"You have read him right," Manlia told her. "He detests all kinds of spectacles, takes no interest in races and hates beast-fights. Most of all he loathes gladiatorial combats. Father has told me about it more than once and Causidiena says the same thing. I can't understand it. I never get tired of sword-fighting, myself. What I like about it is its endless variety. I never saw any two fights exactly alike, never saw two closely alike. Each fight is a spectacle by itself, entirely different from any other. I don't mean the difference between the fighters in respect to their equipment and appearance, though that contributes to the variety also; I mean the difference in posture, method of defense and attack, style of lunge and parry, and all that; and the countless variations in form in the men, the subtle differences of character which makes them face similar situations so very differently. You'll get the feeling for it in a half a dozen shows and be as keen on it as the rest of us.

"But the Emperor is different. Perhaps it's because he is such a booky man and spends so much time in reading and study. But I think not. There never was anybody more of a bookworm than Numisia and she is as wild over the shows as any street-boy in Rome. Anyhow, whatever the cause is, that is the way he is. He was more than surfeited with shows before he was Emperor. While he was nothing but a boy, soon after he was adopted and made Caesar, he often had to preside in the Circus or here, when Hadrian was away travelling and Antonius and Verus were on the frontiers. He used to bring his tutors with him and have two of them sit on each side of him a little behind him. Then, after the shows had started, he would put a tablet on his knee and write a theme or work out a problem in geometry and when he had finished it, would pa.s.s it to one of his tutors for comment, or he would have them make out sets of questions on history or something else and he would write out the answers the best he could. Sometimes he would read. All this he did as calmly as if he were alone in a closed room with nothing to call off his attention. Yet he was most careful to seem to watch the shows and would look up every little while and gaze about the arena. But nothing ever distracted him from his lessons. That is the kind he is. He simply never cared for this sort of thing. He says that what oppresses him is the maddening monotony of gladiatorial shows. Fancy anybody thinking sword-fighting monotonous! But he does. He says every combat is just like every other. All he sees in a fight is two men facing each other and one being killed. He gets no thrills from the uncertainties of the outcome, no pleasure from the dexterity and skill of the fighters. To him it's just butchery, and the same kind of butchery over and over. He says he might get some enjoyment out of a show if something novel would happen, something he never saw before, something unexpected. But nothing ever does."

Brinnaria regarded curiously this grave, earnest man, who derived so little pleasure from the most coveted position on earth. She continued to watch him until everybody turned to the procession around the arena of all who were to fight that day, the invariable preliminary of a gladiatorial show and always a splendid spectacle. When the fights began Brinnaria felt at first an unexpected tightening of the chest, as if a band were being drawn tight just under her armpits. Her breath came short and hard and her heart thumped her ribs.

The first sight of blood made her feel faint and the horrible contortions just below her of a dying man, who writhed in strong convulsions like a fish out of water, made her qualmish and sick.

But all that soon pa.s.sed off. She was a Roman and the Romans were professional killers, had been professional killers for a thousand years. Success in hand to hand combat with any individual foe was every male Roman's ideal of the crowning glory of human life; the thought of it was in every Roman's mind from early childhood, every act of life was a preparation for it. Their wives and sisters shared their enthusiasm for fighting and their daughters inherited the instinct. Combat on the field of battle was felt as the chief business of a man, to which all other activities merely led up. By reflected light, as it were, every kind of combat acquired a glamour in the thoughts of a Roman. The idea of men killing men, of men being killed by men, was familiar to all Romans, of whatever s.e.x or age. Brinnaria was not affected as a modern girl would be by the sight of blood or of death. The novelty revolted her at first, but only briefly. Soon she was absorbed in the interest of the fighting.

Almost at once her eye was caught by a young and handsome fighter who reminded her strongly of Almo.

His adversary was that kind of gladiator known technically as a secutor, a burly ruffian in complete armor, with huge shin-guards like jack-boots, a kilt of broad leather straps hanging in two overlapping rows, the upper set plated with bronze scales, a bronze corselet, and, fitting closely to his shoulders, covering head and neck together, a great, heavy helmet. He carried a large shield, squarish in shape, but curving to fit him as if he were hiding behind a section of the outer bark of a big tree. He was armed with a keen, straight bladed Spanish sword.

Facing this portentous tower of metal was a gladiator of the sort known as a retiarius, equipped solely with a long-handled, slender-shafted trident, like a fisherman's eel-spear, and a voluminous, wide-meshed net of thin cord. His only clothing was a scanty body-piece of bright blue.

His feet were small with high-arched insteps. Brinnaria particularly noticed his perfectly shaped toes. His bare legs, body and arms were in every proportion the perfection of form, the supple muscles rippling exquisitely under his warm tanned skin. His face was almost beautiful, with a round chin, thin curled lips, a straight nose, and a wide brow.

Its expression was lively, even merry, almost roguish, his lips parted in an alert smile, his blue eyes sparkling. He seemed to enjoy the game in which he was engaged, to be br.i.m.m.i.n.g over with self-confidence, to antic.i.p.ate success, to relish his foretaste of combat with a sort of impish delight.

Roman children heard as much talk of gladiators as modern children hear of baseball or cricket. Brinnaria knew perfectly well that the betting on a set-to between such a pair was customarily five to three against the secutor and on the retiarius. Yet she felt the sensation usual with onlookers in such a case, the sensation purposed by the device of pairing men so differently equipped, the sensation that the mailed secutor was invincible and the naked retiarius helpless against him. She was keyed up with interest.

In fact the combat was interesting. The secutor, of course, could have disposed of his antagonist in a trice, if he had only been able to reach him. But a clumsy, heavy secutor never could reach a nimble, agile retiarius. The one Brinnaria was watching was more than usually light-footed and skipped about his adversary in a taunting, teasing way.

Again and again he cast his net intentionally too short, merely to show how easily he could recover it and escape his opponent's onset. He danced, capered, pretended to be lame and that he could not avoid being overtaken, led his pursuer on, out-manoeuvred him, derided him; twice he lunged through the flapping straps of his kilt and grazed his thigh. The secutor was barely scratched, but his blood trickled down his shin-guard and he was limping.

Then, all in a flash, the retiarius pirouetted too rashly, slipped on ton the sand, fell sprawling, failed to rise in time, and was slashed deeply all down one calf. He rolled over in a last effort to escape, but the secutor kicked him in the ribs and, before he could recover, sent the trident spinning with a second kick and set his foot upon his victim's neck. So standing he rolled his eyes over that part of the audience nearest him to discover whether it was the pleasure of the lookers-on that the defeated man should be killed or spared.

Now it so happened that nearly all the spectators in that part of the audience were watching a far more exciting contest farther out in the arena, where two Indian elephants, each manned by a crew of five picked men, were clashing in a terrific struggle No one, except Brinnaria, had any eyes for the plight of the young retiarius below them The secutor beheld indifferent faces gazing over his head The few thumbs he could see pointed outward. Brinnaria, to be sure, was holding out her right arm, thumb flat, and doing her best to attract the secutor's attention.

She failed. He glanced, indeed, at the Vestals, but as three of them sat impa.s.sive he missed Brinnaria's imperious gesture. He prepared to put his foe to death. First, however, he looked further along the front rows to make sure that he had the permission of the general audience, since the occupants of the Imperial box and of the Vestals loge seemed to ignore him.

Brinnaria perceived that he would probably not look again in her direction; that as soon as his roving eyes came back from their unhurried survey of the audience, he would deliver the fatal blow. She quickly knotted the corner of her robe to the arm of her chair, squirmed out of it, and threw it over the parapet. The robe of a Roman lady was sleeveless and seamless, rather like a very long pair of very thin blankets, all in one piece. Tied, as she had tied it, by one corner, it made a sort of rope as it hung. She had acted so quickly that no one noticed her, not even Manlia, who sat next her, staring fascinatedly at the spectacle of the wrestling elephants and their warring crews.

Grasping her robe firmly with both hands, escaping by a hair's-breadth the despairing clutch of the horrified Manlia, Brinnaria half vaulted, half rolled over the parapet, swung sailor-fashion to the rope her robe formed, went down it, hand over hand, raced across the sand and faced the victorious secutor.

He, although a foreigner and a savage, had been long enough in Rome to know perfectly what a Vestal was and he recoiled from her in a panic no less than he would have felt had the G.o.ddess Vesta herself come down from the sky to balk him of his prey.

The next instant no one was regarding the death-struggle of the elephants, nor any other of the scores of fights ended, ending, under way or just begun. Every human being in the audience was staring at the amazing spectacle of a Vestal virgin, clad only in her thin, clinging tunic, standing over a fallen retiarius and facing an appalled and dumbfounded secutor.

The place fell very still. So still that the shrill voice of a street-gamin, a boy from the Via Sacra, was audible throughout the vast enclosure from gallery to gallery. He yelled in his cutting falsetto: "Good for you, Sis!"

But his neighbors silenced him at once and not even any other ragam.u.f.fin lifted his voice. The audience were startled mute. They were quite ready to applaud the girl's daring, but the shocking impropriety of her breach of decorum struck them dumb.

The Emperor, roused from his meditations by the sudden hush, looked about him for the cause of it and saw the situation. He leaned forward, arm out, thumb flat against the extended fingers. The secutor sheathed his sword.

Manlia, with great presence of mind, untied the dangling robe and dropped it over the parapet. One of the arena attendants carried it to Brinnaria and she put it on. But she would not stir and stood straddling the fallen lad until one of the Emperor's aides came out of one of the low doors in the arena-wall, crossed to her and a.s.sured her that the defeated retiarius would be spared and cared for. Then she suffered herself to be led back to her seat, by way of the door in the wall and pa.s.sages and stairs never meant for any Vestal to tread.

Not until they saw Brinnaria move off in charge of the staff-officer did the audience let loose their pent-up feelings. The place pulsated with a roar like that of a great waterfall in a deep gorge, salvo after salvo of cheers swelling and merging. The deep boom of their applause pursued Brinnaria and made her cower. The people would never forget her now.

They were in ecstasy. She was their darling.

CHAPTER VII - AUDIENCE

ON the drive homeward from that unforgettable gladiatorial exhibition Manlia and Gargilia shared the second state coach: in the first sat Brinnaria by Causidiena.

"My child," Causidiena queried, "what ever made you do it?"

"I don't know," Brinnaria replied. "I did it before I thought."

"Well!" said her elder philosophically. "It is done now and cannot be helped. But please try to remember that a Vestal is expected to control herself at all times, never to act without forethought, to reflect long before she acts, to do nothing unusual, to be very sure in each instance that what she is about to do is wholly becoming to a Vestal."

"I'll keep on trying," Brinnaria replied mutinously, "but I was not constructed to be a Vestal. I always knew it; I know it now and I am afraid I'll continue my blundering through the conventions. I'm built that way."

She had to endure a second long lecture from Faltonius Bambilio.

She listened submissively enough, but vouchsafed not one word of self-defence, rejoinder or comment; and, when urged to speak, she was obstinately silent.

"My daughter," Faltonius droned at her, "remember that, since your entrance into the order of Vestals, I stand to you in the relation of parent to his own child. You should confide in me as in your spiritual father."

"I should do nothing of the kind," Brinnaria refuted him. "I know the statutes of the order better than that. Up to the days of the Divine Augustus, the Pontifex Maximus inhabited the house next to the house of the Vestals and stood in the closest relation of fatherhood towards them. But since he went to live on the Palatine and made us a present of his house we have occupied all this Atrium which was built in the place of the two houses. Since then no one has been in the same intimate relation of control over us. The Emperors have always held the office of Pontifex Maximus and as such each Emperor has been the spiritual father of the Vestals. The Emperor is my spiritual father and you are not."

"Your self-opinionated talk does you little credit," Faltonius retorted.

"Since you know so much you must know also that for many years each Emperor has designated some priest as Pontifex of Vesta to be his deputy and to stand in the closest relation of parental oversight towards the members of your consecrated order; I am that deputy."

"I have no desire to confide in a deputy," Brinnaria told him, "or to consider the deputy as my real spiritual father. If I feel inclined to confide I'll make my confidences to my genuine spiritual father, not to his understrapper."

Bambilio was piqued and spoke sourly.

"The Emperor," he said, "will be far from pleased with my report of you."

"It will make no difference to me or to him what you report or whether you make any report or not," spoke Brinnaria. "I'm going to have a talk with him myself."

"Doubtless," Bambilio meditated. "He has sent for you to rebuke you."

"He has done nothing of the kind," she retorted vigorously. "He has more sense. And if he had sent for me I should not have gone. I know my rights. If he wanted to talk to me, he'd have to come to me here. But as, in this case, I wanted to talk to him, I have asked for an audience and the day and the hour have been fixed. I am to have an audience to-morrow morning. And now, as I am to talk to him myself, I see no reason why I should spend more time being bored by his deputy. If you please, I should be obliged if you would terminate this interview."

Astounded and dumb, Faltonius bowed himself out.

Causidiena suggested that she accompany Brinnaria on her visit to the Palace.

"It would be lovely to have you with me," Brinnaria said, "and I am ever so grateful for your offer. You are a dear and I love you. I shall want you and wish for you all the way there, all the time I am there and all the way back. I shall be scared to death. But I must go alone. In the first place it is my right, if I were only six years old, to have audience with the Emperor alone whenever I ask for it and as often as I ask for it. I am not going to abate an iota of my rights merely for my own comfort. In the second place, I must go through this unhelped and unsupported all by myself. I know it; I must fight it out alone and come through alone. He'll be sympathetic, if I deserve it. If I don't deserve sympathy from him I don't deserve it from you, nor your company and your countenance, either."

Scared Brinnaria was, but even through her worst qualms of panic she was uplifted by an elating sense of her own importance. Not her encounter with Verus and his retinue, not her having remained seated when Aurelius entered the Colosseum had so poignantly made her realize how exalted was a Vestal. She drove to the Palace alone, not in her light carriage, but in her huge state coach, feeling very small in her white robes amid all that crimson upholstery, but also feeling herself a very great personage.

Her reception at the Palace made her feel even more so. The magnificence of the courtyard in which her coach came to a standstill, the ceremonial of turning out the guard in her honor, the formality with which she was conducted from corridor to corridor and from hail to hail, the immensity and gorgeousness of the vast audience hall in which she was finally left alone with the Emperor; all these did not so much overwhelm her as exalt her. She felt herself indeed a princess.

The Emperor greeted Brinnaria kindly, was as sympathetic as possible and put her at her ease at once. He soothed her, made her seat herself comfortably and said:

"Don't worry about what you have done. You are certainly the most startling Vestal since Gegania, but you have really done nothing actually wrong. So do not agitate yourself about what cannot be altered.

The question which concerns me is, what will you do next?"

"I think," said Brinnaria, "that the next thing I shall do will be to procure a good strong rope and hang myself."