The candy man grinned.

"Savin' money, ain't yer?" said he, "by bein' yer own press agent.

I smoke, but I haven't seen yer mug on any of the five-cent cigar boxes. It'd take a new brand of woman to get me goin', anyway. I know 'em from sidecombs to shoelaces. Gimme a good day's sales and steak-and-onions at seven and a pipe and an evenin' paper back there in the court, and I'll not trouble Lillian Russell herself to wink at me, if you please."

Mademoiselle pouted.

"Candy man," she said, softly and deeply, "yet you shall say that I am beautiful. All men say so and so shall you."

The candy man laughed and pulled out his pipe.

"Well," said he, "I must be goin' in. There is a story in the evenin'

paper that I am readin'. Men are divin' in the seas for a treasure, and pirates are watchin' them from behind a reef. And there ain't a woman on land or water or in the air. Good-evenin'." And he trundled his pushcart down the alley and back to the musty court where he lived.

Incredibly to him who has not learned woman, Mademoiselle sat at the window each day and spread her nets for the ignominious game. Once she kept a grand cavalier waiting in her reception chamber for half an hour while she battered in vain the candy man's tough philosophy.

His rough laugh chafed her vanity to its core. Daily he sat on his cart in the breeze of the alley while her hair was being ministered to, and daily the shafts of her beauty rebounded from his dull bosom pointless and ineffectual. Unworthy pique brightened her eyes.

Pride-hurt she glowed upon him in a way that would have sent her higher adorers into an egoistic paradise. The candy man's hard eyes looked upon her with a half-concealed derision that urged her to the use of the sharpest arrow in her beauty's quiver.

One afternoon she leaned far over the sill, and she did not challenge and torment him as usual.

"Candy man," said she, "stand up and look into my eyes."

He stood up and looked into her eyes, with his harsh laugh like the sawing of wood. He took out his pipe, fumbled with it, and put it back into big pocket with a trembling hand.

"That will do," said Mademoiselle, with a slow smile. "I must go now to my ma.s.seuse. Good-evening."

The next evening at seven the candy man came and rested his cart under the window. But was it the candy man? His clothes were a bright new check. His necktie was a flaming red, adorned by a glittering horseshoe pin, almost life-size. His shoes were polished; the tan of his cheeks had paled--his hands had been washed. The window was empty, and he waited under it with his nose upward, like a hound hoping for a bone.

Mademoiselle came, with Sidonie carrying her load of hair. She looked at the candy man and smiled a slow smile that faded away into ennui.

Instantly she knew that the game was bagged; and so quickly she wearied of the chase. She began to talk to Sidonie.

"Been a fine day," said the candy man, hollowly. "First time in a month I've felt first-cla.s.s. Hit it up down old Madison, hollering out like I useter. Think it'll rain to-morrow?"

Mademoiselle laid two round arms on the cushion on the window-sill, and a dimpled chin upon them.

"Candy man," said she, softly, "do you not love me?"

The candy man stood up and leaned against the brick wall.

"Lady," said he, chokingly, "I've got $800 saved up. Did I say you wasn't beautiful? Take it every bit of it and buy a collar for your dog with it."

A sound as of a hundred silvery bells tinkled in the room of Mademoiselle. The laughter filled the alley and trickled back into the court, as strange a thing to enter there as sunlight itself.

Mademoiselle was amused. Sidonie, a wise echo, added a sepulchral but faithful contralto. The laughter of the two seemed at last to penetrate the candy man. He fumbled with his horseshoe pin. At length Mademoiselle, exhausted, turned her flushed, beautiful face to the window.

"Candy man," said she, "go away. When I laugh Sidonie pulls my hair.

I can but laugh while you remain there."

"Here is a note for Mademoiselle," said Felice, coming to the window in the room.

"There is no justice," said the candy man, lifting the handle of his cart and moving away.

Three yards he moved, and stopped. Loud shriek after shriek came from the window of Mademoiselle. Quickly he ran back. He heard a body thumping upon the floor and a sound as though heels beat alternately upon it.

"What is it?" he called.

Sidonie's severe head came into the window.

"Mademoiselle is overcome by bad news," she said. "One whom she loved with all her soul has gone--you may have heard of him--he is Monsieur Ives. He sails across the ocean to-morrow. Oh, you men!"

XIV

SQUARING THE CIRCLE

At the hazard of wearying you this tale of vehement emotions must be prefaced by a discourse on geometry.

Nature moves in circles; Art in straight lines. The natural is rounded; the artificial is made up of angles. A man lost in the snow wanders, in spite of himself, in perfect circles; the city man's feet, denaturalized by rectangular streets and floors, carry him ever away from himself.

The round eyes of childhood typify innocence; the narrowed line of the flirt's optic proves the invasion of art. The horizontal mouth is the mark of determined cunning; who has not read Nature's most spontaneous lyric in lips rounded for the candid kiss?

Beauty is Nature in perfection; circularity is its chief attribute.

Behold the full moon, the enchanting golf ball, the domes of splendid temples, the huckleberry pie, the wedding ring, the circus ring, the ring for the waiter, and the "round" of drinks.

On the other hand, straight lines show that Nature has been deflected. Imagine Venus's girdle transformed into a "straight front"!

When we begin to move in straight lines and turn sharp corners our natures begin to change. The consequence is that Nature, being more adaptive than Art, tries to conform to its sterner regulations. The result is often a rather curious product--for instance: A prize chrysanthemum, wood alcohol whiskey, a Republican Missouri, cauliflower _au gratin_, and a New Yorker.

Nature is lost quickest in a big city. The cause is geometrical, not moral. The straight lines of its streets and architecture, the rectangularity of its laws and social customs, the undeviating pavements, the hard, severe, depressing, uncompromising rules of all its ways--even of its recreation and sports--coldly exhibit a sneering defiance of the curved line of Nature.

Wherefore, it may be said that the big city has demonstrated the problem of squaring the circle. And it may be added that this mathematical introduction precedes an account of the fate of a Kentucky feud that was imported to the city that has a habit of making its importations conform to its angles.

The feud began in the c.u.mberland Mountains between the Folwell and the Harkness families. The first victim of the homespun vendetta was a 'possum dog belonging to Bill Harkness. The Harkness family evened up this dire loss by laying out the chief of the Folwell clan. The Folwells were prompt at repartee. They oiled up their squirrel rifles and made it feasible for Bill Harkness to follow his dog to a land where the 'possums come down when treed without the stroke of an ax.

The feud flourished for forty years. Harknesses were shot at the plough, through their lamp-lit cabin windows, coming from camp-meeting, asleep, in duello, sober and otherwise, singly and in family groups, prepared and unprepared. Folwells had the branches of their family tree lopped off in similar ways, as the traditions of their country prescribed and authorized.

By and by the pruning left but a single member of each family. And then Cal Harkness, probably reasoning that further pursuance of the controversy would give a too decided personal flavour to the feud, suddenly disappeared from the relieved c.u.mberlands, baulking the avenging hand of Sam, the ultimate opposing Folwell.

A year afterward Sam Folwell learned that his hereditary, unsuppressed enemy was living in New York City. Sam turned over the big iron wash-pot in the yard, sc.r.a.ped off some of the soot, which he mixed with lard and shined his boots with the compound. He put on his store clothes of b.u.t.ternut dyed black, a white shirt and collar, and packed a carpet-sack with Spartan _lingerie_. He took his squirrel rifle from its hooks, but put it back again with a sigh. However ethical and plausible the habit might be in the c.u.mberlands, perhaps New York would not swallow his pose of hunting squirrels among the skysc.r.a.pers along Broadway. An ancient but reliable Colt's revolver that he resurrected from a bureau drawer seemed to proclaim itself the pink of weapons for metropolitan adventure and vengeance.

This and a hunting-knife in a leather sheath, Sam packed in the carpet-sack. As he started, muleback, for the lowland railroad station the last Folwell turned in his saddle and looked grimly at the little cl.u.s.ter of white-pine slabs in the clump of cedars that marked the Folwell burying-ground.

Sam Folwell arrived in New York in the night. Still moving and living in the free circles of nature, he did not perceive the formidable, pitiless, restless, fierce angles of the great city waiting in the dark to close about the rotundity of his heart and brain and mould him to the form of its millions of re-shaped victims. A cabby picked him out of the whirl, as Sam himself had often picked a nut from a bed of wind-tossed autumn leaves, and whisked him away to a hotel commensurate to his boots and carpet-sack.

On the next morning the last of the Folwells made his sortie into the city that sheltered the last Harkness. The Colt was thrust beneath his coat and secured by a narrow leather belt; the hunting-knife hung between his shoulder-blades, with the haft an inch below his coat collar. He knew this much--that Cal Harkness drove an express wagon somewhere in that town, and that he, Sam Folwell, had come to kill him. And as he stepped upon the sidewalk the red came into his eye and the feud-hate into his heart.

The clamor of the central avenues drew him thitherward. He had half expected to see Cal coming down the street in his shirt-sleeves, with a jug and a whip in his hand, just as he would have seen him in Frankfort or Laurel City. But an hour went by and Cal did not appear.

Perhaps he was waiting in ambush, to shoot him from a door or a window. Sam kept a sharp eye on doors and windows for a while.