The Whirlpool - Part 46
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Part 46

'Who got that notice for you into the _West End_?'

'Why, didn't you?'

'Know nothing about it. Come, who was it?'

'I have no idea. I took it for granted----'

'Look here, Alma, I think I'm not doing badly for you, and the least you can do is to be straight with me.'

Alma raised her head with a quick, circuitous glance, then fixed her eyes on the man's heated face, and spoke in an undertone: 'Please, behave yourself, or I shall have to go away.

'Then you won't tell me? Very well. I chuck up the job. You can run the show yourself.'

Alma had never looked for delicacy in Felix Dymes, and his motives had from the first been legible to her, but this revelation of brutality went beyond anything for which she was prepared. As she saw the man move away, a feeling of helplessness and of dread overcame her anger.

She could not do without him. The only other man active on her behalf was Cyrus Redgrave, and to seek Redgrave's help at such a juncture, with the explanation that must necessarily be given, would mean abandonment of her last scruple. Of course, the paragraph in the _West End_ originated with him; since Dymes knew nothing about it, it could have no other source. Slowly, but very completely, the man of wealth and social influence had drawn his nets about her; at each meeting with him she felt more perilously compromised; her airs of command served merely to disguise defeat in the contest she had recklessly challenged.

Thrown upon herself, she feared Redgrave, shrank from the thought of seeing him. Not that he had touched her heart or beguiled her senses; she hated him for his success in the calculated scheme to which she had consciously yielded step by step; but she was brought to the point of regarding him as inseparable from her ambitious hopes. Till quite recently her thought had been that, after using him to secure a successful debut, she could wave him off, perhaps tell him in plain words, with a smile of scorn, that they were quits. She now distrusted her power to stand alone. To the hostility of such a man as Dymes--certain, save at intolerable cost--she must be able to oppose a higher influence. Between Dymes and Redgrave there was no hesitating on whatever score. This advertis.e.m.e.nt in the fashionable and authoritative weekly paper surpa.s.sed Dymes's scope; his savage jealousy was sufficient proof of that. All she could do for the moment was to temporise with her ign.o.bler master, and the humiliation of such a necessity seemed to poison her blood.

She rose, talked a little of she knew not what with she knew not whom, and moved towards the hostess, by whom her enemy was sitting. A glance sufficed. As soon as she had taken leave, Dymes followed her. He came up to her side at a few yards from the house, and they walked together, without speaking, until Alma turned into the first quiet street.

'I give you my word,' she began, 'that I know nothing whatever about that paper.'

'I believe you, and I'm sorry I made a row,' Dymes replied. 'There's no harm done. I dare say I shall be hearing more about it.'

'I have some photographs here,' said Alma, touching her sealskin bag.

'Will you take them?'

'Thanks. But there's a whole lot of things to be arranged. We can't talk here. Let's go to my rooms.'

He spoke as though nothing were more natural. Alma, the blood throbbing at her temples, saw him beckon a crawling hansom.

'I can't come--now. I have a dreadful headache.'

'You only want to be quiet. Come along.'

The hansom had pulled up. Alma, ashamed to resist under the eyes of the driver, stepped in, and her companion placed himself at her side. As soon as they drove away he caught her hand and held it tightly.

'I can't go to your rooms,' said Alma, after a useless resistance. 'My head is terrible. Tell me whatever you have to say, and then take me to Baker Street Station. I'll see you again in a day or two.'

She did not feign the headache. It had been coming on since she left home, and was now so severe that her eyes closed under the torture of the daylight.

'A little rest and you'll be all right,' said Dymes.

Five minutes more would bring them to their destination. Alma pulled away her hand violently.

'If you don't stop him, I shall.'

'You mean it? As you please. You know what I----'

Alma raised herself, drew the cabman's attention, and bade him drive to Baker Street. There was a short silence, Dymes glaring and muttering inarticulately.

'Of course, if you really have a bad headache,' he growled at length.

'Indeed I have--and you treat me very unkindly.'

'Hang it, Alma, don't speak like that! As if I _could_ be unkind to you!'

He secured her hand again, and she did not resist. Then they talked of business, settled one or two matters, appointed another meeting. As they drew near to the station, Alma spoke impulsively, with a bewildered look.

'I shouldn't wonder if I give it up, after all.'

'Rot!' was her companion's amazed exclamation.

'I might. I won't answer for it. And it would be your fault.'

Stricken with alarm, Dymes poured forth a.s.surances of his good behaviour. He followed her down to the platform, and for a quarter of an hour she had to listen, in torment of mind and body, to remonstrances, flatteries, amorous blandishments, accompanied by the hiss of steam and the roar of trains.

On reaching home she could do nothing but lie down in the dark. Her head ached intolerably; and hour after hour, as often happens when the brain is over-wearied, a strain of music hummed incessantly on her ear, till inability to dismiss it made her cry in half-frenzied wretchedness.

With sleep she recovered; but through the next day, dull and idle, her thoughts kept such a gloomy colour that she well-nigh brought herself to the resolve with which she had threatened Felix Dymes. But for the antic.i.p.ation of Harvey's triumph, she might perhaps have done so.

CHAPTER 11

For several days she had not touched the violin. There was no time for it. Correspondence, engagements, intrigues, whirled her through the waking hours and agitated her repose. The newspaper paragraphs resulted in a shower of letters, inquiring, congratulating, offering good wishes, and all had to be courteously answered, lest the writers should take offence. Invitations to luncheon, to dinner, to midnight 'at homes', came thick and fast. If all this resulted from a few preliminary 'puffs' what, Alma asked herself, would be the consequence of an actual success? How did the really popular musicians contrive to get an hour a day for the serious study of their art? Her severe headache had left behind it some nervous disorder, not to be shaken off by any effort--a new distress, peculiarly irritating to one who had always enjoyed good health. When she wrote, her hand was unsteady, and sometimes her eyes dazzled. This would be alarming if it went on much longer; the day approached, the great day, the day of fate, and what hope was there for a violinist who could not steady her hand?

The 'interviewer' called, and chatted for half an hour, and took his leave with a flourish of compliments. The musicians engaged to play with her at Prince's Hall's came down to try over pieces, a trio, a duet; so that at last she was obliged to take up her instrument--with results that did not rea.s.sure her. She explained that she was not feeling quite herself; it was nothing; it would pa.s.s in a day or two.

Sibyl Carnaby had asked her and Harvey to dine next week, to meet several people; Mrs. Rayner Mann had arranged a dinner for another evening; and now Mrs. Strangeways, whom she had not seen for some weeks, sent an urgent request that she would call in Porchester Terrace as soon as possible, to speak of something 'very important'.

This summons Alma durst not disregard. Between Mrs. Strangeways and Cyrus Redgrave subsisted an intimacy which caused her frequent uneasiness. It would not have surprised her to discover that this officious friend knew of all her recent meetings with Redgrave--at the Crystal Palace and elsewhere; and, but for her innocence, she would have felt herself at the woman's mercy. That she had not transgressed, and was in no danger of transgressing, enabled her to move with head erect among the things unspeakable which always seemed to her to be lurking in the shadowed corners of Mrs. Strangeways' house. The day was coming when she might hope to terminate so undesirable an acquaintance, but for the present she must show a friendly face.

She made this call at three o'clock, and was received in that over-scented, over-heated boudoir, which by its atmosphere invariably turned her thoughts to evil. The hostess rose languidly, with a pallid, hollow-eyed look of illness.

'Only my neuralgic something or other,' she said, in reply to a sympathetic inquiry. 'It's the price one pays for civilisation. I've had two terrible days and nights, but it's over for the present. But for that I should have written to you before. Why, _you_ don't look quite so well as usual. Be careful--do be careful!'

'I mean to be, if people will let me.'

'You have eight days, haven't you? Yes, just eight days. You ought to keep as quiet as possible. We are all doing our best; but, after all, success depends greatly upon yourself, you know.'

The voice, as always, seemed to fondle her, but Alma's ear detected the usual insincerity. Mrs. Strangeways spoke in much the same way to numbers of people, yet not quite so caressingly. Some interest she undoubtedly had to serve by this consistent display of affection, and with all but certainty Alma divined it. She shrank from the woman; it cost her an unceasing effort not to betray dislike, or even hostility.

'Of course, you saw last week's _West End_?' pursued the hostess, smiling. 'You know whose doing that was?'

'I only guessed that it _might_ be Mr. Redgrave's kindness.'

'I have the same suspicion. He was here the other day--we talked about you. You haven't seen him since then?'