"Mora," he said, and his voice held a new tone, a tone of sadness and solemnity; "far be it from me to tempt you. I will plead with you but once again, in presence of our Lady and of the Holy Child; and, having so done, I will say no more.

"I ask you to leave this place, which you would never have entered had you known your lover was yours, and needing you. I ask you to keep your plighted word to me, and to become my wife. If you refuse, I go, returning not again. I leave you here, to kneel in peace, by night or day, before the shrine of the Madonna. But--I bid you to remember, day and night, that because of this which you have done, there can be no Madonna in my home. No woman will ever sit beside my hearth, holding a little child upon her knees.

"You leave to me the crucifix--heart broken, love betrayed; feet and hands nailed to the wood of cruel circ.u.mstance; side pierced by spear of treachery--lonely, forsaken. But you take from me all the best, both in life and in religion; all that tells of love, of joy, of hope for the years to come.

"Oh, my beloved, weigh it well! There are so many, with a true vocation, serving Heaven in Convent and in Cloister. There is but one woman in the whole world for me. In the sight of Heaven, nothing divides us. Convent walls now stand between--but they were built by man, not G.o.d. Vows of celibacy were not meant to sunder loving hearts.

Mora? . . . Come!"

The Prioress rose and faced him.

"I cannot come," she said. "That which I have taught to others, I must myself perform. Hugh, I am dead to the world; and if I be dead to the world, how can I live to you? Had I, in very deed, died and been entombed, you would not have gone down into the vaults and forced my resting-place, that you might look upon my face, clasp my cold hand, and pour into deaf ears a tale of love. Yet that is what, by trick and artifice, you now have done. You come to a dead woman, saying; 'Love me, and be my wife.' She must, perforce, make answer: 'How shall I, who am dead to the world, live any longer therein?' Take a wife from among the Living, Hugh. Come not to seek a bride among the Dead."

"Mother of G.o.d!" exclaimed the Knight, "is this religion?"

He turned to the window, then to the door. "How can I go from here?"

The stifled horror in his voice chilled the very soul of the woman to whom he spoke. She had, indeed at last made him to understand.

"I must get you hence unseen," she said. "I dare not pa.s.s you out by the Convent gate. I fear me, you must go back the way you came; nor can you go alone. We hold the key to unlock the door leading from our pa.s.sage into the Cathedral crypt. I will now send all the nuns to the Refectory. Then I myself must take you to the crypt."

"Can I not walk alone," asked the Knight, brusquely; "returning you the key by messenger?"

"Nay," said the Prioress, "I dare run no risks. So quickly rumours are afloat. To-morrow, this strange hour must be a dream; and you and I alone, the dreamers. Now, while I go and make safe the way, put you on again the robe and hood. When I return and beckon, follow silently."

The Prioress pa.s.sed out, closing the door behind her.

CHAPTER XIII

"SEND HER TO ME!"

The Prioress stood for a moment outside the closed door. The peaceful silence of the pa.s.sage helped her to the outward calm which must be hers before she could bring herself to face her nuns.

Moving slowly to the farther end, she unlocked the cell of Sister Mary Seraphine, feeling a shamed humility that she should have made so sure she had to deal with "Wilfred," and have thought such scorn of him and Seraphine. Alas! The wrong deeds of those they love, oft humble the purest, n.o.blest spirits into the soiling dust.

Next, the Prioress herself rang the Refectory bell.

The hour for the evening meal was long pa.s.sed; the nuns hastened out, readily.

As they trooped toward the stairs leading down to the Refectory, they saw their Prioress, very pale, very erect, standing with her back to the door of her chamber.

Each nun made a genuflexion as she pa.s.sed; and to each, the Prioress slightly inclined her head.

To Sister Mary Rebecca, who kneeled at once, she spoke: "I come not to the meal this evening. In the absence of Mother Sub-Prioress, you will take my place."

"Yes, Reverend Mother," said Sister Mary Rebecca, meekly, and kissed the hem of the robe of the Prioress; then rising, hastened on, charmed to have a position of authority, however temporary.

When all had pa.s.sed, the Prioress went into the cloisters, walked round them; looked over into the garden, observing every possible place from which prying eyes might have sight of the way from the pa.s.sage to the crypt entrance. But the garden, already full of purple shadows, was left to the circling swifts. The robin sang an evening song from the bough, of the pieman's tree.

The Prioress returned along the pa.s.sage, looking into every cell. Each door stood open wide; each cell was empty. The sick nuns were on a further pa.s.sage, round the corner, beyond the Refectory stairs. Yet she pa.s.sed along this also, making sure that the door of each occupied cell was shut.

Standing motionless at the top of the Refectory steps, she could hear the distant clatter of platters, the shuffling feet of the lay-sisters as they carried the dishes to and from the kitchens; and, above it all, the monotonous voice of Sister Mary Rebecca reading aloud to the nuns while they supped.

Then the Prioress took down one of the crypt lanterns and lighted it.

Meanwhile the Knight, left alone, stood for a few moments, as if stunned.

He had played for a big stake and lost; yet he felt more unnerved by the unexpected finality of his own acquiescence in defeat, than by the firm refusal which had brought that defeat about.

It seemed to him, as he now stood alone, that suddenly he had realised the extraordinary detachment wrought by years of cloistered life.

Aflame with love and longing he had come, seeking the Living among the Dead. It would have been less bitter to have knelt beside her tomb, knowing the heart forever still had, to the last, beat true with love for him; knowing the dead arms, lying cold and stiff, had he come sooner, would have been flung around him; knowing the lips, now silent in death, living, would have called to him in tenderest greeting.

But this cold travesty of the radiant woman he had left, said: "Touch me not," and bade him seek a wife elsewhere; he, who had remained faithful to her, even when he had thought her faithless.

And yet, cold though she was, in her saintly aloofness, she was still the woman he loved. Moreover she still had the n.o.ble carriage, the rich womanly beauty, the look of vital, physical vigour, which marked her out as meant by Nature to be the mother of brave sons and fair daughters. Yet he must leave her--to this!

He looked round the room, noted the low archway leading to the sleeping chamber, took a step toward it, then fell back as from a sanctuary; marked the great table, covered with missals, parchments, and vellum.

It might well have been the cell of a learned monk, rather than the chamber of the woman he loved. His eye, travelling round, fell upon the Madonna and Child.

In the pure evening light there was a strangely arresting quality about the marble group; something infinitely human in the brooding tenderness of the Mother, as she bent over the smiling Babe. It spoke of home, rather than of the cloister. It struck a chord in the heart of the Knight, a chord which rang clear and true, above the jangle of disputation and bitterness.

He put out his hand and touched the little foot of the Holy Babe.

"Mother of G.o.d," he said aloud, "send her to me! Take pity on a hungry heart, a lonely home, a desolate hearth. Send her to me!"

Then he lifted from the floor the white robe and hood, and drew them on.

CHAPTER XIV

FAREWELL--HERE, AND NOW

When the Prioress, a lighted lantern in her hand, opened the door of her chamber, a tall figure in the dress of the White Ladies of Worcester stood motionless against the wall, facing the door.

"Come!" she whispered, beckoning; and, noiselessly, it stood beside her. Then she closed the door and, using her master-key, locked it behind her.

Silently the two white figures pa.s.sed along the pa.s.sage, through the cloister, and down the flight of steps into the Convent crypt. The Prioress unlocked the door and stooping they pa.s.sed under the arch, and entered the subterranean way.

Placing the lantern on the ground, the Prioress drew out the key, closed the door, and locked it on the inside.

She turned, and lifting the lantern, saw that the Knight had rid himself of his disguise, and now stood before her, very straight and tall, just within the circle of light cast by her lantern.