There came a knock at the door.

"Come in!" called Miss Jones, bare-armed and bare-legged in the middle of the room.

"Wait a minute!" exclaimed the scandalized Miss Marsh, in the midst of a shuffling process by which her clothes were removed under the nightgown which hung round her with empty flapping sleeves.

"It's only me," said Miss Plumtree in melancholy tones, walking in. "I'm just waiting for my kettle to boil."

The gas-ring was on the landing just outside the bedroom door.

Grace looked up,

"How pretty you look with your hair down!" she said admiringly.

"Me? Rubbish!" exclaimed Miss Plumtree, colouring with astonishment and embarra.s.sment, but with a much livelier note in her voice.

"Your hair is so nice," explained Grace, gazing at the soft brown mop of curls.

"Oh, lovely, of course."

Miss Plumtree wriggled with confusion, and had no mind to betray how much the unaffected little bit of praise had restored her spirits. But she sat down on Grace's bed in her pink cotton kimono in a distinctly more cheerful frame of mind than that in which she had entered the room.

"Are you in the blues, Gooseberry-bush?" was the sympathetic inquiry of Miss Marsh.

"Well, I am, rather. It's Miss Vivian, you know. She can be awfully down on one when she likes."

"I know; you always do seem to get on the wrong side of her. Grace will sympathize; she's just been abusing her like a pickpocket," said Miss Marsh, apparently believing herself to be speaking the truth.

Miss Jones raised her eyebrows rather protestingly, but said nothing.

She supposed that in an atmosphere of adulation such as that which appeared to her to surround Miss Vivian, even such negative criticism as was implied in an absence of comment might be regarded seriously enough.

"But even if one doesn't like her _awfully_ much, she has a sort of fascination, don't you think?" said Miss Plumtree eagerly. "I always feel like a--a sort of bird with a sort of snake, you know."

The modification which she wished to put into this trenchant comparison was successfully conveyed by the qualifying "sort of," an adverb distinctly in favour at the Hostel.

"I know what you mean exactly, dear," Miss Marsh a.s.sured her. "And of course she does work one fearfully hard. I sometimes think I shall have to leave."

"She works every bit as hard as we do-harder. I suppose you'll admit that, Gracie?"

"Oh yes."

"Don't go on like that," protested Miss Marsh, presumably with reference to some indefinable quality detected by her in these two simple monosyllables.

"I only meant," said Grace Jones diffidently, "that it might really be better if she didn't do quite so much. If she could have her luncheon regularly, for instance."

"My dear, she simply hasn't the time."

"She could make it."

"The work comes before everything with Miss Vivian. I mean, really it does," said Miss Plumtree solemnly.

Miss Jones finished off the end of a thick plait of dark hair with a neat blue bow, and said nothing.

"I suppose even you'll admit that, Gracie?"

Grace gave a sudden little laugh, and said in the midst of it:

"Really, I'm not sure."

"My dear girl, what on earth do you mean?"

"I think I mean that I don't feel certain Miss Vivian would work quite so hard or keep such very strenuous hours if she lived on a desert island, for instance."

The other two exchanged glances.

"Dotty, isn't she?"

"Mad as a hatter, I should imagine."

"Perhaps you'll explain what sort of war-work people _do_ on desert islands?"

"That isn't what I mean, quite," Gracie explained. "My idea is that perhaps Miss Vivian does _partly_ work so very hard because there are so many people looking on. If she was on a desert isle she might--find time for luncheon."

"My dear girl, you're ab-solutely raving, in my opinion," said Miss Plumtree with simple directness. "There! That's my kettle."

She dashed out of the room, as a hissing sound betrayed that her kettle had overboiled on to the gas-ring, as it invariably did.

After the rescue had been effected she looked in again and said:

"I suppose you wouldn't let me come in for some of your tea tomorrow morning, would you, dear? Ours is absolutely finished, and that a.s.s Henderson forgot to get any more."

"Rather," said Miss Marsh cordially. "This extraordinary girl doesn't take any, so you can have the second cup."

"Thanks most awfully. I can do without most things, but I can't do without my tea. Good-night, girls."

It was an accepted fact all through the Hostel that, although one could do without most things, one could not do without one's tea.

This requirement was of an elastic nature, and might extend from early morning to a late return from meeting a troop-train at night. Grace every morning refused the urgent offer of her room-mate to "make her a cup of nice hot tea," and watched, with a sort of interested surprise, while Miss Marsh got out of bed a quarter of an hour earlier than was necessary in order to fill and boil a small kettle and make herself three and sometimes four successive cups of very strong tea. She was always willing to share this refreshment with any one, but every room in the Hostel had its own appliances for tea-making, and made daily and ample use of them.

Although Miss Jones did not drink tea, she often washed up the cup and saucer and the little teapot. Miss Marsh suffered from a chronic inability to arrive at the office punctually, although breakfast was at nine o'clock, and she had only to walk across the road. But she frequently said, in a very agitated way, as she rose from the breakfast-table:

"Excuse me. I simply must go and do my washing. It's Monday, and I've left it to the last moment."

This meant that the counting and dispatching of Miss Marsh's weekly bundle for the laundry would occupy all her energies until the desperate moment when she would look at her wrist-watch, exclaim in a mechanical sort of way, "Oh, d.a.m.n! I shall never do it!" and dash out of the house and across Pollard Street as the clock struck ten.

"I'll wash the tea-things for you."

"Oh, no, dear! Why _should_ you? I can quite well do them to-night."