CHAPTER XL.

Beat, happy stars, timing with things below, Beat with my heart, more blest than heart can tell, Blest, but for some dark undercurrent woe That seems to draw--but it shall not be so: Let all be well, be well.

_Maud._

"Dinner at once, Fritz," said Percivale to his servant, as he advanced to meet his guests.

"Are we late?" cried Lady Mabel, as she swept her silken skirts up the long room, and greeted her host with extended hand. "It must be Elsa's fault, then--she was so long dressing."

"Oh, Lady Mabel!" cried Elsa, in lovely confusion, as she came forward in her turn.

She was in black to-night--some delicate, clinging, semi-transparent material, arranged in wonderful folds, with gleams of brightness here and there. It caused her neck and arms to seem a miracle of fairness; the arrangement of her golden hair was perfect, a diamond arrow being stuck through its ma.s.ses.

To the chivalrous poetic mind of her lover, she was a dream of beauty--a thing hardly mortal--so transfused with soul and spirit, that no thought of the mundane or the commonplace could intrude into his thoughts of her.

Disillusioned! Could any man ever be disillusioned who had the depths of those lake-like eyes to gaze into?

She gave him her little hand--_bien gantee_--and lifted those eyes to his. Lady Mabel had pa.s.sed on to speak to her brother.

"I have no flowers," said Elsa, softly "you told me not to wear any."

"I wished you to wear mine, will you?" said Percivale.

Her eyelids fell before his eager glance: but she made a little movement of a.s.sent.

He turned to the table, and taking up the fragrant bouquet of lillies, placed it in her hands; then lifting another of mixed flowers, which lay beside it, he offered it to Lady Mabel, with an entreaty that she would honor him by carrying it that night.

As he spoke, a pair of dark curtains, which hung at the upper end of the room, were drawn back by two men in livery; and Fritz, appearing in the aperture, solemnly announced,

"Dinner is served."

Percivale offered Lady Mabel his arm, and led her through the archway, followed by Claud and Elsa.

"Claud, will you take the foot of the table for me?" said he.

"Which do you call the foot?" laughed Claud, as he sat down opposite his host at the daintily appointed round table.

The room was very much smaller than that they had quitted, but was quite a study in its way. Vanbrugh had designed the ceiling and carvings, and a fine selection of paintings adorned the walls. A beautiful Procaccini was let into the wall above the mantelpiece; a Sa.s.so Ferrato was opposite. Two Ruysdaels lent the glamor of their deep gloomy wood and sky, and the foam of their magic waterfalls. The whole room was lit with wax candles, and fragrant with the violets which composed the table decorations.

"I am so sorry to seem to hurry you," said Percivale, apologetically; "but I want Miss Brabourne to hear the overture; one ought not to miss the overture to 'Lohengrin,' though I find it is the fashion in England to saunter in in the middle of the first act."

"Oh, dear, yes; but we don't go to the opera to hear music in England,"

laughed Lady Mabel. "It is to see the new _prima donna_, or study the costumes of the ladies in the stalls."

"I should have no objection, if these laudable objects could be attained without spoiling the pleasure of those who are sufficiently out of date to wish to listen to the performance," replied Percivale. "It is the one thing in England which I cannot bear with temper! It would not be allowed in Germany."

"Germany is the land of the leal for those that love music."

"Yes, indeed; there one can let oneself go, in utter enjoyment, knowing that there can be no onslaught of large and ma.s.sive Philistine, sweeping her ample wraps, kicking your toes, struggling across your knees, banging down the seat of her stall with a report that eclipses and blots out a dozen delicate chords. No loudly whispered comments, no breathless pantings are audible, no wrestling with contumacious hooks and clasps sets your teeth on edge. For the unmusical and vociferous British female, if she have arrived late, will be forcibly detained at the door till the first act is over, and even then will enter despoiled of most of her weapons for creating a disturbance, having been forced to leave her superfluous clothing in the _garde-robe_."

They had never seen Percivale so gay, nor so full of talk. He chatted on about one subject and another, addressing himself mostly to Lady Mabel, whilst Claud was constrained to listen, since Elsa was even more silent than her wont.

The dinner was excellently cooked and served.

"You are a perfect Count of Monte Cristo, Percivale," laughed Claud. "I feel myself waiting for the crowning point of the entertainment. Will not your slaves presently bring in a living fish, brought from Russia in salt water to die on the table? Shall we each find a Koh-i-noor diamond in our finger-bowl as a slight mark of your esteem? Or, at a given signal, shall we be buried in a shower of rose-leaves like the guests of Heliogabalus!"

Percivale laughed, and reddened.

"Sorry to disappoint you, but I have prepared no conjuring tricks to-night," he said. "Another time, perhaps, when we have more leisure.

Lady Mabel, you must not judge of the entertainment I like to offer my guests from this hurried little meal; you will do me the honor to return here after the opera, and have some supper? I am afraid we have no time to lose now."

"Mabel neither eats anything herself nor thinks that other people ought to," complained Claud. "I suffer a daily martyrdom in her house, and I am sure I begin to perceive signs of inanition in Miss Brabourne. You see, it demoralises the cook. She thinks that to live on air is the peculiarity of the upper ten, and wants me to dine on a cutlet the size of half-a-crown with a tomato on the top, followed by the leg of a quail."

"How can you, sir?" cried Lady Mabel, in mock indignation, shaking her fist at her brother.

"I tell you it's the literal truth; that is the real reason why poor Edward is wintering abroad. He cannot reduce his appet.i.te to the required pitch of elegance."

"If elegance consists in eating nothing, Mr. Percivale may take the prize to-night," observed Lady Mabel, significantly, as she and Elsa rose from table.

"I--have not much appet.i.te to-night," stammered the young man, in some confusion, as he started up and held the curtain for the ladies to pa.s.s through.

He remained standing, so, with uplifted arm, for several seconds after the sweep of Elsa's black skirts had died away into silence; then, letting the curtain drop suddenly into place, turned back and tossed his crushed serviette upon the table. She had been there--in these lonely rooms, which year by year he had heaped with treasures for the ideal bride who was to come. Now the fancy had taken shape--the vision was realised; the beautiful woman of his dreams stood before him in bodily form. Would she take all this treasured, stored-up love and longing which he was aching to cast at her feet?

Claud broke in upon his reverie.

"I wish you luck, Leon," said he, coming up and grasping his hand.

His friend turned round with a brilliant smile.

"That is a capital omen," he said, "that you should call me by my name.

n.o.body has called me by my name--for five years. Thank you, Claud."

He returned the pressure of the hand with fervor; then, starting, said:

"Come, get your coat, we shall be late," and hurried through the archway, followed by Mr. Cranmer.

The opera-house was crowded that night. There were the German enthusiasts occupying all the cheap places, their scores under their arms, their faces beaming with antic.i.p.ation; there was the fashionable English crowd in the most costly places, there because they supposed they ought to say they had heard "Lohengrin," but consoling themselves with the thought that they could leave if they were very much bored, and mildly astonished at the eccentricity of those who could persuade themselves that they really liked Wagner. And lastly, there were the excessively cultured English clique, the apostles of the music of the future, looking with gentle tolerance on the youthful crudities of "Lohengrin," and sitting through it only because they could not have "Siegfried" or the "Gotterdammerung."

A very languid clapping greeted the conductor of the orchestra as he took his seat. Percivale, watching Elsa, saw her eyes dilated, her whole being poised in antic.i.p.ation of the first note, as the _baton_ was slowly raised. There was a soft shudder of violins--a delicate agony of sound vibrated along the nerves. Can any operatic writer ever hope to surpa.s.s that first slow sweep of suggestive harmony? From the moment when the overture began, Percivale's beloved sat rapt.

The curtain rose on the barbaric crowd--the dramatic action of the opera began. At the appearance of her namesake, the falsely accused Elsa of Brabant, a storm of feeling agitated the modern Elsa as she gazed.

At last she could keep silence no longer. Turning up her face to Percivale's, who sat next her:

"Oh," she whispered, "it is like me--and you came, like Lohengrin, to save me."

He smiled into her eyes.