"She ought to start again with De Reszke," said the musical critic, puffing out his fat cheeks and looking suddenly like a fish.

"Well, I must go down. It's getting late," said Mrs. Mansfield.

"It isn't a real soprano," said someone in a husky voice. "It's a forced-up mezzo."

Beneath them Millie Deans was standing by Mrs. Shiffney, who was saying:

"Charming! No, I haven't heard _Crepe de Chine_. I don't care much for Fournier's music. He imitates the Russians. Such a pity! Are you really going back to-morrow? Good-bye, then! Now, Rades, be amiable! Give us _Enigme_." Mr. Brett had disappeared.

"No, Mr. Elliot, it's no use talking to me, not a bit of use!" Millie Deans exclaimed vehemently in the hall as Rades began _Enigme_ in his most velvety voice. "London has no taste, it has only fashions. In Paris that man is not a singer at all. He is merely a _diseur_. No one would dream of putting him in a programme with me."

"But, my dear Miss Deans, you knew he was singing to-night. And my programmes are always eclectic. There is no intention--"

"I don't know anything about eplectic," said Millie Deans, whose education was one-sided, but who had temperament and talent, and also a very strong temper. "But I do know that Mr. Brett, who seems to rule you all here, is as ignorant of music as--as a carp, isn't it? Isn't it, I say!"

"I daresay it is. But, my dear Miss Deans, people were delighted. You will come back, you--"

"Never! He means to keep me out. I can see it. He has that Dantini in his pocket. A woman with a voice like a dwarf in a gramophone!"

At this moment, perhaps fortunately, Miss Deans's hired electric brougham came up, and Max Elliot got rid of her.

Although she had lost her temper Miss Deans had not lost her shrewdness.

Mr. Brett shrugged his shoulders and confessed that the talent of Miss Deans did not appeal to him.

"Her singing bored me," was the verdict of Mrs. Shiffney.

And many of Max Elliot's guests found that they had been subject to a similar ennui when the American was singing.

"Poor woman!" thought Mrs. Mansfield, who was unprejudiced, and who, with Max Elliot and other genuine musicians, recognized the gifts of Miss Deans.

And again her mind went to Claude Heath.

"Better to keep out of it! Better to keep out of it!" a voice said within her.

And apparently Heath was of one mind with her on this matter.

As Mrs. Mansfield and Charmian were going away they met Mrs. Shiffney in the hall with Ferdinand, who was holding her cloak.

"Oh, Charmian!" she said, turning quickly, with the cloak over one of her broad shoulders. "I heard from Claude Heath to-day."

"Did you?" said Charmian languidly, looking about her at the crowd.

"Yes. He can't come. His mother's got a cold and he doesn't like to leave her, or something. And he's working very hard on a composition that n.o.body is ever to hear. And--I forget what else. But there were four sides of excuses."

She laughed.

"Poor boy! He hasn't much savoir-faire. Good-night! I'll let you know when we start."

Her eyes pierced Charmian.

"Come, Ferdinand! No, you get in first. I hate being pa.s.sed and trodden on when once I'm in, and I take up so much room."

That night, when Charmian was safely in her bedroom and had locked the door against imaginary intruders, she cried, bitterly, impetuously:

"If only Rades had not sung _Pet.i.te Fille de Tombouctou_!"

That song seemed to have put the finishing touch to desires which would never be gratified. Charmian could not have explained why. But such music was cruel when life went wrong.

"Why won't he come? Why won't he come?" she murmured angrily.

Then she looked at herself in the gla.s.s, and thought she realized that from the first she had hated Claude Heath.

CHAPTER VIII

A fortnight later _The Wanderer_ lay at anchor in the harbor of Algiers.

But only the captain and some of the crew were on board. Mrs. Shiffney, Max Elliot, and Paul Lane had gone off in a motor to Bou-Saada. Alfred Waring, the extra man who had come instead of Claude Heath, had run over to Biskra to see some old friends, and Charmian and Susan Fleet were at the Hotel St. George at Mustapha Superieur.

Charmian was not very well. The pa.s.sage from Ma.r.s.eilles had been rough, and she had suffered. As she had never before seen Algiers she had got out of the expedition to Bou-Saada. And Susan Fleet had, apparently, volunteered to stay with her, but had really stayed, as she did a great many things when she was with Mrs. Shiffney, because there was no one else to do it and Mrs. Shiffney had told her so.

Nevertheless, though she wanted to see Bou-Saada, she was reconciled to her lot. She liked Charmian very well, though she knew her very little.

And she had the great advantage in life--so, at least, she considered it--of being a theosophist.

Mrs. Shiffney had not known how to put Charmian off. After hearing again _Pet.i.te Fille de Tombouctou_ she had felt she must get out of Europe, if only for five minutes. So she had made the best of things. And Charmian would rather have died than have given up going after Claude Heath's refusal to go. A run over to Algiers was nothing. They could be back in England in two or three weeks. So _The Wanderer_ had gone round to Ma.r.s.eilles, and the party of six had come out by train to meet her there.

Susan Fleet was one of those capable and intelligent women who are apt to develop st.u.r.diness if they do not marry and have children. Susan had not married, and at the age of forty-nine and nine months she was st.u.r.dy. She wore coats and skirts whenever they could be worn, and some people professed to believe that she slept in them. Her one extravagance was the wearing of white gloves which fitted her hands perfectly. Her collars were immaculate, and she always looked almost startlingly neat.

All her dresses were "off the ground." In appearance she was plain, but she was not ugly. She had a fairly good nose and mouth, but they were never admired, thick brown hair which no one ever noticed, and a pa.s.sable complexion. Her eyes were her worst feature. They looked as if they were loose in her head and might easily drop out, and they were rather glazed than luminous, and were indefinite in color. But they were eyes which rea.s.sured doubtful people, eyes which could be, and were, trusted "on sight," eyes which had seen a good deal but which could never take nastiness into the soul to its harming. Her father was dead, and she had a mother who, at the age of sixty-seven--she had really been married at sixteen--was living as companion at Folkestone with an old lady of eighty-two.

Susan Fleet was one of those absolutely unsycophantic and naturally well-bred persons who are often liked by those "at the top of the tree,"

and who sometimes, without beauty, great talent, money, or other worldly advantages, and without any thought of striving, achieve "positions"

which everybody recognizes. Susan had a "position." She knew and was liked by all sorts and conditions of important people, had been about, had stayed in houses with Royalties, and had always remained just herself, perfectly natural, quite unpretending, and wholly free from every grain of nonsense. "There's no nonsense about Susan Fleet!" many said approvingly, especially those who themselves were full of it. She possessed one shining advantage, a const.i.tutional inability to be a sn.o.b, and she was completely ignorant of possessing it. Mrs. Shiffney and various other very rich women could not do without Susan. Unlike her mother, she had no permanent post. But she was always being "wanted,"

and was well paid, not always in money only, for the excellent services she was able to render. She never made any secret of her poverty, though she never put it forward, and it was understood by everyone that she had to earn her own living. Many years ago she had qualified to do this by mastering various homely accomplishments. She was a competent accountant, an excellent typewriter, a lucid writer of letters, knew how to manage servants, and was a mistress of the art of travelling. When looking out trains she never made a mistake. She was never sea or train sick, never lost her temper or her own or other people's luggage, had a perfect sense of time without being aggressively punctual, and seemed totally unaffected by changes of climate. And she knew nothing about the meaning of the word shyness.

When the big motor had gone off with its trio to desert places Charmian suddenly realized the unexpectedness of her situation--alone above Algiers with a woman who was almost a stranger. This scarcely seemed like yachting. They had come up to the hotel because Mrs. Shiffney always stayed at an hotel, if there was a good one, when the yacht was in harbor, "to make a change." It was full of English and Americans, but they knew n.o.body, and, having two sitting-rooms, had no reason to seek public rooms where acquaintances are made. Charmian wondered how long Mrs. Shiffney would stay at Bou-Saada.

"Back to-morrow!" she had said airily as she waved her hand. The a.s.sertion meant next week if only she were sufficiently amused.

Charmian had been really stricken on the stormy voyage, and still had a sensation of oppression in the head, of vagueness, of smallness, and of general degradation. She felt also terribly depressed, like one under sentence not of death, but of something very disagreeable. And when Susan Fleet said to her in a chest voice, "Do you want to do anything this afternoon?" she answered:

"I'll keep quiet to-day. I'll sit in the garden. But, please, don't bother about me."

"I'll come and sit in the garden, too," said Miss Fleet in a calm and business-like manner.

Charmian thought she was going to add, "And bring my work with me." But she did not.

On the first terrace there were several people in long chairs looking lazy; women with picture papers, men smoking, old buffers talking about politics and Arabs. Charmian glanced at them and instinctively went on, descending toward a quieter part of the prettily and cleverly arranged garden. The weather was beautiful, warm, but not sultry. Already she was conscious of a feeling of greater ease.