It was Regan, with a drawn gun. It had been Regan. His skull was smashed before he knew it. Charles felt as though he had all the time in the world. He picked up the gun to a confused roar like a slowed-down sound track and emptied it into the corridor. It had been a full automatic, but the fifteen shots seemed as well-s.p.a.ced as a ceremonial salute.

Regan, in his vanity, wore two guns. Charles scooped up the other and said to Lee: "Come on."

He knew she was following as he raced down the cleared corridor and down the ramp, back to the compartment in which they had been locked. Red danger lights burned on the walls. Charles flipped the pistol to semi-automatic as they pa.s.sed a red-painted bulkhead with valves and gages sprouting from it. He turned and fired three deliberate shots into it. The last was drowned out by a dull roar as gasoline fumes exploded.

Pipe fittings and fragments of plate whizzed about them like bullets as they raced on.

Somebody ahead loomed, yelling querulously: "What the h.e.l.l was that, Mac? What blew?"

"Where's the reactor room?" Charles demanded, jamming the pistol into his chest. The man gulped and pointed.

"Take me there. Fast."

"Now _look_, Mac--"

Charles told him in a few incisive details where and how he was going to be shot. The man went white and led them down the corridor and into the reactor room. Three white-coated men with the aloof look of reactor specialists stared at them as they bulled into the spotless chamber.

The oldest sniffed: "And what, may I ask, are you crewmen doing in--"

Lee slammed the door behind them and said: "Sound the radiation alarm."

"Certainly not! You must be the couple we--"

"_Sound the radiation alarm._" She picked up a pair of dividers from the plot board and approached the technician with murder on her face. He gaped until she poised the needle points before his eyes and repeated: "_Sound the radiation alarm._" n.o.body in the room, including Charles, had the slightest doubt that the points would sink into the technician's eyeb.a.l.l.s if he refused.

"Do what she says, Will," he mumbled, his eyes crossing on the dividers.

"For G.o.d's sake, do what she says. She's crazy."

One of the men moved, very cautiously, watching Charles and the gun, to a red handle and pulled it down. A ferro-concrete barrier rose to wall off the chamber and the sine-curve wail of a standard radioactivity warning began to howl mournfully through the ship.

"Dump the reactor metal," Charles said. His eyes searched for the exit, and found it--a red-painted breakaway panel, standard for a hot lab.

A technician wailed: "We _can't_ do that! We can't _do_ that! A million bucks of thorium with a hundred years of life in it--have a heart, mister! They'll crucify us!"

"They can dredge for it," Charles said. "Dump the metal."

"Dump the metal," Lee said. She hadn't moved.

The senior technician's eyes were still on the bright needle points. He was crying silently. "Dump it," he said.

"Okay, chief. Your responsibility, remember."

"Dump it!" wailed the senior.

The technician did something technical at the control board. After a moment the steady rumbling of the turbines ceased and the ship's deck began to wallow underfoot.

"Hit the panel, Lee," Charles said. She did, running. He followed her through the oval port. It was like an open-bottomed diving bell welded to the hull. There were large, luminous cleats for pulling yourself down through the water, under the rim of the bell. He dropped the pistol into the water, breathed deeply a couple of times and began to climb down. There was no sign of Lee.

He kicked up through the dark water on a long slant away from the ship.

It might be worse. With a fire and a hot-lab alarm and a dead chief aboard, the crew would have things on their mind besides looking for bobbing heads.

He broke the surface and treaded water to make a minimum target. He did not turn to the ship. His dark hair would be less visible than his white face. And if he was going to get a burst of machine-gun bullets through either, he didn't want to know about it. Ahead he saw Lee's blonde hair spread on the water for a moment and then it vanished. He breathed hugely, ducked and swam under water toward it.

When he rose next a sheet of flame was lightening the sky and the oily reek of burning hydrocarbons tainted the air. He dove again, and this time caught up with Lee. Her face was bone-white and her eyes blank.

Where she was drawing her strength from he could not guess. Behind them the ship sent up an oily plume and the sine-curve wail of the radioactivity warning could be faintly heard. Before them a dim sh.o.r.e stretched.

He gripped her naked arm, roughened by the March waters of Lake Michigan, bent it around his neck and struck off for the sh.o.r.e. His lungs were bursting in his chest and the world was turning gray-black before his burning eyes. He heaved his tired arm through the water as though each stroke would be his last, but the last stroke, by some miracle, never was the last.

XIX

It hadn't been easy to get time off from the oil-painting factory. Ken Oliver was a little late when he slid into the aseptic-smelling waiting room of the Michigan City Medical Center. A parabolic mike in the ceiling trained itself on the heat he radiated and followed him across the floor to a chair. A canned voice said: "State your business, please."

He started a little and said in the general direction of the mike: "I'm Ken Oliver. A figure man in the Blue Department, Pica.s.so Oils and Etching Corporation. Dr. Latham sent me here for--what do you call it?--a biopsy."

"Thank you, please be seated."

He smiled because he was seated already and picked up a magazine, the current copy of the _Illinois Sporting News_, familiarly known as the Green Sheet. Everybody in Mob Territory read it. The fingers of the blind spelled out its optimism and its selections at Hawthorne in Braille. If you were not only blind but fingerless, there was a talking edition that read itself aloud to you from tape.

He riffled through the past performances and selections to the articles.

This month's lead was--_Thank G.o.d I am Dying of Throat Cancer_.

He leaned back in the chair dizzily, the waiting room becoming gray mist around him. _No_, he thought. _No._ It couldn't be that. All it could be was a little sore on the back of his throat--no more than that. Just a little sore on the back of his throat. He'd been a fool to go to Latham.

The fees were outrageous and he was behind, always a little behind, on his bills. But cancer--so much of it around--and the drugs didn't seem to _help_ any more.... But Latham had almost promised him it was non-malignant.

"Mr. Oliver," the loudspeaker said, "please go to Dr. Riordan's office, Number Ten."

Riordan was younger than he. That was supposed to be bad in a general pract.i.tioner, good in a specialist. And Riordan was a specialist--pathology. A sour-faced young specialist.

"Good morning. Sit here. Open your mouth. Wider than that, and relax.

_Relax_; your glottis is locked."

Oliver couldn't protest around the plastic-and-alcohol taste of the tongue depressor. There was a sudden coldness and a metallic _snick_ that startled him greatly; then Riordan took the splint out of his mouth and ignored him as he summoned somebody over his desk set. A young man, even younger than Riordan, came in. "Freeze, section and stain this right away," the pathologist said, handing him a forceps from which a small blob dangled. "Have them send up the Rotino charts, three hundred to nine hundred inclusive."

He began to fill out charts, still ignoring Oliver, who sat and sweated bullets for ten minutes. Then he left and was back in five minutes more.

"You've got it," he said shortly. "It's operable and you won't lose much tissue." He scribbled on a sheet of paper and handed it to Oliver. The painter numbly read: "... anterior ... epithelioma ... metastases ...

giant cells...."

Riordan was talking again: "Give this to Latham. It's my report. Have him line up a surgeon. As to the operation, I say the sooner the better unless you care to lose your larynx. That will be fifty dollars."

"Fifty dollars," the painter said blankly. "But Dr. Latham told me--" He trailed off and got out his check book. Only thirty-two in the account, but he would deposit his paycheck today which would bring it up. It was after three so his check wouldn't go in today--he wrote out the slip slowly and carefully.

Riordan took it, read it suspiciously, put it away and said: "Good day, Mr. Oliver."

Oliver wandered from the Medical Center into the business heart of the art colony. The Van Gogh Works on the left must have snagged the big order from Mexico--their chimneys were going full blast and the reek of linseed oil and turps was strong in the air. But the poor beggars on the line at Rembrandts Ltd. across the square were out of luck. They'd been laid off for a month now, with no sign of a work call yet. Somebody jostled him off the sidewalk, somebody in a great hurry. Oliver sighed.

The place was getting more like Chicago every day. He sometimes thought he had made art his line not because he had any special talent but because artists were relatively easy-going people, not so quick to pop you in the nose, not such aggressive drunks when they _were_ drunks.