The Spenders - Part 2
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Part 2

"Well, if you must know, Uncle Peter, this is what the notice says that come by wire to the _Ledge_ office," and he read doggedly:

"The young and beautiful Mrs. Bines, who had been accompanying her husband on his trip of inspection over the Sierra Northern, is prostrated by the shock of his sudden death."

The old man became for the first time conscious of the tears in his eyes, and, pulling down one of the blue woollen shirt sleeves, wiped his wet cheeks. The slow, painful blush of age crept up across the iron strength of his face, and pa.s.sed. He looked away as he spoke.

"I knew it; I knew that. My Dan'l was like all that Fris...o...b..nch. They get tangled with women sooner or later. I taxed Dan'l with it. I spleened against it and let him know it. But he was a man and his own master--if you can rightly call a man his own master that does them things. Do you know what-fur woman this one was, Billy?"

"Well, last time Dan'l J. was up to Skiplap, there was a swell party on the car--kind of a coppery-lookin' blonde. Allie Ash, the brakeman on No. 4, he tells me she used to be in Spokane, and now she'd got her hooks on to some minin' property up in the Coeur d'Alene. Course, this mightn't be the one."

The old man had ceased to listen. He was aroused to the need for action.

"Get movin', Billy! We can get down to Eden to-night; we'll have the moon fur two hours on the trail soon's the sun's gone. I can get 'em to drive me over to Skiplap first thing to-morrow, and I can have 'em make me up a train there fur Montana City. Was he--"

"Dan'l J. has been took home--the noozepaper says."

They turned back down the trail, the old man astride Billy Brue's horse, followed by his pack-mule and preceded by Billy.

Already, such was his buoyance and habit of quick recovery and readjustment under reverses, his thoughts were turning to his grandson.

Daniel's boy--there was the grandson of his grandfather--the son of his father--fresh from college, and the instructions of European travel, knowing many things his father had not known, ready to take up the work of his father, and capable, perhaps, of giving it a better finish. His beloved West had lost one of its valued builders, but another should take his place. His boy should come to him and finish the tasks of his father; and, in the years to come, make other mighty tasks of empire-building for himself and the children of his children.

It did not occur to him that he and the boy might be as far apart in sympathies and aims as at that moment they were in circ.u.mstance. For, while the old man in the garb of a penniless prospector, toiled down the steep mountain trail on a cheap horse, his grandson was reading the first news of his father's death in one of the luxurious staterooms of a large steam yacht that had just let down her anchor in Newport Harbour. And each--but for the death--had been where most he wished to be--one with his coa.r.s.e fare and out-of-doors life, roughened and seamed by the winds and browned by the sun to mahogany tints; aged but playing with boyish zest at his primitive sport; the other, a strong-limbed, well-marrowed, full-breathing youth of twenty-five, with appet.i.tes all alert and sharpened, pink and pampered, loving luxury, and prizing above all things else the atmosphere of wealth and its refinements.

CHAPTER IV.

The West Against the East

Two months later a sectional war was raging in the Bines home at Montana City. The West and the East were met in conflict,--the old and the new, the stale and the fresh. And, if the bitterness was dissembled by the combatants, not less keenly was it felt, nor less determined was either faction to be relentless.

A glance about the "sitting-room" in which the opposing forces were lined up, and into the parlour through the opened folding-doors, may help us to a better understanding of the issue involved. Both rooms were large and furnished in a style that had been supremely luxurious in 1878. The house, built in that year, of Oregon pine, had been quite the most pretentious piece of architecture in that section of the West.

It had been erected in the first days of Montana City as a convincing testimonial from the owner to his faith in the town's future. The plush-upholstered sofas and chairs, with their backs and legs of carved black walnut, had come direct from New York. For pictures there were early art-chromos, among them the once-prized companion pieces, "Wide Awake" and "Fast Asleep." Lithography was represented by "The Fisherman's Pride" and "The Soldier's Dream of Home." In the handicrafts there were a photographic reproduction of the Lord's Prayer, ill.u.s.trated originally by a penman with uncommon genius for scroll-work; a group of water-lilies in wax, floating on a mirror-lake and protected by a gla.s.s globe; a full-rigged schooner, built cunningly inside a bottle by a matricide serving a life-sentence in the penitentiary at San Quinten; and a mechanical canarybird in a gilded cage, acquired at the Philadelphia Centennial,--a bird that had carolled its death--lay in the early winter of 1877 when it was wound up too hard and its little insides snapped. In the parlour a few ornamental books were grouped with rare precision on the centre-table with its oval top of white marble. On the walls of the "sitting-room"

were a steel engraving of Abraham Lincoln striking the shackles from a kneeling slave, and a framed cardboard rebus worked in red zephyr, the reading of which was "No Cross, No Crown."

Thus far nothing helpful has been found.

Let us examine, then, the what-not in the "sitting-room" and the choice Empire cabinet that faces it from the opposite wall of the parlour.

The what-not as an American inst.i.tution is obsolete. Indeed, it has been rather long since writers referred to it even in terms of opprobrious sarcasm. The what-not, once the cherished shrine of the American home, sheltered the smaller household G.o.ds for which no other resting-place could be found. The Empire cabinet, with its rounding front of gla.s.s, its painted Watteau scenes, and its mirrored back, has come to supplant the humbler creation in the fulfilment of all its tender or mysterious offices.

Here, perchance, may be found a clue in symbol to the family strife.

The Bines what-not in the sitting-room was grimly orthodox in its equipment. Here was an ancient box covered with sh.e.l.l-work, with a wavy little mirror in its back; a tender motto worked with the hair of the dead; a "Rock of Ages" in a gla.s.s case, with a garland of pink chenille around the base; two dried pine cones brightly varnished; an old daguerreotype in an ornamental case of hard rubber; a small old alb.u.m; two small China vases of the kind that came always in pairs, standing on mats of crocheted worsted; three sea-sh.e.l.ls; and the cup and saucer that belonged to grandma, which no one must touch because they'd been broken and were held together but weakly, owing to the imperfections of home-made cement.

The new cabinet, haughty in its varnished elegance, with its Watteau dames and courtiers, and perhaps the knowledge that it enjoys widespread approval among the elect,--this is a different matter. In every American home that is a home, to-day, it demands attention. The visitor, after eyeing it with cautious side-glances, goes jauntily up to it, affecting to have been stirred by the mere impulse of elegant idleness. Under the affectedly careless scrutiny of the hostess he falls dramatically into an att.i.tude of awed entrancement. Reverently he gazes upon the priceless bibelots within: the mother-of-pearl fan, half open; the tiny cup and saucer of Sevres on their bra.s.s easel; the miniature Cupid and Psyche in marble; the j.a.panese wrestlers carved in ivory; the ballet-dancer in bisque; the coral necklace; the souvenir spoon from the Paris Exposition; the jade bracelet; and the silver snuff-box that grandfather carried to the day of his death. If the gazing visitor be a person of abandoned character he makes humourous pretence that the householder has done wisely to turn a key upon these treasures, against the ravishings of the overwhelmed and frenzied connoisseur. He wears the look of one who is gnawed with envy, and he heaves the sigh of despair.

But when he notes presently that he has ceased to be observed he sneaks cheerfully to another part of the room.

The what-not is obsolete. The Empire cabinet is regnant. Yet, though one is the lineal descendant of the other--its sophisticated grandchild--they are hostile and irreconcilable.

Twenty years hence the cabinet will be proscribed and its contents catalogued in those same terms of disparagement that the what-not became long since too dead to incur. Both will then have attained the state of honourable extinction now enjoyed by the dodo.

The what-not had curiously survived in the Bines home--survived unto the coming of the princely cabinet--survived to give battle if it might.

Here, perhaps, may be found the symbolic clue to the strife's cause.

The sole non-combatant was Mrs. Bines, the widow. A neutral was this good woman, and a well-wisher to each faction.

"I tell you it's all the same to me," she declared, "Montana City or Fifth Avenue in New York. I guess I can do well enough in either place so long as the rest of you are satisfied."

It had been all the same to Mrs. Bines for as many years as a woman of fifty can remember. It was the lot of wives in her day and environment early to learn the supreme wisdom of abolishing preferences. Riches and poverty, ease and hardship, mountain and plain, town and wilderness, they followed in no ascertainable sequence, and a superiority of indifference to each was the only protection against hurts from the unexpected.

This trained neutrality of Mrs. Bines served her finely now. She had no leading to ally herself against her children in their wish to go East, nor against Uncle Peter Bines in his stubborn effort to keep them West.

She folded her hands to wait on the others.

And the battle raged.

The old man, sole defender of the virtuous and stalwart West against an East that he alleged to be effete and depraved, had now resorted to sarcasm,--a thing that Mr. Carlyle thought was as good as the language of the devil.

"And here, now, how about this dog-luncheon?" he continued, glancing at a New York newspaper clutched accusingly in his hand. "It was give, I see, by one of your Newport cronies. Now, that's healthy doin's fur a two-fisted Christian, ain't it? I want to know. Shappyronging a select company of lady and gentlemen dogs from soup to coffee; pressing a little more of the dog-biscuit on this one, and seein' that the other don't misplay its finger-bowl no way. How I would love to read of a Bines standin' up, all in purty velvet pants, most likely, to receive at one of them bow-wow functions;--functions, I believe, is the name of it?" he ended in polite inquiry.

"There, there, Uncle Peter!" the young man broke in, soothingly; "you mustn't take those Sunday newspapers as gospel truth; those stories are printed for just such rampant old tenderfoots as you are; and even if there is one foolish freak, he doesn't represent all society in the better sense of the term."

"Yes, and _you_!" Uncle Peter broke out again, reminded of another grievance. "You know well enough your true name is Peter--Pete and Petie when you was a baby and Peter when you left for college. And you're ashamed of what you've done, too, for you tried to hide them callin'-cards from me the other day, only you wa'n't quick enough.

Bring 'em out! I'm bound your mother and Pish shall see 'em. Out with 'em!"

The young man, not without embarra.s.sment, drew forth a Russia leather card-case which the old man took from him as one having authority.

"Here you are, Marthy Bines!" he exclaimed, handing her a card; "here you are! read it! Mr. P. Percival Bines.' _Now_ don't you feel proud of havin' stuck out for Percival when you see it in cold print? You know mighty well his pa and me agreed to Percival only fur a middle name, jest to please you--and he wa'n't to be called by it;--only jest Peter or 'Peter P.' at most; and now look at the way he's gone and garbled his good name."

Mr. P. Percival Bines blushed furiously here, but rejoined, nevertheless, with quiet dignity, that a man's name was something about which he should have the ruling voice, especially where it was possible for him to rectify or conceal the unhappy choice of his parents.

"And while we're on names," he continued, "do try to remember in case you ever get among people, that Sis's name is Psyche and not Pish."

The blond and complacent Miss Bines here moved uneasily in her patent blue plush rocker and spoke for the first time, with a grateful glance at her brother.

"Yes, Uncle Peter, for mercy's sake, _do_ try! Don't make us a laughing-stock!" "But your name is Pish. A person's name is what their folks name 'em, ain't it? Your ma comes acrost a name in a book that she likes the looks of, and she takes it to spell Pish, and she ups and names you Pish, and we all calls you Pish and Pishy, and then when you toddle off to public school and let 'em know how you spell it they tell you it's something else--an outlandish name if spellin' means anything.

If it comes to that you ought to change the spellin' instead of the name that your poor pa loved."

Yet the old man had come to know that he was fighting a lost fight,--lost before it had ever begun.

"It will be a good chance," ventured Mrs. Bines, timidly, "for Pishy--I mean Sike--Sicky--to meet the right sort of people."

"Yes, I should _say_--and the wrong sort. The ingagin' host of them lady and gentlemen dogs, fur instance."

"But Uncle Peter," broke in the young man, "you shouldn't expect a girl of Psyche's beauty and fortune to vegetate in Montana City all her life. Why, any sort of brilliant marriage is possible to her if she goes among the right people. Don't you want the family to amount to something socially? Is our money to do us no good? And do you think I'm going to stay here and be a moss-back and raise chin whiskers and work myself to death the way my father did?"