At this threat, and seeing the arm of Lucifer already stretched out towards him, Spinello clapped his hand to his head and began to howl with terror.

His good wife, waking up with a start, asked him what ailed him. He told her with chattering teeth, how he had just seen Lucifer and had been in terror for his ears.

"I told you so," retorted the worthy dame; "I knew all those figures you will go on painting on the walls would end by driving you mad."

"I am not mad," protested the painter. "I saw him with my own eyes; and he is beautiful to look on, albeit proud and sad. First thing to-morrow I will blot out the horrid figure I have drawn and set in its place the shape I beheld in my dream. For we must not wrong even the Devil himself."

"You had best go to sleep again," scolded his wife. "You are talking stark nonsense, and unchristian to boot."

Spinello tried to rise, but his strength failed him and he fell back unconscious on his pillow. He lingered on a few days in a high fever, and then died.

THE LOAVES OF BLACK BREAD

TO MADEMOISELLE MARY FINALY

THE LOAVES OF BLACK BREAD

_Tu tibi divitias stolidissime congeris amplas, Negasque micam pauperi; Advenit ecce dies qua saevis ignibus ardens Rogabis aquae guttulam._[1]

(_Navis stultifera_, Sebastian Brandt, 1507, fol, xix.)

[Footnote 1: "You heap up in your folly ample riches for yourself, and refuse a crumb of bread to the poor man; lo! the day is at hand when burning in cruel flames, you shall beg for a drop of water."--_Ship of Fools._]

In those days Nicolas Nerli was a banker in the n.o.ble city of Florence.

Tierce was no sooner sounded than he was at his desk, and at nones he was seated there still, poring all day long over the figures he wrote in his table-books. He lent money to the Emperor and to the Pope. And if he did not lend to the Devil, it was only because he was afraid of bad debts with him they call the Wily One, and who is full of cunning and trickery. Nicolas Nerli was bold and unscrupulous; he had won great riches and robbed many folks of their own. Wherefore he was highly honoured in the city of Florence. He dwelt in a Palace where the light of G.o.d's day entered only by narrow windows; and this was a wise precaution, for the rich man's house must be a castle, and they who possess much wealth do well to defend by force what they have gotten by cunning.

Accordingly the windows were guarded with bars and the doors with chains. Outside, the walls were painted in fres...o...b.. clever craftsmen, who had depicted thereon the Virtues under the likeness of women, the Patriarchs, the Prophets and the Kings of Israel. Tapestries hung in the rooms within, displaying the histories of Alexander and Tristram, as they are told us in legends. Nicolas Nerli set all the city talking of his wealth by the pious foundations he established. He had raised an Hospital beyond the walls, the frieze of which, carved and painted, represented the most honourable actions of his own life; in grat.i.tude for the sums of money he had given towards the completion of Santa Maria Novella, his portrait was suspended in the choir of that Church. In it he was shown kneeling, with praying hands, at the feet of the Blessed Virgin, easily recognizable by his cap of red worsted, his furred hood, his yellow face swimming in fatness and his little keen eyes. His good wife, Monna Bismantova, a worthy-looking woman with a mournful air, and seeming as though no man could ever have taken aught of pleasure with her, was on the other side of the Virgin in the humble att.i.tude of supplication. Nicolas Nerli was one of the chiefest citizens of the Republic; seeing he had never spoken against the laws, and because he had never regarded the poor nor such folk as the great and powerful condemn to fine and exile, nothing had lowered in the estimation of the Magistrates the high repute he had won in their eyes by reason of his great riches.

Returning one winter evening later than usual to his Palace, he was surrounded on the threshold by a band of half-naked mendicants who held out their hands and asked alms.

He repulsed them with hard words. But hunger making them as fierce and bold as wolves, they formed a circle round him, and begged him for bread in hoa.r.s.e, lamentable voices. He was just stooping to pick up stones to throw at them when he saw one of his serving-men coming, carrying on his head a basketful of loaves of black bread, intended for the stablemen, kitchen helpers and gardeners.

He signed to the pantler to approach, and diving both hands into the basket, tossed the loaves to the starving wretches. Then entering the house, he went to bed and fell asleep. In the night, he was smitten with apoplexy and died so suddenly he believed himself still in his bed when he saw, in a place "as dark as Erebus," St. Michael the Archangel shining in the brightness that issued from his own presence.

Balance in hand, the Archangel was engaged in filling the scales.

Recognizing in the scale that hung lowest certain jewels belonging to widow women that he had in pledge, a great heap of clippings from pieces he had filched dishonestly, and sundry very fine gold coins which were unique and which he had acquired by usury or fraud, Nicolas Nerli comprehended it was his own life, now come to an end, that St. Michael was at that instant weighing before his eyes.

"Good Sir!" he said, "good St. Michael! if you put in the one scale all the lucre I have gotten in my life, set in the other, if it please you, the n.o.ble foundations whereby I have so splendidly shown my piety.

Forget not the Duomo of Santa Maria Novella, to which I contributed a good third; nor my Hospital beyond the walls, that I built entirely out of my own pocket."

"Never fear, Nicolas Nerli," answered the Archangel; "I will forget nothing."

And with his own heavenly hands he set in the lighter scale the Duomo of Santa Maria Novella and the Hospital with its frieze all carved and painted. But the scale did not drop an inch.

At this the Banker was sorely disquieted.

"Good St. Michael! think again. You have not put this side of the balance my fine holy-water stoup I gave to San Giovanni, nor the pulpit in Sant' Andrea, where the baptism of Our Lord Jesus Christ is depicted life-size. The artist charged me a pretty penny for it."

The Archangel put both pulpit and stoup atop of the Hospital in the scale, but still it never stirred. Nicolas Nerli began to feel a cold sweat bathing his brow.

"Good Sir! dear Archangel!" he asked, "are you quite certain your balances are true?"

St. Michael replied, smiling, that they were of a different pattern from the balances the brokers of Paris use and the money-changers of Venice, and were precisely accurate.

"What!" sighed Nicolas Nerli, his face as white as chalk. "Duomo, pulpit, basin, Hospital with all its beds, do they weigh no more than a bit of straw, a pinch of down from a bird's breast?"

"See for yourself, Nicolas!" said the Archangel; "so far the weight of your iniquities much outweighs the light load of your good works."

"Then I must go to h.e.l.l," cried the Florentine; and his teeth chattered with horror.

"Patience, Nicolas Nerli," returned the Weigher of Souls, "patience! we are not done yet. There is something left."

So saying, the Blessed St. Michael took the loaves of black bread the rich man had tossed the night before to the poor beggars. He laid them in the scale containing the good works, which instantly fell, while the other rose, and the two scales remained level. The beam dropped neither to right nor left, and the needle marked the exact equality of the two loads.

The Banker could not believe his eyes; but the glorious Archangel said solemnly:

"See, Nicolas Nerli; you are good neither for Heaven nor h.e.l.l. Begone!

Go back to Florence! multiply through the city the loaves you gave last night with your own hand, in the dusk, when no man saw you--and you shall be saved. It is not enough that Heaven open its doors to the thief that repented and the harlot that wept. The mercy of G.o.d is infinite, and able to save even a rich man. Do this; multiply the loaves whose weight you see weighing down my balances. Begone!"

Then Nicholas Nerli awoke in his bed. He resolved to follow faithfully the counsel of the Archangel, and multiply the bread of the poor, and so enter into the kingdom of Heaven.

For the three years he spent on earth after his first death, he was very pitiful to the unfortunate and a great giver of alms.

THE MERRY-HEARTED BUFFALMACCO

TO EUGeNE MuNTZ

THE MERRY-HEARTED BUFFALMACCO

_Buonamico di Cristofano detto Buffalmacco pittore Fiorentino, il qual fu discepolo d' Andrea Tafi, e come uomo burlevole celebrato da Messer Giovanni Boccaccio nel suo Decamerone, fu come si sa carissimo compagno di Bruno e di Calendrino pittori ancor essi faceti e piacevole, e, come si pu vedere nell' opere sue spa.r.s.e per tutta Toscana, di a.s.sai buon giudizio nell' arte sua del dipignere._

_(Vite de' piu eccellenti pittori_, da Messer Giorgio Vasari.--"Vita di Buonamico Buffalmacco.")[1]

[Footnote 1: "Buonamico di Cristofano, known as Buffalmacco, a Florentine painter, the same that was pupil of Andrea Tafi, and celebrated as a burlesque character by Messer Giovanni Boccaccio in his _Decameron_ was as we know bosom friend of Bruno and Calendrino, also painters and of an even more witty and merry humour than himself, and as may be seen in his works scattered throughout Tuscany, of no mean judgement in his art of painting." _(Lives of the most Excellent Painters_ by Messer Giorgio Vasari.--"Life of Buonamico Buffalmacco.")]