"Yeah."

"Then I can get whatever you need. Get in."

Holman went around to the pa.s.senger side and climbed in.

Chapter 28.

WHEN HOLMAN got home that night Perry's usual parking spot was empty. The beater was gone.

Holman avoided the water raining from the window units and let himself in through the front door like always. It was almost ten, but Perry was still at his desk, reading a magazine with his feet up.

Holman decided to move quickly to the stairs without speaking, but Perry put down his magazine with a big smile.

"Hey, those boys came back today. You must've straightened'm out real good, Holman. Thanks."

"Good. I'm glad it worked out."

Holman didn't want to hear about it now. He wanted to get upstairs, so he kept going, but Perry swung his feet from the desk.

"Hey, wait--hang on there. What's that in the bag, your dinner?"

Holman stopped, but held the paper Safeway bag down along his leg like it was nothing.

"Yeah. Listen, Perry, it's getting cold."

Perry pushed the magazine aside and smiled so wide his lips peeled off his gums.

"If you want a beer to go with it I got a couple in my place. We could have dinner together or something."

Holman hesitated, not wanting to be rude but also not wanting to get involved with Perry. He wanted to bring the bag upstairs.

"It's just a little bit of chow mein. I already ate most of it."

"Well, we could still have that beer."

"I'm sober, remember?"

"Yeah. Listen, I'm just trying to thank you for whatever you did. When those boys walked in, I thought, holy s.h.i.t, they're gonna bust my guts."

Now Holman was curious. He also figured the sooner Perry got it out, the sooner he'd be able to go upstairs.

"I didn't know they were coming back."

"Well, s.h.i.t, you must've told'm somethin'. Did you notice that ol' Mercury is gone?"

"Yeah."

"They're gonna fix it up for me, kind of like an apology. Pound out those dents and hit the rust that's eating up my headlights and paint the sonofab.i.t.c.h. Have it back good as new, they said."

"That's real good, Perry."

"h.e.l.l, Holman, I appreciate this. Thanks, man."

"No problem. Listen, I want to get this upstairs."

"Okay, partner, I just wanted to let you know. You change your mind about that beer, you come knock."

"Sure, Perry. Thanks."

Holman went up to his room, but left his door open. He turned off his AC unit to cut the noise of its blower, then returned to his door. He heard Perry lock the front door, then move through the lobby turning off lights before heading back along the hall to his room. When Holman heard Perry's door close, he slipped off his shoes. He crept down to the utility closet at the end of the hall where Perry kept mops, soaps, and cleaning supplies. Holman had raided the closet a couple of times, looking for Pine-Sol and a plunger.

In addition to the cleaning supplies, Holman had noticed a water shutoff valve in a rectangular hole cut into the wall between two studs. He pushed the bag into the hole beneath the valve. He didn't want to keep the gun in his room or car. The way things had been going, the cops would search his room. If they had found something when they searched his car that morning, he would be back in federal custody right now.

Holman shut the closet and returned to his room. He was too tired for a shower. He washed up as best he could in the sink, then put the air conditioner back on and climbed into bed.

When Holman first saw problems with how the police were explaining Richie's death, he believed the police were incompetent; now he believed he was dealing with conspiracy and murder. If Richie and his friends had been trying to find the sixteen million in missing money, Holman was pretty sure they weren't the only people trying to find it. And since the missing money was a secret, the only other people who knew about it were policemen.

Holman tried to imagine what sixteen million dollars in cash looked like, but couldn't. The most he had ever had in his possession at one time was forty-two hundred bucks. He wondered if he could lift it. He wondered if he could put it into his car. A man might do anything for that much cash. He wondered if Richie was such a man, but thinking about it made his chest ache so he forced the thoughts away.

Holman turned to Katherine Pollard and what they discussed under the bridge. He liked her and found himself feeling bad he had gotten her involved. He thought he might like to know her a little bit better, but he held no real hope of that. Now here he was with the gun. He hoped he wouldn't have to use it, but he would even though it meant going back to prison. He would use it as soon as he found his son's killer.

Chapter 29.

THE NEXT MORNING, Pollard called to tell Holman they were on with Leyla Marchenko. Mrs. Marchenko lived in Lincoln Heights not far from Chinatown, so Pollard would pick him up at Union Station and they would drive over together.

Pollard said, "Here's the deal, Holman--this woman hates the police, so I told her we were reporters."

"I don't know anything about reporters."

"What's to know? The point is she hates cops and that's our in. I told her we were doing a story about how the cops mistreated her when they were investigating her son. That's why she's willing to talk to us."

"Well, okay."

"Why don't I do this without you? No reason you have to tag along."

"No, no--I want to go."

Holman felt bad enough she was working for free; he didn't want her to think he was leaving it all to her.

Holman took a fast shower, then waited until he heard Perry hosing the sidewalk before he returned to the closet. He had tossed and turned throughout the night, regretting that he had gotten the gun. Now Pitchess knew he had a gun and if Pitchess got pinched for something he wouldn't hesitate to cut a deal for himself by ratting Holman out. Holman knew with a certainty Pitchess would get pinched because guys like Pitchess always got pinched. It was only a matter of time.

Holman wanted to check his hiding place in the better light of day. The water valve and exposed pipes were thick with dust and cobwebs, so it was unlikely Perry or anyone else would reach down between the studs. Holman was satisfied. If Pitchess ratted him out, he would deny everything and the cops would have to find the gun. Holman positioned the mop and broom in front of the valve, then went to meet Pollard.

Holman had always liked Union Station, even though it was a block away from the jail. He liked the deco Spanish look of the place with its stucco and tile and arches, which reminded him of the city's roots in the Old West. Holman had loved watching westerns on TV when he was a child, which was the only thing he remembered ever doing with his father. The old man brought him down to Olvera Street a few times, mostly because Mexican guys walked around dressed like Old West vaqueros. They had bought churros, then walked across the street to see the trains at Union Station. It had all seemed to fit together--Olvera Street, the vaqueros, and Union Station looking like an old Spanish mission--there at the birthplace of Los Angeles. His mother had brought him the one time, but only the one. She brought him into the pa.s.senger terminal with its enormously high ceiling and they sat on one of the long wooden benches where people wait. She bought him a c.o.ke and a Tootsie Pop. Holman had been five or six, something like that, and after a few minutes she told him to wait while she used the bathroom. Five hours later his father claimed him from the station attendants because she hadn't come back. Two years later she died and the old man finally told him his mother had tried to abandon him. She had boarded a train, but only got as far as Oxnard before she ran out of guts. That's the way his father had put it--she ran out of guts. Holman still liked Union Station anyway. It reminded him of the Old West that had always looked pretty good when he was watching it on TV with his dad.

Holman parked in the lot alongside the pa.s.senger terminal, then walked over to wait at the main entrance. Pollard picked him up a few minutes later and they drove to Lincoln Heights. It was only a few minutes away.

Anton Marchenko's mother lived in a low-income neighborhood between Main and Broadway, not far from Chinatown. The tiny houses were poorly kept because the people here had no money. The houses would be overcrowded with two or three generations and sometimes more than one family, and it took everything they had just to hang on. Holman had grown up in a similar house in another part of town and found the street depressing. Back in the day when Holman was stealing, he didn't bother with a neighborhood like this because he knew firsthand they had nothing worth stealing.

Pollard said, "Okay, now listen--she's going to rant about how the cops murdered her son, so we'll just have to listen to it. Let me direct the conversation to Fowler."

"You're the boss."

Pollard reached around to the backseat and brought out a folder. She put it in Holman's lap.

"Carry this. Here we come, up here on the right. Try to act like a reporter."

Leyla Marchenko was short and squat, with a wide Slavic face showing small eyes and thin lips. When she answered the door, she was wearing a heavy black dress and fluffy house slippers. Holman thought she seemed suspicious.

"You are the newspaper people?"

Pollard said, "Yes, that's right. You spoke with me on the phone."

Holman said, "We're reporters."

Pollard cleared her throat to shut him up, but Mrs. Marchenko pushed open the door and told them to come in.

Mrs. Marchenko's living room was small, with spotty furnishings pieced together from lawn sales and secondhand stores. Her house wasn't air-conditioned. Three electric table fans were set up around the room, swinging from side to side to churn the hot air. A fourth fan sat motionless in the corner, its safety cage broken and hanging on the blades. Except for the fans, it reminded Holman of his old house and he didn't feel comfortable. The small closed s.p.a.ce felt like a cell. He already wanted to leave.

Mrs. Marchenko dropped into a chair like a dead weight. Pollard took a seat on the couch and Holman sat beside her.

Pollard said, "All right, Mrs. Marchenko, like I told you on the phone, we're going to do a story exploring how the police mistreated--"

Pollard didn't have to say more than that. Mrs. Marchenko turned bright red and launched into her complaints.

"They were nasty and rude. They come in here and make such a mess, me alone, an old woman. They break a lamp in my bedroom. They break my fan--"

She waved at the motionless fan.

"They come in here stomping around the house and here I was alone, thinking I might be raped. I don't believe any of those things they say and I still don't. Anton did not commit all those robberies like they say, maybe that last one, but not those others. They blame him so they can say they solved all those cases. They murdered him. This man on TV, he say Anton was trying to give up when they kill him. He say, they use too much force. They tell those terrible lies to cover up themselves. I am going to sue the city. I am going to make them pay."

The old woman's eyes reddened along with her face, and Holman found himself staring at the broken fan. It was easier than seeing her pain.

"Max?"

"What?"

"The folder? Could I have the folder, please?"

Pollard had her hand out, waiting for the folder. Holman handed it to her. Pollard took out a sheet and pa.s.sed it to Mrs. Marchenko.

"I'd like to show you some pictures. Do you recognize any of these men?"

"Who are they?"

"Police officers. Did any of these officers come to see you?"

Pollard had clipped the pictures of Richie and Fowler and the others from the newspaper and taped them to the sheet. Holman thought this was a good idea and knew he probably wouldn't have thought of it.

Mrs. Marchenko peered at the pictures, then tapped the one of Fowler.

"Maybe him. No uniform. A suit."

Holman glanced at Pollard, but Pollard showed no reaction. Holman knew it was a telling moment. Fowler had worn civilian clothes because he had been pretending he was a detective. He had hidden the fact that he was a uniformed officer and was pretending to be something else.

Pollard said, "How about the others? Were any of them here either with the first man or at another time?"

"No. Another man came with him, but not these."

Now Pollard glanced over at Holman and Holman shrugged. He was wondering who in h.e.l.l this fifth man was and whether or not the old woman was making a mistake.

Holman said, "You sure the other man isn't one of the guys in the pictures? Why don't you take another look to be sure?"

Mrs. Marchenko's eyes narrowed into angry slits.

"I don't need to see again. It was some other man, not one of these."

Pollard cleared her throat and jumped in. Holman was glad.

"Do you remember his name?"

"I don't give those b.a.s.t.a.r.ds the time of day. I don't know."

"About when were they here, you think? How long ago?"

"Not long. Two weeks, I think. Why do you ask about them? They did not break my lamp. That was another one."

Pollard put away the pictures.

"Let's just say they might be nastier than most, but we'll focus on everyone in the story."

Holman was impressed with how well Pollard lied. It was a skill he had noticed before in cops. They often lied better than criminals.

Pollard said, "What did they want?"

"They wanted to know about Allie."