Peter dropped his bag.

"That's what you said it was, back there."

"Did I? Well, maybe it isn't so far as that now. Let me carry your bag a while."

Thus taunted, he rose, took the bag in his left hand and followed.

"City folks aren't much on doin' for themselves, are they? The taxi system is very poor down here yet."

Her face was expressionless, but he knew that she was laughing at him.

He knew also that his bag weighed more than any army pack. It seemed too that she was walking much faster than she had done before--also that there was malicious humor in the smile she now turned on him.

"Seems a pity to have such a long walk--with nothin' at the end of it."

"I don't mind it in the least," gasped Peter. "And if you don't object to my asking you just one more question," he went on grimly, "I'd like you to tell me what is frightening Mr. Jonathan K. McGuire?"

"Oh, McGuire. I don't know. n.o.body does. He's been here a couple of weeks now, cooped up in the big house. Never comes out. They say he sees ghosts and things."

"Ghosts!"

She nodded. "He's hired some of the men around here to keep watch for them and they say some detectives are coming. You'll help too, I guess."

"That should be easy."

"Maybe. I don't know. My aunt works there. She's housekeeper. It's spooky, she says, but she can't afford to quit."

"But they haven't _seen_ anything?" asked Peter incredulously.

"No. Not yet. I guess it might relieve 'em some if they did. It's only the things you don't see that scare you."

"It sounds like a great deal of nonsense about nothing," muttered Peter.

"All right. Wait until you get there before you do much talkin'."

"I will, but I'm not afraid of ghosts." And then, as an afterthought, "Are you?"

"Not in daylight. But from what Aunt Tillie says, it must be something more than a ghost that's frightenin' Jonathan K. McGuire."

"What does she think it is?"

"She doesn't know. Mr. McGuire won't say. He won't allow anybody around the house without a pa.s.s. Oh, he's scared all right and he's got most of Black Rock scared too. He was never like this before."

"Are you scared?" asked Peter.

"No. I don't think I am really. But it's spooky, and I don't care much for shootin'."

"What makes you think there will be shooting?"

"On account of the guns and pistols. Whatever the thing is he's afraid of, he's not goin' to let it come near him if he can help it. Aunt Tillie says that what with loaded rifles, shotguns and pistols lyin'

loose in every room in the house, it's as much as your life is worth to do a bit of dustin'. And the men--Shad Wells, Jesse Brown, they all carry automatics. First thing they know they'll be killin' somebody,"

she finished with conviction.

"Who is Shad Wells----?"

"My cousin, Shadrack E. Wells. He was triplets. The other two died."

"Shad," mused Peter.

"Sounds like a fish, doesn't it? But he isn't." And then more slowly, "Shad's all right. He's just a plain woodsman, but he doesn't know anything about making the trees grow," she put in with prim irony.

"You'll be his boss, I guess. He won't care much about that."

"Why?"

"Because he's been runnin' things in a way. I hope you get along with him."

"So do I----"

"Because if you don't, Shad will eat you at one gobble."

"Oh!" said Peter with a smile. "But perhaps you exaggerate. Don't you think I might take two--er--gobbles?"

Beth looked him over, and then smiled encouragingly.

"Maybe," she said, "but your hands don't look over-strong."

Peter looked at his right hand curiously. It was not as brown as hers, but the fingers were long and sinewy.

"They are, though. When you practice five hours a day on the piano, your hands will do almost anything you want them to."

A silence which Peter improved by shifting his suitcase. The weight of it had ceased to be amusing. And he was about to ask her how much further Black Rock was when there was a commotion down the road ahead of them, as a dark object emerged from around the bend and amid a whirl of dust an automobile appeared.

"It's the 'Lizzie'," exclaimed Beth unemotionally.

And in a moment the taxi service of Black Rock was at Peter's disposal.

"Carburetor trouble," explained the soiled young man at the wheel briefly, without apology. And with a glance at Peter's bag--

"Are you the man for McGuire's on the six-thirty?"

Peter admitted that he was and the boy swung the door of the tonneau open.

"In here with me, Beth," he said to the girl invitingly.

In a moment, the small machine was whirled around and started in the direction from which it had come, bouncing Peter from side to side and enveloping him in dust. Jim Hagerman's "Lizzie" wasted no time, once it set about doing a thing, and in a few moments from the forest they emerged into a clearing where there were cows in a meadow, and a view of houses. At the second of these, a frame house with a portico covered with vines and a small yard with a geranium bed, all enclosed in a picket fence, the "Lizzie" suddenly stopped and Beth got down.

"Much obliged, Jim," he heard her say.

Almost before Peter had swept off his hat and the girl had nodded, the "Lizzie" was off again, through the village street, and so to a wooden bridge across a tea-colored stream, up a slight grade on the other side, where Jim Hagerman stopped his machine and pointed to a road.