'Good,' he replied, thinking that the train arrived in time to dress, and in no way surprised that she divined his thoughts. 'We can decide our plans then.' He added that he might be obliged to go back to a.s.souan, but she made no comment. Speech died away between them, as they sat down in the old familiar corner above the Nile. Tom, for the life of him, could think of nothing to say. Lettice, on the other hand, wanted to say nothing. He felt that she _had_ nothing to say. Behind, below the numbness in him, meanwhile, her silence stabbed him without ceasing.

The intense yearning in his heart threatened any minute to burst forth in vehement speech, almost in action. It lay acc.u.mulating in him dangerously, ready to leap out at the least sign--the pin-p.r.i.c.k of a look, a word, a gesture on her part, and he would smash the barrier down between them and--ruin all. The sight of Tony, for instance, just then must have been as a red rag to a bull.

He traced figures in the sand with his heel, he listened to the wind above them, he never ceased to watch her motionless, indifferent figure stretched above him on the long deck-chair. A book peeped out from behind the cushion where her head rested. Tom put his hand across and took it suddenly, partly for something to do, partly from curiosity as well.

She made a quick, restraining gesture, then changed her mind. And again he was conscious of battle in her, as if two beings fought.

'The Mary Coleridge Poems,' she said carelessly. 'Tony gave it me.

You'll find the song he put to music.'

Tom vigorously turned the leaves. He had already glanced at the t.i.tle-page with the small inscription in one corner: 'To L. J., from A. W.' There was a pencil mark against a poem half-way through.

'He's going to write music for some of the others too,' she added, watching him; 'the ones he has marked.' Her voice, he fancied, wavered slightly.

Tom nodded his head. 'I see,' he murmured, noticing a cross in pencil.

A sullen defiance rose in his blood, but he forced it out of sight.

He read the words in a low voice to himself. It was astonishing how the powers behind the scenes forced a contribution from the commonest incidents:

The sum of loss I have not reckoned yet, I cannot tell.

For ever it was morning when we met, Night when we bade farewell.

Perhaps the words let loose the emotion, though of different kinds, pent up behind their silence. The strain, at any rate, between them tightened first, then seemed to split. He kept his eyes upon the page before him; Lettice, too, remained still as before; only her lips moved as she spoke:

'Tom. . . .' The voice plunged into his heart like iron.

'Yes,' he said quietly, without looking up.

'Tom,' she repeated, 'what are you thinking about so hard?'

He found no answer.

'And all to yourself?'

The blood rushed to his face; her voice was so soft.

He met her eyes and smiled. 'The same as usual, I suppose,' he said.

For a moment she made no reply, then, glancing at the book lying in his hand, she said in a lower voice: 'That woman had suffered deeply.

There's truth and pa.s.sion in every word she writes; there's a marvellous restraint as well. Tom,' she added, gazing hard at him, 'you feel it, don't you? You understand her?' For an instant she knit her brows as if in perplexity or misgiving.

'The truth, yes,' he replied after a moment's hesitation; 'the restraint as well.'

'And the pa.s.sion?'

He nodded curtly by way of agreement. He turned the pages over very rapidly. His fingers were as thick and clumsy as rigid bits of wood.

He fumbled.

'Will you read it once again?' she asked. He did so . . . in a low voice.

With difficulty he reached the end. There was a mist before his eyes and his voice seemed confused. He dared not look up.

'There's a deep spiritual beauty,' he went on slowly, making an enormous effort, 'that's what I feel strongest, I think. There's renunciation, sacrifice----'

He was going to say more, for he felt the words surge up in his throat.

This talk, he knew, was a mere safety valve to both of them; they used words as people attacked by laughter out of due season seize upon anything, however far-fetched, that may furnish excuse for it. The flood of language and emotion, too long suppressed, again rose to his very lips--when a slight sound stopped his utterance. He turned. Amazement caught him. Her frozen immobility, her dead indifference, her boredom possibly--all these, pa.s.sing suddenly, had melted in a flood of tears.

Her face was covered by her hands. She lay there sobbing within a foot of his hungry arms, sobbing as though her heart must break. He saw the drops between her little fingers, trickling.

It was so sudden, so unexpected, that Tom felt unable to speak or act at first. Numbness seized him. His faculties were arrested. He watched her, saw the little body heave down its entire length, noted the small convulsive movements of it. He saw all this, yet he could not do the natural thing. It was very ghastly. . . . He could not move a muscle, he could not say a single word, he could not comfort her--because he knew those tears were the tears of pity only. It was for himself she sobbed.

The tenderness in her--in 'Lettice'--broke down before his weight of pain, the weight of pain she herself laid upon him. Nothing that _he_ might do or say could comfort her. Divining what the immediate future held in store for him, she wept these burning tears of pity. In that poignant moment of self-revelation Tom's c.u.mbersome machinery of intuition did not fail him. He understood. It was a confession--the last perhaps. He saw ahead with vivid and merciless clarity of vision. Only another could comfort her. . . . Yet he could help. Yes--he could help--by going.

There was no other way. He must slip out.

And, as if prophetically just then, she murmured between her tight-pressed fingers: 'Leave me, Tom, for a moment . . . please go away . . . I'm so mortified . . . this idiotic scene. . . . Leave me a little, then come back. I shall be myself again presently. . . . It's Egypt--this awful Egypt. . . .'

Tom obeyed. He got up and left her, moving without feeling in his legs, as though he walked in his sleep, as though he dreamed, as though he were--dead. He did not notice the direction. He walked mechanically.

It felt to him that he simply walked straight out of her life into a world of emptiness and ice and shadows. . . .

The river lay below him in a flood of light. He saw the Theban Hills rolling their dark, menacing wave along the far horizon. In the blistering heat the desert lay sun-drenched, basking, silent. Its faint sweet perfume reached him in the northern wind, that pungent odour of the sand, which is the odour of this sun-baked land etherealised.

A fiery intensity of light lay over it, as though any moment it must burst into sheets of flame. So intense was the light that it seemed to let sight through to--to what? To a more distant vision, infinitely remote.

It was not a mirror, but a transparency. The eyes slipped through it marvellously.

He stood on the steps of worn-out sandstone, listening, staring, feeling nothing . . . and then a little song came floating across the air towards him, sung by a boatman in mid-stream. It was a native melody, but it had the strange, monotonous lilt of Tony's old-Egyptian melody. . . . And feeling stole back upon him, alternately burning and freezing the currents of his blood. The childhood nightmare touch crept into him: he saw the wave-like outline of the gloomy hills, he heard the wind rattling in the leaves behind him, to his nostrils came the strange, penetrating perfume of the tawny desert that encircles ancient Thebes, and in the air before him hung two pairs of eyes, dark, faithful eyes, cruel and at the same time tender, true yet merciless, and the others--treacherous, false, light blue in colour. . . . He began to shuffle furiously with his feet. . . .

The soul in him went under. . . . He turned to face the menace coming up behind . . . the falling Wave. . . .

'Tom!' he heard--and turned back towards her. And when he reached her side, she had so entirely regained composure that he could hardly believe it was the same person. Fresh and radiant she looked once more, no sign of tears, no traces of her recent emotion anywhere. Perhaps the interval had been longer than he guessed, but, in any case, the change was swift and half unaccountable. In himself, equally, was a calmness that seemed unnatural. He heard himself speaking in an even tone about the view, the river, the gold of the coming sunset. He wished to spare her, he talked as though nothing had happened, he mentioned the deep purple colour of the hills--when she broke out with sudden vehemence.

'Oh, don't speak of those hills, those awful hills,' she cried. 'I dread the sight of them. Last night I dreamed again--they crushed me down into the sand. I felt buried beneath them, deep, deep down--_buried_.'

She whispered the last word as though to herself. She hid her face.

The words amazed him. He caught the pa.s.sing shiver in her voice.

'"Again"?' he asked. 'You've dreamed of them before?' He stood close, looking down at her. The sense of his own ident.i.ty returned slowly, yet he still felt two persons in him.

'Often and often,' she said in a lowered tone, 'since Tony came. I dream that we all three lie buried somewhere in that forbidding valley.

It terrifies me more and more each time.'

'Strange,' he said. 'For they draw me too. I feel them somehow known-- familiar.' He paused. 'I believe Tony was right, you know, when he said that we three----'

How she stopped him he never quite understood. At first he thought the curious movement on her face portended tears again, but the next second he saw that instead of tears a slow strange smile was stealing upon her-- upwards from the mouth. It lay upon her features for a second only, but long enough to alter them. A thin, diaphanous mask, transparent, swiftly fleeting, pa.s.sed over her, and through it another woman, yet herself, peered up at him with a penetrating yet somehow distant gaze. A shudder ran down his spine; there was a sensation of inner cold against his heart; he trembled, but he could not look away. . . . He saw in that brief instant the face of the woman who tortured him. The same second, so swiftly was it gone again, he saw Lettice watching him through half-closed eyelids. He heard her saying something. She was completing the sentence that had interrupted him:

'We're too imaginative, Tom. Believe me, Egypt is no place to let imagination loose, and I don't like it.' She sighed: there was exhaustion in her. 'It's stimulating enough without _our_ help. Besides--' she used a curious adjective--'it's dangerous too.'

Tom willingly let the subject drop; his own desire was to appear natural, to protect her, to save her pain. He thought no longer of himself.

Drawing upon all his strength, forcing himself almost to breaking-point, he talked quietly of obvious things, while longing secretly to get away to his own room where he could be alone. He craved to hide himself; like a stricken animal his instinct was to withdraw from observation.

The arrival of the tea-tray helped him, and, while they drank, the sky let down the emblazoned curtain of a hundred colours lest Night should bring her diamonds unnoticed, unannounced. There is no dusk in Egypt; the sun draws on his opal hood; there is a rush of soft white stars: the desert cools, and the wind turns icy. Night, high on her spangled throne, watches the sun dip down behind the Libyan sands.

Tom felt this coming of Night as he sat there, so close to Lettice that he could touch her fingers, feel her breath, catch the lightest rustle of her thin white dress. He felt night creeping in upon his heart. Swiftly the shadows piled. His soul seemed draped in blackness, drained of its shining gold, hidden below the horizon of the years. It sank out of sight, cold, lost, forgotten. His day was past and over. . . .

They had been sitting silent for some minutes when a voice became audible, singing in the distance. It came nearer. Tom recognised the tune--'We were young, we were merry, we were very, very wise,'; and Lettice sat up suddenly to listen. But Tom then thought of one thing only--that it was beyond his power just now to meet his cousin.

He knew his control was not equal to the task; he would betray himself; the role was too exacting. He rose abruptly.