"It bled. Alma, tell him in the white carnation that mamma lost her doctor's certificate. That's all I said to him. Saw him in the clinic--new clinic--'give you five dollars for a doctor's certificate.'

He had a white carnation--right lapel. Stingy. Quick!--following!"

"Sweetheart, please, there's no one coming."

"Don't tell! Oh, Alma darling--mamma's ruined your life! Her sweetheart baby's life."

"No, darling, you haven't. She loves you if you'll come home with her, dear, to bed, before Louis gets home and--"

"No. No. He mustn't see. Never this bad--was I, darling? Oh! Oh!"

"No, mamma--never--this bad. That's why we must hurry."

"Best man that ever lived. Best baby. Ruin. Ruin."

"Mamma, you--you're making Alma tremble so that she can scarcely walk if you drag her so. There's no one following, dear. I won't let anyone harm you. Please, sweetheart--a taxicab."

"No. I tell you he's following. He tried to put me into a taxicab.

Followed me. Said he knew me."

"Then, mamma, listen. Do you hear? Alma wants you to listen. If you don't--she'll faint. People are looking. Now I want you to turn square around and look. No, look again. You see now, there's no one following.

Now I want you to cross the street over there to the Subway. Just with Alma who loves you. There's n.o.body following. Just with Alma who loves you."

And then Carrie, whose lace hat was quite on the back of her head, relaxed enough so that through the enormous maze of the traffic of trucks and the heavier drags of the lower city, her daughter could wind their way.

"My baby! My poor Louis!" she kept saying. "The worst I've ever been.

Oh--Alma--Louis--waiting--before we get there--Louis!"

It was in the tightest tangle of the crossing and apparently on this conjuring of her husband that Carrie jerked suddenly free of Alma's frailer hold.

"No--no--not home--now. Him. Alma!" And darted back against the breast of the down side of the traffic.

There was scarcely more than the quick rotation of her arm around with the spoke of a truck wheel, so quickly she went down.

It was almost a miracle, her kind of death, because out of all that jam of tonnage she carried only one bruise, a faint one, near the brow.

And the wonder was that Louis Latz, in his grief, was so proud.

"To think," he kept saying over and over again and unabashed at the way his face twisted--"to think they should have happened to me. Two such women in one lifetime as my little mother--and her. Fat little old Louis to have had those two. Why, just the memory of my Carrie--is almost enough. To think old me should have a memory like that--it is almost enough--isn't it, Alma?"

She kissed his hand.

That very same, that dreadful night, almost without her knowing it, her throat-tearing sobs broke loose, her face to the waistcoat of Leo Friedlander.

He held her close--very, very close. "Why, sweetheart," he said, "I could cut out my heart to help you! Why, sweetheart! Shh-h-h! Remember what Louis says. Just the beautiful memory--of--her--is--wonderful--"

"Just--the b-beautiful--memory--you'll always have it, too--of her--my mamma--won't you, Leo? Won't you?"

"Always," he said when the tight grip in his throat had eased enough.

"Say--it again--Leo."

"Always."

She could not know how dear she became to him then, because not ten minutes before, from the very lapel against which her cheek lay pressed, he had unpinned a white carnation.

BACK PAY

I set out to write a love story, and for the purpose sharpened a bright-pink pencil with a gla.s.s ruby frivolously at the eraser end.

Something sweet. Something dainty. A candied rose leaf after all the bitter war lozenges. A miss. A kiss. A golf stick. A motor car. Or, if need be, a bit of khaki, but without one single spot of blood or mud, and nicely pressed as to those fetching peg-top trouser effects where they wing out just below the skirt-coat. The oldest story in the world told newly. No wear out to it. Editors know. It's as staple as eggs or printed lawn or ipecac. The good old-fashioned love story with the above-mentioned miss, kiss, and, if need be for the sake of timeliness, the bit of khaki, pressed.

Just my luck that, with one of these modish tales at the tip of my pink pencil, Hester Bevins should come pounding and clamoring at the door of my mental reservation, quite drowning out the rather high, the lipsy, and, if I do say it myself, distinctly musical patter of Arline. That was to have been her name. Arline Kildane. Sweet, don't you think, and with just a bit of wild Irish rose in it?

But Hester Bevins would not let herself be gainsaid, sobbing a little, elbowing her way through the group of mental unborns, and leaving me to blow my pitch pipe for a minor key.

Not that Hester's isn't one of the oldest stories in the world, too. No matter how newly told, she is as old as sin, and sin is but a few weeks younger than love--and how often the two are interchangeable!

If it be a fact that the true lady is, in theory, either a virgin or a lawful wife, then Hester Bevins stands immediately convicted on two charges.

She was neither. The most that can be said for her is that she was honestly what she was.

"If the wages of sin is death," she said to a roadhouse party of roysterers one dawn, "then I've quite a bit of back pay coming to me."

And joined in the shout that rose off the table.

I can sketch her in for you rather simply because of the hackneyed lines of her very, very old story. Whose pasts so quickly mold and disintegrate as those of women of Hester's stripe? Their yesterdays are entirely soluble in the easy waters of their to-days.

For the first seventeen years of her life she lived in what we might call Any American Town of, say, fifteen or twenty thousand inhabitants.

Her particular one was in Ohio. Demopolis, I think. One of those change-engine-and-take-on-water stops with a stucco art-nouveau station, a roof drooping all round it, as if it needed to be shaved off like edges of a pie, and the name of the town writ in conch sh.e.l.ls on a green slant of terrace. You know--the kind that first establishes a ten-o'clock curfew for its young, its dance halls and motion-picture theaters, and then sends in a hurry call for a social-service expert from one of the large Eastern cities to come and diagnose its malignant vice undergrowth.

Hester Bevins, of a mother who died bearing her and one of those disappearing fathers who can speed away after the accident without even stopping to pick up the child or leave a license number, was reared--no, grew up, is better--in the home of an aunt. A blond aunt with many gold teeth and many pink and blue wrappers.

Whatever Hester knew of the kind of home that fostered her, it left apparently no welt across her sensibilities. It was a rather poor house, an unpainted frame in a poor street, but there was never a lack of gayety or, for that matter, any pinching lack of funds. It was an actual fact that, at thirteen, cotton or lisle stockings brought out a little irritated rash on Hester's slim young legs, and she wore silk.

Abominations, it is true, at three pair for a dollar, that sprang runs and would not hold a darn, but, just the same, they were silk. There was an air of easy _camaraderie_ and easy money about that house. It was not unusual for her to come home from school at high noon and find a front-room group of one, two, three, or four guests, almost invariably men. Frequently these guests handed her out as much as half a dollar for candy money, and not another child in school reckoned in more than pennies.

Once a guest, for reasons of odd change, I suppose, handed her out thirteen cents. Outraged, at the meanness of the sum, and with an early and deep-dyed superst.i.tion of thirteen, she dashed the coins out of his hand and to the four corners of the room, escaping in the guffaw of laughter that went up.

Often her childish sleep in a small top room with slanting sides would be broken upon by loud ribaldry that lasted into dawn, but never by word, and certainly not by deed, was she to know from her aunt any of its sordid significance.

Literally, Hester Bevins was left to feather her own nest. There were no demands made upon her. Once, in the little atrocious front parlor of horsehair and chromo, one of the guests, the town baggage-master, to be exact, made to embrace her, receiving from the left rear a sounding smack across cheek and ear from the aunt.

"Cut that! Hester, go out and play! Whatever she's got to learn from life, she can't say she learned it in my house."

There were even two years of high school, and at sixteen, when she went, at her own volition, to clerk in Finley's two-story department store on High Street, she was still innocent, although she and Gerald Fishback were openly sweethearts.

Gerald was a Thor. Of course, you are not to take that literally; but if ever there was a carnification of the great G.o.d himself, then Gerald was in his image. A wide streak of the Scandinavian ran through his make-up, although he had been born in Middletown, and from there had come recently to the Finley Dry Goods Company as an accountant.