It seemed as though the old store was full of noises, for the fingers of decay never cease from picking and, in the silence of night, one can best hear their stealthy activities. Little falls of fragments sounded loudly, even echoed, in this great silence. There was almost a perpetual rustle and whisper; and once a thud and skurry, when a rat displaced a piece of mortar which fell from the rotting plaster. Dark though the heaven was and black the outer night, it had the quality that air never loses and she saw the sky as possessed of illumination in contrast with its setting of the broken window. Within all was blankly black; from above there came no sound.

She climbed to the window ledge, felt for the nails that Abel had hammered in to hold his feet and soon ascended through a large gap under the eaves of the store. Some shock had thrown out a piece of brickwork here. Seen from the ground the aperture looked trifling and had indeed challenged no attention; but it was large enough to admit a man.

For a moment Estelle stood in this aperture before entering the den within. She raised her voice, which fluttered after her climb, and called to him.

"Abel! Abel! It's Estelle."

There came the thought, even as she spoke, that he might answer with a bullet; but he answered not at all. She felt thankful for the silence and hoped that he might have deserted his retreat. Perhaps, indeed, he had never come to it; and yet it seemed impossible that he had for two days escaped capture unless here concealed. It occurred to her that he might wander out by night and return before day. He might even now be behind her, to intercept her return. Still no shadow of fear shook her mind or body. She felt not a tremor. All that concerned her conscience was now completed and she hoped that it would be possible to dismiss from her thoughts the fellow creature who had destroyed her joy of life and worked evil so far reaching. She could leave him now to his destiny and feel under no compulsion to relate the incidents of her nocturnal search. Had he been there, she would have risked the meeting, urged him to surrender and then left him if he allowed her to do so. She would never have given him up, or broken her promise to keep his secret.

But the chamber under the roof was large and she did not leave it without making sure that he was neither hiding nor sleeping within it.

She entered, lighted her candle and examined a triangular recess formed by the converging beams of the roof above her and the joists under her feet.

The boy had been busy here. There were evidences of him--evidences of a child rather than a man. Boyish forethought stared her in the face and staggered her by its ghastly incongruities with the things this premeditating youth had done. Here were provisions, not such as a man would have selected to stand a siege, but the taste of a schoolboy. She looked at the supplies spread here--tins of preserved food, packets of chocolate, bottles of ginger beer, bananas, biscuits. But it seemed that the h.o.a.rd had not been touched. One tin of potted salmon had been opened, but no part of the contents was consumed. Either accident had changed his purpose and frightened him elsewhere at the last moment, or the energies and activities that had gone to pile this acc.u.mulation were all spent in the process and now he did not need them.

Then she looked further, to the extremity of the den he had made, and there, lying comfortably on a pile of shavings, Estelle found him.

She guessed that the storm and stress of his crime had exhausted him and thrown him into heaviest possible physical slumber after great mental tribulation. She shuddered as she looked down on him and a revulsion, a loathing tempted her to creep away again before he awakened. She did not think of him as a patricide, nor did her own loss entirely inspire the emotion; she never a.s.sociated him with that, but kept him outside it, as she would have kept some insensible or inanimate object had such been responsible for Ironsyde's end. It was the sudden thought of all Raymond's death might mean--not to her but the world--that turned her heart to stone for a fearful second as she looked down upon the unconscious figure. Her own sorrow was sealed at its fountains for the time. But her sorrow for the world could not be sealed. And then came the thought that the insensible boy at her feet, escaping for a little while through sleep's primeval sanct.i.ty, was part of the robbed world also. Who had lost more than he by his unreason? If her heart did not melt then, it grew softer.

But there was more to learn before she left him and the truth can be recorded.

Abel had killed his father and hastened to his lair exultant. He had provided for what should follow and vaguely hoped that presently, before his stores were spent, the way would be clearer for escape. He a.s.sured himself safe from discovery and guessed that when a fortnight was pa.s.sed, he might safely creep out, reach a port, find work in a ship and turn his back upon England for ever.

That was his general plan before the deed. Afterwards all changed for him. He then found himself a being racked and over-mastered by new sensations. The desirable thing that he had done changed its features, even as death changes the features of life; the ideal, so n.o.ble and seemly before, when attained a.s.sumed such a shape as, in one of Abel's heredity, it was bound to a.s.sume. Not at once did the change appear, but as a cloud no bigger than a man's hand in the clear, triumphant sky of his achievement. Even so an apple, that once he had stolen and hidden, was bruised unknown to him and thus contained the seed of death, that made it rot before it was ripe. The decay spread and the fruit turned to filth before he could win any enjoyment from it.

He shook off the beginnings of doubt impatiently. He retraced his grievances and dwelt on the glory of his revenge as he reached his secret place after the crime. But the stain darkened in the heart of his mind; and before dawn crept through cracks in the roof above his lair, dissolution had begun.

Through the hours of that first day he lay there with his thoughts for company and a process, deepening, as dusk deepened, into remorse began to horrify him. He fought with all his might against it. He resented it with indignation. His gorge rose against it; he would have strangled it, had it been a ponderable thing within his power to destroy; but as time pa.s.sed he began to know it was stronger than he. It gripped his spirit with unconquerable fingers and slowly stifled him. Time crept on interminable. When the second night came, he was faint and turned to his food. He struggled with himself and opened a tin of salmon. But he could not eat. He believed that he would never eat again. He slept for an hour, then woke from terrifying dreams. His mind wandered and he longed to be gone and tear off his clothes and dip into the sea.

At dawn of the second day men were hunting the old stores, from its cellars to the attics below him. He heard them speaking under his feet and listened to two men who cursed him. They speculated whether he was too young to hang and hoped he might not be. Yet he could take pride in their failure to find him. There was, as he remembered, only one person in the world who knew of his eerie; but terror did not accompany this recollection. His exultation at the defeat of the searchers soon vanished, and he found himself indifferent to the thought that Estelle might remember.

He knew that his plans could not be fulfilled now: it was impossible for him to live a fortnight here. And then he began stealthily, fearfully, to doubt of life itself. It had changed in its aspect and invitation.

Its promises were dead. It could hold nothing for him as he had been told by Levi Baggs. The emotions now threatening his mind were such that he believed no length of days would ever dim them; from what he suffered now, it seemed that time's self could promise no escape. Life would be h.e.l.l and not worth living. At this point in his struggles his mind failed him and became disordered. It worked fitfully, and its processes were broken with blanks and breaks. Chaos marked his mental steps from this point; his feet were caught and he fell down and down, yet tried hard for a while to stay his fall. His consciousness began to decide, while his natural instincts struggled against the decision. Not one, but rival spirits tore him. Reason formed no part in the encounter; no arbiter arose between the conflicting forces, between a gathering will to die and escape further torment, and the brute will to live, that must belong to every young creature, happy or wretched.

The trial was long drawn out; but it had ended some hours before Estelle stood beside him.

She considered whether she should waken Abel and determined that she must do so, since to speak with him, if possible, she held her duty now.

He was safe if he wished to be, for she would never tell his secret. So she bent down with her light--to find him dead. He had shot himself through the right temple after sunset time of the second day.

Estelle stood and looked at him for a little while, then climbed back to earth and went away through the darkness to tell his mother that she was right.

THE END

The Human Boy and the War

BY EDEN PHILLPOTTS

In this book of stories Mr. Phillpotts uses his genial gift of characterization to picture the effect of the European War on the impressionable minds of boys--English school-boys far away from anything but the mysterious echo of the strange terrors and blood-stirring heroisms of battle, who live close only to the martial invitation of a recruiting station. There are stories of a boy who runs away to go to the front, teachers who go--perhaps without running; the school's contest for a prize poem about the war, and snow battles, fiercely belligerent, mimicking the strategies of Flanders and the Champagne.

They are deeply moving sketches revealing the heart and mind of English youth in war-time.

"The book is extraordinary in the skill with which it gets into that world of the boy so shut away from the adult world. It is entirely unlike anything else by Phillpotts, equal as it is to his other volumes in charm, character study, humor and interest. It is one of those books that every reader will want to recommend to his friends, and which he will only lend with the express proviso that it must be returned."--_New York Times_.

"In this book Mr. Phillpotts pictures a boy, a real human boy. The boy's way of thinking, his outlook upon life, his ambitions, his ideals, his moods, his peculiarities, these are all here touched with a kindly sympathy and humor."--_New York Sun_.

"Mr. Phillpotts writes from a real knowledge of the schoolboy's habit of thought. He writes with much humor and the result is as delightful and entertaining a volume as has come from his pen for some time."--_Buffalo Evening News_.

CHRONICLES OF ST. TID

BY EDEN PHILLPOTTS

"The gifts of the short-story writer are wholly Mr. Phillpotts'. Here, as elsewhere in his works, we have the place painted with the pen of an artist, and the person depicted with the skill of the writer who is inspired by all types of humanity."--_Boston Evening Transcript_.

"No one rivals Phillpotts in this peculiar domain of presenting an ancient landscape, with its homes and their inmates as survivals of a past century. There is nothing vague about his characters. They are undeniable personalities, and are possessed of a psychology all their own."--_The Chicago Tribune_.

THE BANKS OF COLNE

BY EDEN PHILLPOTTS

"Absorbing, written with sure power and a constant flow of humor.... Has the warm human glow of sympathy and understanding, and it is written with real mastery."--_New York Times_.

"A tale of absorbing interest from its start to the altogether unusual and dramatic climax with which it closes."--_Philadelphia Public Ledger_.

"Stands in the foremost rank of current fiction."--_New York Tribune_.

"His acute faculties of sympathetic observation, his felicitous skill in characterization, and his power to present the life of a community in all its multiple aspects are here combined in the most mature and absorbing novel of his entire career."--_Philadelphia Press_.

THE GREEN ALLEYS

BY EDEN PHILLPOTTS

"As long as we have such novels as _The Green Alleys_ and such novelists as Mr. Phillpotts, we need have no fears for the future of English fiction. Mr. Phillpotts' latest novel is a representative example of him at his best, of his skill as a literary creator and of his ability as an interpreter of life."--_Boston Transcript_.

"A drama of fascinating interest, lightened by touches of delicious comedy ... one of the best of the many remarkable books from the pen of this clever author."--_Boston Globe_.