Clarke spoke gently, solemnly: "Professor Serviss, will you now take a seat beside the psychic. Her 'controls' wish to make some special demonstration for you."

With reluctance and loathing, the young scientist moved forward, guided by the mother, and placed his seat at the right side of Viola, whose daintily robed, graceful figure he could still detect. Her wrists appeared to be lying on the broad arms of her reclining-chair and her head was turned away from him. She seemed very feminine, very lovely, and very helpless, and he had a definite and powerful desire to take her in his arms, to wake her, to s.n.a.t.c.h her from this most revolting drama of the dark.

He was now seated directly between the sibyl and Clarke, her manager, and every sense was keenly awake. A tapping, metallic sound at once arose either upon his chair or Viola's, and the horn, or whatever it was, floated dimly into view, then vanished, and a moment later the voice of the chief "control" entered his right ear: "Man of science, do not shirk your duty. Here now we offer you a chance to solve the great mystery. Will you accept?"

To this he made no answer, for his widely opened eyes were strained in the effort to locate Viola's hands, eager to determine her part in the phenomena, and as the moving megaphone again touched his right temple he laid a quick hand lightly on her white wrist.

She leaped convulsively with a gasping cry, the horn tumbled to the floor with prodigious clatter, and the women all shrieked and rose to their feet.

"Fool! What have you done?" cried Clarke, in a terrible voice.

Serviss's tone expressed only contempt as he answered, "No great harm, I think."

The clergyman pushed him aside rudely, and knelt beside the girl, who was writhing and moaning in her chair, as though contorted with pain.

Words of indignation arose from the circle, and one or two shouted, "Run him out! He has no business here." But Clarke cried out, in a commanding voice: "Remain where you are, friends! Be quiet for a few minutes." They obeyed, and Serviss was about to withdraw when Pratt confronted him. "What do you mean? Do you want to kill the psychic?"

The mother was bending above her daughter with soothing words. "There, there, dearie! It will soon pa.s.s. You may turn on the light, Anthony."

Clarke turned the c.o.c.k of the burner till a faint glow revealed the girl, white, suffering, her left side convulsed. "You can't do things like that," he went on, addressing himself to Serviss. "In these trances the nervous system is in a state of enormous tension. The psychic must not be mishandled."

"I merely touched her arm," answered Serviss, quietly.

The mother answered: "The lightest touch is sufficient to convulse her, professor. You should have asked permission of the 'control,'

then it would not have shocked her."

"I hope it has done no lasting harm." His voice, in spite of himself, took on sympathy, though he believed the girl's shock to have been grossly exaggerated for some reason of her own. "I thought I was invited to make the test."

The mother's calm voice was thrilling as she said: "She's better now.

You may turn the light on full."

Viola was a most appealing figure as she bloomed from the dark, pure and pale as a lily. She was dressed exquisitely in white, and seemed older, more worldly wise, and more bewitching than when he had last seen her; but with a feeling of profound contempt and bitterness Serviss shrank from meeting her gaze. He slipped away into the hall and out of the house--back into the cool, crisp air of the night, ashamed of himself for having yielded again to the girl's disturbing lure, burning with disappointment, and sad and grieving over the loss of his last shred of respect for her.

"Britt was right," he exclaimed, drawing a deep breath as if to free his lungs of the foul air of deceit. "They are all frauds together,"

and with this decision came a sense of relief as well as of loss.

[Ill.u.s.tration: "'WHAT DO YOU MEAN? DO YOU WANT TO KILL THE PSYCHIC?'"]

VIII

KATE'S INTERROGATION

Kate, waiting impatiently in her turn, met him at the door. "Well, did you see her? What did she say?" Her voice rose in excitement, for she perceived unusual gravity in the lines of his face.

"Your 'far country' lies on the borders of h.e.l.l," he replied, with disconcerting succinctness. "Yes, I saw her--or, rather, the ruin of her."

She recoiled before this tone. "What do you mean?"

He shook himself free of his coat. "She has descended swiftly. She now lends herself to the shallowest, basest trickery."

"I don't believe it. What has happened to make you so bitter?"

"I will tell you presently," he replied, hanging up his hat with aggravating deliberation. "But not here. Come to the library." He led the way and she followed quite meekly, for she perceived in him something new and harsh. She sat quite still while he filled his pipe and lit it, waited until the soothing flow of smoke through its stem had softened his face. He began, sadly: "The girl has gone beyond our interference, Kate; and if she weren't so pretty, if I hadn't seen her when she was wholesome and altogether charming, I would not have wasted this evening on her. To-night's doings were unforgivable."

"Did she give you a sitting?"

"No, but they were in the midst of a _seance_"--he spoke this word with infinite disgust--"and the usher, mistaking me for an invited guest, thrust me into the very centre of the circle."

"How lucky! I wish I had been there."

"Well, that's as you look at it. When I realized what was going on I wanted to leave, and, I repeat, had the chief actress been an old hag or the usual sloven who plays this game, I would have fled; but she was as beautiful as a statue as she lay there, professedly in deep trance."

"You're sure it was Viola?"

"I wish there were a doubt! Yes, she was there, surrounded by a group of Pratt's friends, giving a _performance_." This word, too, expressed his contempt, his pain. "She went the whole length--lent herself to the cheapest kind of jugglery, playing with horrible adroitness upon the emotions of a lot of bereaved men and women. It was revolting, Kate. It shakes one's faith in humanity to see such a girl in such a position--and that nice-appearing old mother sat there serene as a tabby-cat while her daughter bamboozled a dozen open-faced ninnies."

"Tell me exactly what happened; I can't share your horror till I know what the girl actually did."

He approached the details with a grimace.

"First of all, imagine a little half-circle of well-dressed men and women, in a big drawing-room, enclosing a girl lying on a low chair under a single gas-jet, and a man standing beside her speechifying."

"That was Clarke, of course."

"Of course. Then imagine the light turned down, and the usual floating guitar--in the dark, of course--and rappings and whispers and the touch of hands--all in the dark. Then imagine--this will make you laugh--some kind of horn or megaphone of tin, that rambled around invisibly, distributing voices of loved ones here and there like sweetmeats out of a cornucopia--"

"You mean the spirits _spoke_ through that thing?"

"That's what they all believed."

"But you don't think the girl--"

"Who else? Some of the voices were women's and one or two were children's. Clarke couldn't do the children's voices."

"I can't believe it of her! Clarke must have done them. He's capable of anything, but I don't, I won't believe such baseness of that girl."

"It hurts me to admit it, Kate, but I am forced to believe that she not only sang through that horn to-night, but that she lied to me. She told me once that she had no voice, and yet 'by request' she sang into that horn, and very sweetly, too, the very song to which she played an accompaniment when Clarke and I met for the first time. The effrontery of it was confounding."

"Maybe there was a confederate."

"That doesn't sweeten the mess very much."

"No, and yet it wouldn't be quite so bad. But go on--what else?"