"In the Orphic and Bacchic sects, in the Eleusinian and Samothracian Mysteries, was thus treasured up the secret doctrine of the old theological and philosophical myths, which had once const.i.tuted the primitive legendary stock of Greece in the hands of the original priesthood and in the ages anterior to Homer. Persons who had gone through the preliminary ceremonies of initiation were permitted at length to hear, though under strict obligation of secrecy, this ancient religion and cosmogonic doctrine, revealing the destination of man and the certainty of posthumous rewards and punishments, all disengaged from the corruptions of poets, as well as from the symbols and allegories under which they still remained buried in the eyes of the vulgar. The Mysteries of Greece were thus traced up to the earliest ages, and represented as the only faithful depositaries of that purer theology and physics which had been originally communicated, though under the unavoidable inconvenience of a symbolical expression, by an enlightened priesthood, coming from abroad, to the then rude barbarians of the country." 143

In this long but interesting extract we find not only a philosophical account of the origin and design of the ancient myths, but a fair synopsis of all that can be taught in relation to the symbolical construction of Freemasonry, as one of the depositaries of a mythical theology.

The myths of Masonry, at first perhaps nothing more than the simple traditions of the Pure Freemasonry of the antediluvian system, having been corrupted and misunderstood in the separation of the races, were again purified, and adapted to the inculcation of truth, at first by the disciples of the Spurious Freemasonry, and then, more fully and perfectly, in the development of that system which we now practise. And if there be any leaven of error still remaining in the interpretation of our masonic myths, we must seek to disengage them from the corruptions with which they have been invested by ignorance and by misinterpretation. We must give to them their true significance, and trace them back to those ancient doctrines and faith whence the ideas which they are intended to embody were derived.

The myths or legends which present themselves to our attention in the course of a complete study of the symbolic system of Freemasonry may be considered as divided into three cla.s.ses:-

The historical myth.

The philosophical myth.

The mythical history.

And these three cla.s.ses may be defined as follows:-

1. The myth may be engaged in the transmission of a narrative of early deeds and events, having a foundation in truth, which truth, however, has been greatly distorted and perverted by the omission or introduction of circ.u.mstances and personages, and then it const.i.tutes the historical myth.

2. Or it may have been invented and adopted as the medium of enunciating a particular thought, or of inculcating a certain doctrine, when it becomes a philosophical myth.

3. Or, lastly, the truthful elements of actual history may greatly predominate over the fict.i.tious and invented materials of the myth, and the narrative may be, in the main, made up of facts, with a slight coloring of imagination, when it forms a mythical history.144

These form the three divisions of the legend or myth (for I am not disposed, on the present occasion, like some of the German mythological writers, to make a distinction between the two words145); and to one of these three divisions we must appropriate every legend which belongs to the mythical symbolism of Freemasonry.

These masonic myths partake, in their general character, of the nature of the myths which const.i.tuted the foundation of the ancient religions, as they have just been described in the language of Mr. Grote. Of these latter myths, Muller146 says that "their source is to be found, for the most part, in oral tradition," and that the real and the ideal-that is to say, the facts of history and the inventions of imagination-concurred, by their union and reciprocal fusion, in producing the myth.

Those are the very principles that govern the construction of the masonic myths or legends. These, too, owe their existence entirely to oral tradition, and are made up, as I have just observed, of a due admixture of the real and the ideal-the true and the false-the facts of history and the inventions of allegory.

Dr. Oliver remarks that "the first series of historical facts, after the fall of man, must necessarily have been traditional, and transmitted from father to son by oral communication." 147 The same system, adopted in all the Mysteries, has been continued in the masonic inst.i.tution; and all the esoteric instructions contained in the legends of Freemasonry are forbidden to be written, and can be communicated only in the oral intercourse of Freemasons with each other.148

De Wette, in his Criticism on the Mosaic History, lays down the test by which a myth is to be distinguished from a strictly historical narrative, as follows, namely: that the myth must owe its origin to the intention of the inventor not to satisfy the natural thirst for historical truth by a simple narration of facts, but rather to delight or touch the feelings, or to ill.u.s.trate some philosophical or religious truth.

This definition precisely fits the character of the myths of Masonry. Take, for instance, the legend of the master's degree, or the myth of Hiram Abif. As "a simple narration of facts," it is of no great value-certainly not of value commensurate with the labor that has been engaged in its transmission. Its invention-by which is meant, not the invention or imagination of all the incidents of which it is composed, for there are abundant materials of the true and real in its details, but its invention or composition in the form of a myth by the addition of some features, the suppression of others, and the general arrangement of the whole-was not intended to add a single item to the great ma.s.s of history, but altogether, as De Wette says, "to ill.u.s.trate a philosophical or religious truth," which truth, it is hardly necessary for me to say, is the doctrine of the immortality of the soul.

It must be evident, from all that has been said respecting the a.n.a.logy in origin and design between the masonic and the ancient religious myths, that no one acquainted with the true science of this subject can, for a moment, contend that all the legends and traditions of the order are, to the very letter, historical facts. All that can be claimed for them is, that in some there is simply a substratum of history, the edifice constructed on this foundation being purely inventive, to serve us a medium for inculcating some religious truth; in others, nothing more than an idea to which the legend or myth is indebted for its existence, and of which it is, as a symbol, the exponent; and in others, again, a great deal of truthful narrative, more or less intermixed with fiction, but the historical always predominating.

Thus there is a legend, contained in some of our old records, which states that Euclid was a distinguished Mason, and that he introduced Masonry among the Egyptians.149 Now, it is not at all necessary to the orthodoxy of a Mason's creed that he should literally believe that Euclid, the great geometrician, was really a Freemason, and that the ancient Egyptians were indebted to him for the establishment of the inst.i.tution among them. Indeed, the palpable anachronism in the legend which makes Euclid the contemporary of Abraham necessarily prohibits any such belief, and shows that the whole story is a sheer invention. The intelligent Mason, however, will not wholly reject the legend, as ridiculous or absurd; but, with a due sense of the nature and design of our system of symbolism, will rather accept it as what, in the cla.s.sification laid down on a preceding page, would be called "a philosophical myth"-an ingenious method of conveying, symbolically, a masonic truth.

Euclid is here very appropriately used as a type of geometry, that science of which he was so eminent a teacher, and the myth or legend then symbolizes the fact that there was in Egypt a close connection between that science and the great moral and religious system, which was among the Egyptians, as well as other ancient nations, what Freemasonry is in the present day-a secret inst.i.tution, established for the inculcation of the same principles, and inculcating them in the same symbolic manner. So interpreted, this legend corresponds to all the developments of Egyptian history, which teach us how close a connection existed in that country between the religious and scientific systems. Thus Kenrick tells us, that "when we read of foreigners [in Egypt] being obliged to submit to painful and tedious ceremonies of initiation, it was not that they might learn the secret meaning of the rites of Osiris or Isis, but that they might partake of the knowledge of astronomy, physic, geometry, and theology." 150

Another ill.u.s.tration will be found in the myth or legend of the Winding Stairs, by which the Fellow Crafts are said to have ascended to the middle chamber to receive their wages. Now, this myth, taken in its literal sense, is, in all its parts, opposed to history and probability. As a myth, it finds its origin in the fact that there was a place in the temple called the "Middle Chamber," and that there were "winding stairs" by which it was reached; for we read, in the First Book of Kings, that "they went up with winding stairs into the middle chamber." 151 But we have no historical evidence that the stairs were of the construction, or that the chamber was used for the purpose, indicated in the mythical narrative, as it is set forth in the ritual of the second degree. The whole legend is, in fact, an historical myth, in which the mystic number of the steps, the process of pa.s.sing to the chamber, and the wages there received, are inventions added to or ingrafted on the fundamental history contained in the sixth chapter of Kings, to inculcate important symbolic instruction relative to the principles of the order. These lessons might, it is true, have been inculcated in a dry, didactic form; but the allegorical and mythical method adopted tends to make a stronger and deeper impression on the mind, and at the same time serves more closely to connect the inst.i.tution of Masonry with the ancient temple.

Again: the myth which traces the origin of the inst.i.tution of Freemasonry to the beginning of the world, making its commencement coeval with the creation,-a myth which is, even at this day, ignorantly interpreted, by some, as an historical fact, and the reference to which is still preserved in the date of "anno lucis," which is affixed to all masonic doc.u.ments,-is but a philosophical myth, symbolizing the idea which a.n.a.logically connects the creation of physical light in the universe with the birth of masonic or spiritual and intellectual light in the candidate. The one is the type of the other. When, therefore, Preston says that "from the commencement of the world we may trace the foundation of Masonry," and when he goes on to a.s.sert that "ever since symmetry began, and harmony displayed her charms, our order has had a being," we are not to suppose that Preston intended to teach that a masonic lodge was held in the Garden of Eden. Such a supposition would justly subject us to the ridicule of every intelligent person. The only idea intended to be conveyed is this: that the principles of Freemasonry, which, indeed, are entirely independent of any special organization which it may have as a society, are coeval with the existence of the world; that when G.o.d said, "Let there be light," the material light thus produced was an ant.i.type of that spiritual light that must burst upon the mind of every candidate when his intellectual world, theretofore "without form and void," becomes adorned and peopled with the living thoughts and divine principles which const.i.tute the great system of Speculative Masonry, and when the spirit of the inst.i.tution, brooding over the vast deep of his mental chaos, shall, from intellectual darkness, bring forth intellectual light.152

In the legends of the Master's degree and of the Royal Arch there is a commingling of the historical myth and the mythical history, so that profound judgment is often required to discriminate these differing elements. As, for example, the legend of the third degree is, in some of its details, undoubtedly mythical-in others, just as undoubtedly historical. The difficulty, however, of separating the one from the other, and of distinguishing the fact from the fiction, has necessarily produced a difference of opinion on the subject among masonic writers. Hutchinson, and, after him, Oliver, think the whole legend an allegory or philosophical myth. I am inclined, with Anderson and the earlier writers, to suppose it a mythical history. In the Royal Arch degree, the legend of the rebuilding of the temple is clearly historical; but there are so many accompanying circ.u.mstances, which are uncertified, except by oral tradition, as to give to the entire narrative the appearance of a mythical history. The particular legend of the three weary sojourners is undoubtedly a myth, and perhaps merely a philosophical one, or the enunciation of an idea-namely, the reward of successful perseverance, through all dangers, in the search for divine truth.

"To form symbols and to interpret symbols," says the learned Creuzer, "were the main occupation of the ancient priesthood." Upon the studious Mason the same task of interpretation devolves. He who desires properly to appreciate the profound wisdom of the inst.i.tution of which he is the disciple, must not be content, with uninquiring credulity, to accept all the traditions that are imparted to him as veritable histories; nor yet, with unphilosophic incredulity, to reject them in a ma.s.s, as fabulous inventions. In these extremes there is equal error. "The myth," says Hermann, "is the representation of an idea." It is for that idea that the student must search in the myths of Masonry. Beneath every one of them there is something richer and more spiritual than the mere narrative.153 This spiritual essence he must learn to extract from the ore in which, like a precious metal, it lies imbedded. It is this that const.i.tutes the true value of Freemasonry. Without its symbols, and its myths or legends, and the ideas and conceptions which lie at the bottom of them, the time, the labor, and the expense incurred in perpetuating the inst.i.tution, would be thrown away. Without them, it would be a "vain and empty show." Its grips and signs are worth nothing, except for social purposes, as mere means of recognition. So, too, would be its words, were it not that they are, for the most part, symbolic. Its social habits and its charities are but incidental points in its const.i.tution-of themselves good, it is true, but capable of being attained in a simpler way. Its true value, as a science, consists in its symbolism-in the great lessons of divine truth which it teaches, and in the admirable manner in which it accomplishes that teaching. Every one, therefore, who desires to be a skilful Mason, must not suppose that the task is accomplished by a perfect knowledge of the mere phraseology of the ritual, by a readiness in opening and closing a lodge, nor by an off-hand capacity to confer degrees. All these are good in their places, but without the internal meaning they are but mere child's play. He must study the myths, the traditions, and the symbols of the order, and learn their true interpretation; for this alone const.i.tutes the science and the philosophy-the end, aim, and design of Speculative Masonry.

XXVI.

The Legend of the Winding Stairs.

Before proceeding to the examination of those more important mythical legends which appropriately belong to the Master's degree, it will not, I think, be unpleasing or uninstructive to consider the only one which is attached to the Fellow Craft's degree-that, namely, which refers to the allegorical ascent of the Winding Stairs to the Middle Chamber, and the symbolic payment of the workmen's wages.

Although the legend of the Winding Stairs forms an important tradition of Ancient Craft Masonry, the only allusion to it in Scripture is to be found in a single verse in the sixth chapter of the First Book of Kings, and is in these words: "The door for the middle chamber was in the right side of the house; and they went up with winding stairs into the middle chamber, and out of the middle into the third." Out of this slender material has been constructed an allegory, which, if properly considered in its symbolical relations, will be found to be of surpa.s.sing beauty. But it is only as a symbol that we can regard this whole tradition; for the historical facts and the architectural details alike forbid us for a moment to suppose that the legend, as it is rehea.r.s.ed in the second degree of Masonry, is anything more than a magnificent philosophical myth.

Let us inquire into the true design of this legend, and learn the lesson of symbolism which it is intended to teach.

In the investigation of the true meaning of every masonic symbol and allegory, we must be governed by the single principle that the whole design of Freemasonry as a speculative science is the investigation of divine truth. To this great object everything is subsidiary. The Mason is, from the moment of his initiation as an Entered Apprentice, to the time at which he receives the full fruition of masonic light, an investigator-a laborer in the quarry and the temple-whose reward is to be Truth. All the ceremonies and traditions of the order tend to this ultimate design. Is there light to be asked for? It is the intellectual light of wisdom and truth. Is there a word to be sought? That word is the symbol of truth. Is there a loss of something that had been promised? That loss is typical of the failure of man, in the infirmity of his nature, to discover divine truth. Is there a subst.i.tute to be appointed for that loss? It is an allegory which teaches us that in this world man can only approximate to the full conception of truth.

Hence there is in Speculative Masonry always a progress, symbolized by its peculiar ceremonies of initiation. There is an advancement from a lower to a higher state-from darkness to light-from death to life-from error to truth. The candidate is always ascending; he is never stationary; he never goes back, but each step he takes brings him to some new mental illumination-to the knowledge of some more elevated doctrine. The teaching of the Divine Master is, in respect to this continual progress, the teaching of Masonry-"No man having put his hand to the plough, and looking back, is fit for the kingdom of heaven." And similar to this is the precept of Pythagoras: "When travelling, turn not back, for if you do the Furies will accompany you."

Now, this principle of masonic symbolism is apparent in many places in each of the degrees. In that of the Entered Apprentice we find it developed in the theological ladder, which, resting on earth, leans its top upon heaven, thus inculcating the idea of an ascent from a lower to a higher sphere, as the object of masonic labor. In the Master's degree we find it exhibited in its most religious form, in the restoration from death to life-in the change from the obscurity of the grave to the holy of holies of the Divine Presence. In all the degrees we find it presented in the ceremony of circ.u.mambulation, in which there is a gradual inquisition, and a pa.s.sage from an inferior to a superior officer. And lastly, the same symbolic idea is conveyed in the Fellow Craft's degree in the legend of the Winding Stairs.

In an investigation of the symbolism of the Winding Stairs we shall be directed to the true explanation by a reference to their origin, their number, the objects which they recall, and their termination, but above all by a consideration of the great design which an ascent upon them was intended to accomplish.

The steps of this Winding Staircase commenced, we are informed, at the porch of the temple; that is to say, at its very entrance. But nothing is more undoubted in the science of masonic symbolism than that the temple was the representative of the world purified by the Shekinah, or the Divine Presence. The world of the profane is without the temple; the world of the initiated is within its sacred walls. Hence to enter the temple, to pa.s.s within the porch, to be made a Mason, and to be born into the world of masonic light, are all synonymous and convertible terms. Here, then, the symbolism of the Winding Stairs begins.

The Apprentice, having entered within the porch of the temple, has begun his masonic life. But the first degree in Masonry, like the lesser Mysteries of the ancient systems of initiation, is only a preparation and purification for something higher. The Entered Apprentice is the child in Masonry. The lessons which he receives are simply intended to cleanse the heart and prepare the recipient for that mental illumination which is to be given in the succeeding degrees.

As a Fellow Craft, he has advanced another step, and as the degree is emblematic of youth, so it is here that the intellectual education of the candidate begins. And therefore, here, at the very spot which separates the Porch from the Sanctuary, where childhood ends and manhood begins, he finds stretching out before him a winding stair which invites him, as it were, to ascend, and which, as the symbol of discipline and instruction, teaches him that here must commence his masonic labor-here he must enter upon those glorious though difficult researches, the end of which is to be the possession of divine truth. The Winding Stairs begin after the candidate has pa.s.sed within the Porch and between the pillars of Strength and Establishment, as a significant symbol to teach him that as soon as he has pa.s.sed beyond the years of irrational childhood, and commenced his entrance upon manly life, the laborious task of self-improvement is the first duty that is placed before him. He cannot stand still, if he would be worthy of his vocation; his destiny as an immortal being requires him to ascend, step by step, until he has reached the summit, where the treasures of knowledge await him.

The number of these steps in all the systems has been odd. Vitruvius remarks-and the coincidence is at least curious-that the ancient temples were always ascended by an odd number of steps; and he a.s.signs as the reason, that, commencing with the right foot at the bottom, the worshipper would find the same foot foremost when he entered the temple, which was considered as a fortunate omen. But the fact is, that the symbolism of numbers was borrowed by the Masons from Pythagoras, in whose system of philosophy it plays an important part, and in which odd numbers were considered as more perfect than even ones. Hence, throughout the masonic system we find a predominance of odd numbers; and while three, five, seven, nine, fifteen, and twenty-seven, are all-important symbols, we seldom find a reference to two, four, six, eight, or ten. The odd number of the stairs was therefore intended to symbolize the idea of perfection, to which it was the object of the aspirant to attain.

As to the particular number of the stairs, this has varied at different periods. Tracing-boards of the last century have been found, in which only five steps are delineated, and others in which they amount to seven. The Prestonian lectures, used in England in the beginning of this century, gave the whole number as thirty-eight, dividing them into series of one, three, five, seven, nine, and eleven. The error of making an even number, which was a violation of the Pythagorean principle of odd numbers as the symbol of perfection, was corrected in the Hemming lectures, adopted at the union of the two Grand Lodges of England, by striking out the eleven, which was also objectionable as receiving a sectarian explanation. In this country the number was still further reduced to fifteen, divided into three series of three, five, and seven. I shall adopt this American division in explaining the symbolism, although, after all, the particular number of the steps, or the peculiar method of their division into series, will not in any way affect the general symbolism of the whole legend.

The candidate, then, in the second degree of Masonry, represents a man starting forth on the journey of life, with the great task before him of self-improvement. For the faithful performance of this task, a reward is promised, which reward consists in the development of all his intellectual faculties, the moral and spiritual elevation of his character, and the acquisition of truth and knowledge. Now, the attainment of this moral and intellectual condition supposes an elevation of character, an ascent from a lower to a higher life, and a pa.s.sage of toil and difficulty, through rudimentary instruction, to the full fruition of wisdom. This is therefore beautifully symbolized by the Winding Stairs; at whose foot the aspirant stands ready to climb the toilsome steep, while at its top is placed "that hieroglyphic bright which none but Craftsmen ever saw," as the emblem of divine truth. And hence a distinguished writer has said that "these steps, like all the masonic symbols, are ill.u.s.trative of discipline and doctrine, as well as of natural, mathematical, and metaphysical science, and open to us an extensive range of moral and speculative inquiry."

The candidate, incited by the love of virtue and the desire of knowledge, and withal eager for the reward of truth which is set before him, begins at once the toilsome ascent. At each division he pauses to gather instruction from the symbolism which these divisions present to his attention.

At the first pause which he makes he is instructed in the peculiar organization of the order of which he has become a disciple. But the information here given, if taken in its naked, literal sense, is barren, and unworthy of his labor. The rank of the officers who govern, and the names of the degrees which const.i.tute the inst.i.tution, can give him no knowledge which he has not before possessed. We must look therefore to the symbolic meaning of these allusions for any value which may be attached to this part of the ceremony.

The reference to the organization of the masonic inst.i.tution is intended to remind the aspirant of the union of men in society, and the development of the social state out of the state of nature. He is thus reminded, in the very outset of his journey, of the blessings which arise from civilization, and of the fruits of virtue and knowledge which are derived from that condition. Masonry itself is the result of civilization; while, in grateful return, it has been one of the most important means of extending that condition of mankind.

All the monuments of antiquity that the ravages of time have left, combine to prove that man had no sooner emerged from the savage into the social state, than he commenced the organization of religious mysteries, and the separation, by a sort of divine instinct, of the sacred from the profane. Then came the invention of architecture as a means of providing convenient dwellings and necessary shelter from the inclemencies and vicissitudes of the seasons, with all the mechanical arts connected with it; and lastly, geometry, as a necessary science to enable the cultivators of land to measure and designate the limits of their possessions. All these are claimed as peculiar characteristics of Speculative Masonry, which may be considered as the type of civilization, the former bearing the same relation to the profane world as the latter does to the savage state. Hence we at once see the fitness of the symbolism which commences the aspirant's upward progress in the cultivation of knowledge and the search after truth, by recalling to his mind the condition of civilization and the social union of mankind as necessary preparations for the attainment of these objects. In the allusions to the officers of a lodge, and the degrees of Masonry as explanatory of the organization of our own society, we clothe in our symbolic language the history of the organization of society.

Advancing in his progress, the candidate is invited to contemplate another series of instructions. The human senses, as the appropriate channels through which we receive all our ideas of perception, and which, therefore, const.i.tute the most important sources of our knowledge, are here referred to as a symbol of intellectual cultivation. Architecture, as the most important of the arts which conduce to the comfort of mankind, is also alluded to here, not simply because it is so closely connected with the operative inst.i.tution of Masonry, but also as the type of all the other useful arts. In his second pause, in the ascent of the Winding Stairs, the aspirant is therefore reminded of the necessity of cultivating practical knowledge.

So far, then, the instructions he has received relate to his own condition in society as a member of the great social compact, and to his means of becoming, by a knowledge of the arts of practical life, a necessary and useful member of that society.

But his motto will be, "Excelsior." Still must he go onward and forward. The stair is still before him; its summit is not yet reached, and still further treasures of wisdom are to be sought for, or the reward will not be gained, nor the middle chamber, the abiding place of truth, be reached.

In his third pause, he therefore arrives at that point in which the whole circle of human science is to be explained. Symbols, we know, are in themselves arbitrary and of conventional signification, and the complete circle of human science might have been as well symbolized by any other sign or series of doctrines as by the seven liberal arts and sciences. But Masonry is an inst.i.tution of the olden time; and this selection of the liberal arts and sciences as a symbol of the completion of human learning is one of the most pregnant evidences that we have of its antiquity.

In the seventh century, and for a long time afterwards, the circle of instruction to which all the learning of the most eminent schools and most distinguished philosophers was confined, was limited to what were then called the liberal arts and sciences, and consisted of two branches, the trivium and the quadrivium.154 The trivium included grammar, rhetoric, and logic; the quadrivium comprehended arithmetic, geometry, music, and astronomy.

"These seven heads," says Enfield, "were supposed to include universal knowledge. He who was master of these was thought to have no need of a preceptor to explain any books or to solve any questions which lay within the compa.s.s of human reason, the knowledge of the trivium having furnished him with the key to all language, and that of the quadrivium having opened to him the secret laws of nature." 155

At a period, says the same writer, when few were instructed in the trivium, and very few studied the quadrivium, to be master of both was sufficient to complete the character of a philosopher. The propriety, therefore, of adopting the seven liberal arts and sciences as a symbol of the completion of human learning is apparent. The candidate, having reached this point, is now supposed to have accomplished the task upon which he had entered-he has reached the last step, and is now ready to receive the full fruition of human learning.

So far, then, we are able to comprehend the true symbolism of the Winding Stairs. They represent the progress of an inquiring mind with the toils and labors of intellectual cultivation and study, and the preparatory acquisition of all human science, as a preliminary step to the attainment of divine truth, which it must be remembered is always symbolized in Masonry by the WORD.