On the new standards waving in the breeze ran the legend: "The French people risen against Tyrants." Toulon was in the hands of the English; Lyons in revolt. With enemies in her camp, with one arm tied by the insurrection in La Vendee, the Revolution hurled her ragged and despised _sans-culottes_,[171] against her enemies. How vain is the wisdom of the great! Burke thought that the Revolution had expunged France in a political sense out of the system of Europe, and his opinion was shared by every European statesman; but before the year closed, the proud and magnificently accoutred armies of kings were scattered over the borders, civil war was crushed, the Revolution triumphant. Soon the "dwarfish, ragged _sans-culottes_, the small black-looking Ma.r.s.eillaises dressed in rags of every colour," whom Goethe saw tramping out of Mayence "as if the goblin king had opened his mountains and sent forth his lively host of dwarfs," had forced Prussia, the arch-champion of monarchy, to make peace and leave its Rhine provinces in the hands of regicides. Meanwhile terror reigned in Paris. In the frenzy of mortal strife the Revolution struck out blindly and cut down friend as well as foe; the innocent with the guilty. At least the guillotine fell swiftly and mercifully. Gone were the days of the wheel, the rack, the boiling lead and the stake. Under the _ancien regime_ the torture of _accused_ persons was one of the sights shown to foreigners in Paris. Evelyn, when visiting the city in 1651, was taken to see the torture of an _alleged_ thief in the Chatelet, who was "wracked in an extraordinary manner, so that they severed the fellow's joints in miserable sort." Failing to extort a confession, "they increased the extension and torture, and then placing a horne in his mouth, such as they drench horses with, poured two buckets of water down, so that it prodigiously swelled him." There was another "malefactor" to be dealt with, but the traveller had seen enough, and he leaves, reflecting that it represented to him "the intolerable sufferings which our Blessed Saviour must needs undergo when His body was hanging with all its weight upon the nailes of the Crosse."

[Footnote 171: The term implied rather an excess than a defect of nether garment and was applied in scorn by the fashionable wearers of _culottes_ to the plebeian wearers of trousers.]

Too much prominence has been given by historians to the dramatic and violent activities of the men of '93 to the exclusion of acts of peaceful and constructive statesmanship. The 11,210 decrees issued by the National Convention in Paris from September '92 to October '95, included a comprehensive and admirable scheme for national education, with provision for free meals in elementary schools and the moral and physical training of the young. It fulminated against the degradation of public monuments, ordered an inventory to be made of all collections of works of art, and decided that the Republic be charged with the maintenance of artists sent to Rome.

It decreed the adoption, began the discussion, and voted the most important articles of the civil code. It inaugurated the telegraph and the decimal system, established the uniformity of weights and measures, the bureau of longitudes, reformed the calendar, inst.i.tuted the Grand Livre, increased and completed the Museum of Natural History, opened the Museum of the Louvre, created the Conservatoire of the Arts and Crafts, the Conservatoire of Music, the Polytechnic School and the Inst.i.tute.

The Convention abolished negro slavery in the French colonies, and Wilberforce reminded a hostile House of Commons that infidel and anarchic France had given example to Christian England in the work of emanc.i.p.ation. In 1793 it was reported that the aged Goldoni had been in receipt of a pension from the _ancien regime_ and was now dependent on the slender resources of a compa.s.sionate nephew: the Convention at once decreed as an act of justice and beneficence that the pension of 4000 livres should be renewed, and all arrears paid up. This is but one of many acts of grace and succour among its records.

The closing months of '95 were sped with those whiffs of grape-shot from the Pont Royal and the Rue St. Honore, that shattered the last attempt, this time by the Royalists, at government by insurrection.

The Convention closed its stupendous career, and five Directors of the Republic met in a room furnished with an old table, a sheet of paper and an ink-bottle, and set about organising France for a normal and progressive national life. But Europe had by her fatuous interference with the internal affairs of France sown dragons' teeth indeed and a nation of armed men had sprung forth, nursing hatred of monarchy and habituated to victory. "_Eh, bien, mes enfants_," cried a French general before an engagement when provisions were wanting to afford a meal for his troops, "we will breakfast after the victory."

But militarism invariably ends in autocracy. The author of those whiffs of grape-shot was appointed in 1796 Commander-in-Chief of the army of Italy, and a new and sinister complexion was given to the policy of the Republic. "Soldiers," cries Napoleon, "you are half-starved and almost naked; the Government owes you much but can do nothing for you. Your patience, your courage do you honour, but win for you neither glory nor profit. I am about to lead you into the most fertile plains of the world; you will find there great cities and rich provinces; there you will reap honour, glory and riches. Soldiers of Italy, will you lack courage?" This frank appeal to the baser motives that sway men's minds, this open avowal of a personal ambition, was the beginning of the end of Jacobinism in France. Soon the wealth of Italy streamed into the bare coffers of the Directory at Paris:--20,000,000 of francs from Lombardy, 12,000,000 from Parma and Modena, 35,000,000 from the Papal States, an equally large sum from Tuscany; one hundred finest horses of Lombardy to the five Directors, "to replace the sorry nags that now draw your carriages"; convoys of priceless ma.n.u.scripts and sculpture and pictures to adorn Parisian galleries. So persistent were these raids on the collections of art in Italy that Napoleon is known there to this day as _il gran ladrone_ and the chief duty of the new French officials in Italy, said Lucien Bonaparte, was to supervise the packing of pictures and statues for Paris. No less than 5233 of these works of art were confiscated by the Allies in 1815, and returned to their former owners.

In less than a decade the rusty old stage properties and the baubles of monarchy were furbished anew, sacred oil from the little phial of Rheims anointed the brow of a new dynast, and a Roman Pontiff blessed the diadem with which a once poor, pensioned, disaffected Corsican patriot crowned himself lord of France in Notre Dame. The old pomposities of a court came strutting back to their places:--Arch Chancellors, Grand Electors, Constables, Grand Almoners, Grand Chamberlains, Grand Marshals of the Palace, Masters of the Horse, Masters of the Hounds, Madame Mere and a bevy of Imperial Highnesses with their ladies-in-waiting. One thing only was wanting, as a Jacobin bitterly remarked--the million of men who were slain to end all that mummery. The fascinating story of how this amazing transformation was effected cannot be told here. The magician who wrought it was possessed of a soaring imagination, of a mental instrument of incomparable force and efficiency, of an iron will, a prodigious intellectual activity, and a piercing insight into the conditions of material success, rarely, if ever before, united in the same degree in one man. Napoleon Bonaparte was of ancient, patrician Florentine blood, and perchance the descendant of one of those of Fiesole--

"In cui riviva la s.e.m.e.nta santa Di quei Romani che vi rimaser quando Fu fatto il nido di malizia tanta."[172]

He cherished a particular affection for Italy, and, so far as his personal aims allowed, treated her generously. His descent into Lombardy awakened the slumbering sense of Italian nationality. In more senses than one, says Mr. Bolton King the historian of Italian unity, Napoleon was the founder of modern Italy.

[Footnote 172: _Inferno_, XV. 76-78.--"In whom lives again the seed of those Romans who remained there when the nest (Florence) of so much wickedness was made."]

The reason of Napoleon's success in France is not far to seek. Two streams of effort are clearly traceable through the Revolution. The earlier thinkers, such as Montesquieu, Voltaire, D'Alembert, Diderot and the Encyclopedists, whose admiration for England was unbounded, aimed at reforming the rotten state of France on the basis of the English parliamentary and monarchical system: it was a middle-cla.s.s movement for the a.s.sertion of its interests in the state and for political freedom. The aim of the Jacobin minority, inspired by the doctrines of the _Contrat Social_ of Rousseau, was to found a democratic state based on the principle of the sovereignty of the people. If the French crown and the monarchies of Europe had allowed the peaceful evolution of national tendencies, the Const.i.tutional reformers would have triumphed, but in their folly they tried to sweep back the tide, with the result we have seen. For when everything is put to the touch, when victory is the price of self-sacrifice, it is the idealist who comes to the front, and as the nineteenth-century prophet Mazzini taught, men will lay down their lives for principles but not for interests.

Let us not forget that it was the Jacobin minority who in the heat and glow of their convictions saved the people of France. Led astray by their old guides, abandoned in a dark and trackless waste, their heads girt with horror, menaced by destruction on every side, the people groped, wandering hither and thither seeking an outlet in vain. At length a voice was heard, confidant, thrilling as a trumpet call; "Lo this is the way! follow, and ye shall emerge and conquer!" It may not have been the best way, but it was _a_ way and they followed.

It is easy enough to pour scorn on the _Contrat Social_ as a political philosophy, but an ideal, a faith, a dogma are necessary to evoke enthusiasm, the contempt of material things and of death itself. These the _Contrat Social_ gave. It defined with absolute precision the principles latent in the movement of reform that broke up mediaevalism.

Does power descend from G.o.d, its primeval source; or does it ascend, delegated from the people? Once stated, the French mind with its intense lucidity and logicality saw the line of cleavage between old and new--divine right: or sovereignty of the people--and bade all men choose where they would stand. The _Contrat Social_ with its consuming pa.s.sion for social justice, its ideal of a state founded on the sovereignty of the people, became the gospel of the time. Men and women conned its pages by heart and slept with the book under their pillows. Napoleon himself in his early Jacobin days was saturated with its doctrines, and in later times astutely used its phrases as shibboleths to cloak his acts of despotism. But in that terrible revolutionary decade the Jacobins had spent their lives and their energies. A profound weariness of the long and severe tension, and a yearning for a return to orderly civil life came over men's minds. The ma.s.ses were still sincerely attached to the Catholic faith: the middle-cla.s.ses hailed with relief the advent of the strong man who proved himself able to crush faction; the peasants were won by a champion of the Revolution who made impossible the return of the _aides_, the _tailles_, the _gabelles_, and all the iniquitous oppressions of the _ancien regime_ and guaranteed them the possession of the confiscated _emigre_ and ecclesiastical lands; the army idolised the great captain who promised them glory and profit; the Church rallied to an autocrat who restored the hierarchy. Moreover, the brilliancy of Napoleon's military genius was balanced by an all-embracing political sagacity. The chief administrative decrees of the Convention, especially those relating to education and the civil and penal codes, were welded into form by ceaseless energy. Everything he touched was indeed degraded from the Republican ideal, but he drove things through, imposed his own superhuman activity into his subordinates, and became one of the chief builders of modern France.

"The gigantic entered into our very habits of thought," said one of his ministers. But his efforts to maintain the stupendous twenty years' duel with the combined forces of England and the continental monarchies, and his own overweening ambition, broke him at length, and he fell, to fret away his life caged in a lonely island in mid-Atlantic.

The new ideas were none the less revolutionary of social life. The salon, that eminently French inst.i.tution, soon felt their power. The charming irresponsible gaiety and frivolity of the old _regime_ gave place to more serious preoccupation with political movements. The fusing power of Rousseau's genius had melted all hearts; the solvent wit of Voltaire and the precise science of the Encyclopedists were a potent force even among the courtiers themselves. The centre of social life shifted from Versailles to Paris and the salons gained what the court lost. Fine ladies had the latest pamphlet of Sieyes read to them at their toilette, and maids caught up the new phrases from their mistresses' lips. Did a young gallant enter a salon excusing himself for being late by saying, "I have just been proposing a motion at the club," every fair eye sparkled with interest. A deputy was a social lion, and a box for the National a.s.sembly exchanged for one at the opera at a premium of six livres. Speeches were rehea.r.s.ed at the salons and action determined. Chief of the hostesses was Madame[173]

Necker: at her crowded receptions might be seen Abbe Sieyes, the architect of Const.i.tutions; Condorcet, the philosopher; Talleyrand, the patriotic bishop; Madame de Stael, with her strong, coa.r.s.e face and masculine voice and gestures. More intimate were the Tuesday suppers at which a dozen chosen guests held earnest communion. Madame de Beauharnais was noted for her excellent table, and her Tuesday and Thursday dinners: at her rooms the masters of literature and music had been wont to meet. Now came Buffon the naturalist; Bailly of Tennis Court oath fame; Clootz, the friend of humanity. The widow of Helvetius, with her many memories of Franklin, welcomed Volney, author of the _Ruins of Empires_, and Chamfort, the candid critic of Academicians. At the salon of Madame Pancroute, Barrere, the glib orator of the Revolution, was the chief figure.

[Footnote 173: Mlle Curchod, for whom Gibbon "sighed as a lover but renounced as a son."]

Julie Talma was famed for her literary and artistic circle. Here Marie Joseph Chenier, the revolutionary dramatic poet of the Comedie Francaise, declaimed his couplets. Here came Vergniaud, the eloquent chief of the ill-fated Gironde; Greuze, the painter; Roland, the stern and minatory minister, who spoke bitter words, composed by his wife, to the king; Lavoisier, the chemist, who is said to have begged that the axe might be stayed while he completed some experiments, and was told that the Republic had no lack of chemists. Madame du Deffand, whose hotel in the Rue des Quatre Fils still exists, welcomed Voltaire, D'Alembert, Montesquieu and the Encyclopedists.

In the street, the great open-air salon of the people, was a feverish going to and fro. Here were the tub-thumpers of the Revolution holding forth at every public place; the strident voices of ballad-singers at the street corners; hawkers of the latest pamphlets hot from the Quai des Augustins; the sellers of journals crying the _Pere d.u.c.h.esne_, _L'Ami du Peuple_, the _Jean Bart_, the _Vieux Cordelier_. Crowds gathered round Ba.s.sett's famous shop for caricature at the corner of the Rue St. Jacques and the Rue des Mathurins. The walls of Paris were a ma.s.s of variegated placards and proclamations. The charming signs of the old _regime_, the Pomme rouge, the Rose Blanche, the Ami du Coeur, the Gracieuse, the Trois Fleurs-de-lys Couronnees gave place to the "Necker," the "National a.s.sembly," the "Tiers," the "Const.i.tution"--these, too, soon to be effaced by more Republican appellations. For on the abolition of the monarchy and the inauguration of the Religion of Nature, the words "royal" and "saint"

disappear from the revolutionary vocabulary. A new calendar is promulgated: streets and squares are renamed: Rues des Droits de l'Homme, de la Revolution, des Piques, de la Loi, efface the old landmarks. We must now say Rue Honore, not St. Honore, and Mont Marat for Montmartre. Naturalists had written of the queen bee: away with the hated word! She is now named of all good patriots the _abeille pondeuse_, the egg-laying bee. In the Punch and Judy shows the gallows gives place to the guillotine. No more emblems on playing cards of king, queen, and knave: allegorical figures of Genius, Liberty and Equality take their places, and since Law alone is above them all, Patriotism, as it flings down its biggest card, shall cry no longer, "Ace of trumps," but "Law of trumps," and "Genius of trumps." Chess terms too were republicanised. Furniture becomes of Spartan simplicity. The people lie down on patriotic beds and eat and drink from patriotic mugs and platters. Lotteries are abolished, regulations launched against the sale of indecent literature, drawings or paintings; the open following of the profession of Rahab prohibited; bull fights suppressed. Silver buckles are needed by the national war chest: shoes shall now be clasped by patriotic buckles of copper. The monarchial "_vous_" (you) shall give place to "_toi_" (thou); and "monsieur" and "madame" to "_citoyen_" and "_citoyenne_." The formal subscriptions to letters, "Your humble servant," "Your obedient servant," shall no more recall the old days of cla.s.s subjection; we write now "Your fellow citizen," "Your friend," "Your equal." Every house bears an inscription, giving the names and ages of the occupants, decorated with patriotic colours of red, white and blue, with figures of the Gallic c.o.c.k and the _bonnet rouge_. Over every public building runs the legend, "Liberty, Equality, Fraternity or Death"[174]--it is even seen over the cages of the wild beasts at the Jardin des Plantes.

[Footnote 174: The meaning of this much misunderstood phrase was simply that the citizens were ready to sacrifice their lives in defence of the revolutionary principles.]

Nowhere did the revolutionary ploughshare cut deeper than among the clergy and the religious orders. Nearly forty monasteries and convents were suppressed in Paris, and strange scenes were those when the troops of monks and friars issued forth to secular life, some crying "_Vive Jesus le Roi, et la Revolution_," for the new ideas had penetrated even the cloister. The barbers' shops were invaded, and strange figures were seen smoking their pipes along the Boulevards.

Some went to the wars; others, especially the Benedictines, appealed for teaching appointments; many faithful to their vows, went forth to poverty, misery, and death.

The nuns and sisters gave more trouble, and the scenes that attended their expulsion and that of the non-juring clergy burned into the memories of the pious. "What do they take from me?" cried the _cure_ of St. Marguerite in his farewell sermon. "My cure? All that I have is yours, and it is you they despoil. My life? I am eighty-four years of age, and what of life remains to me is not worth the sacrifice of my principles." Descending the pulpit the venerable priest pa.s.sed through a sobbing congregation to a garret in one of the Faubourgs. There were but few, however, who imitated the dignified protest of the _cure_ of St. Marguerite. Many a pulpit rang with fiery denunciations, which recalled the savage fanaticism of the League. Some of the younger clergy and a few of the bishops were on the side of the early Revolutionists. The Abbe Fouchet was the Peter the Hermit of the crusade for Liberty, and so popular were his sermons in Notre Dame that a seat there fetched twenty-four sous. But the corruption and apostasy of the hierarchy as a whole, and their betrayal of the people, had borne its acrid fruit of popular contempt and hostility, and the fanaticism of the worship of Reason answered the fanaticism of the Cross. In Notre Dame and other churches, which became Temples of Reason, statues of Liberty replaced those of the _ci-devant_ Holy Virgin and every _Decadi_ services were held in honour of Liberty or of the Supreme Being. _The Rights of Man_, the Const.i.tution, despatches from the armies and new laws were read. Prayers were made to the Supreme Being and Liberty was invoked. Patriotic hymns were sung, virtuous acts in the sections recited and addresses on morality, the domestic virtues and other ethical subjects were given. In some, an orator of morality was appointed. Births, marriages and deaths were announced and--an essential detail--_collections_ were made in aid of suffering Humanity. A _Decadi_ Ritual[175] was printed with a selection of hymns and prayers to be used in the Temples of Reason.

The services were crowded, famous preachers often evoked tears, tracts were published and saints of Liberty were in course of evolution. But less than eight years after Robespierre's solemn Festival of the _etre Supreme_ all the hierarchy of the old religion returned, sixty archbishops and bishops, and an army of priests, and a gorgeous Easter Ma.s.s in Notre Dame celebrated the reestablishment of the Catholic faith by Napoleon, the heir of the Revolution.

[Footnote 175: The services seem to have been not very dissimilar to a modern Ethical Society meeting. The notorious Festival of the 20th Brumaire was a Fete of Liberty not of Reason, the mistake being due to a careless transcription in the _proces-verbal_ of the Convention. A living representative of Liberty was chosen as less likely to tend to idolatry than an image of stone. See _La Revolution Francaise_, 14th April 1899, _La Deesse de la Liberte_.]

It is not within the scope of the present work to deal with the later annals of Paris. Superficial students of her modern history have freely charged her with political irresponsibility and fickleness; no charge could be less warranted by facts. For a thousand years her citizens were loyal and faithful subjects of a monarchy, and endured for a century and a half an infliction of misgovernment, oppression and grinding taxation such as probably no other European people would have tolerated. With touching fidelity and indomitable steadfastness they have cherished the principles of the Great Revolution, in whose name they swept the shams and wrongs of the _ancien regime_ away.

There is a profounder truth than perhaps Alphonse Karr imagined in his famous epigram, _Plus ca change, plus c'est la meme chose_. Every political upheaval of the nineteenth century in Paris has been at bottom an effort to realise the revolutionary ideals of political freedom and social equality in the face of external violence or internal corruption and treachery. Twice the hated Bourbons were reimposed on the people of Paris by the bayonets of the foreigner: twice they rose and chased them away. A compromise followed--that of a citizen king, Louis Philippe of Orleans, once a Jacobin doorkeeper and a soldier of the Revolution, who had fought valiantly at Valmy and Jemappes--but he too identified himself with reactionary ministers, and became a fugitive to England, the bourne of deposed kings. The Second Republic which followed grew distrustful of the people and disfranchised at one stroke 3,000,000 citizens: one of the causes of the success of the _coup d'etat_ of Napoleon III. was an astute edict which restored universal suffrage.

During the negation of political rect.i.tude and decency which characterised the period of the Second Empire, a little band of Republicans refused to bow the knee to the new pinchbeck Caesar, "the man," says Freeman, "whose lips uttered the words _je le jure_ and kept the oath by a December ma.s.sacre." Inspired by Victor Hugo, their fiery poet and seer, whose _Chatiments_ have the pa.s.sionate intensity of an Isaiah, they braved exile, poverty, calumny and flattery; they "stooped into a dark, tremendous sea of doubt, pressed G.o.d's lamp to their b.r.e.a.s.t.s and emerged" to witness a sad and bitter day of reckoning, when the corruption and vice of the Second Empire were swallowed up in shame and disaster at Sedan.[176] The Third Republic, with admirable energy and patriotism, rose to save the self-respect of France. The first and Imperial war, up to Sedan, was over in a month; the second national and popular war endured for five months.

[Footnote 176: "The collapse of the Empire is tremendous. I have no pity for the melodramatic villain who ends as he began, in causeless and wanton blood." Lord Coleridge, _Life_, ii., p. 172.]

Dynastic and ecclesiastical ambition die hard, and the new Republic has had to weather many a storm in her career of a third of a century. Carducci in a fine poem has imagined Letizia, mother of the Bonapartes, a wandering shade haunting the desolate house at Ajaccio, recalling the tragic fate of her children, and, like a Corsican Niobe, standing on her threshold, fiercely stretching forth her arms to the savage Ocean, calling from America, from Britain, from burning Africa, some one of her hapless progeny to find a haven in her breast. But the a.s.segais of South African savages laid low the last hope of the Imperialists, and it may reasonably be predicted that neither the shades nor the living descendants of Bonaparte or Bourbon will ever trouble again the internal peace of France nor her people be ruled by one "regnant by right divine and luck o' the pillow." Throughout the whole land a profound desire of peace possesses men's minds[177] and a firm determination to effect a material and moral recuperation from the disasters of the Empire.

[Footnote 177: "We could rouse no enthusiasm," said the head of a State Department to the writer at the time of the Fashoda incident, "even for a war for the recovery of Alsace and Lorraine, much less against England."]

The beneficent results of the Great Revolution have leavened the whole world. In no small degree may it be said of France that by her stripes we have been healed. With true insight the Revolutionists perceived that national liberty is the one essential element of national progress:--

"When liberty goes out of a place it is not the first to go, Nor the second or third to go, It waits for all the rest to go, it is the last."

But the great work is yet incomplete. Political liberty and equality have been won. A more tremendous task awaits the peoples of the old and new worlds alike--to achieve industrial emanc.i.p.ation and inaugurate a reign of social justice. And we know that Paris will have no small part in the solution of this problem.

It now remains to consider the impress which this stormy period left on the architecture of Paris. We have seen that the Convention a.s.signed the royal Palace of the Louvre for the home of a national museum. The neglect of the fabric, however, continued. Already Marat had appropriated four of the royal presses and their accessories for the _Ami du Peuple_ and the types founded for Louis XIV. were used to print the diatribes of the fiercest advocate of the Terror. All along the south facade, print and cook shops were seen, and small huckstering went on unheeded. In 1794 the ground floor of the Pet.i.te Galerie was used as a Bourse. On the Place du Carrousel, and the site of the Squares du Louvre were a ma.s.s of mean houses which remained even to comparatively recent times. In 1805 the masterful will and all-embracing activity of Napoleon were directed to the improvement of Paris, which he determined to make the most beautiful capital in the world. His architects, Percier and Fontaine, were set to work on the Louvre, and yet another vast plan was elaborated for completing the Palace. A northern wing, corresponding to Henry's IV.'s south wing, was to be built eastwards along the new Rue de Rivoli, from the Pavilion de Marsan at the north end of the Tuileries; the Carrousel was to be traversed by a building, separating the two palaces, designed to house the National Library, the learned Societies and other bodies. The work was begun in 1812, the Emperor commanding that the grand apartments were to be prepared for the sovereigns who would come, _a lui faire cortege_, after the success of the Russian campaign! Of this ambitious plan, however, all that was carried out was a portion of the Rue de Rivoli facade, from the Pavilion de Marsan to the Pavilion de Rohan, which latter was finished under the Restoration. Some external decorative work was done on the south facade. Perrault's Colonnade was restored, the four facades of the quadrangle were completed, and a new bridge to lead to the "Palace of the Arts" was built. Little or nothing was done to further Napoleon's plan until the Republic of 1848 decreed the completion of the north facade, which was actually achieved under the Second Empire by Visconti in 1857, who built other structures, each with three courts, inside the great s.p.a.ce enclosed by the north and south wings to correct their want of parallelism. Later (1862-1868), Henry the Fourth's long gallery and the Pavilions de Flore and Lesdiguieres were rebuilt, and smaller galleries were added to those giving on the Cour des Tuileries: after the disastrous fire which destroyed the Tuileries in 1871, the Third Republic restored the Pavilions de Flore and de Marsan.

But the vicissitudes of this wonderful pile of architecture are not yet ended. The discovery of Perrault's base at the east and of Lemercier's at the north, will inevitably lead to their proximate disclosure. Ample s.p.a.ce remains at the east for the excavation of a wide and deep fosse, which would expose the wing to view as Perrault intended it; but on the Rue de Rivoli side the problem is more difficult, and probably a narrow fosse, or _saut de loup_, will be all that s.p.a.ce will allow there.

Napoleon I.'s new streets near the Tuileries and the Louvre soon became the fashionable quarter of Paris. The Italian arcades and every street name recalled a former victory of the Consulate in Italy and Egypt. The military glories of a revolutionary empire, which at one time transcended the limits of that of Charlemagne; which crashed through the shams of the old world and toppled in the dust their imposing but hollow state, were wrought in bronze on the Vendome Column, cast from the cannon captured from every nation in Europe. The Triumphal Arch of the Carrousel, crowned by the bronze horses from St.

Mark's at Venice; the majestic Triumphal Arch of the Etoile--a partially achieved project--all paraded the Emperor's fame. Of more practical utility were the quays built along the south bank of the Seine and the bridges of Austerlitz and Jena, which latter Blucher would have blown up had Wellington permitted it.

The erection of the new church of the Madeleine, begun in 1764, had been interrupted by the Revolution, and in 1806, Napoleon ordered that it should be completed as a Temple of Glory. The Restoration transformed it to a Catholic church, which was finally completed under Louis Philippe in 1842, and it soon became the most fashionable place of worship in Paris. Napoleon drove sixty new streets through the city, cleared away the posts that marked off the footways, began the raised pavements and kerbs, and ordered the drainage to be diverted from the gutters in the centre of the roadway.

The Restoration erected two basilicas--Notre Dame de Lorette and St.

Vincent de Paul. The Expiatory Chapel raised to the memory of Louis XVI. and Marie Antoinette on the site of the old cemetery of the Madeleine--where they lay, until transferred to St. Denis, in one red burial with the brave Swiss Guards who vainly spent their lives for them--is now threatened with demolition. Three new bridges--of the Invalides, the Archeveche and Arcole--were added, and fifty-five new streets.

Under the citizen king, Napoleon's Arch of Triumph of the Etoile was completed, and the Columns of Luxor, on the Place de la Concorde, and of July on the Place de la Bastille, were raised. It was the period of the admirable architectural restorations of Viollet le Duc. The great architect has described how his pa.s.sion for Gothic was stirred when, taken as a boy to Notre Dame, the rose window of the south transept seized on his imagination. While gazing at it the organ began to play, and he thought that the music came from the window--the shrill, high notes from the light colours, the solemn, ba.s.s notes from the dark and more subdued hues. It was a reverent and admiring spirit such as this which inspired the famous architect's loving treatment of the Gothic restoration in Paris and all over France. To him more than to any other artist we owe the preservation of such masterpieces as Notre Dame and the Sainte Chapelle.

But the great changes which have made modern Paris were effected under the Second Empire. In 1854, when the Haussmannisation of the city began, the Paris of the First Empire and of the Restoration remained essentially unaltered. It was a city of a few grand streets and of many mean ones. Pavements were still rare, and drainage was imperfect.

In a few years the whole aspect was changed. Twenty-two new boulevards and avenues were created. Streets of appalling uniformity and directness were ploughed through Paris in all directions. "Nothing is more brutal than a straight line," says Victor Hugo, and there is little of interest in the monotonous miles of dreary coincidence which const.i.tute the architectural legacy of the Second Empire.

The sad task of the Third Republic has been to heal the wounds and cover up the destruction wrought by the Civil War of 1871. The chief architectural creations of the Third Republic are the Hotel de Ville, the new Sorbonne, the Trocadero, and the completion of the magnificent and colossal temple, rich with precious marble and stone of every kind, which, at a cost of 10,000,000 sterling, has been raised to the Muses at the end of the Avenue de l'Opera. The Church, too, has lavished her millions on the mighty basilica of the Sacre Coeur, which towers over Paris from the heights of Montmartre.

[Ill.u.s.tration: HoTEL DE VILLE FROM RIVER.]

But some of the glory of past ages remains hidden away in corners of the city; some has been recovered from the vandalism of iconoclastic eighteenth-century architects, canons, revolutionists and nineteenth-century prefects. Let us now wander awhile about the great city and refresh our memories of her dramatic past by beholding somewhat of the interest and beauty which have been preserved to us; for "to be in Paris itself, amid the full, delightful fragrance of those dainty visible things which Huguenots despised--that, surely, were the sum of good fortune!"

"I see ... long ranks of the new oppressors who have risen on the destruction of the old, perishing.... I see a beautiful city and a brilliant people rising from this abyss, and in their struggles to be truly free, in their triumphs and defeats, through long, long years to come, I see the evil of this time and of the previous time, of which this is the natural birth, gradually making expiation for itself and wearing out."--d.i.c.kENS.