To their housekeeping Andrea contributed only her handsome body with a contained cargo of unsuspected qualities and virtues that simply dazzled Paul as they cropped out upon the surface. In public a Tewana bears herself staidly, carrying a certain dignity of expression that of itself reveals how, of old, her forbears came to place limits to the ambition of the conquering Aztec and made even Spanish dominion little more than an uncomfortable name. Though, through courtship, Andrea's stern composure had shown no trace of a thaw, it yet melted like snow under a south wind when she was once ensconced in their little home.

Moreover, she unmasked undreamed of batteries, bewildering Paul with infinite variety of feminine complexities. She would be arch, gay, saucy, and in the next breath fall into one of love's warm silences, watching him with eyes of molten bronze. She taught him the love of the tropics without transcending modesty. Also she astonished him, negatively, by the absence of those wide differences of nature and feeling between her and the cultured women of his own land that reading in the primal school of fiction had led him to expect. He learned from her that woman is always woman under any clime or epoch. The greater strength of her physique lessened, perhaps, the vine-like tendency, yet she clung sufficiently to satisfy the needs of his masculinity; and she displayed the feminine unreason, at once so charming and irritating, with sufficient coquetry to freshen her love. Her greatest charm, however, lay in the dominant quality of brooding motherhood, the birthright of primal women and the very essence of femininity. After one of those sweet silences, she would steal on him from behind, and pull his head to her bosom with such a squeeze as a loving mother gives her son.

Yet, under even this mood, her laughter lay close to the surface, and nothing tapped its merry flow quicker than Paul's Spanish. Picking up the language haphazard, he had somehow learned to apply the verb _tumblar_ to describe the pouring out of coffee, and he clung to it after correction with a persistence that surely inhered in his dogged German blood. "_Tumbarlo el cafe_!" he would say, and she would repeat it, faithfully mimicking his accent.

"Tumble out the coffee!" following it with peals of laughter. Or, turning up a saucy face, she would ask, "Shall I tumble out more coffee?" and again the laughter which came as readily at her own misfit attempts at English.

These, few and simple, were learned of Bachelder's woman, and sprung on Paul as surprises on his return from visiting the mining properties, which required his frequent presence. For instance, slipping to his knee on one such occasion, with the great heart of her pulsing against him, she sighed: "I love thee, lovest thou me?"

A lesson from Bachelder pleased him less. Knowing Paul's pride in his German ancestry, and having been present when, in seasons of swollen pride, he had reflected invidiously in Andrea's presence on Mexico and all things Mexican, the artist, in a wicked moment, taught her to lisp "_Hoch der Kaiser_!" _lese-majeste_ that almost caused Paul a fainting-fit.

"You shouldn't have taught her that," he said to Bachelder. But the mischief was done. Whenever, thereafter, through torment of insect or obsession of national pride, he animadverted on her country, she silenced him with the treasonable expression.

She learned other than English from Bachelder's woman, sweating out the dog days in Rosa's kitchen, experimenting with the barbaric dishes Gringos love. She slaved for his comfort, keeping his linen, her house and self so spotlessly clean that as Paul's pa.s.sion waned, affection grew up in its place--the respectful affection that, at home, would have afforded a permanent basis for a happy marriage. When, a year later, their baby came, no northern benedict could have been more proudly happy.

Watching him playing with the child, Bachelder would wonder if his union also would terminate like all the others of his long experience. In her, for it was a girl baby, Paul's fairness worked out, as she grew, in marvelous delicacies of cream and rose, weaving, moreover, a golden woof through the brown of her hair. From her mother she took a lithe perfection of form. At two she was well started for a raving beauty, and as much through his love for her as for Andrea, Paul had come, like Bachelder, to swear by the Tewana women.

He might have been swearing by them yet, but his company's business suddenly called him north, and no man could have bidden a white wife more affectionate farewell or have been more sure of his own return. "It is a comfort to know that your woman won't go gadding while you are away, and that is more than a fellow can make sure of at home." These were his last words to Bachelder.

He was to be absent two months, but after he had reported adversely on a mine in Sonora, he was ordered to expert a group in far Guerrera, where the mountains turn on edge and earth tosses in horrible tumult. Then came a third order to report in New York for personal conference. Thus the months did sums in simple addition while Andrea waited, serenely confident of his return. Not that she lacked experience of deserted wives, or based hope on her own attractions. Her furious mother love simply could not form, much less harbor, the possibility of Paul's deserting their pretty Lola.

And, barring her loneliness, the year was kind to her, feeding her mother love with small social triumphs. For one, Lola was chosen to sit with three other tots, the most beautiful of Tewana's children, at the feet of the Virgin in the Theophany of the "Black Christ" at the eastern fiesta. From morning to mirk midnight, it was a hard vigil. By day the vaulted church reeked incense; by night a thousand candles guttered under the dark arches, sorely afflicting small, weary eyelids; yet Lola sat it out like a small thoroughbred, earning thereby the priest's kindly pat and her mother's devoted worship.

Then, on her third saint day, the small girl donned her first fiesta costume, a miniature of the heirlooms which descend from mother to daughter, each generation striving to increase the magnificence of the costume just as it strove to add to the gold pieces in the chain which did triple duty as h.o.a.rd, dowry and necklace. Andrea subtracted several English sovereigns from her own to start Lola's, and, with the American gold eagle, the gift of Bachelder, her _padrino_, G.o.dfather, they made an affluent beginning for so small a girl. As for the costume? Its silk, plush, velours, were worked by Andrea's clever fingers curiously and wondrously, even when judged by difficult Tewana standards. Bachelder painted the small thing, kneeling by her mother's side before the great gold altar. Her starched skirt, with its band of red velours, stands of itself leveling her head, so that she looks for all the world like a serious cherub peering out from a wonderfully embroidered bath-cabinet.

But ah! the serious devotion of the faces! The muse Bachelder had followed so faithfully was hovering closely when his soul flamed out upon that canvas. It ranks with his "Enganchada." Either would bring him fame, yet they rest, face to face, in a dusty locker, awaiting the day when time or death shall cure the ache that a glimpse of either brings him.

Two months after that canvas was put away, eighteen counting from the day of his departure, Bachelder walked, one day, down to the primitive post-office to see if the mail that was due from the little fishing port of Salina Cruz contained aught for him. _Waded_ would better describe his progress, for it was the middle of the rains; water filled the air, dropping in sheets from a livid sky; the streets were rivers running full over the cobble curbs. Such white planters as came in occasionally from the jungle country had been housefast upon their plantations for this month, and, having the town pretty much to himself, the artist's thought turned naturally to Paul, who used to bring doubtful mitigation to his isolation.

He had written the artist twice, but now six months had elapsed since the last letter. "He'll never come back," the artist muttered. "Poor Andrea! But it is better--now."

Warm with the pity the thought inspired, he turned the corner into the street that led to the post-office, and was almost run down by the first mule of a train that came driving through the rain.

"Bachelder!" the rider cried.

It was surely Paul. Pulling up his beast, he thrust a wet hand from under his rain poncha, then, turning in his saddle, he spoke to the woman who rode behind him, "Ethel, this is Mr. Bachelder."

The alternative had happened! As a small hand thrust back the hood of mackintosh, Bachelder found himself staring at a sweet face, while an equally sweet greeting was drowned by echoing questions in his mind.

"Good G.o.d!" he first thought. "Why did he bring her here?" And upon that immediately followed, "How ever did he get her?"

An evening spent with the pair at the small Mexican hotel increased his wonder. Pleasant, pretty, of a fine sensibility and intellectual without loss of femininity, the girl would have been fitly mated with a man of the finest clay. How could she have married Paul? Bachelder thought, and correctly, that he discerned the reason in a certain warmth of romantic feeling that tinged her speech and manner. Daughter of an Episcopal clergyman in Paul's native town, she had sighed for something different from the humdrum of small teas, dinners, parochial calls, and when Paul came to her with the glamour of tropical travel upon him, she married, mistaking the glamour for him.

"She loved me for the dangers I had pa.s.sed!" the artist mused, quoting Shakespeare, on his way home. "What a tragedy when she discovers him for a spurious Oth.e.l.lo!"

Dropping into the studio next morning, Paul answered the other question.

"Why not?" he asked, with a touch of ancestral stolidity. "My work is here. Andrea?" His next words plainly revealed that while his moral plating had cracked and peeled under tropical heat, the iron convention beneath had held without fracture. He began: "It was a beastliness that we committed----"

"That _you_ committed," Bachelder sharply corrected. "And what of the child?"

Blinking in the old fashion, Paul went on, "I was coming to that. She cannot be allowed to grow up a little Mexican. I shall adopt her and have her properly educated." Here he looked at Bachelder as though expecting commendation for his honorable intention, and, receiving none, went on, dilating on his plans for the child as if resolved to earn it.

Yet, setting aside this patent motive, it was easy to see as he warmed to his subject that Andrea had not erred in counting on Lola to bring him back. With her beauty she would do any man proud! The whole United States would not be able to produce her rival! She should have the best that money could give her!

Wondering at the curious mixture of cla.s.s egotism, paternal tenderness and twisted morality, Bachelder listened to the end, then said, "Of course, Mrs. Steiner approves of a ready-made family?"

Paul's proud feathers draggled a little, and he reddened. "Well--you see--she thinks Lola is the daughter of a dead mining friend. Some day, of course, I'll tell her. In fact, the knowledge will grow on her. But not now. It wouldn't do. She couldn't understand."

"No?" But the quiet sarcasm was wasted on Paul, and the artist continued, "Aren't you leaving Andrea out of your calculations?"

Paul ruffled like an angry gobbler. His eyes took on an ugly gleam, his jaw stuck out, his expression incarnated Teutonic obstinacy. "Oh, she'll have to be fixed. Luckily it doesn't take much to buy these savage women; their feelings are all on the surface. I'll give her the house, furniture, and a hundred dollars cash. That should make up for the loss of----"

"----a husband?" Bachelder's face darkened. Throughout the conversation he had worn an air of suppression, as though holding, by an effort, something back. Now he straightened with a movement that was a.n.a.logous to the flexure of a coiled spring. His lips opened, closed again, and he went on with his quiet questioning. "For a husband, yes. They are easy stock to come by. But not for the child of her labor. Supposing she refuses?"

Paul's eyes glinted under his frown. "Then the Jefe-Politico earns the hundred dollars and the law gives her to me."

The spring uncoiled. "Never! She died a month ago of yellow fever."

Under Teuton phlegm lies an hysteria that rivals that of the Latin races. Paul's flame died to ashes and he burst out sobbing, throwing his hands up and out with ungainly gestures. Looking down upon his awkward grief, Bachelder half regretted the just anger that caused him to slip the news like a lightning bolt; he would have felt sorrier but that he perceived Paul's sorrow rooted in the same colossal egotism that would have sacrificed the mother on the altars of its vast conceit. He knew that Paul was grieving for himself, for lost sensations of pride, love and pleasure that he could never experience again. When the ludicrous travesty had partly spent itself, he stemmed the tide with a question.

"If you don't care to see Andrea, I can make the settlements you hinted at."

Paul glanced up, stupidly resentful, through his tears. "The child is dead. That is all off."

"You will do nothing for her?" As much to prop an opinion of human nature that was already too low for comfort as in Andrea's interest, Bachelder asked the question.

"She has the house furnishings," Paul sullenly answered. "That leaves her a sight better off than she was before she knew me."

Rising, the artist walked over to the window. "The river is rising," he said, when he could trust himself to speak. "Another foot, and away goes the bridge. When do you go to the mine?"

"Tomorrow."

"Mrs. Steiner goes with you?"

"No, too wet."

Bachelder hesitated. "I'd offer you my quarters, but--you see I am neither married nor unmarried."

"No!" Paul agreed with ponderous respectability. "It would never do.

Besides, I've hired a house of the Jefe-Politico; the one that crowns the Promontory. When the rain slacks we'll move out to the mine."

"There is one thing I should like," he added as he rose to go. "If you would have a stone put over the child's grave--something nice--you're a better judge than me,--I'll----"

"Too late," the artist interrupted. "Andrea broke up her necklace; put savings of eighteen generations into the finest tomb in the cemetery."

He looked curiously at Paul, but his was that small order of mind which persistently fixes responsibility for the most inevitable calamity upon some person. To the day of his death he would go on taxing the child's death against Andrea; he did not even comment on this last proof of her devoted love.

After he was gone, Bachelder returned to his window, just in time to see the bridge go. A thin stream in summer, meandering aimlessly between wide banks, the river now ran a full half-mile wide, splitting the town with its yeasty race. An annual occurrence, this was a matter of small moment to the severed halves. Each would pursue the even tenor of its way till the slack of the rains permitted communication by canoe and the rebuilding of the bridge. But it had special significance now in that Andrea lived on the other bank.

He wondered if the news of Paul's return had crossed, muttering: "Poor girl, poor girl!" Adding, a moment later: "But happier than the other.

Poor little Desdemona!"