Carlos bent down from his saddle, once more laid hold of the plume, and stuck it under the gold band of his hat. Then, turning a defiant glance upon the officer, he said, "Don't lose your temper, Captain Roblado. A jealous lover makes but an indifferent husband." And transferring his look to Catalina, he added with a smile, and in a changed tone, "Gracias, senorita!"

As he said this he doffed his sombrero, and, waving it gracefully, turned his horse and rode off.

Roblado half drew his sword, and his loud "Carrajo!" along with the muttered imprecations of Don Ambrosio, reached the ears of the cibolero.

But the captain was far from brave, with all his swagger; and seeing the long _machete_ of the horseman strapped over his hips, he vented his spite in threats only, and suffered Carlos to depart.

The incident had created no small excitement, and a good deal of angry feeling. The cibolero had roused the indignation of the aristocracy, and the jealousy and envy of the democracy; so that, after all his brilliant performances, he was likely to leave the field anything but a favourite. The wild words of his strange old mother had been widely reported, and national hatred was aroused, so that his skill called forth envy instead of admiration. An angel indeed, should he have been to have won friendship there--he an Americano--a "heretico"--for in this far corner of the earth fanaticism was as fierce as in the Seven-hilled City itself during the gloomiest days of the Inquisition!

Mayhap it was as well for Carlos that the sports were now ended, and the fiesta about to close.

In a few minutes the company began to move off. The mules, oxen, and asses, were yoked to the carretas--the rancheros and rancheras climbed inside the deep boxes; and then, what with the cracking of quirts, the shouts of drivers, and the hideous screaming of the ungreased axles, a concert of sounds arose that would have astonished any human being, except a born native of the soil.

In half-an-hour the ground was clear, and the lean coyote might be seen skulking over the spot in search of a morsel for his hungry maw.

CHAPTER NINE.

Though the field-sports were over, the fiesta of San Juan was not yet ended. There were still many sights to be seen before the crowd scattered to their homes. There was to be another turn at the church-- another sale of "indultos," beads, and relics,--another sprinkling of sacred water, in order that the coffers of the padres might be replenished toward a fresh bout at the _monte_ table. Then there was an evening procession of the Saint of the day (John), whose image, set upon a platform, was carried about the town, until the five or six fellows who bore the load were seen to perspire freely under its weight.

The Saint himself was a curiosity. A large wax and plaster doll, dressed in faded silk that had once been yellow, and stuck all over with feathers and tinsel. A Catholic image Indianised, for the Mexican divinities were as much Indian as Roman. He appeared bored of the business, as, the joinings between head and neck having partially given way, the former drooped over and nodded to the crowd as the image was moved along. This nodding, however, which would have been laughed at as supremely ridiculous in any other than a priest-ridden country, was here regarded in a different light. The padres did not fail to put their interpretation upon it, pointing it out to their devout followers as a mark of condescension on the part of the Saint, who, in thus bowing to the crowd, was expressing his approbation of their proceedings. It was, in fact, a regular miracle. So alleged both padres and cura, and who was there to contradict them? It would have been a dangerous matter to have said nay. In San Ildefonso no man dared to disbelieve the word of the Church. The miracle worked well. The religious enthusiasm boiled up; and when Saint John was returned to his niche, and the little "cofre" placed in front of him, many a "peseta", "real," and "cuartillo," were dropped in, which would otherwise have been deposited that night in the _monte_ bank. Nodding Saints and "winking Madonnas"

are by no means a novel contrivance of the Holy Church. The padres of its Mexican branch have had their wonderful saints too; and even in the almost _terra ignota_ of New Mexico can be found a few of them that have performed as _smart_ miracles as any recorded in the whole jugglery of the race.

A pyrotechnic display followed--and no mean exhibition of the sort neither--for in this "art" the New Mexicans are adepts. A fondness for "fireworks" is a singular but sure characteristic of a declining nation.

Give me the statistics of pyrotechnic powder burnt by a people, and I shall tell you the standard measure of their souls and bodies. If the figure be a maximum, then the physical and moral measure will be the minimum, for the ratio is inverse.

I stood in the Place de Concorde, and saw a whole nation--its rich and its poor--gazing on one of these pitiful spectacles, got up for the purpose of duping them into contentment. It was the price paid them for parting with their liberty, as a child parts with a valuable gem for a few sugar-plums. They were gazing with a delight that seemed enthusiasm! I looked upon scrubby, stunted forms, a foot shorter than were their ancestors. I looked upon eyes that gleamed with demoralised thought.

These were the representatives of a once great people, and who still deem themselves the first of mankind. I felt sure that this was an illusion. The pyro-spectacle and its reception convinced me that I saw before me a people who had passed the culminating point of their greatness, and were now gliding rapidly down the declining slope that leads to annihilation and nothingness.

After the fireworks came the "fandango." There we meet the same faces, without much alteration in the costumes. The senoras and senoritas alone have doffed their morning dresses, and here and there a pretty poblana has changed her coarse woollen "nagua" for a gay flounced muslin.

The ball was held in the large saloon of the "Casa de Cabildo," which occupied one side of the "Plaza." On this festival day there was no exclusiveness. In the frontier towns of Mexico not much at any time, for, notwithstanding the distinctions of class, and the domineering tyranny of the government authorities, in matters of mere amusement there is a sort of democratic equality, a mingling of high and low, that in other countries is rare. English, and even American travellers, have observed this with astonishment.

All were admitted to the "Salon de baile" who chose to pay for it; and alongside the rico in fine broad-cloth you might see the ranchero in his leathern jacket and velveteen calzoneros; while the daughter of the rich comerciante danced in the same set with the "aldeana," whose time was taken up in kneading tortillas or weaving rebosos!

The Comandante with Roblado and the lieutenant figured at the fandango in full uniform. The alcalde was there with his gold-headed cane and tassel; the _cura_ in his shovel hat; the padres in their swinging robes; and all the "familias principales" of the place.

There was the rich comerciante, Don Jose Rincon, with his fat wife and four fat sleepy-looking daughters--there, too, the wife and family of the alcalde--there the Echevarrias, with their brother the "beau" in full Paris costume, with dress coat and crush hat--the only one to be seen in the saloon. There, too, the rich hacendado, Senor Gomez del Monte, with his lean wife and several rather lean daughters--differing in that respect from the hundreds of kine that roam over the pastures of his "ganada." And there, too, observed of all, was the lovely Catalina de Graces, the daughter of the wealthy miner Don Ambrosio, who himself is by her side, keeping a watchful eye upon her.

Besides these grand people there were employes of the mines of less note, clerks of the comerciantes, young farmers of the valley, gambucinos, vaqueros, ciboleros, and even "_leperos_" of the town, shrouded in their cheap serapes. A motley throng was the fandango.

The music consisted of a bandolon, a harp, and fiddle, and the dances were the waltz, the _bolero_, and the _coona_. It is but just to say that finer dancing could not have been witnessed in the saloons of Paris. Even the peon, in his leathern spencer and calzoneros, moved as gracefully as a professor of the art; and the poblanas, in their short skirts and gay coloured slippers, swept over the floor like so many coryphees of the ballet.

Roblado, as usual, was pressing his attentions on Catalina, and danced almost every set with her; but her eye wandered from his gold epaulettes and seemed to search the room for some other object. She was evidently indifferent to the remarks of her partner, and tired of his company.

Vizcarra's eyes were also in search of some one that did not appear to be present, for the Comandante strolled to and fro, peering into every group and corner with a dissatisfied look.

If it was the fair blonde he was looking for, he would be unsuccessful.

She was not there. Rosita and her mother had returned home after the exhibition of the fireworks. Their house was far down the valley, and they had gone to it, accompanied by Carlos and the young ranchero.

These, however, had returned to be present at the fandango. It was late before they made their appearance, the road having detained them. This was why the eye of Catalina wandered. Unlike Vizcarra, however, she was not to meet with disappointment.

While the dance was going on two young men entered the saloon, and soon mingled with the company. One of them was the young ranchero, the other was Carlos. The latter might easily have been distinguished by the heron-plume that waved over his black sombrero.

The eye of Catalina was no longer restless. It was now directed upon an object, though its glances were not fixed, but quick and stolen--stolen, because of the observation of an angry father and a jealous lover.

Carlos assumed indifference, though his heart was burning. What would he not have given to have danced with her? But he knew the situation too well. He knew that the offer of such a thing would lead to a scene.

He dared not propose it.

At times he fancied that she had ceased to regard him--that she even listened with interest to Roblado--to the beau Echevarria--to others.

This was but Catalina's fine acting. It was meant for other eyes than those of Carlos, but he knew not that, and became piqued.

He grew restless, and danced. He chose for his partner a very pretty "aldeana," Inez Gonzales by name, who was delighted to dance with him.

Catalina saw this, and became jealous in turn.

This play continued for a length of time, but Carlos at length grew tired of his partner, and sat down upon the _banqueta_ alone. His eyes followed the movements of Catalina. He saw that hers were bent upon him with glances of love,--love that had been avowed in words,--yes, had already been plighted upon oath. Why should they suspect each other?

The confidence of both hearts was restored; and now the excitement of the dance, and the less zealous guardianship of Don Ambrosio, half drunk with wine, gave confidence to their eyes, and they gazed more boldly and frequently at one another.

The ring of dancers whirling round the room passed close to where Carlos sat. It was a waltz. Catalina was waltzing with the beau Echevarria.

At each circle her face was towards Carlos, and then their eyes met. In these transient but oft-recurring glances the eyes of a Spanish maid will speak volumes, and Carlos was reading in those of Catalina a pleasant tale. As she came round the room for the third time, he noticed something held between her fingers, which rested over the shoulder of her partner. It was a sprig with leaves of a dark greenish hue. When passing close to him, the sprig, dexterously detached, fell upon his knees, while he could just bear, uttered in a soft whisper, the word--"_Tuya_!"

Carlos caught the sprig, which was a branch of "tuya," or cedar. He well understood its significance; and after pressing it to his lips, he passed it through the button-hole of his embroidered "jaqueta." As Catalina came round again, the glances exchanged between them were those of mutual and confiding love.

The night wore on--Don Ambrosio at length became sleepy, and carried off his daughter, escorted by Roblado.

Soon after most of the ricos and fashionables left the saloon, but some tireless votaries of Terpsichore still lingered until the rosy Aurora peeped through the "rejas" of the Casa de Cabildo.

CHAPTER TEN.

The "Llano Estacado," or "Staked Plain" of the hunters, is one of the most singular formations of the Great American Prairie. It is a table-land, or "steppe," rising above the regions around it to a height of nearly one thousand feet, and of an oblong or leg-of-mutton form, trending from north to south.

It is four hundred miles in length, and at its widest part between two and three hundred. Its superficial area is about equal to the island of Ireland. Its surface aspect differs considerably from the rest of prairie-land, nor is it of uniform appearance in every part. Its northern division consists of an arid steppe, sometimes treeless, for an extent of fifty miles, and sometimes having a stunted covering of mezquite (_acacia_), of which there are two distinct species. This steppe is in several places rent by chasms a thousand feet in depth, and walled in on both sides by rugged impassable precipices. Vast masses of shapeless rocks lie along the beds of these great clefts, and pools of water appear at long intervals, while stunted cedars grow among the rocks, or cling from the seams of the cliffs.

Such chasms, called "canons," can only be crossed, or even entered, at certain points; and these passes are frequently a score of miles distant from each other.

On the upper plain the surface is often a dead level for a hundred miles, and as firm as a macadamised road. There are spots covered with a turf of grass of the varieties known as gramma, buffalo, and mezquite; and sometimes the traveller encounters a region where shallow ponds of different sizes stud the plain--a few being permanent, and surrounded by sedge. Most of these ponds are more or less brackish, some sulphurous, and others perfectly salt. After heavy rains such aqueous deposits are more numerous, and their waters sweeter; but rain seems to fall by accident over this desolate region, and after long spells of drought the greater number of these ponds disappear altogether.

Towards the southern end of the Llano Estacado the surface exhibits a very singular phenomenon--a belt of sand-hills, nearly twenty miles in breadth and full fifty in length, stretching north and south upon the plain. These hills are of pure white sand, thrown up in ridges, and sometimes in cones, to the height of a hundred feet, and without tree, bush, or shrub, to break their soft outlines, or the uniformity of their colour. But the greatest anomaly of this geological puzzle is, that water-ponds are found in their very midst--even among their highest ridges--and this water not occasional, as from rains, but lying in "lagunas," with reeds, rushes, and _nymphae_ growing in them, to attest that the water is permanent! The very last place where water might be expected to make a lodgment.

Such formations of drift-sand are common upon the shores of the Mexican Gulf, as well as on European coasts, and there their existence is easily explained; but here, in the very heart of a continent, it cannot be regarded as less than a singular phenomenon.

This sand-belt is passable at one or two points, but horses sink to the knees at every step, and but for the water it would be a perilous experiment to cross it.

Where is the Llano Estacado? Unroll your map of North America. You will perceive a large river called the Canadian rising in the Rocky Mountains, and running, first southerly, and then east, until it becomes part of the Arkansas. As this river bends eastwardly, it brushes the northern end of the Llano Estacado, whose bluffs sometimes approach close to its banks, and at other times are seen far off, resembling a range of mountains--for which they have been frequently mistaken by travellers.