Following is a transcription taken from the regular army band in San Francisco. The transcription was made from 7:28 to 7:30 P.M P.M., PST.

"Soldiers and brothers! We have taken the radio station, and the command HQ! Your oppressors are dead! I, Brother Zeno, until moments ago Sergeant First Class Roland Gibbs, proclaim myself first President of the Republic of Northern California! We are in control! We are in control! If your officers in the field try to countermand my orders, shoot them like dogs in the street! Like dogs! Like bitches with shit drying on their rumps! Take down name, rank, and serial numbers of deserters! List those that speak sedition or treason against the Republic of Northern California! A new day is dawning! The day of the oppressor is ended! We are-"

A rattle of machine-gun fire. Screams. Thumps and thuds. Pistol shots, more screams, a sustained burst of machine-gun fire. A long, dying moan. Three seconds of dead air.

"This is Major Alfred Nunn, United States Army. I am taking provisional and temporary control of United States forces in the San Francisco area. The handful of traitors present in this HQ have been dealt with. I am in command, repeat, in command. The holding operation will go on. Deserters and defectors will be dealt with as before: extreme prejudice, repeat, extreme prejudice. I am now-"

More gunfire. A scream.

Background: "-them all! all! Get them all! Death to the Get them all! Death to the war-pigs war-pigs-"

Heavy gunfire. Then silence on the band.

At 9:16 P.M. P.M., EST, those still well enough to watch television in the Portland, Maine, area, tuned in WCSH-TV and watched with numbed horror as a huge black man, naked except for a pink leather loincloth and a Marine officer's cap, obviously ill, performed a series of sixty-two public executions.

His colleagues, also black, also nearly naked, all wore loincloths and some badge of rank to show they had once belonged in the military. They were armed with automatic and semi-automatic weapons. In the area where a studio audience had once watched local political debates and "Dialing for Dollars," more members of this black "junta" covered perhaps two hundred khaki-clad soldiers with rifles and handguns.

The huge black man, who grinned a lot, showing amazingly even and white teeth in his coal-black face, was holding a .45 automatic pistol and standing beside a large glass drum. In a time that already seemed long ago, that drum had held scraps of cut-up telephone books for the "Dialing for Dollars" program.

Now he spun it, pulled out a driver's license, and called, "PFC Franklin Stem, front and center, puh-leeze." puh-leeze."

The armed men flanking the audience on all sides bent to look at name tags while a cameraman obviously new to the trade panned the audience in jerky sweeps.

At last a young man with light blond hair, no more than nineteen, was jerked to his feet, screaming and protesting, and led up to the set area. Two of the blacks forced him to his knees.

The black man grinned, sneezed, spat phlegm, and put the .45 automatic to PFC Stern's temple.

"No!" Stem cried hysterically. "I'll come in with you, honest to God I will! I'll-"

"Inthenameofthefathersonandholyghost," the big black man intoned, grinning, and pulled the trigger. There was a large smear of blood and brains behind the spot where PFC Stem was being forced to kneel, and now he added his own contribution.

Splat.

The black man sneezed again and almost fell over. Another black man, this one in the control room (he was wearing a green long-billed fatigue cap and pristine white jockey shorts), pushed the APPLAUSE APPLAUSE button, and in front of the studio audience, the sign flashed on. The blacks guarding the audience/prisoners raised their weapons threateningly, and the captive white soldiers, their faces glistening with perspiration and terror, applauded wildly. button, and in front of the studio audience, the sign flashed on. The blacks guarding the audience/prisoners raised their weapons threateningly, and the captive white soldiers, their faces glistening with perspiration and terror, applauded wildly.

"Next!" the black man in the loincloth proclaimed hoarsely, and delved into the drum again. He looked at the slip and announced: "Master Tech Sergeant Roger Petersen, front n center, puh-leeze!" puh-leeze!"

A man in the audience began to howl and made an abortive dive for the back doors. Seconds later he was up on stage. In the confusion, one of the men in the third row tried to remove the name tag pinned to his blouse. One shot banged out and he slumped down in his seat, his eyes glazed as if such a tawdry show had bored him into a deathlike semidoze.

This spectacle went on until almost quarter of eleven, when four squads of regular army, wearing respirators and carrying submachine guns, crashed into the studio. The two dying groups of soldiers immediately went to war.

The black man in the loincloth went down almost immediately, cursing, sweating, riddled with bullets, and firing his automatic pistol crazily into the floor. The renegade who had been operating the #2 camera was shot in the belly, and as he leaned forward to catch his spilling guts, his camera pivoted slowly around, giving the audience a leisurely pan shot of hell. The semi-naked guards were returning fire, and the soldiers in the respirators were spraying the entire audience area. The unarmed soldiers in the middle, instead of being rescued, found that their executions had only been speeded up.

A young man with carroty hair and a wild expression of panic on his face climbed over the backs of six rows of seats like a circus performer on stilts before his legs were chewed away by a stream of .45caliber bullets. Others crawled up the carpeted aisles between rows, their noses to the floor, the way they had been taught to crawl under live machine-gun fire in basic training. An aging sergeant with gray hair stood up, arms spread wide like a TV host, and screamed, "STAWWWWP!" "STAWWWWP!" at the top of his lungs. Heavy fire from both sides homed in on him and he began to jig-a-jig like a disintegrating puppet. The roar of the guns and the screams of the dying and wounded made the audio needles in the control room jump over to +50 dB. at the top of his lungs. Heavy fire from both sides homed in on him and he began to jig-a-jig like a disintegrating puppet. The roar of the guns and the screams of the dying and wounded made the audio needles in the control room jump over to +50 dB.

The camera operator fell forward over the handle that controlled his camera, and those watching were now given only a merciful view of the studio ceiling for the rest of the exchange. The gunfire diminished over a period of five minutes to isolated explosions, then to nothing. Only the screams went on.

At five minutes past eleven, the studio ceiling was replaced on home screens by a picture of a cartoon man who was staring glumly at a cartoon TV. On the cartoon TV was a sign that said: SORRY, WE'RE HAVING PROBLEMS! SORRY, WE'RE HAVING PROBLEMS!

As the evening wound toward its close, that was true of almost everyone.

In Des Moines, at 11:30 P.M. P.M., CST, an old Buick covered with religious stickers-HONK IF YOU LOVE JESUS, among others-cruised the deserted downtown streets relentlessly. There had been a fire in Des Moines earlier in the day that had burned most of the south side of Hull Avenue and Grandview Junior College; later there had been a riot that gutted most of the downtown area. among others-cruised the deserted downtown streets relentlessly. There had been a fire in Des Moines earlier in the day that had burned most of the south side of Hull Avenue and Grandview Junior College; later there had been a riot that gutted most of the downtown area.

When the sun went down, these streets had been filled with restlessly circling crowds of people, most of them under twenty-five, many riding choppers. They had broken windows, stolen TV sets, filled their gas tanks at service stations while watching for anyone who might have a gun. Now the streets were empty. Some of them-the bikers, mainly-were kicking out their remaining jams on Interstate 80. But most of them had crept into houses and locked the doors, already suffering with superflu or only terror of it as daylight left this flat green land. Now Des Moines looked like the aftermath of some monster New Year's Eve party after sodden sleep had claimed the last of the revelers. The Buick's tires whispered and crunched over the broken glass in the street and turned west from Fourteenth onto Euclid Avenue, passing two cars that had crashed head-on and now lay on their sides with their bumpers interlaced like lovers after a successful double homicide. There was a loudspeaker on top of the Buick's roof, and now it began to give off amplified boops and beeps, followed by the scratchy sounds of an old record's opening grooves, and then, blaring up and down the spectral, deserted streets of Des Moines came the sweetly droning voice of Mother Maybelle Carter, singing "Keep on the Sunny Side."

"Keep on the sunny side, on the sunny side, Always on the sunny side, Keep on the sunny side of life, Though your problems may be many It will seem you don't have any If you keep on the sunny side of life ..."

The old Buick cruised on and on, making figure eights, loops, sometimes circling the same block three or four times. When it hit a bump (or rolled over a body), the record would skip.

At twenty minutes to midnight, the Buick pulled over to the curb and idled. Then it began to roll again. The loudspeaker blared Elvis Presley singing "The Old Rugged Cross," and a night wind soughed through the trees and stirred a final whiff of smoke from the smoldering ruins of the junior college.

From the President's speech, delivered at 9 P.M. P.M., EST, not seen in many areas.

"... a great nation such as this must do. We cannot afford to jump at shadows like small children in a dark room; but neither can we afford to take this serious outbreak of influenza lightly. My fellow Americans, I urge you to stay at home. If you feel ill, stay in bed, take aspirin, and drink plenty of clear liquids. Be confident that you will feel better in a week at most at most. Let me repeat what I said at the beginning of my talk to you this evening: There is no truth-no truth-to the rumor that this strain of flu is fatal. In the greatest majority of cases, the person afflicted can expect to be up and around and feeling fine within a week. Further-"

[a spasm of coughing]

"Further, there has been a vicious rumor promulgated by certain radical anti-establishment groups that this strain of influenza has been somehow bred by this government for some possible military use. Fellow Americans, this is a flat-out falsehood, and I want to brand it as such right here and now. This country signed the revised Geneva Accords on poison gas, nerve gas, and germ warfare in good conscience and in good faith. We have not now nor have we ever-"

[a spasm of sneezes]

"-have we ever been a party to the clandestine manufacture of substances outlawed by the Geneva Convention. This is a moderately serious outbreak of influenza, no more and no less. We have reports tonight of outbreaks in a score of other countries, including Russia and Red China. Therefore we-"

[a spasm of coughs and sneezes]

"-we ask you to remain calm and secure in the knowledge that late this week or early next, a flu vaccine will be available for those not already on the mend. National Guardsmen have been called out in some areas to protect the populace against hooligans, vandals, and scare-mongers, but there is absolutely no truth to the rumors that some cities have been 'occupied' by regular army forces or that the news has been managed. My fellow Americans, this is a flat-out falsehood, and I want to brand it as such right here and ..."

Graffito written on the front of the First Baptist Church of Atlanta in red spray paint: "Dear Jesus. I will see you soon. Your friend, America. PS. I hope you will still have some vacancies by the end of the week."

CHAPTER 27.

Larry Underwood sat on a bench in Central Park on the morning of June 27, looking into the menagerie. Behind him, Fifth Avenue was crazily jammed with cars, all of them silent now, their owners dead or fled. Farther down Fifth, many of the posh shops were smoking rubble.

From where Larry sat he could see a lion, an antelope, a zebra, and some sort of monkey. All but the monkey were dead. They had not died of the flu, Larry judged; they had gotten no food or water for God knew how long, and that had killed them. All but the monkey, and in the three hours that Larry had been sitting here, the monkey had moved only four or five times. The monkey had been smart enough to outwit starvation or death by thirst-so far-but it surely had a good case of superflu. That was one monkey who was hurtin for certain. It was a hard old world.

To his right, the clock with all the animals chimed the hour of eleven. The clockwork figures which had once delighted all children now played to an empty house. The bear tooted his horn, a clockwork monkey who would never get sick (but who might eventually run down) played a tambourine, the elephant beat his drum with his trunk. Heavy tunes, baby, heavy fucking tunes. End of the World Suite Arranged for Clockwork Figures. End of the World Suite Arranged for Clockwork Figures.

After a bit the clock fell silent and he could hear the hoarse shouting again, now mercifully faint with distance. The monster-shouter was somewhere off to Larry's left this fine forenoon, perhaps in the Heckscher Playground. Maybe he would fall into the wading pool there and drown.

"Monsters coming!" the faint, hoarse voice cried. The overcast had broken this morning, and the day was bright and hot. A bee cruised past Larry's nose, circled one of the nearby flowerbeds, and made a three-point landing on a peony. From the menagerie came the soothing, soporific drone of the flies as they landed on the dead animals.

"Monsters coming now!" The monster-shouter was a tall man who looked to be in his middle sixties. Larry had first heard him the night before, which he had spent in the Sherry-Netherland. With night lying over the unnaturally quiet city, the faint, howling voice had seemed sonorous and dark, the voice of a lunatic Jeremiah floating through the streets of Manhattan, echoing, rebounding, distorting. Larry, lying sleepless in a queen-sized double with every light in the suite blazing, had become irrationally convinced that the monster-shouter was coming for him, seeking him out, the way the creatures of his frequent bad dreams sometimes did. For a long time it had seemed that the voice was drawing ever closer-Monsters coming! Monsters on the way! They're in the suburbs! -and Larry became convinced that the suite's door, which he had triple-locked, would burst inward and that the monster-shouter would be there ... not a human being at all but a gigantic troll-thing with the head of a dog and saucer-sized fly eyes and champing teeth. -and Larry became convinced that the suite's door, which he had triple-locked, would burst inward and that the monster-shouter would be there ... not a human being at all but a gigantic troll-thing with the head of a dog and saucer-sized fly eyes and champing teeth.

But earlier this morning Larry had seen him in the park and he was only a crazy old man wearing corduroy pants and zoris and horn-rimmed glasses with one bow taped. Larry had tried to speak to him and the monster-shouter had run in terror, crying back over his shoulder that the monsters would be in the streets at any moment. He had tripped over an ankle-high wire fence and went sprawling on one of the bikepaths with a loud comic thwap! thwap! sound, his glasses flying off but not shattering. Larry had gone to him, but before he could get there, the monster-shouter had scooped up his glasses and was gone toward the mall, crying his endless warning. So Larry's opinion of him had swung from extreme terror to utter boredom and mild annoyance in the space of twelve hours. sound, his glasses flying off but not shattering. Larry had gone to him, but before he could get there, the monster-shouter had scooped up his glasses and was gone toward the mall, crying his endless warning. So Larry's opinion of him had swung from extreme terror to utter boredom and mild annoyance in the space of twelve hours.

There were other people in the park; Larry had spoken to a few of them. They were all pretty much the same, and Larry supposed that he himself wasn't much different. They were dazed, their speech disjointed, and they seemed helpless to stop reaching for your sleeve with their hands as they talked. They had stories to tell. All the stories were the same. Their friends and relatives were dead or dying. There had been shooting in the streets, there had been an inferno on Fifth Avenue, was it true that Tiffany's was gone, could that be true? Who was going to clean up? Who was going to collect the garbage? Should they get out of New York? They had heard that troops were guarding all the places where one could hope to do this. One woman was terrified that the rats were going to rise up out of the subways and inherit the earth, reminding Larry uneasily of his own thoughts on the day he had first returned to New York. A young man munching Fritos from a gigantic bag told Larry conversationally that he was going to fulfill a lifetime ambition. He was going to Yankee Stadium, run around the outfield naked, and then masturbate on home plate. "Chance of a lifetime, man," he told Larry, winked with both eyes, and then wandered off, eating Fritos.

Many of the people in the park were sick, but not many had died there. Perhaps they had uneasy thoughts of being munched for dinner by the animals, and they had crawled indoors when they felt the end was near. Larry had had only one confrontation with death this morning, and one was all he wanted. He had walked up Transverse Number One to the comfort station there. He had opened the door and a grinning dead man with maggots crawling briskly hither and yon on his face had been seated inside, his hands settled on his bare thighs, his sunken eyes staring into Larry's own. A sickening sweet smell bloated out at Larry as if the man sitting there was a rancid bonbon, a sweet treat which, in all the confusion, had been left for the flies. Larry slammed the door shut, but belatedly : he lost the cornflakes he had eaten for breakfast and then dry-heaved until he was afraid he might rupture some of his inner workings. God, if You're there, he had prayed as he stumbled back toward the menagerie, if You're taking requests today, Big Fella, mine is not to have to look at anything else like that today. The kooks are bad enough, something like that is more than I can take. Thank You so much.

Now, sitting on this bench (the monster-shouter had moved out of earshot, at least temporarily), Larry found himself thinking about the World Series five years ago. It was good to remember that because, it now seemed to him, that was the last time he had been completely happy, his physical condition tiptop, his mind resting easily and not working against itself.

That had been just after he and Rudy split up. That had been a damn piss-poor thing, that split-up, and if he ever saw Rudy again (never happen, his mind told him with a sigh), Larry was going to apologize. He would get down and kiss Rudy's shoetops, if that was what Rudy needed to make it okay again.

They had started off across the country in a wheezy old 1968 Mercury that had shat its transmission in Omaha. From there on they would work for a couple of weeks, hitchhike west for a while, work another couple of weeks, then hitchhike some more. For a while they worked on a farm in western Nebraska, just below the panhandle, and one night Larry had lost sixty dollars in a poker game. The next day he'd had to ask Rudy for a loan to tide him over. They had arrived in L.A. a month later, and Larry had been the first to land a job-if you wanted to call washing dishes for the minimum wage working. One night about three weeks later, Rudy had broached the subject of the loan. He said he'd met a guy who'd recommended a really good employment agency, never miss, but the fee was twenty-five bucks. Which happened to be the amount of the loan he had made to Larry after the poker game. Ordinarily, Rudy said, he never would have asked, but- Larry had protested that he'd paid the loan back. They were square. If Rudy wanted the twenty-five, okay, but he just hoped Rudy wasn't trying to get him to pay off the same loan twice.

Rudy said he didn't want a gift gift; he wanted the money he was owed owed, and he wasn't interested in a lot of Larry Underwood bullshit, either. Jesus Christ, Larry said, trying a good-humored laugh. I never thought I'd need a receipt from you, Rudy. Guess I was wrong.

It had escalated into a full-scale argument, almost to the point of blows. At the end Rudy's face had been flushed. That's you, Larry, he'd shouted. That's you all over. That's how you are. I used to think I'd never learn my lesson, but I think I finally did. Fuck off, Larry.

Rudy left, and Larry followed him to the stairs of the cheap rooming house, digging his wallet out of his back pocket. There were three tens neatly folded into the secret compartment behind the photos and he had heaved them after Rudy. Go on, you cheap little lying fuck! Take it! Take the goddam money! Go on, you cheap little lying fuck! Take it! Take the goddam money!

Rudy had slammed the outer door open with a bang and had gone out into the night, toward whatever tin destiny the Rudys of this world can expect. He didn't look back. Larry had stood at the top of the stairs, breathing hard, and after a minute or so he had looked around for his three ten-dollar bills, gathered them up, and put them away again.

Thinking of the incident now and then over the years, he had become more and more sure that Rudy had been right. Actually, he was positive. Even if he had had paid Rudy back, the two of them had been friends since grade school, and it seemed (looking back) that Larry had always been a dime short for the Saturday matinee because he'd bought some licorice whips or a couple of candy bars on the way over to Rudy's, or borrowing a nickel to round out his school lunch money or getting seven cents to make up carfare. Over the years he must have bummed fifty dollars in change from Rudy, maybe a hundred. When Rudy had braced him for that twenty-five, Larry could remember the way he had tightened up. His brain had subtracted twenty-five dollars from the three tens, and had said to him: paid Rudy back, the two of them had been friends since grade school, and it seemed (looking back) that Larry had always been a dime short for the Saturday matinee because he'd bought some licorice whips or a couple of candy bars on the way over to Rudy's, or borrowing a nickel to round out his school lunch money or getting seven cents to make up carfare. Over the years he must have bummed fifty dollars in change from Rudy, maybe a hundred. When Rudy had braced him for that twenty-five, Larry could remember the way he had tightened up. His brain had subtracted twenty-five dollars from the three tens, and had said to him: That only leaves five bucks. Therefore, you already paid him back. I'm not sure just when, but you did. Let's have no more discussion of the matter. That only leaves five bucks. Therefore, you already paid him back. I'm not sure just when, but you did. Let's have no more discussion of the matter. And no more there had been. And no more there had been.

But after that he had been alone in the city. He had no friends, hadn't even attempted to make any at the cafe on Encino where he worked. The fact was, he'd believed everyone who worked there, from the evil-tempered head cook to the ass-wiggling, gum-chewing waitresses, had been a dipstick. Yes, he had really believed everyone at Tony's Feed Bag was a dipstick but him, the sainted, soon-to-succeed (and you better believe it) Larry Underwood. Alone in a world of dipsticks, he felt as achy as a whipped dog and as homesick as a man marooned on a desert island. He began to think more and more of buying a Greyhound AmeriPass and dragging himself back to New York.

In another month, maybe even another two weeks, he would have done it, too ... except for Yvonne.

He met Yvonne Wetterlen at a movie theater two blocks from the club where she worked as a topless dancer. When the second show let out, she had been weeping and searching around her seat on the aisle for her purse. It had her driver's license in it, also her checkbook, her union card, her one credit card, a photostat of her birth certificate, and her Social Security card. Although he was positive it had been stolen, Larry did not say so and helped her look for it. And sometimes it seemed they really must live in a world of wonders, because he had found it three rows down just as they were about to give up. He guessed it had probably migrated down there as a result of people shuffling their feet as they watched the picture, which had really been pretty boring. She had hugged him and wept as she thanked him. Larry, feeling like Captain America, told her he wished he could take her out for burgers or something to celebrate, only he was really strapped for cash. Yvonne said she'd treat. Larry, that great prince, had been pretty sure she would.

They started to see each other; in less than two weeks they had a regular thing going. Larry found a better job, clerking in a bookstore, and had gotten a gig singing with a group called The Hotshot Rhythm Rangers & All-Time Boogie Band. The name was the best thing about the group, actually, but the rhythm guitarist had been Johnny McCall, who later went on to form the Tattered Remnants, and that was actually a pretty good band.

Larry and Yvonne moved in together, and for Larry everything changed. Part of it was just having a place, his own place, that he was paying half the rent for. Yvonne put up some curtains, they got some cheap thrift-shop furniture and refinished it together, other members of the band and some of Yvonne's friends started to drop around. The place was bright in the daytime, and at night a fragrant California breeze, which seemed redolent with oranges even when the only thing it was really redolent with was smog, would drift in through the windows. Sometimes no one would come and he and Yvonne would just watch television, and sometimes she would bring him a can of beer and sit on the arm of his chair and rub his neck. It was his own place, a home home, goddammit, and sometimes he'd lie awake in bed at night with Yvonne sleeping beside him, and marvel at how good he felt. Then he would slip smoothly into sleep, and it was the sleep of the just, and he never did think of Rudy Marks at all. At least, not much.

They lived together for fourteen months, all of it fine until the last six weeks or so, when Yvonne got to be kind of a bitch, and the part of it that summed it all up for Larry was that World Series. He would put in his day at the bookstore, then go over to Johnny McCall's house and the two of them-the whole group only practiced on weekends, because the other two guys had night jobs-would work on some new stuff or maybe just hack away at the great oldies, the ones Johnny called "real bar-rippers," tunes like "Nobody but Me" and "Double Shot of My Baby's Love."

Then he'd go home, to his his home, and Yvonne would have dinner all ready. Not just TV dinners, shit like that, either. Real home cooking. Girl was well trained. And afterward they would go into the living room and turn on the tube and watch the Series. Later, love. It had seemed all right, it had all seemed his. There hadn't been one single thing hassling his mind. Nothing had been so good since then. Nothing. home, and Yvonne would have dinner all ready. Not just TV dinners, shit like that, either. Real home cooking. Girl was well trained. And afterward they would go into the living room and turn on the tube and watch the Series. Later, love. It had seemed all right, it had all seemed his. There hadn't been one single thing hassling his mind. Nothing had been so good since then. Nothing.

He realized he was crying a little bit, and he felt a momentary disgust that he should be sitting here on a bench in Central Park, crying in the sun like some wretched old man on a pension. Then it occurred to him that he had a right to cry for the things he had lost, that he had a right to be in shock if that was what this was.

His mother had died three days ago. She had been lying on a cot in the hallway of Mercy Hospital when she died, crammed in with thousands of others who were also busy dying. Larry had been kneeling beside her when she went, and he had thought he might go mad, watching his mother die while all around him rose the stench of urine and feces, the hell's babble of the delirious, the choking, the insane, the screams of the bereaved. She hadn't known him at the end; there had been no final moment of recognition. Her chest had finally just stopped in mid-heave and had settled very slowly, like the weight of an automobile settling down on a flat tire. He had crouched beside her for ten minutes or so, not knowing what to do, thinking in a confused way that he ought to wait until a death certificate was signed or someone asked him what had happened. But it was obvious what had happened, it was happening everywhere. It was just as obvious that the place was a madhouse. No sober young doctor was going to come along, express sympathy, and then start the machinery of death. Sooner or later his mother would just be carried away like a sack of oats, and he didn't want to watch that. Her purse was under the cot. He found a pen and a bobby pin and her checkbook. He tore a deposit slip from the back of her book and wrote on it her name, her address, and after a moment's calculation, her age. He clipped it to her blouse pocket with the bobby pin and began to cry. He kissed her cheek and fled, crying. He felt like a deserter. Being on the street had been a little better, although at that time the streets had been full of crazy people, sick people, and circling army patrols. And now he could sit on this bench and grieve for more general things: his mother's loss of her retirement, the loss of his own career, for that time in L.A. when he had sat watching the World Series with Yvonne, knowing there would be bed and love later, and for Rudy. Most of all he grieved for Rudy and wished he had paid Rudy his twenty-five dollars with a grin and a shrug, saving the six years that had been lost.

The monkey died at quarter of twelve.

It was on its perch, just sitting there apathetically with its hands drawn up under its chin, and then its eyelids fluttered and it fell forward and hit the cement with a final horrid smack.

Larry didn't want to sit there anymore. He got up and began to walk aimlessly down toward the mall with its large bandshell. He had heard the monster-shouter some fifteen minutes ago, very far away, but now the only sound in the park seemed to be his own heels clicking on the cement and the twitter of the birds. Birds apparently didn't catch the flu. Good for them.

When he neared the bandshell, he saw that a woman was sitting on one of the benches in front of it. She was maybe fifty, but had taken great pains to look younger. She was dressed in expensive-looking gray-green slacks and a silk off-the-shoulder peasant blouse ... except, Larry thought, as far as he knew, peasants can't afford silk. She looked around at the sound of Larry's footsteps. She had a pill in one hand and tossed it casually into her mouth like a peanut.

"Hi," Larry said. Her face was calm, her eyes blue. Sharp intelligence gleamed in them. She was wearing gold-rimmed glasses, and her pocketbook was trimmed with something that certainly looked like mink. There were four rings on her fingers: a wedding band, two diamonds, and a cat's-eye emerald.

"Uh, I'm not dangerous," he said. It was a ridiculous thing to say, he supposed, but she looked like she might be wearing about $20,000 on her fingers. Of course, they might be fakes, but she didn't look like a woman who would have much use for paste and zircons.

"No," she said, "you don't look dangerous. You're not sick, either." Her voice rose a little on the last word, making her statement into a polite half-question. She wasn't as calm as she looked at first glance; there was a little tic working on the side of her neck, and behind the lively intelligence in the blue eyes was the same dull shock that Larry had seen in his own eyes this morning as he shaved.

"No, I don't think I am. Are you?"

"Not at all. Did you know you have an ice cream wrapper on your shoe?"

He looked down and saw that he did. It made him blush because he suspected that she would have informed him that his fly was open in that same tone. He stood on one leg and tried to pull it off.

"You look like a stork," she said. "Sit down and try it. My name is Rita Blakemoor."

"Pleased to know you. I'm Larry Underwood."

He sat down. She offered her hand and he shook it lightly, his fingers pressing against her rings. Then he gingerly removed the ice cream wrapper from his shoe and dropped it primly into a can beside the bench that said IT'S IT'S YOUR YOUR PARK SO KEEP IT CLEAN! PARK SO KEEP IT CLEAN! It struck him funny, the whole operation. He threw his head back and laughed. It was the first real laugh since the day he had come home to find his mother lying on the floor of her apartment, and he was enormously relieved to find that the good feel of laughing hadn't changed. It rose from your belly and escaped from between your teeth in the same jolly go-to-hell way. It struck him funny, the whole operation. He threw his head back and laughed. It was the first real laugh since the day he had come home to find his mother lying on the floor of her apartment, and he was enormously relieved to find that the good feel of laughing hadn't changed. It rose from your belly and escaped from between your teeth in the same jolly go-to-hell way.

Rita Blakemoor was smiling both at him and with him, and he was struck again by her casual yet elegant handsomeness. She looked like a woman from an Irwin Shaw novel. Nightwork, Nightwork, maybe, or the one they had made for TV when he was just a kid. maybe, or the one they had made for TV when he was just a kid.

"When I heard you coming, I almost hid," she said. "I thought you were probably the man with the broken glasses and the queer philosophy. "

"The monster-shouter?"

"Is that what you call him or what he calls himself?"

"What I call him."

"Very apt," she said, opening her mink-trimmed (maybe) bag and taking out a package of menthol cigarettes. "He reminds me of an insane Diogenes."

"Yeah, just lookin for an honest monster," Larry said, and laughed again.

She lit her cigarette and chuffed out smoke.