The Twelve-Fingered Boy - The Twelve-Fingered Boy Part 6
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The Twelve-Fingered Boy Part 6

I shoot him the bird, just to let him see what I think of him.

One of the D goons says, "Let's see him do that, so we can get a load of the fingers."

I look at Ox, and he's patently not looking at me. He's doing whatever he can to not look at me. The rest of the guys walk up the slope. Fishkill looks like he wants to kill me for shooting him the bird. Reasoner's grinning his goofy, yellow-toothed grin, happy there's game afoot.

"You told." Jack's old voice is back, dead and hollow. And grim as the reaper.

"I ... I didn't mean..."

What can I say? I told. Whatever my intentions, I told.

"I had to get Ox to let me in his room. He promised..."

The boys stand in front of us now. Jack stands too, slowly, his hands in fists at his side.

"Back up," Jack says. There's iron there.

Ox snorts and Reasoner laughs, making a phlegmy, grotesque sound. The D-Wing goons start moving around to Jack's sides.

On the inside, pack mentality rules the yard. I've said it before, and I will say it again: Everyone thinks he's different. But when you truly are different, the difference gets beat out of you on the yard. I don't have to be a mind reader to know things are about to get bloody.

"Step away, Shreve. We just want to see the freak show."

"No." I've fought before. I've lost. Why do you think I love words? "Listen, boys. You do this, you're off the client list. No more of the sweet stuff for any of you."

The largest D goon says, "You don't sell it to us anyways, you stuck-up little dick." If this were a cartoon, he'd be cracking his knuckles right now. But he doesn't. He just stands there.

"We just want to see the hands." Reasoner's looking at Jack. Jack stares back, stone-faced and defiant.

"No," he says. And the air around him begins to waver.

Something's about to happen.

The tension I felt building when I listened through Ox's vent is in the air again. The air is ripe with storm, with electricity or ozone or smoke or something, something destructive, and I can't know what it will be until it happens. But it will happen, and soon.

Reasoner steps in close, and the D-Wing goon follows. His feet are spaced wide and his elbows pulled in tight with his fists balled, like he's a kung-fu master or an action figure.

"What's going on here, boys?" Booth. And I didn't even hear the jangle of keys. He's standing right behind Ox.

All of the sudden the circle of brutes evaporates. Reasoner runs toward the bleachers, yelling over his shoulder, "Nothing!"

The Kung-Fu Master says, "Catch you later, Shreve, Fingers."

Ox shambles off, head down. He's an overfed ox that's just been shocked. Or maybe neutered. The big lug feels bad about spilling the beans. Still. No more candy for him. Though, without his protection, I just might be out of the candy-dealing business.

Like it or not, Jack Graves has changed my life.

When they're gone, I can see Quincrux standing at the bottom of the slope, just to the left of the bleachers. So that's why Booth was looking for us-for Jack. Quincrux is holding his briefcase and wearing a black suit and fedora, like he's a G-man from a black-and-white movie. Beside him stands a woman. She's short and shaped like a dumpling, with gigantic matronly breasts straining the seams on a business suit as severe as Quincrux's. Her hair is hideous. She has bangs like a Romulan, with chunky side curls that make her look like a doll some child has taken lawn shears to.

Booth glowers at us. "Answer me, Shreve. What in the world is going on? Is this your attempt at gang war or something?"

I'm really not in the mood for Booth's nonsense. "Yeah, it's me and Jack against all of general pop, Booth. They don't stand a chance."

Booth throws up his hands. "I'd like you better, Shreve, if you could just answer a question straight for once."

"How's this? Those jerks were getting ready to pounce on us."

"Why?"

Quincrux, from behind Booth, says, "Why, indeed, Mr. Cannon?"

I can't explain it, but for a moment I'm afraid when I realize he knows my name.

"Reindeer games."

"Ah. A comedian." Quincrux sounds bored. Like everything is tiresome, deathly tiresome, and he'd be as happy to see me dead as deal with me.

Booth, turning, says to Quincrux, "You won't get anywhere with this one, Mister-"

Booth shudders like he's been punched. He goes slack but doesn't fall. He turns back to us slowly, too slowly. Booth loves his clothes, his neatly combed hair, his pencil-thin mustache. He holds himself like a rooster, chest out, hands on his hips, resting on his cuffs, his mace, his zip ties, ready to subdue any unruly ward of the state he happens to encounter. He's an idiot, but he's a predictable idiot. But now his body has changed. His shoulders slump. His face, normally angry or gleeful or annoyed when he sees me, is blank. His arms hang loose by his side. Without the bluster, he seems small, fragile. I might not like the everyday Booth, but the empty one-the vacant Booth-I like even less.

"Now that we're alone," Quincrux says, slow and deliberate, "Ilsa, if you would take care of Mr. Graves, I will address Mr. Cannon."

"Wait!" I don't know what else to do. "What do you want with Jack?"

The woman approaches with little mincing steps, as though she were on the dance floor. She's nearly popping out of her skirt, so maybe her clothes are too tight to let her walk. Or maybe she's full of herself.

She makes a sound like mmmmm, as though she's just found a turkey leg where she least expected it.

"The arrogant one." She's looking in my direction. "He looks much more appetizing. I like the gristle." She's got an accent. German or something.

Quincrux frowns. "Unfortunately, Ilsa, I think you're mistaking obstinacy for arrogance. However, there will be no ... no dining. Is that clear?"

"Yes, Quin," she says. She smiles, showing more teeth than I think is humanly possible. She's got a mouthful of chompers. None look too sharp. None look too dull, either.

"We're not going with you," I say.

Quincrux looks around at the fences and walls and holds his hand upward, as though feeling for rain. "Where might you go, Mr. Cannon? It seems your defiance might be a bit misguided." He steps closer, and now a grim look is on his face. He's through playing around.

"Ilsa, please secure Mr. Graves, and I'll see to young master Cannon."

The air becomes tense, and then my head splits open like I've been axe-struck. Something... no, someone is trying to get in. The sun dims. The sounds of boys playing on sun-warmed dirt and concrete, the smell of grass, the feel of wind on my skin, the dust from the yard-they all diminish and fade. They're gone and replaced with the pain and the insistent pressure on my mind, like a snake trying to hatch from an egg, but backward, in reverse-a snake trying to re-enter the egg. To be unborn.

I don't know what to do. I can't think, and there's only panic left. My head screams with pain, and then I realize it's not my head screaming. I've dropped to my knees, and I'm screaming like a child stung by a wasp.

I remember in the cafeteria, when Quincrux took my thoughts. He lured them out and away. I've been trying to forget that, I think, this whole time. But now he's doing more than that. He's the wolf at the door, blowing down the house, sniffing to get in.

I fight. I try and make the surface of my thoughts as hard as diamond and as slick as greased steel.

I picture a sphere. Hard and strong and unbreakable.

A jawbreaker.

Through the pain, I feel Quincrux's rage. He's not bored now. He wants in, the wolf, and all that's in his way is the jawbreaker. He can crunch the jawbreaker, he can gnash, but his teeth will break before it does. He's huffing and puffing at the door, and soon he'll want to blow the house down.

I guess this makes me the little piggy.

The pressure stops.

Quincrux chuckles. "He's more than gristle, Ilsa. But no matter. Round one is over, Mr. Cannon. And round two will tell all."

In the time I have, I glance at Jack. He's shuddering, a pained look on his face. His hands are out, all twelve fingers splayed. His eyes are locked on the woman.

Quincrux invades again. An assault of unimaginable strength. His mind isn't a single snake, but a multitude of serpents with noses like needles. They're looking for some crack, some crevice to slip inside. To penetrate. I hold the jawbreaker in my mind. I hold it until it becomes me, my spirit, like I've performed the Ghost Dance and shucked off my body. I'm no longer incarcerado. But the serpent heads become teeth. Great gnashing teeth.

The jawbreaker shatters, and Quincrux is in.

I'm pushed back and away from myself, as if I were looking down from some great height at my body.

I'm not screaming anymore. I stand, even though I don't will myself to. I'm not running this rodeo anymore- someone else holds the reins. Quincrux. He's more than riding me. He's inside me, wearing me like a Sunday suit. I still perceive, but I'm just a passenger.

I'm happy to see Quincrux didn't get in without a little effort. His nose streams with blood, and his face is pale, chalky.

Pulling a handkerchief, he looks at the woman, wipes his nose, and says, "I have him secure. The other boy?"

"What took you so long, dear Quin?" She's gloating. "This one didn't even put up a real fight."

"Ah, Ilsa. You truly are a wonder. Your handling of supernumeraries is, as I've told you many times before, laudable. It seems your ability to penetrate them has saved us again." Quincrux tucks his bloody handkerchief in his pocket. "Which is why you are here, since I am recovering from the incident in Maryland."

"Ah. You were always the strong one, dear. I would have never thought this child could best you."

"It's not a matter of besting. It's a matter of recovery. And I am not yet whole. Had I been, I could make this entire yard of boys kill each other. Gleefully."

When Quincrux says gleefully, I can't tell whether he's referring to himself or how he'd make us all kill one another. If I had a body, I would shudder.

"Doubtful." Ilsa sniffs as though wounded. "I can make five my slaves. But more than that, it's impossible to maintain control."

"You lack imagination. It can be done, but not without a little sacrifice." The inflection when Quincrux says sacrifice goes beyond his bored, now tired, expression.

"What happened in Maryland that could have left you so weakened?"

Jack walks up next to where I stand, and together, almost in time, we approach Booth. Like little windup soldiers, the three of us march toward the door that leads back inside Casimir. Quincrux and the woman follow behind. Ox, Reasoner, and the goons watch from the basketball courts. What they wanted to do to us ... I'd prefer that now.

"There are things, Ilsa, that are better not to know. What lives in Maryland is beyond my ken. Beyond your ken. It is off-limits. And I advise you not to probe there for fear of your life."

I have no idea what Quincrux and Ilsa are talking about. I don't want to know.

With Booth accompanying us, they take us back to our room, sit us on the bed, and begin their examination.

EIGHT.

On the inside, when I had control of myself, the world seemed never-changing. There's a comforting permanence to prison. To juvie. But now, on the outside looking in, everything looks desperate, mutable. I realize, like Moms in our trailer, I'm just a tenant in a meatsuit, liable to be evicted at any time.

Ilsa licks her chops and looks at me.

"Never mind the boy," Quincrux says. "Release Mr. Graves so that he and I might converse."

Jack gasps and then falls over, like a puppet with its strings cut. He shivers on the floor.

"When you are ready, Mr. Graves, we will require you to disrobe so that we may examine your whole body. Your hands and feet are interesting, but we need to see just how different you are."

The perv is still interested in Jack's junk.

"Give him a prod, Ilsa."

"I'll just make him disrobe."

"I prefer capitulation. It makes the interview go that much easier in the end."

Jack sits upright. "No."

"That is your choice." Quincrux shifts in the chair and adjusts my notebook on the desk. "However, let me warn you, if you resist, I'll snuff out your friend's mind like extinguishing a candle. If you care for him at all, you'll do as I say."

I'm sorry I told Ox about your fingers, Jack. Jack stands and takes off his clothes. No diphallia. Nothing else out of the ordinary other than he could use some fattening up. His ribs are clearly visible.

Quincrux looks disappointed. Ilsa sniffs as though looking at an empty plate.

"Another goose chase, eh, Quin? All this effort on these ... these human wastes of space."

Quincrux tsks, withdraws a pressed white handkerchief and wipes his hands. "Put on your clothes, boy."

Jack begins pulling on his underwear.

"Can I have the tough one?" Ilsa asks, and her voice sounds hungry and childish all at once.

Quincrux pauses, thinking. "I don't think that would be wise, dear. He interests me a bit. He put up more of a fight than you'd expect of a normal delinquent."

"All the more reason to dispose of him."

"No." Quincrux is curt, and I realize his dead, bored tone has been gone since he took control of my body. "I don't want to alarm the authorities. This one," he jerks a thumb at Booth, "is beginning to question his memory loss. Do we wipe him, too? I think not."