"You remember it was at the corner of Berkeley Square that Evelyn Innes stood when she went to see Owen Asher for the first time, she used to tell me how she stood at the curb watching London pa.s.sing by her, thinking that one day London would be going to hear her sing. As soon as there was a break in the stream of carriages I took Lucy across. We could talk un.o.bserved in the Square, and she continued her story. 'I'm nearly seventeen,' she said, 'and I was sent back to school because I sat for a sculpture.'"

"What did you sit for?"

"For a statue of the Blessed Virgin, and a priest told on me."

"Then you're Lucy Delaney, and the sculptor you sat for is John Rodney, one of my intimate friends."

"What an extraordinary coincidence," said Rodney. "I never thought that Lucy would stay in Ireland. Go on with your story."

"When I found out who she was there seemed no great harm in asking her in to have some tea. Asher will forgive you anything if there's a woman in it; you may keep him waiting half an hour if you a.s.sure him your appointment was with a married woman. Well, Lucy had arrived that morning in London with threepence in her pocket, so I told the footman to boil a couple of eggs. I should have liked to have offered her a substantial meal, but that would have set the servants talking. Never did a girl eat with a better appet.i.te, and when she had finished a second plateful of b.u.t.tered toast she began to notice the pictures. I could see that she had been in a studio and had talked about art. It is extraordinary how quick a girl is to acquire the ideas of a man she likes. She admired Manet's picture of Evelyn, and I told her Evelyn's story--knowing it would interest her. 'That such a happy fate should be a woman's and that she should reject it,' her eyes seemed to say. 'She is now,' I said, 'singing Ave Marias at Wimbledon for the pecuniary benefit of the nuns and the possible salvation of her own soul.' Her walk tells the length of the limbs and the balance of the body, and my eyes followed her as she moved about the room, and when I told her I had seen the statue and had admired the legs, she turned and said, with a pretty pleased look, that you always said that she had pretty legs.

When I asked her if you had made love to her, she said you had not, that you were always too busy with your sculpture."

"One can't think of two things at the same time. If I had met her in Paris it would have been different."

"Unfortunately I was dining out that evening. It was hard to know what to do. At last I thought of a lodging-house kept by a praiseworthy person, and took her round there and, cursing my dinner-party, I left her in charge of the landlady."

"Like a pot of jam left carefully under cover... That will be all right till to-morrow," said Rodney.

"Very likely. It is humiliating to admit it, but it is so; the substance of our lives is woman; all other things are irrelevancies, hypocrisies, subterfuges. We sit talking of sport and politics, and all the while our hearts are filled with memories of women and plans for the capture of women. Consciously or unconsciously we regard every young woman from the one point of view, 'Will she do?' You know the little look that pa.s.ses between men and women as their hansoms cross?

Do not the eyes say: 'Yes, yes, if we were to meet we might come to an understanding?' We're ashamed that it should be so, but it is the law that is over us. And that night at my dinner-party, while talking to wise mammas and their more or less guileless daughters, I thought of the disgrace if it were found out that I had picked up a girl in the street and put her in charge of the landlady."

"But one couldn't leave her to the mercy of the street."

"Quite so; but I'm speaking now of what was in the back of my mind."

"The pot of jam carefully covered up," said Rodney, laughing.

"Yes, the pot of jam; and while talking about the responsibilities of Empire, I was thinking that I might send out for a canvas in the morning and sketch something out on it; and when I got home I looked out a photograph of some women bathing. I expected her about twelve, and she found me hard at work.

"Oh, I didn't know that you were a painter," she said.

"No more I am, I used to be; and thinking of Rodney's statue and what I can see of you through that dress I thought I'd try and do something like you."

"I'm thinner than that."

"You're not thin."

"We argued the point, and I tried to persuade her to give me a sitting.

She broke away, saying that it wasn't the same thing, and that she had sat for you because there were no models in Dublin. 'You've been very good to me,' she said, 'I should have had to sleep in the Park last night if it had not been for you. Do continue to be good to me and get me on the stage, for if you don't I shall have to go back to Dublin or to America.' 'America,' I said. 'Do you want to go to America?' She didn't answer, and when she was pressed for an answer, she said: 'Well, all the Irish go to America, I didn't mean anything more; I am too worried to know what I am saying,' and then, seeing me turn round to look at my picture, she said, 'I will sit to you one of these days, but I am too unhappy and frightened now. I don't like saying no; it is always disagreeable to say no.' And seeing it would give her no pleasure to sit, I did not ask her again."

"I'm sorry you missed seeing something very beautiful."

"I daresay she'd have sat if I'd have pressed her, but she was under my protection, and it seemed cowardly to press her, for she could not refuse. Suddenly we seemed to have nothing more to say to each other, and I asked her if she'd like to see a manager, and as it seemed a pity she should waste herself on the Gaiety Theatre I took her to see Sir Edward Higgins. The mummer was going out to lunch with a lord and could only think of the people he was going to meet. So we went to Dorking's Theatre, and we found Dorking with his acting manager. The acting manager had been listening for a long while and wasn't sorry for the interruption. But we had not been talking for more than two or three minutes when the call-boy brought in a bundle of newspaper cuttings, and the mummer had not the patience to wait until he was alone--one reads one's cuttings alone--he stuck his knees together and opened the bundle, columns of print flowed over his knees, and after telling us what the critics were saying about him, mention was made of Ibsen, and we wondered if there was any chance of getting the public to come to see a good play. You know the conversation drifts."

"You couldn't get her an engagement," said Rodney, "I should have thought she was suited to the stage."

"If there had been time I could have done something for her; she's a pretty girl, but you see all these things take a long time, and Lucy wanted an engagement at once. When we left the theatre I began to realise the absurdity of the adventure, and the danger to which I was exposing myself. I, a man of over forty, seeking the seduction of a girl of seventeen--for that is the plain English of it. We walked on side by side, and I asked myself, 'What am I to her, what is she to me?

But one may argue with one's self forever."

"One may indeed," said Rodney, laughing, "one may argue, but the law that is over us."

"Well, the law that is over us compelled me to take her to lunch, and she enjoyed the lunch and the great restaurant. 'What a number of butlers,' she said. After lunch the same problem confronted me: Was I or was I not going to pursue the adventure? I only knew for certain that I could not walk about the streets with Lucy. She is a pretty girl, but she looked odd enough in her country clothes. Suddenly it struck me that I might take her into the country, to Wimbledon."

"And you took her there and heard Evelyn Innes sing. And what did Lucy think? A very pretty experiment in experimental psychology."

"The voice is getting thinner. She sang Stradella's Chanson D'Eglise, and Lucy could hardly speak when we came out of church. 'Oh, what a wonderful voice,' she said, 'do you think she regrets?' 'Whatever we do we regret,' I answered, not because I thought the observation original, but because it seemed suitable to the occasion; 'and we regret still more what we don't do.' And I asked myself if I should write to Lucy's people as we walked about the Common. But Lucy wanted to hear about Owen Asher and Evelyn, and the operas she had sung, and I told the story of Tannhauser and Tristan. She had never heard such stories before, and, as we got up from the warm gra.s.s, she said that she could imagine Evelyn standing in the nuns' garden with her eyes fixed on the calm skies, getting courage from them to persevere. Wasn't it clever of her? We dined together in a small restaurant and I spent the evening with her in the lodging-house; the landlady let us her sitting-room.

Lucy is charming, and her happiness is volatile and her melancholy too; she's persuasive and insinuating as a perfume; and when I left the house, it was as if I had come out of a moonlight garden. 'Thy green eyes look upon me... I love the moonlight of thine eyes.'"

"Go on," said Rodney, "what happened after that?"

"The most disagreeable thing that ever happened to me in my life. You don't know what it is to be really afraid. I didn't until a fellow came up to me at the club and asked me if I had seen the detectives. Fear is a terrible thing, Rodney; there is nothing so demoralising as fear. You know my staid old club of black mahogany and low ceilings, where half a dozen men sit dining and talking about hunting and two-year-olds. There is a man in that club who has asked me for the last ten years what I am going to do with my two-year-olds. He cannot remember that I never had a two-year-old. But that night he wasn't tipsy, and his sobriety impressed me; he sat down at my table, and after a while he leaned across and asked me if I knew that two detectives had been asking after me. 'You had better look to this. These things turn out devilish unpleasantly. Of course there is nothing wrong, but you don't want to appear in the police court,' he said."

"Had she told?"

"She was more frightened than I was when I told her what had happened, but she had done the mischief nevertheless. She had written to her people saying that she had met a friend of Mr. Rodney, and that he was looking after her, and that he lived in Berkeley Square; she was quite simple and truthful, and notwithstanding my fear I was sorry for her, for we might have gone away together somewhere, but, of course, that was impossible now; her folly left no course open to me except to go to Dublin and explain everything to her parents."

"I don't see," said Rodney, "that there was anything against you."

"Yes, but I was judging myself according to inward motives, and for some time I did not see how admirable my conduct would seem to an unintelligent jury. There is nothing to do between London and Holyhead, and I composed the case for the prosecution and the case for the defence and the judge's summing up. I wrote the articles in the newspapers next day and the paragraphs in the evening papers:... I had met her at the corner of Berkeley Street and she had asked me the way to the Gaiety Theatre; and, being anxious for her safety, I had asked her why she wanted the Gaiety Theatre, for of course if the case came to trial I should not have approved of the Gaiety, and disapproval would have won all the Methodists. The girl had told me that she had set fire to her school, and an excitable girl like that would soon be lost. I don't know what expression the newspapers would use--'in the labyrinths of London vice,' she was just the kind of girl that a little good advice might save from ruin. She had told me that she knew you, I was her only friend, etc. What could I do better than to take her to a lodging-house where I had lodged myself and put her in charge of the landlady? The landlady would be an important witness, and I think it was at Rugby Junction that I began to hear the judge saying I had acted with great discretion and kindness, and left the court without a stain upon my character. Nevertheless, I should have appeared in a police court on a charge of abducting a girl, a seventeen-year-old maiden; and not everyone would be duped by outward appearances, many would have guessed the truth, and, though we're all the same, every one tries to hide the secret of our common humanity. But I had forgotten to ask Lucy for the address. I only knew the name, and that the Delaneys were cheese-mongers, so I had to call on every cheese-monger called Delaney.

My peregrinations were too absurd. 'Have you got a daughter? Has she left you and gone to London? And that all day in one form or another, for it was not until evening that I found the Delaneys I was seeking.

The shop was shutting up, but there was a light in the pa.s.sage, and one of the boys let me in and I went up the narrow stairs."

"I know them," said Rodney.

"And the room--"

"I know it," said Rodney.

"The horse-hair chairs full of holes."

"I know the rails," said Rodney, "they catch you about here, across the thighs."

"The table in the middle of the room; the smell of the petroleum lamp and the great chair--"

"I know," said Rodney, "the Buddah seated! An enormous head! The smoking-cap and the ta.s.sel hanging out of it!"

"The great cheeks hanging and the little eyes, intelligent eyes, too, under the eyebrows, the only animation in his face. He must be sixteen stone!"

"He is eighteen."

"The long clay pipe and the fat hands with the nails bitten."

"I see you have been observing him," said Rodney.

"The brown waistcoat with the white bone b.u.t.tons, curving over the belly, and the belly shelving down into the short fat thighs, and the great feet wrapped in woollen slippers!"

"He suffers terribly, and hardly dares to stir out of that chair on account of the stone in the bladder, which he won't have removed."