SIX -- The Head of Caesar

THERE is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs.

The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity. The pilgrim walking down it begins to think he will never come to a break or a corner; but there is one exception--a very small one, but hailed by the pilgrim almost with a shout. There is a sort of mews between two of the tall mansions, a mere slit like the crack of a door by comparison with the street, but just large enough to permit a pigmy ale-house or eating-house, still allowed by the rich to their stable-servants, to stand in the angle. There is something cheery in its very dinginess, and something free and elfin in its very insignificance. At the feet of those grey stone giants it looks like a lighted house of dwarfs.

Anyone pa.s.sing the place during a certain autumn evening, itself almost fairylike, might have seen a hand pull aside the red half-blind which (along with some large white lettering) half hid the interior from the street, and a face peer out not unlike a rather innocent goblin's. It was, in fact, the face of one with the harmless human name of Brown, formerly priest of Cobhole in Ess.e.x, and now working in London. His friend, Flambeau, a semi-official investigator, was sitting opposite him, making his last notes of a case he had cleared up in the neighbourhood. They were sitting at a small table, close up to the window, when the priest pulled the curtain back and looked out. He waited till a stranger in the street had pa.s.sed the window, to let the curtain fall into its place again. Then his round eyes rolled to the large white lettering on the window above his head, and then strayed to the next table, at which sat only a navvy with beer and cheese, and a young girl with red hair and a gla.s.s of milk. Then (seeing his friend put away the pocket-book), he said softly:

"If you've got ten minutes, I wish you'd follow that man with the false nose."

Flambeau looked up in surprise; but the girl with the red hair also looked up, and with something that was stronger than astonishment. She was simply and even loosely dressed in light brown sacking stuff; but she was a lady, and even, on a second glance, a rather needlessly haughty one. "The man with the false nose!" repeated Flambeau. "Who's he?"

"I haven't a notion," answered Father Brown. "I want you to find out; I ask it as a favour. He went down there"--and he jerked his thumb over his shoulder in one of his undistinguished gestures--"and can't have pa.s.sed three lamp-posts yet. I only want to know the direction."

Flambeau gazed at his friend for some time, with an expression between perplexity and amus.e.m.e.nt; and then, rising from the table; squeezed his huge form out of the little door of the dwarf tavern, and melted into the twilight.

Father Brown took a small book out of his pocket and began to read steadily; he betrayed no consciousness of the fact that the red-haired lady had left her own table and sat down opposite him. At last she leaned over and said in a low, strong voice: "Why do you say that? How do you know it's false?"

He lifted his rather heavy eyelids, which fluttered in considerable embarra.s.sment. Then his dubious eye roamed again to the white lettering on the gla.s.s front of the public-house. The young woman's eyes followed his, and rested there also, but in pure puzzledom.

"No," said Father Brown, answering her thoughts. "It doesn't say 'Sela', like the thing in the Psalms; I read it like that myself when I was wool-gathering just now; it says 'Ales.'"

"Well?" inquired the staring young lady. "What does it matter what it says?"

His ruminating eye roved to the girl's light canvas sleeve, round the wrist of which ran a very slight thread of artistic pattern, just enough to distinguish it from a working-dress of a common woman and make it more like the working-dress of a lady art-student. He seemed to find much food for thought in this; but his reply was very slow and hesitant.

"You see, madam," he said, "from outside the place looks--well, it is a perfectly decent place--but ladies like you don't--don't generally think so. They never go into such places from choice, except--"

"Well?" she repeated.

"Except an unfortunate few who don't go in to drink milk."

"You are a most singular person," said the young lady. "What is your object in all this?"

"Not to trouble you about it," he replied, very gently. "Only to arm myself with knowledge enough to help you, if ever you freely ask my help."

"But why should I need help?"

He continued his dreamy monologue. "You couldn't have come in to see protegees, humble friends, that sort of thing, or you'd have gone through into the parlour...and you couldn't have come in because you were ill, or you'd have spoken to the woman of the place, who's obviously respectable...besides, you don't look ill in that way, but only unhappy.... This street is the only original long lane that has no turning; and the houses on both sides are shut up.... I could only suppose that you'd seen somebody coming whom you didn't want to meet; and found the public-house was the only shelter in this wilderness of stone.... I don't think I went beyond the licence of a stranger in glancing at the only man who pa.s.sed immediately after.... And as I thought he looked like the wrong sort...and you looked like the right sort.... I held myself ready to help if he annoyed you; that is all.

As for my friend, he'll be back soon; and he certainly can't find out anything by stumping down a road like this.... I didn't think he could."

"Then why did you send him out?" she cried, leaning forward with yet warmer curiosity. She had the proud, impetuous face that goes with reddish colouring, and a Roman nose, as it did in Marie Antoinette.

He looked at her steadily for the first time, and said: "Because I hoped you would speak to me."

She looked back at him for some time with a heated face, in which there hung a red shadow of anger; then, despite her anxieties, humour broke out of her eyes and the corners of her mouth, and she answered almost grimly: "Well, if you're so keen on my conversation, perhaps you'll answer my question." After a pause she added: "I had the honour to ask you why you thought the man's nose was false."

"The wax always spots like that just a little in this weather," answered Father Brown with entire simplicity.

"But it's such a crooked nose," remonstrated the red-haired girl.

The priest smiled in his turn. "I don't say it's the sort of nose one would wear out of mere foppery," he admitted. "This man, I think, wears it because his real nose is so much nicer."

"But why?" she insisted.

"What is the nursery-rhyme?" observed Brown absent-mindedly. "There was a crooked man and he went a crooked mile.... That man, I fancy, has gone a very crooked road--by following his nose."

"Why, what's he done?" she demanded, rather shakily.

"I don't want to force your confidence by a hair," said Father Brown, very quietly. "But I think you could tell me more about that than I can tell you."

The girl sprang to her feet and stood quite quietly, but with clenched hands, like one about to stride away; then her hands loosened slowly, and she sat down again. "You are more of a mystery than all the others,"

she said desperately, "but I feel there might be a heart in your mystery."

"What we all dread most," said the priest in a low voice, "is a maze with no centre. That is why atheism is only a nightmare." "I will tell you everything," said the red-haired girl doggedly, "except why I am telling you; and that I don't know."

She picked at the darned table-cloth and went on: "You look as if you knew what isn't sn.o.bbery as well as what is; and when I say that ours is a good old family, you'll understand it is a necessary part of the story; indeed, my chief danger is in my brother's high-and-dry notions, n.o.blesse oblige and all that. Well, my name is Christabel Carstairs; and my father was that Colonel Carstairs you've probably heard of, who made the famous Carstairs Collection of Roman coins. I could never describe my father to you; the nearest I can say is that he was very like a Roman coin himself. He was as handsome and as genuine and as valuable and as metallic and as out-of-date. He was prouder of his Collection than of his coat-of-arms--n.o.body could say more than that. His extraordinary character came out most in his will. He had two sons and one daughter.

He quarrelled with one son, my brother Giles, and sent him to Australia on a small allowance. He then made a will leaving the Carstairs Collection, actually with a yet smaller allowance, to my brother Arthur.

He meant it as a reward, as the highest honour he could offer, in acknowledgement of Arthur's loyalty and rect.i.tude and the distinctions he had already gained in mathematics and economics at Cambridge. He left me practically all his pretty large fortune; and I am sure he meant it in contempt.

"Arthur, you may say, might well complain of this; but Arthur is my father over again. Though he had some differences with my father in early youth, no sooner had he taken over the Collection than he became like a pagan priest dedicated to a temple. He mixed up these Roman halfpence with the honour of the Carstairs family in the same stiff, idolatrous way as his father before him. He acted as if Roman money must be guarded by all the Roman virtues. He took no pleasures; he spent nothing on himself; he lived for the Collection. Often he would not trouble to dress for his simple meals; but pattered about among the corded brown-paper parcels (which no one else was allowed to touch) in an old brown dressing-gown. With its rope and ta.s.sel and his pale, thin, refined face, it made him look like an old ascetic monk. Every now and then, though, he would appear dressed like a decidedly fashionable gentleman; but that was only when he went up to the London sales or shops to make an addition to the Carstairs Collection.

"Now, if you've known any young people, you won't be shocked if I say that I got into rather a low frame of mind with all this; the frame of mind in which one begins to say that the Ancient Romans were all very well in their way. I'm not like my brother Arthur; I can't help enjoying enjoyment. I got a lot of romance and rubbish where I got my red hair, from the other side of the family. Poor Giles was the same; and I think the atmosphere of coins might count in excuse for him; though he really did wrong and nearly went to prison. But he didn't behave any worse than I did; as you shall hear.

"I come now to the silly part of the story. I think a man as clever as you can guess the sort of thing that would begin to relieve the monotony for an unruly girl of seventeen placed in such a position. But I am so rattled with more dreadful things that I can hardly read my own feeling; and don't know whether I despise it now as a flirtation or bear it as a broken heart. We lived then at a little seaside watering-place in South Wales, and a retired sea-captain living a few doors off had a son about five years older than myself, who had been a friend of Giles before he went to the Colonies. His name does not affect my tale; but I tell you it was Philip Hawker, because I am telling you everything. We used to go shrimping together, and said and thought we were in love with each other; at least he certainly said he was, and I certainly thought I was.

If I tell you he had bronzed curly hair and a falconish sort of face, bronzed by the sea also, it's not for his sake, I a.s.sure you, but for the story; for it was the cause of a very curious coincidence.

"One summer afternoon, when I had promised to go shrimping along the sands with Philip, I was waiting rather impatiently in the front drawing-room, watching Arthur handle some packets of coins he had just purchased and slowly shunt them, one or two at a time, into his own dark study and museum which was at the back of the house. As soon as I heard the heavy door close on him finally, I made a bolt for my shrimping-net and tam-o'-shanter and was just going to slip out, when I saw that my brother had left behind him one coin that lay gleaming on the long bench by the window. It was a bronze coin, and the colour, combined with the exact curve of the Roman nose and something in the very lift of the long, wiry neck, made the head of Caesar on it the almost precise portrait of Philip Hawker. Then I suddenly remembered Giles telling Philip of a coin that was like him, and Philip wishing he had it.

Perhaps you can fancy the wild, foolish thoughts with which my head went round; I felt as if I had had a gift from the fairies. It seemed to me that if I could only run away with this, and give it to Philip like a wild sort of wedding-ring, it would be a bond between us for ever; I felt a thousand such things at once. Then there yawned under me, like the pit, the enormous, awful notion of what I was doing; above all, the unbearable thought, which was like touching hot iron, of what Arthur would think of it. A Carstairs a thief; and a thief of the Carstairs treasure! I believe my brother could see me burned like a witch for such a thing, But then, the very thought of such fanatical cruelty heightened my old hatred of his dingy old antiquarian fussiness and my longing for the youth and liberty that called to me from the sea. Outside was strong sunlight with a wind; and a yellow head of some broom or gorse in the garden rapped against the gla.s.s of the window. I thought of that living and growing gold calling to me from all the heaths of the world--and then of that dead, dull gold and bronze and bra.s.s of my brother's growing dustier and dustier as life went by. Nature and the Carstairs Collection had come to grips at last.

"Nature is older than the Carstairs Collection. As I ran down the streets to the sea, the coin clenched tight in my fist, I felt all the Roman Empire on my back as well as the Carstairs pedigree. It was not only the old lion argent that was roaring in my ear, but all the eagles of the Caesars seemed flapping and screaming in pursuit of me. And yet my heart rose higher and higher like a child's kite, until I came over the loose, dry sand-hills and to the flat, wet sands, where Philip stood already up to his ankles in the shallow shining water, some hundred yards out to sea. There was a great red sunset; and the long stretch of low water, hardly rising over the ankle for half a mile, was like a lake of ruby flame. It was not till I had torn off my shoes and stockings and waded to where he stood, which was well away from the dry land, that I turned and looked round. We were quite alone in a circle of sea-water and wet sand, and I gave him the head of Caesar.

"At the very instant I had a shock of fancy: that a man far away on the sand-hills was looking at me intently. I must have felt immediately after that it was a mere leap of unreasonable nerves; for the man was only a dark dot in the distance, and I could only just see that he was standing quite still and gazing, with his head a little on one side.

There was no earthly logical evidence that he was looking at me; he might have been looking at a ship, or the sunset, or the sea-gulls, or at any of the people who still strayed here and there on the sh.o.r.e between us. Nevertheless, whatever my start sprang from was prophetic; for, as I gazed, he started walking briskly in a bee-line towards us across the wide wet sands. As he drew nearer and nearer I saw that he was dark and bearded, and that his eyes were marked with dark spectacles. He was dressed poorly but respectably in black, from the old black top hat on his head to the solid black boots on his feet. In spite of these he walked straight into the sea without a flash of hesitation, and came on at me with the steadiness of a travelling bullet.

"I can't tell you the sense of monstrosity and miracle I had when he thus silently burst the barrier between land and water. It was as if he had walked straight off a cliff and still marched steadily in mid-air.

It was as if a house had flown up into the sky or a man's head had fallen off. He was only wetting his boots; but he seemed to be a demon disregarding a law of Nature. If he had hesitated an instant at the water's edge it would have been nothing. As it was, he seemed to look so much at me alone as not to notice the ocean. Philip was some yards away with his back to me, bending over his net. The stranger came on till he stood within two yards of me, the water washing half-way up to his knees. Then he said, with a clearly modulated and rather mincing articulation: 'Would it discommode you to contribute elsewhere a coin with a somewhat different superscription?'

"With one exception there was nothing definably abnormal about him. His tinted gla.s.ses were not really opaque, but of a blue kind common enough, nor were the eyes behind them shifty, but regarded me steadily. His dark beard was not really long or wild--, but he looked rather hairy, because the beard began very high up in his face, just under the cheek-bones.

His complexion was neither sallow nor livid, but on the contrary rather clear and youthful; yet this gave a pink-and-white wax look which somehow (I don't know why) rather increased the horror. The only oddity one could fix was that his nose, which was otherwise of a good shape, was just slightly turned sideways at the tip; as if, when it was soft, it had been tapped on one side with a toy hammer. The thing was hardly a deformity; yet I cannot tell you what a living nightmare it was to me. As he stood there in the sunset-stained water he affected me as some h.e.l.lish sea-monster just risen roaring out of a sea like blood. I don't know why a touch on the nose should affect my imagination so much. I think it seemed as if he could move his nose like a finger. And as if he had just that moment moved it.

"'Any little a.s.sistance,' he continued with the same queer, priggish accent, 'that may obviate the necessity of my communicating with the family.'

"Then it rushed over me that I was being blackmailed for the theft of the bronze piece; and all my merely superst.i.tious fears and doubts were swallowed up in one overpowering, practical question. How could he have found out? I had stolen the thing suddenly and on impulse; I was certainly alone; for I always made sure of being un.o.bserved when I slipped out to see Philip in this way. I had not, to all appearance, been followed in the street; and if I had, they could not 'X-ray' the coin in my closed hand. The man standing on the sand-hills could no more have seen what I gave Philip than shoot a fly in one eye, like the man in the fairy-tale.

"'Philip,' I cried helplessly, 'ask this man what he wants.'