Then Meggie came in, and it was harder to assimilate the fact of Meggie grown into a mature woman than to see his mother old. As his sister hugged and kissed him he turned his face away, shrank inside his baggy coat and searched beyond her to his mother, who sat looking at him as if to say: It doesn't matter, it will all seem normal soon, just give it time. A minute later, while he was still searching for something to say to this stranger, Meggie's daughter came in; a tall, skinny young girl who sat down stiffly, her big hands pleating folds in her dress, her light eyes fixed first on one face, then on another. Meggie's son entered with the Cardinal and went to sit on the floor beside his sister, a beautiful, calmly aloof boy.

"Frank, this is marvelous," said Cardinal Ralph, shaking him by the hand, then turning to Fee with his left brow raised. "A cup of tea? Very good idea."

The Cleary men came into the room together, and that was very hard, for they hadn't forgiven him at all. Frank knew why; it was the way he had hurt their mother. But he didn't know of anything to say which would make them understand any of it, nor could he tell them of the pain, the loneliness, or beg forgiveness. The only one who really mattered was his mother, and she had never thought there was anything to forgive.

It was the Cardinal who tried to hold the evening together, who led the conversation round the dinner table and then afterward back in the drawing room, chatting with diplomatic ease and making a special point of including Frank in the gathering.

"Bob, I've meant to ask you ever since I arrived-where are the rabbits?" the Cardinal asked. "I've seen millions of burrows, but nary a rabbit."

"The rabbits are all dead," Bob answered.

"Dead?"

"That's right, from something called myxomatosis. Between the rabbits and the drought years, Australia was just about finished as a primary producing nation by nineteen forty-seven. We were desperate," said Bob, warming to his theme and grateful to have something to discuss which would exclude Frank.

At which point Frank unwittingly antagonized his next brother by saying, "I knew it was bad, but not as bad as all that." He sat back, hoping he had pleased the Cardinal by contributing his mite to the discussion.

"Well, I'm not exaggerating, believe me!" said Bob tartly; how would Frank know?

"What happened?" the Cardinal asked quickly.

"The year before last the Commonwealth Scientific and Industrial Research Organization started an experimental program in Victoria, infecting rabbits with this virus thing they'd bred. I'm not sure what a virus is, except I think it's a sort of germ. Anyway, they called theirs the myxomatosis virus. At first it didn't seem to spread too well, though what bunnies caught it all died. But about a year after the experimental infection it began to spread like wildfire, they think mosquito-borne, but something to do with saffron thistle as well. And the bunnies have died in millions and millions ever since, it's just wiped them out. You'll sometimes see a few sickies around with huge lumps all over their faces, very ugly-looking things. But it's a marvelous piece of work, Ralph, it really is. Nothing else can catch myxomatosis, even close relatives. So thanks to the blokes at the CSIRO, the rabbit plague is no more."

Cardinal Ralph stared at Frank. "Do you realize what it is, Frank? Do you?"

Poor Frank shook his head, wishing everyone would let him retreat into anonymity.

"Mass-scale biological warfare. I wonder does the rest of the world know that right here in Australia between 1949 and 1952 a virus war was waged against a population of trillions upon trillions, and succeeded in obliterating it? Well! It's feasible, isn't it? Not simply yellow journalism at all, but scientific fact. They may as well bury their atom bombs and hydrogen bombs. I know it had to be done, it was absolutely necessary, and it's probably the world's most unsung major scientific achievement. But it's terrifying, too."

Dane had been following the conversation closely. "Biological warfare? I've never heard of it. What is it exactly, Ralph?"

"The words are new, Dane, but I'm a papal diplomat and the pity of it is that I must keep abreast of words like 'biological warfare.' In a nutshell, the term means myxomatosis. Breeding a germ capable of specifically killing and maiming only one kind of living being."

Quite unself-consciously Dane made the Sign of the Cross, and leaned back against Ralph de Bricassart's knees. "We had better pray, hadn't we?"

The Cardinal looked down on his fair head, smiling.

That eventually Frank managed to fit into Drogheda life at all was thanks to Fee, who in the face of stiff male Cleary opposition continued to act as if her oldest son had been gone but a short while, and had never brought disgrace on his family or bitterly hurt his mother. Quietly and inconspicuously she slipped him into the niche he seemed to want to occupy, removed from her other sons; nor did she encourage him to regain some of the vitality of other days. For it had all gone; she had known it the moment he looked at her on the Gilly station platform. Swallowed up by an existence the nature of which he refused to discuss with her. The most she could do for him was to make him as happy as possible, and surely the way to do that was to accept the now Frank as the always Frank.

There was no question of his working the paddocks, for his brothers didn't want him, nor did he want a kind of life he had always hated. The sight of growing things pleased him, so Fee put him to potter in the homestead gardens, left him in peace. And gradually the Cleary men grew used to having Frank back in the family bosom, began to understand that the threat Frank used to represent to their own welfare was quite empty, Nothing would ever change what their mother felt for him, it didn't matter whether he was in jail or on Drogheda, she would still feel it. The important thing was that to have him on Drogheda made her happy. He didn't intrude upon their lives, he was no more or no less than always.

Yet for Fee it wasn't a joy to have Frank home again; how could it be? Seeing him every day was simply a different kind of sorrow from not being able to see him at all. The terrible grief of having to witness a ruined life, a ruined man. Who was her most beloved son, and must have endured agonies beyond her imagination.

One day after Frank had been home about six months, Meggie came into the drawing room to find her mother sitting looking through the big windows to where Frank was clipping the great bank of roses alongside the drive. She turned away, and something in her calmly arranged face sent Meggie's hands up to her heart.

"Oh, Mum!" she said helplessly.

Fee looked at her, shook her head and smiled. "It doesn't matter, Meggie," she said.

"If only there was something I could do!"

"There is. Just carry on the way you have been. I'm very grateful. You've become an ally."

Six.

1954a1965 Dane

17.

"Well," said Justine to her mother, "I've decided what I'm going to do."

"I thought it was already decided. Arts at Sydney University, isn't that right?"

"Oh, that was just a red herring to lull you into a false sense of security while I made my plans. But now it's all set, so I can tell you."

Meggie's head came up from her task, cutting fir-tree shapes in cookie dough; Mrs. Smith was ill and they were helping out in the cookhouse. She regarded her daughter wearily, impatiently, helplessly. What could one do with someone like Justine? If she announced she was going off to train as a whore in a Sydney bordello, Meggie very much doubted whether she could be turned aside. Dear, horrible Justine, queen among juggernauts.

"Go on, I'm all agog," she said, and went back to producing cookies.

"I'm going to be an actress."

"A what?"

"An actress."

"Good Lord!" The fir trees were abandoned again. "Look, Justine, I hate to be a spoilsport and truly I don't mean to hurt your feelings, but do you think you're-well, quite physically equipped to be an actress?"

"Oh, Mum!" said Justine, disgusted. "Not a film star; an actress! I don't want to wiggle my hips and stick out my breasts and pout my wet lips! I want to act." She was pushing chunks of defatted beef into the corning barrel. "I have enough money to support myself during whatever sort of training I choose, isn't that right?"

"Yes, thanks to Cardinal de Bricassart."

"Then it's all settled. I'm going to study acting with Albert Jones at the Culloden Theater, and I've written to the Royal Academy of Dramatic Art in London, asking that I be put on their waiting list."

"Are you quite sure, Jussy?"

"Quite sure. I've known for a long time." The last piece of bloody beef was tucked down under the surface of the corning solution; Justine put the lid on the barrel with a thump. "There! I hope I never see another bit of corned beef as long as I live."

Meggie handed her a completed tray of cookies. "Put these in the oven, would you? Four hundred degrees. I must say this comes as something of a surprise. I thought little girls who wanted to be actresses role-played constantly, but the only person I've ever seen you play has been yourself."

"Oh, Mum! There you go again, confusing film stars with actresses. Honestly, you're hopeless."

"Well, aren't film stars actresses?"

"Of a very inferior sort. Unless they've been on the stage first, that is. I mean, even Laurence Olivier does an occasional film."

There was an autographed picture of Laurence Olivier on Justine's dressing table; Meggie had simply deemed it juvenile crush stuff, though at the time she remembered thinking at least Justine had taste. The friends she sometimes brought home with her to stay a few days usually treasured pictures of Tab Hunter and Rory Calhoun.

"I still don't understand," said Meggie, shaking her head. "An actress!"

Justine shrugged. "Well, where else can I scream and yell and howl but on a stage? I'm not allowed to do any of those here, or at school, or anywhere! I like screaming and yelling and howling, dammit!"

"But you're so good at art, Jussy! Why not be an artist?" Meggie persevered.

Justine turned from the huge gas stove, flicked her finger against a cylinder gauge. "I must tell the kitchen rouseabout to change bottles; we're low. It'll do for today, though." The light eyes surveyed Meggie with pity. "You're so impractical, Mum, really. I thought it was supposed to be the children who didn't stop to consider a career's practical aspects. Let me tell you, I don't want to starve to death in a garret and be famous after I'm dead. I want to enjoy a bit of fame while I'm still alive, and be very comfortable financially. So I'll paint as a hobby and act for a living. How's that?"

"You've got an income from Drogheda, Jussy," Meggie said desperately, breaking her vow to remain silent no matter what. "It would never come to starving in a garret. If you'd rather paint, it's all right. You can."

Justine looked alert, interested. "How much have I got, Mum?"

"Enough that if you preferred, you need never work at anything."

"What a bore! I'd end up talking on the telephone and playing bridge; at least that's what the mothers of most of my school friends do. Because I'd be living in Sydney, not on Drogheda. I like Sydney much better than Drogheda." A gleam of hope entered her eye. "Do I have enough to pay to have my freckles removed with this new electrical treatment?"

"I should think so. But why?"

"Because then someone might see my face, that's why."

"I thought looks didn't matter to an actress?"

"Enough's enough, Mum. My freckles are a pain."

"Are you sure you wouldn't rather be an artist?"

"Quite sure, thank you." She did a little dance. "I'm going to tread the boards, Mrs. Worthington!"

"How did you get yourself into the Culloden?"

"I auditioned."

"And they took you?"

"Your faith in your daughter is touching, Mum. Of course they took me! I'm superb, you know. One day I shall be very famous."

Meggie beat green food coloring into a bowl of runny icing and began to drizzle it over already baked fir trees. "Is it important to you, Justine? Fame?"

"I should say so." She tipped sugar in on top of butter so soft it had molded itself to the inner contours of the bowl; in spite of the gas stove instead of the wood stove, the cookhouse was very hot. "I'm absolutely iron-bound determined to be famous."

"Don't you want to get married?"

Justine looked scornful. "Not bloody likely! Spend my life wiping snotty noses and cacky bums? Salaaming to some man not half my equal even though he thinks he's better? Ho ho ho, not me!"

"Honestly, you're the dizzy limit! Where do you pick up your language?"

Justine began cracking eggs rapidly and deftly into a basin, using one hand. "At my exclusive ladies' college, of course." She drubbed the eggs unmercifully with a French whisk. "We were quite a decent bunch of girls, actually. Very cultured. It isn't every gaggle of silly adolescent females can appreciate the delicacy of a Latin limerick: There was a Roman from Vinidium Whose shirt was made of iridium; When asked why the vest, He replied, "Id est Bonum sanguinem praesidium."

Meggie's lips twitched. "I'm going to hate myself for asking, but what did the Roman say?"

" 'It's a bloody good protection.' "

"Is that all? I thought it was going to be a lot worse. You surprise me. But getting back to what we were saying, dear girl, in spite of your neat effort to change the subject, what's wrong with marriage?"

Justine imitated her grandmother's rare snort of ironic laughter. "Mum! Really! You're a fine one to ask that, I must say."

Meggie felt the blood well up under her skin, and looked down at the tray of bright-green trees. "Don't be impertinent, even if you are a ripe old seventeen."

"Isn't it odd?" Justine asked the mixing bowl. "The minute one ventures onto strictly parental territory, one becomes impertinent. I just said: You're a fine one to ask. Perfectly true, dammit! I'm not necessarily implying you're a failure, or a sinner, or worse. Actually I think you've shown remarkable good sense, dispensing with your husband. What have you needed one for? There's been tons of male influence for your children with the Unks around, you've got enough money to live on. I agree with you! Marriage is for the birds."

"You're just like your father!"

"Another evasion. Whenever I displease you, I become just like my father. Well, I'll have to take your word for that, since I've never laid eyes on the gentleman."

"When are you leaving?" Meggie asked desperately.

Justine grinned. "Can't wait to get rid of me, eh? It's all right, Mum, I don't blame you in the least. But I can't help it, I just love shocking people, especially you. How about taking me into the 'drome tomorrow?"

"Make it the day after. Tomorrow I'll take you to the bank. You'd better know how much you've got. And, Justine..."

Justine was adding flour and folding expertly, but she looked up at the change in her mother's voice. "Yes?"

"If ever you're in trouble, come home, please. We've always got room for you on Drogheda, I want you to remember that. Nothing you could ever do would be so bad you couldn't come home."

Justine's gaze softened. "Thanks, Mum. You're not a bad old stick underneath, are you?"

"Old?" gasped Meggie. "I am not old! I'm only forty-three!"

"Good Lord, as much as that?"

Meggie hurled a cookie and hit Justine on the nose. "Oh, you wretch!" she laughed. "What a monster you are! Now I feel like a hundred."

Her daughter grinned.

At which moment Fee walked in to see how things in the cookhouse were going; Meggie hailed her arrival with relief.

"Mum, do you know what Justine just told me?"