'So what exactly are we looking at here?' Jane said loftily. 'Drugs?'

'Huh?' He slumped back on the stool behind the counter, shaking his head. He looked drained, as though he'd spent the last few minutes on the lavatory.

Pretty heavy.

'Listen.' Putting on her cynical smile. 'I might be local now, Mr Robinson, but I've been around. Like you're into that guy for some amount you can't afford, and he wants his money. What are we talking? Coke? Smack?'

'What?'

Jane said, 'Es? Whizz?'

'Huh?'

'You can tell me.'

'Oh ... God.' It was probably the last thing he felt like, but he started to laugh. 'Who the hell are you?'

'Don't change the subject. My general feeling is, that wasn't a very nice guy. Underneath all the charm and the Florida tan and the really white teeth. I can sense these things.'

'He buy anything?'

'He said he was looking for an old friend. He described you. Puny little guy, long hair, glasses. He said he'd been to your house and asked around and somebody said they'd seen you with Miss Devenish, and this is her shop, so ...'

'And you said?'

'I said I didn't know anybody called Robinson, which was true. I said I couldn't think who he meant. So he's like ... Oh, well, he might've changed, got fatter, lost his hair. And I'm saying, Well, in that case he could be any one of a dozen people.'

'Thank you.'

'Like, I don't think he believed me that you weren't here. He said in this kind of knowing way that if I should just happen to come across you, tell you he'd be back. And he kept like looking at the curtain. As if he was wondering whether to thrust me aside and go in and drag you out.'

God, this was fun. If not so much for Mr Robinson.

'He say when he'd be back?'

'Nn-nn.'

'What was his attitude?'

'Like I said, charming. Lovely white teeth. Capped, I suppose. He imports the stuff, does he?'

'Look ...' Mr Robinson pulled hair out of his glasses. 'He may be into drugs, I wouldn't know. We are not business associates. He's what he said he was. An old ... friend. Sort of.'

'If you think I'm that dumb,' Jane said loftily, 'you're spending too much time with the fairies.'

'He's just hard to get rid of. You must've had friends like that. That's all it was. No drugs. Sorry. Oh-' Alarm doubled back across his face. 'You say he talked to the Cassidy girl?'

'Briefly. Like he was asking her the way or something.'

'Look. Seriously. Jane? You listening? If you see him again, keep out of his way, yeah? Will you promise me that, Jane?'

'You want me to come and tell you if I see him again?'

'No! Just stay out of his way. Tell Colette, too ... No, don't, it'd just get her interested. Leave it. Please. Forget it happened.'

Fatal instruction. 'Bit bloody one-way, this, if you ask me,' Jane said.

'Suppose I give you the dirt on Wil Williams.'

'Oh, sure,' Jane said. 'Change the subject.'

'It's one L, by the way,' Lol said. 'If you didn't know. W-I-L. The Welsh way.'

'All right then,' Jane said. 'Wil Williams. One L. And it better be good.'

'It wasn't that good for him. But I expect you'll find it good. It's spooky. Here, have a notebook to write it down.'

Lol reached up, flipped one from a rack behind him. A quick, nervous thing, as though he was giving his hands something to do to stop them shaking. He laid the notebook on the counter; it had an apple on the front.

'I'll pay for it,' Jane said primly. 'And what should I do about this?'

Opening her left hand over the counter. A tiny fairy looked up, stricken, from her palm, its apple-streaked gossamer wings in shreds, its matchstick spine snapped.

'Your ... old friend ... knocked it off its perch. Crunched it under his shoe on his way out. Pretended not to notice, but I think he did.'

Both Lol's hands were behind his back now. He bit his lip.

After the lady vicar had gone, Gomer Parry was down the ditch dragging some of the brambles away, sizing up the job, when the shadow fell across him.

'What d'you think of her, Gomer?'

The hooked nose under the hat. Like some old eagle, she was.

'The vicar? 'Er's all right, Lucy. Nice little girl. Don't throw the Ole Feller in your face the whole time.'

'Nice little girl. Pshaw! You know what I'm asking, Gomer. Is she strong?'

''Er gonner need t'be, Lucy?'

'She's a woman.'

'Never thought to hear that comin' from you.'

'Because you don't know what I mean, do you?'

Gomer tried to climb out of the ditch, slipped back, and she offered him a hand and pulled him out easy as this hydraulic winch he used to have.

'What did you talk about? When you were looking out to the orchard?'

Ah, watching them, was she? 'This an' that,' Gomer said. 'Number of buds in the Apple Tree Man kind of thing.'

'The Apple Tree Man?' Face near black against the light. 'Heaven save us, there's no such damn thing as the Apple Tree Man! Not here. That's Somersetshire lore. Ours is a different tradition altogether. You should know that. No apple tree man, no guns.'

'Well, pardon me,' Gomer said, 'for bein' just a humble plant-hire operative.'

'It's important, Gomer. These clowns move in with their twisted interpretations, and we wake up one day and we're living in a different place a fantasy village. It's what happens when you get too much change too quickly. This was a terribly poor place when I was a child miserable farm wages, children still in rags. Now it's damn near the richest village in the county. Looks beautifully authentic, but it's a sham. And do they care, the locals, what's left of them? Do they hell.'

'Money's money,' Gomer said, winding her up, see where this was heading. 'Shops doin' well. Plenty jobs for plumbers, builders, carpenters, the ole rural craftsmen. Why should they care?'

'It's false wealth, you know that. Cider was Ledwardine's wealth, and it dried up long ago.'

'But hang on yere, Lucy, if this Mr Cassidy's out to revive it- 'In his dilettante, touristy fashion.'

Gomer studied her. She'd never been what you'd call pretty, but there was a time when she could've had her pick of men. And, from what he'd heard, she'd picked a fair few in her time and thrown them back a bit more out-of-breath than they might've reckoned on. But time passed.

'Well' He fished out his ciggy. 'I wouldn't know what that means, dilly-whatever ... me bein' just an ill-educated plant-hire man, like. But it do strike me, Lucy, as you're bein' a bit of a wosname in the manger. Cause you din't think of it yourself, you don't wannit to work. Same with the festival. You feels ... what the word? Sidelined.'

Lucy Devenish blinked and brought a hand to her face, and for one terrible moment, Gomer feared she had a tear coming. But she used the hand to straighten her hat.

'What I feel, Gomer,' she said, 'especially when I stand on this side of the churchyard, is a certain fear for your nice little girl.'

6.

Cold in the House of God.

MERRILY WALKED SOFTLY into the darkening church, still hesitant, still unsure.

'Do you know what I couldn't do?' her mother had said a couple of years ago. 'I couldn't go into one of those old churches alone at night. Spooky. Anybody could be in there: tramps, rapists. That's another reason why it isn't a job for a woman, in my view.'

Least of my problems, Merrily thought, still half-afraid that she would be met by a chill of hostility, a cavernous yawn of disapproval.

It had all been too easy, so far. Respectable congregations (all right, curiosity, novelty value). Sermons which seemed to write themselves, even in the hotel room at midnight. No dark looks in the street, no suspicious stares.

And not even inducted yet. Apart from reducing the number of hymns, she hadn't even started on what she planned. Although she didn't, to be honest, know what form it was going to take yet.

It still didn't feel quite real, this was the problem. Staying in a hotel even when you had to drive into Hereford at night to use the launderette created this illusion of a holiday. Perhaps when they moved into the vicarage, reality would set in.

She wasn't looking forward to that; the vicarage was too big to be a home; it scared her far more than the church.

It was a dull evening now, the stained glass fading to opaque. Her hand slid over the stone, up to the light switches. Even the air in here was temperate. The brass-bracketed lamps came on. In the soft amber, the walls themselves glistened with antiquity, yet not in an austere, forbidding way. The stones were mellow and softly encrusted, like country honey.

The evening visit had become a kind of ritual. Her trainers pattered on the flagged floor of the nave. Her footsteps made no echoes; the acoustics, as Alf had said, were warm and tight.

Walking on bones. Several of the flags were memorial stones, dating back three, four centuries. Francis Mott, d. 1713. John Jenkyn, whose dates were worn away into the sandstone like the lower half of the indented skull in the centre of Jenkyn's flag they didn't dress it up in those days.

Couldn't be more different from the last place, in Liverpool: a warehouse: scuffed, kicked about, a city church of smutted brick, with no graveyard, only rusty railings. The building couldn't have been less important; it was what you did there, what you brought to it.

This church was important medieval, Grade One Listed. Beautiful beyond price, even to people with no faith. And it felt friendly. Even to a woman. It enfolded you.

Hey, don't knock it.

Merrily faced the altar through the rood-screen out of which row upon row of apple shapes were carved. Closed her eyes and saw a deep, dark velvety blue. Feeling at once guilty about this habitual need for reassurance.

'Mum? That you?'

Merrily's eyes opened. 'In here!'

Jane's head appeared round the door, hair as dark as the oak. 'You're not doing anything ... private?'

'Like what, for heaven's sake?'

'You know...'

'Like doing the rounds? Locking up?'

Merrily stood with hands on hips. Getting a bit fed up with this attitude, the kid treating God like a stepfather. Was it always going to be like this until she left home and old mum in the dog collar became a figure of affectionate amusement?

'Got him, Mum.'

'Well, don't leave him on the mat. Who are we talking about?'

'Wil. Wil Williams.'

'Oh.'

'One L. He was Welsh.'

'Anything wrong with that in the seventeenth century?'

'A lot wrong with him,' Jane said. 'In the seventeenth century. Though I don't think it would've worried me.'

'Well, that's wonderful,' Merrily said glumly. 'That's all we need, isn't it?'

They sat side by side in the front pew.

'There's no evidence he was.' Jane picked at the thick varnish on the prayer-book ledge. 'Not what you'd call real evidence. I mean, people were always getting stitched up in those days.'

'But not vicars. Believe me, there's very little history of this kind of thing inside the Anglican Church.'

'Very little of interest has ever gone on inside the Anglican Church.' Jane grinned. 'Still, they haven't had you very long yet, have they?'

'Ha.' Merrily looked up at the Norman arch, so plain, so curiously modern-looking. 'All right, why hadn't we heard about this, Jane? Why isn't it a celebrated case, like Salem, Massachusetts?'