The Wine Of Angels - The Wine of Angels Part 30
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The Wine of Angels Part 30

Caroline said, 'The idea is we open in a small way, with a ceremony in the square in the afternoon Terrence has hired a town-crier. We'll hold some of the lesser events and exhibitions in the first weeks, and then gradually build up to the major concerts and the pi- and whatever else we arrange. But, you see, my dear, we wanted, before the opening, to introduce our new cider, produced by the Powells to their old recipe with a little help from Barry, of course ...'

'I just organized the bottles,' Barry said. 'I gather they had to get in some extra apples to supplement the Pharisees Reds. The orchard wasn't over-productive last year. Hadn't been pruned hardly in years. Be a good crop this year, though, by the looks of it.'

'We have an absolutely terrific label,' Caroline said, 'designed by the young man at Marches Media on his computers. It has a drawing of the church on it Alfred approved that, before he left.'

'How many bottles?' Merrily asked.

'How many, Barry, three hundred?'

'Nearer five.'

'It's going to be frightfully exclusive and rather expensive. Proper champagne bottles, naturally. There was a time when good cider was valued higher than champagne, and this is an awfully good cider, isn't it, Barry? Not the kind of beverage likely to be on sale to the village louts at the Ox. So we wondered if we might use the occasion of your induction ...'

'Installation.'

'Makes you sound rather like a household appliance, my dear.' Caroline squeezed Merrily's arm. 'No, we wondered if we might uncork the first bottle at your reception.'

'And give everyone a drink?'

'Perhaps just a teensy one. The cider, you see this was Dermot Child's idea will have an ecclesiastical connection, because the church was itself once in the very centre of the orchard, wasn't it? And the name we chose I gather this originated from-'

'Lucy Devenish,' said Barry.

'Quite.' Caroline tossed him a disapproving glance. 'I was going to say the poet Traherne.'

'The poet Traherne, via Miss Devenish,' Barry said stolidly. 'Being as none of us were that conversant with his work. It comes from a prayer Traherne's supposed to have written with a woman over at Kington, but nobody's quite certain about that.'

'Well,' Merrily said. 'It sounds fair enough to me. As you've probably gathered, I'm trying to make the church less formal, more accessible, and while it might be a bit early to set up an actual bar, with beer pumps and optics and things-'

Caroline tittered shrilly.

'-I can't see any problem over a few glasses of cider. Do you want me to kind of bless the stuff or something?'

Caroline looked thrilled. 'Would that be in order?'

'I don't know, really. Ted?'

Didn't know why she was asking him. She was, after all, entirely on her own.

'Merrily,' Ted said, 'in his time, Alf Hayden blessed everything from tractors to the microwave oven in the village hall.'

Didn't seem to be a problem, then, even if the mention of Dermot Child in connection with cider had sent a bad ripple down her spine.

'OK then,' she said. 'What's it called?'

'The cider?' Barry Bloom said. 'The Wine of Angels. You like that?'

'That's Traherne?'

'The line goes "Tears are the Wine of Angels and the Delight of God, which falling from ..." what is it, Mrs Cassidy? The whole verse is printed on a label on the back.'

'Something about them being sweet, precious and wholesome.'

'That's the bit. "Sweet, precious and wholesome ... and delicious indeed." And then there's a bit of a duff line about them being the best water works to quench the Devil's Fires, but we've stopped it before that. Sweet, precious and wholesome and delicious indeed. You couldn't get an ad agency to do a better one than that, could you, Vicar?'

'But, I mean, he wasn't actually talking about cider, he was talking about tears.'

'Well ...' Barry spread his hands. 'If it ends in tears, at least we can all get drunk.'

Leaving the church, Merrily met James Bull-Davies coming in.

'Ah. Mrs Watkins.'

As if the meeting was a surprise.

It was the first time they'd been face-to-face since the exchange in the vicarage kitchen.

'Look.' Bull-Davies shuffled slightly. 'Glad I caught you. Fact of the matter is ... bit of a pig the other night. Tried to pressure you. Wrong of me. Want to apologize.'

Merrily said nothing. She walked out of the porch. He followed her into the churchyard.

'Gets on top of one, the old family heritage thing. Narrows the outlook. Can't focus. Sorry.'

'So.' Merrily stopped before the first grave, turned to look up at him. 'You've had a think about it.'

His eyes narrowed.

'And perhaps come to the conclusion that the idea of your family's stature being toppled by a polemical play with an axe to grind about gay rights is something of an overreaction?'

His long face began to redden. He had not, of course, concluded any such thing.

'Anyway,' Merrily said, 'on the question of the church being used, I've come to a decision, and I'll probably slip it in when I say a few words at the reception tonight, OK?'

The silence lasted all of three seconds. Merrily didn't move.

'You have made a decision,' Bull-Davies said heavily.

'Yeah. Just this afternoon, actually.'

He scowled. 'Heard you'd been talking to the actor. Alder.'

'Sure. We had a chat.'

She wondered how he knew, who his informant was. Or perhaps he'd seen them himself.

'Suppose he won you over. Cried on your shoulder.'

'We had a private conversation.'

'I don't cry myself,' James Bull-Davies said.

'Well,' Merrily said, 'real men don't, do they?'

'You're mocking me.'

Merrily thought about him in the vicarage kitchen. You make it hard for me, Mrs Watkins. And perhaps for yourself. She thought of the funeral card delivered to the Black Swan Wil Williams was the Devil's Minister. She thought her decision was the right decision, but, by God, some people were making it bloody hard and all her human reactions were still urging her to go the other way.

But she had to say something. So she thought what Jane would say and said that.

'You know, James, you really are a sad bastard.'

He blinked.

'I gave it a lot of thought. And the only decision that seemed ethically and spiritually right, in the end, was to offer Richard Coffey and Stefan Alder the village hall for their play. If that's all right with the parish council'

'Oh,' he said.

'I'm not going to explain how I decided. But I can say it had nothing to do with anything you said about the need to protect your illustrious family. And in fact ...'

She went right up to him. Looked up, a full foot, into his narrow, autocrat's face.

'... if you ever ... ever ... try to put the arm on me again, over anything anything at all I'll ... I'll have your balls.'

She stepped back. There was no reaction on James Bull-Davies's face, but his back stiffened and she saw his feet come instinctively together. His eyes were focused over her right shoulder.

'Understood,' he said.

22.

I, Merrily ...

THE FIRST PERSON Jane saw when she got off the school bus was Colette, wearing her leather jacket and a black chiffon scarf. She was with a black guy, maybe in his thirties, unloading some gear from a dirty white Transit van.

Unfortunately, Dean Wall and Danny Gittoes and a couple of their mates had spotted them too.

I'm telling you, it is,' Danny Gittoes said. 'I seen him in Shrewsbury. He looks different, nat'rally, with all the stuff on.'

'Yeah, yeah,' Dean said. 'Mr Cosmopolitan. You hear that, men? Gittoes's been to Shrewsbury. Hang on, I'll find out. I'll ask the slag.'

It was a dull afternoon, a slow drizzle starting. Dean Wall waddled across the square to Colette, Jane following at an angle.

'Party then, is it?' Dean trying to peer into the van.

Colette didn't look at him. 'Might be.'

'This a mate o' yours?'

Dean looked down at the black guy, who was short and lithe, wore a black T-shirt and white leather trousers, Dean looking like a Land Rover next to a Porsche.

Colette still didn't look at him.

'This is Dr Samedi,' she said.

'No shit,' Dean said, reluctantly awed.

Dr Samedi lifted a big, square vinyl case out of the van and pushed it into Dean's barrel stomach.

'Carry dis into de restaurant fuh me, mon?' Dr Samedi said.

'Right,' Dean said. 'Sure.'

'Don' drop it.'

Danny Gittoes had arched over, with his big, stupid grin, and Dr Samedi allowed him to carry an even bigger black vinyl case into Cassidy's Country Kitchen.

'Seen you in Shrewsbury last year,' Danny called over his shoulder. 'Shit hot. Man.'

'Up de stairs,' Dr Samedi said. 'Leave 'im by de restaurant door. An' no peekin'.'

When they'd gone, Colette looked at Jane and shook her head and grinned. 'This is Jeff. Jeff, this is Janey. Her mother's a priest.'

'Brilliant. Yow bringing her along, too?' His accent was now closer to Kidderminster than Kingston, Jamaica.

'I don't somehow think so,' Jane said. 'Er ... you are Dr Samedi?'

He fixed lazy eyes on Jane's. He growled, a low, seismic rumble.

'Long night, moonbright, burnin'on a low light, everythin'you wearin', honey, just a liddle too tight ...'

'Oh, wow,' Jane said, impressed. She'd always found rap and drum 'n' bass stuff quite tedious after a while, but the idea of it happening in Ledwardine was something else.

'... and de drummin' begin, feel de drummin' inside, fingers dancin', dancin', dancin'up an'downyo'spine ...'

Jeff killed the rap, yawned and stretched. 'Excuse me, ladies, I better go make sure them sheep-shaggers don't put that gear the wrong way up.'

Colette watched the little guy sashay towards the glass doors. 'Isn't he just like magnetic?'

'I guess.'

'He will blow you away, Janey. I promise. Heavy magic'

'Seems a bit cheeky, getting Wall and Gittoes to carry all the stuff in when they aren't invited,' Jane said. 'I mean, you know, cool. But ...'