"Well-"

"Go on. Finish."

Softly, then, Creighton said: "Hammer's dead, Billy. Suicide. He shot himself in the eye with his service pistol. The Project Blue specs were on his desk. I guess he thought leaving them there was all the suicide note anybody would need."

Starkey closed his eyes. Vic Hammer was ... had been ... his son-in-law. How was he supposed to tell Cynthia about this? I'm sorry, Cindy. Vic took a high dive into a cold bowl of soup today. Here, have a "downer." You see, there was a goof. Somebody made a mistake with a box. Somebody else forgot to pull a switch that would have sealed off the base. The lag was only forty-some seconds, but it was enough. The box is known in the trade as a "sniffer." It's made in Portland, Oregon, Defense Department Contract 164480966. The boxes are put together in separate circuits by female technicians, and they do it that way so none of them really know what they're doing. One of them was maybe thinking about what to make for supper, and whoever was supposed to check her work was maybe thinking about trading the family car. Anyway, Cindy, the last coincidence was that a man at the Number Four security post, a man named Campion, saw the numbers go red just in time to get out of the room before the doors shut and mag-locked. Then he got his family and ran. He drove through the main gate just four minutes before the sirens started going off and we sealed the whole base. And no one started looking for him until nearly an hour later because there are no monitors in the security posts-somewhere along the line you have to stop guarding the guardians or everyone in the world would be a goddam turnkey -and everybody just assumed he was in there, waiting for the sniffers to sort out the clean areas from the dirty ones. So he got him some running room and he was smart enough to use the ranch trails and lucky enough not to pick any of the ones where his car could get bogged down. Then someone had to make a command decision on whether or not to bring in the State Police, the FBI, or both of them and that fabled buck got passed hither, thither, and yon, and by the time someone decided the Shop ought to handle it, this happy asshole-this happy diseased diseased asshole-had gotten to Texas, and when they finally caught him he wasn't running anymore because he and his wife and his baby daughter were all laid out on cooling boards in some pissant little town called Braintree. Braintree, Texas. Anyway, Cindy, what I'm trying to say is that this was a chain of coincidence on the order of winning the Irish Sweepstakes. With a little incompetence thrown in for good luck-for bad luck, I mean, please excuse me-but mostly it was just a thing that happened. None of it was your man's fault. But he was the head of the project, and he saw the situation start to escalate, and then- asshole-had gotten to Texas, and when they finally caught him he wasn't running anymore because he and his wife and his baby daughter were all laid out on cooling boards in some pissant little town called Braintree. Braintree, Texas. Anyway, Cindy, what I'm trying to say is that this was a chain of coincidence on the order of winning the Irish Sweepstakes. With a little incompetence thrown in for good luck-for bad luck, I mean, please excuse me-but mostly it was just a thing that happened. None of it was your man's fault. But he was the head of the project, and he saw the situation start to escalate, and then- "Thanks, Len," he said.

"Billy, would you like-"

"I'll be up in ten minutes. I want you to schedule a general staff meeting fifteen minutes from now. If they're in bed, kick em out."

"Yes, sir."

"And Len ..."

"Yes?"

"I'm glad you were the one who told me."

"Yes, sir."

Creighton left. Starkey glanced at his watch, then walked over to the monitors set into the wall. He turned on 2, put his hands behind his back, and stared thoughtfully into Project Blue's silent cafeteria.

CHAPTER 5.

Larry Underwood pulled around the corner and found a parking space big enough for the Datsun Z between a fire hydrant and somebody's trash can that had fallen into the gutter. There was something unpleasant in the trash can and Larry tried to tell himself that he really hadn't seen the stiffening dead cat and the rat gnawing at its white-furred belly. The rat was gone so fast from the sweep of his headlights that it really might not have been there. The cat, however, was fixed in stasis. And, he supposed, killing the Z's engine, if you believed in one you had to believe in the other. Didn't they say that Paris had the biggest rat population in the world? All those old sewers. But New York did well, too. And if he remembered his misspent youth well enough, not all the rats in New York City went on four legs. And what the hell was he doing parked in front of this decaying brownstone, thinking about rats anyway?

Five days ago, on June 14, he had been in sunny Southern California, home of hopheads, freak religions, the only c/w nightclubs in the world with gogo dancers, and Disneyland. This morning at quarter of four he had arrived on the shore of the other ocean, paying his toll to go across the Triborough Bridge. A sullen drizzle had been falling. Only in New York can an early summer drizzle seem so unrepentantly sullen. Larry could see the drops accreting on the Z's windshield now, as intimations of dawn began to creep into the eastern sky.

Dear New York: I've come home.

Maybe the Yankees were in town. That might make the trip worthwhile. Take the subway up to the Stadium, drink beer, eat hotdogs, and watch the Yankees wallop the piss out of Cleveland or Boston ...

His thoughts drifted off and when he wandered back to them he saw that the light had gotten much stronger. The dashboard clock read 6:05. He had been dozing. The rat had been real, he saw. The rat was back. The rat had dug himself quite a hole in the dead cat's guts. Larry's empty stomach did a slow forward roll. He considered beeping the horn to scare it away for good, but the sleeping brownstones with their empty garbage cans standing sentinel duty daunted him.

He slouched lower in the bucket seat so he wouldn't have to watch the rat eating breakfast. Just a bite, my good man, and then back to the subway system. Going out to Yankee Stadium this evening? Perhaps I'll see you, old chum. Although I really doubt that you'll see me.

The front of the building had been defaced with spray can slogans, cryptic and ominous: CHICO 116, ZORRO 93, LITTLE ABIE CHICO 116, ZORRO 93, LITTLE ABIE #1! When he had been a boy, before his father died, this had been a good neighborhood. Two stone dogs had guarded the steps leading up to the double doors. A year before he took off for the coast, vandals had demolished the one on the right from the forepaws up. Now they were both entirely gone, except for one rear paw of the left dog. The body it had been called into creation to support had entirely vanished, perhaps decorating some Puerto Rican junkie's crash-pad. Maybe #1! When he had been a boy, before his father died, this had been a good neighborhood. Two stone dogs had guarded the steps leading up to the double doors. A year before he took off for the coast, vandals had demolished the one on the right from the forepaws up. Now they were both entirely gone, except for one rear paw of the left dog. The body it had been called into creation to support had entirely vanished, perhaps decorating some Puerto Rican junkie's crash-pad. Maybe ZORRO 93 or LITTLE ABIE ZORRO 93 or LITTLE ABIE #1! had taken it. Maybe the rats had carried it away to some deserted subway tunnel one dark night. For all he knew, maybe they had taken his mother along, too. He supposed he should at least climb the steps and make sure her name was still there under the Apartment 15 mailbox, but he was too tired. #1! had taken it. Maybe the rats had carried it away to some deserted subway tunnel one dark night. For all he knew, maybe they had taken his mother along, too. He supposed he should at least climb the steps and make sure her name was still there under the Apartment 15 mailbox, but he was too tired.

No, he would just sit here and nod off, trusting to the last residue of reds in his system to wake him up around seven. Then he would go see if his mother still lived here. Maybe it would be best if she was gone. Maybe then he wouldn't even bother with the Yankees. Maybe he would just check into the Biltmore, sleep for three days, and then head back into the golden West. In this light, in this drizzle, with his legs and head still throbbing from the bringdown, New York had all the charm of a dead whore.

His mind began to drift away again, mulling over the last nine weeks or so, trying to find some sort of key that would make everything clear and explain how you could butt yourself against stone walls for six long years, playing the clubs, making demo tapes, doing sessions, the whole bit, and then suddenly make it in nine weeks. Trying to get that straight in your mind was like trying to swallow a doorknob. There had to be an answer, he thought, an explanation that would allow him to reject the ugly notion that the whole thing had been a whim, a simple twist of fate, in Dylan's words.

He dozed deeper, arms crossed on his chest, going over it and over it, and mixed up in all of it was this new thing, like a low and sinister counterpoint, one note at the threshold of audibility played on a synthesizer, heard in a migrainy sort of way that acted on you like a premonition: the rat, digging into the dead cat's body, munch, munch, just looking for something tasty here. It's the law of the jungle, my man, if you're in the trees you got to swing ...

It had really started eighteen months ago. He had been playing with the Tattered Remnants in a Berkeley club, and a man from Columbia had called. Not a biggie, just another toiler in the vinyl vineyards. Neil Diamond was thinking of recording one of his songs, a tune called "Baby, Can You Dig Your Man?"

Diamond was doing an album, all his own stuff except for an old Buddy Holly tune, "Peggy Sue Got Married," and maybe this Larry Underwood tune. The question was, would Larry like to come up and cut a demo of the tune, then sit in on the session? Diamond wanted a second acoustic guitar, and he liked the tune a lot.

Larry said yes.

The session lasted three days. It was a good one. Larry met Neil Diamond, also Robbie Robertson, also Richard Perry. He got mention on the album's inner sleeve and got paid union scale. But "Baby, Can You Dig Your Man?" never made the album. On the second evening of the session, Diamond had come up with a new tune of his own and that made the album instead.

Well, the man from Columbia said, that's too bad. It happens. Tell you what-why don't you cut the demo anyway. I'll see if there's anything I can do. So Larry cut the demo and then found himself back out on the street. In L.A. times were hard. There were a few sessions, but not many.

He finally got a job playing guitar in a supper club, crooning things like "Softly as I Leave You" and "Moon River" while elderly cats talked business and sucked up Italian food. He wrote the lyrics on scraps of notepaper, because otherwise he tended to mix them up or forget them altogether, chording the tune while he went "hmmmm-hmmmm, ta-da-hmmmm, " trying to look suave like Tony Bennett vamping and feeling like an asshole. In elevators and supermarkets he had become morbidly aware of the low Muzak that played constantly.

Then, nine weeks ago and out of the blue, the man from Columbia had called. They wanted to release his demo as a single. Could he come in and back it? Sure, Larry said. He could do that. So he had gone into Columbia's L.A. studios on a Sunday afternoon, double-tracked his own voice on "Baby, Can You Dig Your Man?" in about an hour, and then backed it with a song he had written for the Tattered Remnants, "Pocket Savior." The man from Columbia presented him with a check for five hundred dollars and a stinker of a contract that bound Larry to more than it did the record company. He shook Larry's hand, told him it was good to have him aboard, offered him a small, pitying smile when Larry asked him how the single would be promoted, and then took his leave. It was too late to deposit the check, so Larry ran through his repertoire at Gino's with it in his pocket. Near the end of his first set, he sang a subdued version of "Baby, Can You Dig Your Man?" The only person who noticed was Gino's proprietor, who told him to save the nigger bebop for the cleanup crew.

Seven weeks ago, the man from Columbia called again and told him to go get a copy of Billboard Billboard. Larry ran. "Baby, Can You Dig Your Man?" was one of three hot prospects for that week. Larry called the man from Columbia back, and he had asked Larry how he would like to lunch with some of the real biggies. To discuss the album. They were all pleased with the single, which was getting airplay in Detroit, Philadelphia, and Portland, Maine, already. It looked as if it was going to catch. It had won a late-night Battle of the Sounds contest for four nights running on one Detroit soul station. No one seemed to know that Larry Underwood was white.

He had gotten drunk at the luncheon and hardly noticed how his salmon tasted. No one seemed to mind that he had gotten loaded. One of the biggies said he wouldn't be surprised to see "Baby, Can You Dig Your Man?" carry off a Grammy next year. It all rang gloriously in Larry's ears. He felt like a man in a dream, and going back to his apartment he felt strangely sure that he would be hit by a truck and that would end it all. The Columbia biggies had presented him with another check, this one for $2,500. When he got home, Larry picked up the telephone and began to make calls. The first one was to Mort "Gino" Green. Larry told him he'd have to find someone else to play "Yellow Bird" while the customers ate his lousy undercooked pasta. Then he called everyone he could think of, including Barry Grieg of the Remnants. Then he went out and got standing-up falling-down drunk.

Five weeks ago the single had cracked Billboard Billboard's Hot One Hundred. Number eighty-nine. With a bullet. That was the week spring had really come to Los Angeles, and on a bright and sparkling May afternoon, with the buildings so white and the ocean so blue that they could knock your eyes out and send them rolling down your cheeks like marbles, he had heard his record on the radio for the first time. Three or four friends were there, including his current girl, and they were moderately done up on cocaine. Larry was coming out of the kitchenette and into the living room with a bag of Toll House cookies when the familiar KLMT slogan - Nyoooooo Nyoooooo ... ... meee-USIC! meee-USIC!-came on. And then Larry had been transfixed by the sound of his own voice coming out of the Technics speakers:

"I know I didn't say I was comin down, I know you didn't know I was here in town, But bay-yay-yaby you can tell me if anyone can, Baby, can you dig your man?

He's a righteous man, Tell me baby, can you dig your man?"

"Jesus, that's me," he had said. He dropped the cookies onto the floor and then stood gape-mouthed and stone-flabbergasted as his friends applauded.

Four weeks ago his tune had jumped to seventy-three on the Billboard Billboard chart. He began to feel as if he had been pushed rudely into an old-time silent movie where everything was moving too fast. The phone rang off the hook. Columbia was screaming for the album, wanting to capitalize on the single's success. Some crazy rat's ass of an A & R man called three times in one day, telling him he chart. He began to feel as if he had been pushed rudely into an old-time silent movie where everything was moving too fast. The phone rang off the hook. Columbia was screaming for the album, wanting to capitalize on the single's success. Some crazy rat's ass of an A & R man called three times in one day, telling him he had had to get in to Record One, not now but to get in to Record One, not now but yesterday, yesterday, and record a remake of the McCoys' "Hang On, Sloopy" as the follow-up. Monster! this moron kept shouting. Only follow-up that's possible, Lar! (He had never met this guy and already he wasn't even Larry but Lar.) It'll be a monster! I mean a fucking and record a remake of the McCoys' "Hang On, Sloopy" as the follow-up. Monster! this moron kept shouting. Only follow-up that's possible, Lar! (He had never met this guy and already he wasn't even Larry but Lar.) It'll be a monster! I mean a fucking monster! monster!

Larry at last lost his patience and told the monster-shouter that, given a choice between recording "Hang On, Sloopy" and being tied down and receiving a Coca-Cola enema, he would pick the enema. Then he hung up.

The train kept rolling just the same. Assurances that this could be the biggest record in five years poured into his dazed ears. Agents called by the dozen. They all sounded hungry. He began to take uppers, and it seemed to him that he heard his song everywhere. One Saturday morning he heard it on "Soul Train" and spent the rest of the day trying to make himself believe that, yes, that had actually happened.

It became suddenly hard to separate himself from Julie, the girl he had been dating since his gig at Gino's. She introduced him to all sorts of people, few of them people he really wanted to see. Her voice began to remind him of the prospective agents he heard over the telephone. In a long, loud, acrimonious argument, he split with her. She had screamed at him that his head would soon be too big to fit through a recording studio door, that he owed her five hundred dollars for dope, that he was the 1990s' answer to Zagar and Evans. She had threatened to kill herself. Afterward Larry felt as if he had been through a long pillow-fight in which all the pillows had been treated with a low-grade poison gas.

They had begun cutting the album three weeks ago, and Larry had withstood most of the "for your own good" suggestions. He used what leeway the contract gave him. He got three of the Tattered Remnants- Barry Grieg, Al Spellman, and Johnny McCall-and two other musicians he had worked with in the past, Neil Goodman and Wayne Stukey. They cut the album in nine days, absolutely all the studio time they could get. Columbia seemed to want an album based on what they thought would be a twenty-week career, beginning with "Baby, Can You Dig Your Man?" and ending with "Hang On, Sloopy." Larry wanted more.

The album cover was a photo of Larry in an old-fashioned clawfoot tub full of suds. Written on the tiles above him in a Columbia secretary's lipstick were the words POCKET SAVIOR POCKET SAVIOR and and LARRY UNDERWOOD LARRY UNDERWOOD. Columbia had wanted to call the album Baby, Can You Dig Your Man? Baby, Can You Dig Your Man? but Larry absolutely balked, and they had finally settled for a but Larry absolutely balked, and they had finally settled for a CONTAINS THE HIT SINGLE CONTAINS THE HIT SINGLE sticker on the shrink-wrap. sticker on the shrink-wrap.

Two weeks ago the single hit number forty-seven, and the party had started. He had rented a Malibu beachhouse for a month, and after that things got a little hazy. People wandered in and out, always more of them. He knew some, but mostly they were strangers. He could remember being huckstered by even more agents who wanted to "further his great career." He could remember a girl who had bum-tripped and gone screaming down the bone-white beach as naked as a nuthatch. He could remember snorting coke and chasing it with tequila. He could remember being shaken awake on Saturday morning, it must have been a week or so ago, to hear Kasey Kasem spin his record as a debut song at number thirty-six on "American Top Forty." He could remember taking a great many reds and, vaguely, dickering for the Datsun Z with a four-thousand-dollar royalty check that had come in the mail.

And then it was June 13, six days ago, the day Wayne Stukey asked Larry to go for a walk with him down the beach. It had only been nine in the morning but the stereo was on, both TVs, and it sounded like an orgy was going on in the basement playroom. Larry had been sitting in an overstuffed living room chair, wearing only underpants, and trying owlishly to get the sense from a Superboy Superboy comic book. He felt very alert, but none of the words seemed to connect to anything. There was no gestalt. A Wagner piece was thundering from the quad speakers, and Wayne had to shout three or four times to make himself understood. Then Larry nodded. He felt as if he could walk for miles. comic book. He felt very alert, but none of the words seemed to connect to anything. There was no gestalt. A Wagner piece was thundering from the quad speakers, and Wayne had to shout three or four times to make himself understood. Then Larry nodded. He felt as if he could walk for miles.

But when the sunlight struck Larry's eyeballs like needles, he suddenly changed his mind. No walk. Uh-uh. His eyes had been turned into magnifying glasses, and soon the sun would shine through them long enough to set his brains on fire. His poor old brains felt tinder-dry.

Wayne, gripping his arm firmly, insisted. They went down to the beach, over the warming sand to the darker brown hardpack, and Larry decided it had been a pretty good idea after all. The deepening sound of the breakers coming home was soothing. A gull, working to gain altitude, hung straining in the blue sky like a sketched white letter M.

Wayne tugged his arm firmly. "Come on."

Larry got all the miles he had felt he could walk. Except that he no longer felt that way. He had an ugly headache and his spine felt as if it had turned to glass. His eyeballs were pulsing and his kidneys ached dully. An amphetamine hangover is not as painful as the morning after the night you got through a whole fifth of Four Roses, but it is not as pleasant as, say, balling Raquel Welch would be. If he had another couple of uppers, he could climb neatly on top of this eight-ball that wanted to run him down. He reached in his pocket to get them and for the first time became aware that he was clad only in skivvies that had been fresh three days ago.

"Wayne, I wanna go back."

"Let's walk a little more." He thought that Wayne was looking at him strangely, with a mixture of exasperation and pity.

"No, man, I only got my shorts on. I'll get picked up for indecent exposure."

"On this part of the coast you could wrap a bandanna around your wingwang and let your balls hang free and still not get picked up for indecent exposure. Come on, man."

"I'm tired," Larry said querulously. He began to feel pissed at Wayne. This was Wayne's way of getting back at him, because Larry had a hit and he, Wayne, only had a keyboard credit on the new album. He was no different than Julie. Everybody hated him now. Everyone had the knife out. His eyes blurred with easy tears.

"Come on, man," Wayne repeated, and they struck off up the beach again.

They had walked perhaps another mile when double cramps struck the big muscles in Larry's thighs. He screamed and collapsed onto the sand. It felt as if twin stilettos had been planted in his flesh at the same instant.

"Cramps!" he screamed. "Oh man, cramps!"

Wayne squatted beside him and pulled his legs out straight. The agony hit again, and then Wayne went to work, hitting the knotted muscles, kneading them. At last the oxygen-starved tissues began to loosen.

Larry, who had been holding his breath, began to gasp. "Oh man," he said. "Thanks. That was ... that was bad."

"Sure," Wayne said, without much sympathy. "I bet it was, Larry. How are you now?"

"Okay. But let's just sit, huh? Then we'll go back."

"I want to talk to you. I had to get you out here and I wanted you straight enough so you could understand what I was laying on you."

"What's that, Wayne?" He thought: Here it comes. The pitch. But what Wayne said seemed so far from a pitch that for a moment he was back with the Superboy Superboy comic, trying to make sense of a six-word sentence. comic, trying to make sense of a six-word sentence.

"The party's got to end, Larry."

"Huh?"

"The party. When you go back. You pull all the plugs, give everybody their car keys, thank everyone for a lovely time, and see them out the front door. Get rid of them."

"I can't do that!" Larry said, shocked.

"You better," Wayne said.

"But why? Man, this party's just getting going!"

"Larry, how much has Columbia paid you up front?"

"Why would you want to know?" Larry asked slyly.

"Do you think I want to suck off you, Larry? Think."

Larry thought, and with dawning bewilderment he realized there was no reason why Wayne Stukey would want to put the arm on him. He hadn't really made it yet, was scuffling for jobs like most of the people who had helped Larry cut the album, but unlike most of them, Wayne came from a family with money and he was on good terms with his people. Wayne's father owned half of the country's third-largest electronic games company, and the Stukeys had a modestly palatial home in Bel Air. Bewildered, Larry realized that his own sudden good fortune probably looked like small bananas to Wayne.

"No, I guess not," he said gruffly. "I'm sorry. But it seems like every tinhorn cockroach-chaser west of Las Vegas-"

"So how much?"

Larry thought it over. "Seven grand up front. All told."

"They're paying you quarterly royalties on the single and biannually on the album?"

"Right."

Wayne nodded. "They hold it until the eagle screams, the bastards. Cigarette?"

Larry took one and cupped the end for a light.

"Do you know how much this party's costing you?"

"Sure," Larry said.

"You didn't rent the house for less than a thousand."

"Yeah, that's right." It had actually been $1,200 plus a $500 damage deposit. He had paid the deposit and half the month's rent, a total of $1,100 with $600 owing.

"How much for dope?" Wayne asked.

"Aw, man, you got to have something. It's like cheese for Ritz crackers-"

"There was pot and there was coke. How much, come on?"

"The fucking DA," Larry said sulkily. "Five hundred and five hundred. "

"And it was gone the second day."

"The hell it was!" Larry said, startled. "I saw two bowls when we went out this morning, man. Most of it was gone, yeah, but-"

"Man, don't you remember the Deck?" Wayne's voice suddenly dropped into an amazingly good parody of Larry's own drawling voice. "Just put it on my tab, Dewey. Keep 'em full."

Larry looked at Wayne with dawning horror. He did did remember a small, wiry guy with a peculiar haircut, a whiffle cut they had called it ten or fifteen years ago, a small guy with a whiffle haircut and a T-shirt reading remember a small, wiry guy with a peculiar haircut, a whiffle cut they had called it ten or fifteen years ago, a small guy with a whiffle haircut and a T-shirt reading JESUS IS COMING & IS HE PISSED JESUS IS COMING & IS HE PISSED. This guy seemed to have good dope practically falling out of his asshole. He could even remember telling this guy, Dewey the Deck, to keep his hospitality bowls full and put it on his tab. But that had been ... well, that had been days days ago. ago.

Wayne said, "You're the best thing to happen to Dewey Deck in a long time, man."

"How much is he into me for?"

"Not bad on pot. Pot's cheap. Twelve hundred. Eight grand on coke."

For a minute Larry thought he was going to puke. He goggled silently at Wayne. He tried to speak and he could only mouth: Ninety-two Ninety-two hundred? hundred?