies of years, and scores of years, the latent music must be already trembling to be free, before the hand that draws the bow can command the ears and hearts of those who hear. So, too, love, the chief musician of this world, must find an instrument worthy of his touch before he can show all his power, and make heart and soul ring with the lofty strains of a sublime pa.s.sion. Not every one knows what love means; few indeed know all that love can mean. There is no more equality among men than there is likeness between them, and no two are alike. The many have little, the few have much. To the many is given the faint perception of higher things, which is either the vestige, or the promise, of a n.o.bler development, past or yet to come. As through a veil they see the line of beauty which it is not theirs to trace; as in a dream they hear the succession of sweet tones which they can themselves never bring together, though their half-grown instinct feels a vague satisfaction in the sequence; as from another world, they listen to the poet's song, wondering, admiring, but powerless over the great instrument of human speech, from whose 15,000 keys their touch can draw but the dull, tuneless prose of daily question and answer; as in a mirage of things unreal, they see the great deeds that are done in their time for love or hate, for race or country, for ambition and for vengeance, but though they see the result, and know the motive, the inward meaning and spirit of it all escapes them. It is theirs to be, and existence is in itself their all. To think, to create, to act, to feel can be only for the few. To one is given the transcendent genius that turns the very stones along life's road to precious gems of thought; whose gift it is to find speech in dumb things and eloquence in the ideal half of the living world; to whom sorrow is a melody and joy sweet music; to whom the humblest effort of a humble life can furnish an immortal lyric, and in whom one thought of the Divine can inspire a sublime hymn. Another stoops and takes a handful of clay from the earth, and with the pressure of his fingers moulds it to the reality of an unreal image seen in dreams; or, standing before the vast, rough block of marble, he sees within the ma.s.s the perfection of a faultless form--he lays the chisel to the stone, the mallet strikes the steel, one by one the shapeless fragments fly from the shapely limbs, the matchless curves are uncovered, the breathing mouth smiles through the petrifaction of a thousand ages, the shroud of stone falls from the G.o.dlike brow, and the Hermes of Olympia stands forth in all his deathless beauty. Another is born to the heritage of this world's power, fore-destined to rule and fated to destroy; the naked sword of destiny lies in his cradle; the axe of a king-maker awaits the awakening of his strength; the sceptre of supreme empire hangs within his reach. Unknown, he dreams and broods over the future; unheeded, he begins to move among his fellows; a smile, half of encouragement, half of indifference, greets his first effort; he advances a little farther, and thoughtful men look grave, another step, and suddenly all mankind cries out and faces him and would beat him back; but it is too late; one struggle more, and the hush of a great and unknown fear falls on the wrangling nations; they are silent, and the world is his. He is the man who is already thinking when others have scarcely begun to feel; who is creating before the thoughts of his rivals have reached any conclusion; who acts suddenly, terribly and irresistibly, before their creations have received life. And yet, the greatest and the richest inheritance of all is not his, for it has fallen to another, to the man of heart, and it is the inheritance of the kingdom of love.

In all ages the reason of the world has been at the mercy of brute force. The reign of law has never had more than a pa.s.sing reality, and never can have more than that so long as man is human. The individual intellect and the aggregate intelligence of nations and races have alike perished in the struggles of mankind, to revive again, indeed, but as surely to be again put to the edge of the sword. Here and there great thoughts and great masterpieces have survived the martyrdom of a thinker, the extinction of a school, the death of a poet, the wreck of a high civilisation. Socrates is murdered with the creed of immortality on his very lips; hardly had he spoken the wonderful words recorded in the _Phaedo_ when the fatal poison sent its deathly chill through his limbs; the Greeks are gone, yet the Hermes of Olympia remains, mutilated and maimed, indeed, but faultless still, and still supreme. The very name of Homer is grown wellnigh as mythic as his blindness. There are those to-day who, standing by the grave of William Shakespeare, say boldly that he was not the creator of the works that bear his name. And still, through the centuries, Achilles wanders lonely by the sh.o.r.e of the sounding sea; Paris loves, and Helen is false; Ajax raves, and Odysseus steers his sinking ship through the raging storm. Still, Hamlet the Avenger swears, hesitates, kills at last, and then himself is slain; Romeo sighs in the ivory moonlight, and love-bound Juliet hears the triumphant lark carolling his ringing hymn high in the cool morning air, and says it is the nightingale--Immortals all, the marble G.o.d, the Greek, the Dane, the love-sick boy, the maiden foredoomed to death. But how short is the roll-call of these deathless ones! Through what raging floods of destruction have they lived, through what tempests have they been tossed, upon what inhospitable sh.o.r.es have they been cast up by the changing tides of time! Since they were called to life by the great, half-nameless departed, how often has their very existence been forgotten by all but a score in tens of millions? Has it been given to those embodied thoughts of transcendent genius to ride in the whirlwind of men's pa.s.sions or to direct the stormy warfare of half frantic nations? Since they were born in all their bright perfection, to live on in unchanging beauty, violence has ruled the world; many a time since then the sword has mown down its harvest of thinkers, many a time has the iron harrow of war torn up and scarred the face of the earth. Athens still stands in broken loveliness, and the Tiber still rolls its tawny waters heavily through Rome; but Rome and Athens are to-day but places of departed spirits; they are no longer the seats of life, their broken hearts are petrified. All men may see the ports through which the blood flowed to the throbbing centre, the traces of the mighty arteries through which it was driven to the ends of the earth. But the blood is dried up, the hearts are broken, and though in their stony ruins those dead world-hearts be grander and more enduring than any which in our time are whole and beating, yet neither their endurance nor their grandeur have saved them from man, the destroyer, nor was the beauty of their thoughts or the thoughtfully-devised machinery of their civilisation a shield against a few score thousand rough-hammered blades, wielded by rough-hewn mortals who recked neither of intellect nor of civilisation, nor yet of beauty, being but very human men, full of terribly strong and human pa.s.sions. Look where you will, throughout the length and breadth of all that was the world five thousand, or five hundred years ago; everywhere pa.s.sion has swept thought before it, and belief, reason. And we, too, with our reason and our thoughts, shall be swept from existence and the memory of it. Is this the age of reason, and is this the reign of law? In the midst of this civilisation of ours three millions of men lie down nightly by their arms, men trained to handle rifle and sword, taught to destroy and to do nothing else; and nearly as many more wait but a summons to leave their homes and join the ranks. And often it is said that we are on the eve of a universal war.

At the command of a few individuals, at the touch of a few wires, more than five millions of men in the very prime and glory of strength, armed as men never were armed since time began, will arise and will kill civilisation and thought, as both the one and the other have been slain before by fewer hands and less deadly weapons. Is this reason, or is this law? Pa.s.sion rules the world, and rules alone. And pa.s.sion is neither of the head, nor of the hand, but of the heart. Pa.s.sion cares nothing for the mind. Love, hate, ambition, anger, avarice, either make a slave of intelligence to serve their impulses, or break down its impotent opposition with the unanswerable argument of brute force, and tear it to pieces with iron hands.

Love is the first, the greatest, the gentlest, the most cruel, the most irresistible of pa.s.sions. In his least form he is mighty. A little love has destroyed many a great friendship. The merest outward semblance of love has made such havoc as no intellect could repair. The reality has made heroes and martyrs, traitors and murderers, whose names will not be forgotten, for glory or for shame. Helen is not the only woman whose smile has kindled the beacon of a ten years' war, nor Antony the only man who has lost the world for a caress. It may be that the Helen who shall work our destruction is even now twisting and braiding her golden hair; it may be that the new Antony, who is to lose this same old world again, already stands upon the steps of Cleopatra's throne. Love's day is not over yet, nor has man outgrown the love of woman.

But the power to love greatly is a gift, differing much in kind, though little in degree, from the inspiration of the poet, the genius of the artist, or the unerring instinct and eagle's glance of the conqueror; for conqueror, artist and poet are moved by pa.s.sion and not by reason, which is but their servant in so far as it can be commanded to move others, and their deadliest enemy when it would move themselves. Let the pa.s.sion and the instrument but meet, being suited to each other, and all else must go down before them. Few, indeed, are they to whom is given that rich inheritance, and they themselves alone know all their wealth, and all their misery, all the boundless possibilities of happiness that are theirs, and all the dangers and the terrors that beset their path.

He who has won woman in the face of daring rivals, of enormous odds, of gigantic obstacles, knows what love means; he who has lost her, having loved her, alone has measured with his own soul the bitterness of earthly sorrow, the depth of total loneliness, the breadth of the wilderness of despair. And he who has sorrowed long, who has long been alone, but who has watched the small, twinkling ray still burning upon the distant border of his desert--the faint glimmer of a single star that was still above the horizon of despair--he only can tell what utter darkness can be upon the face of the earth when that last star has set for ever. With it are gone suddenly the very quarters and cardinal points of life's chart, there is no longer any right hand or any left, any north or south, any rising of the sun or any going down, any forward or backward direction in his path, any heaven above, or any h.e.l.l below.

The world has stood still and there is no life in the thick, black stillness. Death himself is dead, and one living man is forgotten behind, to mourn him as a lost friend, to pray that some new destroyer, more sure of hand than death himself, may come striding through the awful silence to make an end at last of the tormented spirit, to bear it swiftly to the place where that last star ceased to shine, and to let it down into the restful depths of an unremembering eternity. But into that place, which is the soul of man, no destroyer can penetrate; that solitary life neither the sword, nor pestilence, nor age, nor eternity can extinguish; that immortal memory no night can obscure. There was a beginning indeed, but end there can be none.

Such a man was the Wanderer, as he paced the deserted street in the cruel, gloomy cold of the late day. Between his sight and the star of his own hope an impenetrable shadow had arisen, so that he saw it no more. The memory of Beatrice was more than ever distinct to his inner sense, but the sudden presentiment of her death, real in its working as any certainty, had taken the reality of her from the ground on which he stood. For that one link had still been between them. Somewhere, near or far, during all these years, she, too, had trodden the earth with her light footsteps, the same universal mother earth on which they both moved and lived. The very world was hers, since she was touching it, and to touch it in his turn was to feel her presence. For who could tell what hidden currents ran in the secret depths, or what mysterious interchange of sympathy might not be maintained through them? The air itself was hers, since she was somewhere breathing it; the stars, for she looked on them; the sun, for it warmed her; the cold of winter, for it chilled her too; the breezes of spring, for they fanned her pale cheek and cooled her dark brow. All had been hers, and at the thought that she had pa.s.sed away, a cry of universal mourning broke from the world she had left behind, and darkness descended upon all things, as a funeral pall.

Cold and dim and sad the ancient city had seemed before, but it was a thousandfold more melancholy now, more black, more saturated with the gloom of ages. From time to time the Wanderer raised his heavy lids, scarcely seeing what was before him, conscious of nothing but the horror which had so suddenly embraced his whole existence. Then, all at once, he was face to face with some one. A woman stood still in the way, a woman wrapped in rich furs, her features covered by a dark veil which could not hide the unequal fire of the unlike eyes so keenly fixed on his.

"Have you found her?" asked the soft voice.

"She is dead," answered the Wanderer, growing very white.

CHAPTER VIII

During the short silence which followed, and while the two were still standing opposite to each other, the unhappy man's look did not change.

Unorna saw that he was sure of what he said, and a thrill of triumph, as jubilant as his despair was profound ran through her. If she had cared to reason with herself and to examine into her own sincerity, she would have seen that nothing but genuine pa.s.sion, good or bad, could have lent the a.s.surance of her rival's death such power to flood the dark street with sunshine. But she was already long past doubt upon that question.

The enchanter had bound her heart with his spells at the first glance, and the wild nature was already on fire. For one instant the light shot from her eyes, and then sank again as quickly as it had come. She had other impulses than those of love, and subtle gifts of perception that condemned her to know the truth, even when the delusion was most glorious. He was himself deceived, and she knew it. Beatrice might, indeed, have died long ago. She could not tell. But as she sought in the recesses of his mind, she saw that he had no certainty of it, she saw the black presentiment between him and the image, for she could see the image too. She saw the rival she already hated, not receiving a vision of the reality, but perceiving it through his mind, as it had always appeared to him. For one moment she hesitated still, and she knew that her whole life was being weighed in the trembling balance of that hesitation. For one moment her face became an impenetrable mask, her eyes grew dull as uncut jewels, her breathing ceased, her lips were set like cold marble. Then the stony mask took life again, the sight grew keen, and a gentle sigh stirred the chilly air.

"She is not dead."

"Not dead!" The Wanderer started, but fully two seconds after she had spoken, as a man struck by a bullet in battle, in whom the suddenness of the shock has destroyed the power of instantaneous sensation.

"She is not dead. You have dreamed it," said Unorna, looking at him steadily.

He pressed his hand to his forehead and then moved it, as though brushing away something that troubled him.

"Not dead? Not dead!" he repeated, in changing tones.

"Come with me. I will show her to you."

He gazed at her and his senses reeled. Her words sounded like rarest music in his ear; in the darkness of his brain a soft light began to diffuse itself.

"Is it possible? Have I been mistaken?" he asked in a low voice, as though speaking to himself.

"Come!" said Unorna again very gently.

"Whither? With you? How can you bring me to her? What power have you to lead the living to the dead?"

"To the living. Come."

"To the living--yes. I have dreamed an evil dream--a dream of death. She is not--no, I see it now. She is not dead. She is only very far from me, very, very far. And yet it was this morning--but I was mistaken, deceived by some faint likeness. Ah, G.o.d! I thought I knew her face!

What is it that you want with me?"

He asked the question as though again suddenly aware of Unorna's presence. She had lifted her veil and her eyes drew his soul into their mysterious depths.

"She calls you. Come."

"She? She is not here. What can you know of her? Why do you look at me so?"

He felt an unaccountable uneasiness under her gaze, like a warning of danger not far off. The memory of his meeting with her on that same morning was not clear at that moment, but he had not forgotten the odd disturbance of his faculties which had distressed him at the time. He was inclined to resist any return of the doubtful state and to oppose Unorna's influence. He felt the fascination of her glance, and he straightened himself rather proudly and coldly as though to withdraw himself from it. It was certain that Unorna, at the surprise of meeting her, had momentarily dispelled the gloomy presentiment which had given him such terrible pain. And yet, even his disturbed and anxious consciousness found it more than strange that she should thus press him to go with her, and so boldly promise to bring him to the object of his search. He resisted her, and found that resistance was not easy.

"And yet," said she, dropping her eyes and seeming to abandon the attempt, "you said that if you failed to-day you would come back to me.

Have you succeeded, that you need no help?"

"I have not succeeded."

"And if I had not come to you--if I had not met you here, you would have failed for the last time. You would have carried with you the conviction of her death to the moment of your own."

"It was a horrible delusion, but since it was a delusion it would have pa.s.sed away in time."

"With your life, perhaps. Who would have waked you, if I had not?"

"I was not sleeping. Why do you reason? What would you prove?"

"Much, if I knew how. Will you walk with me? It is very cold."

They had been standing where they had met. As she spoke, Unorna looked up with an expression wholly unlike the one he had seen a few moments earlier. Her strong will was suddenly veiled by the most gentle and womanly manner, and a little shiver, real or feigned, pa.s.sed over her as she drew the folds of her fur more closely round her. The man before her could resist the aggressive manifestation of her power, but he was far too courteous to refuse her request.

"Which way?" he asked quietly.

"To the river," she answered.

He turned and took his place by her side. For some moments they walked on in silence. It was already almost twilight.

"How short the days are!" exclaimed Unorna, rather suddenly.

"How long, even at their shortest!" replied her companion.

"They might be short--if you would."

He did not answer her, though he glanced quickly at her face. She was looking down at the pavement before her, as though picking her way, for there were patches of ice upon the stones. She seemed very quiet. He could not guess that her heart was beating violently, and that she found it hard to say six words in a natural tone.

So far as he himself was concerned he was in no humour for talking. He had seen almost everything in the world, and had read or heard almost everything that mankind had to say. The streets of Prague had no novelty for him, and there was no charm in the chance acquaintance of a beautiful woman, to bring words to his lips. Words had long since grown useless in the solitude of a life that was spent in searching for one face among the millions that pa.s.sed before his sight. Courtesy had bidden him to walk with her, because she had asked it, but courtesy did not oblige him to amuse her, he thought, and she had not the power that Keyork Arabian had to force him into conversation, least of all into conversing upon his own inner life. He regretted the few words he had spoken, and would have taken them back, had it been possible. He felt no awkwardness in the long silence.