"Indeed? You never told me so that I remember."

"You appeared to be fully aware of it."

Gillier made a fist of his hand on the cover. He wished Jacques Sennier were setting the libretto he had sold to Claude Heath, and Madame Sennier wished exactly the same thing. He did not know her thought; but she divined his. With all her soul, greedy for her Jacques and for herself, she coveted that libretto. She almost hated Claude Heath for possessing it. And now, as she sat opposite to Gillier, with the round table between them, always alert for intrigue, she began to wonder whether in truth the libretto was irrevocably lost to them.

"Weren't you?" she said, fixing her unflinching eyes upon him.

"I knew I was not quite such a fool as your husband certainly thought me."

"Jacques is a mere baby outside of his art."

"_Si?_"

"That is why I have to think for him very often. Which of the libretti has Mr. Heath bought?"

"It is not one of those I had the honor of showing to Monsieur Sennier."

"Really? You have written another specially for Mr. Heath?"

"I wrote another to please myself. His wife saw it and took it to him.

He was so foolish as to think it good enough to buy."

"Let us hope his music will be good enough to produce on the stage."

Gillier looked very sharply at her, and began to tug at his moustache; but he said nothing. After a moment Madame Sennier said, with a change of tone and manner that seemed to indicate an intention to be more friendly:

"When you write another libretto, why not let me see it?"

"You desire to inflict a fourth rejection upon me, madame?"

"If you like, I'll tell you the only thing I desire," she replied, with a sort of brutal frankness well calculated to appeal to his rough character. "It has nothing to do with you. I haven't your interests at my heart. Why should I bother about them? All I want is to get something fine for my husband when a chance arises. I know what's good better than you do, my friend. You showed me three libretti that didn't do. Show me one that does do, and I'll pay you a price that will astonish you."

Gillier's large eyes shone.

"How much would you pay?"

"Show me a fine libretto!"

"Tell me how much you'd pay."

She laughed.

"Five times as much as anyone else offered you. But you would have to prove the offer to my satisfaction."

Gillier fidgeted on his chair, took hold of the _Depeche Algerienne_, and began carefully to fold it into pleats.

"I should want a royalty," he said, keeping his shining eyes on her.

"If I were satisfied I would see that you got it."

There was a long silence, during which they looked at each other.

Gillier was puzzled. He did not believe Claude Heath had shown the libretto to her. Yet she was surely prompted now by some very definite purpose. He could not guess what it was. At last he looked down at the paper he was folding mechanically.

"I haven't got anything to sell at present," he almost growled, in a very low voice.

"That's a pity. We must hope for the future. There is no reason why you and I should be mortal enemies since you haven't had a chance to murder my poor old cabbage."

"He's a coward," said Gillier.

"Of course he is. And I'm very thankful for it. Cowards live long."

She got up from the settee. Gillier, returning to his varnish, sprang up, dropping the paper, and opened the door.

"Don't forget what I said," she remarked as she went out. "Five times the price anyone else offers, on account of a royalty to be fixed by mutual agreement. But it would have to be a libretto _numero un_."

He looked at her but did not say a word.

When she was gone he sat down again by the round table and stared at the cloth, with his head bent and his muscular, large-boned arms laid one upon the other.

And presently he swore under his breath.

Meanwhile Mrs. Shiffney and Claude were making their way through the crowded and noisy street toward the unfinished Suspension Bridge which spans the gorge, linking the city to the height which is crowned by the great hospital. Beyond the hospital, opposite to the Grand Rocher, a terrific precipice of rock beneath which a cascade leaps down to the valley where lie the baths of Sidi Imcin, is a wood of fir-trees commanding an immense view. This was the objective of their walk. The sun shone warmly, brightly, over the roaring city, perched on its savage height and crowding down to its precipices, as if seeking for destruction. Clarions sounded from the woods, where hidden soldiers were carrying out evolutions. Now and then a dull roar in the distance, like the noise of a far-off earthquake, proclaimed the activities of men among the rocks. From the bazaars in the maze of covered alleys that stretch down the hill below the Place du Chameau, from the narrow and slippery pavements that wind between the mauve and the pale yellow house fronts, came incessant cries and the long and dull murmur of voices.

Bellebelles were singing everywhere in their tiny cages, heedless of their captivity. On tiny wooden tables and stands before the insouciant workers at trades, and the indifferent sellers of goods, were set vases of pale yellow jonquils. Round the minarets fluttered the pigeons. And again, floating across the terrific gorge, came the brave notes of the military clarions.

"There is something here which I have never felt in any other place,"

said Mrs. Shiffney to Claude. "A peculiar wildness. It makes one want to cry out. The rocks seem to have life almost under one's feet. And the water in that terrible gorge, that's like a devil's moat round the city, is more alive than water in other places. It's so strange to have known you in Mullion House and to find you here. How eternally interesting life is!"

She did not always think so, but at this moment she really found life interesting.

"I shall never forget this little time!" she added. "I haven't enjoyed myself so much for years. And now it's nearly over. What a bore!"

Claude felt exhilarated too. The day was so bright, so alive, seemed full of wildness and gaiety and l.u.s.ty freedom.

"Let us enjoy what is left!" he said.

She stole a side glance at him as he swung along by her. How would it be to be married to a man like him--a man with his way to make?

They came down to the bridge, escaping from the bustle of the city. From the fir woods the clarions sounded louder, calling to each other like bold and triumphant voices.

"Have you got those in your opera?" she asked him.

"I shall have them."

"Of course."

They talked a little about the libretto as they crossed the bridge, with the sound of the water in their ears.