"Yes, Keith had better look out," grinned the servant girl, "for the chimney sweep takes all bad little boys."

"I'll take you, if you talk like that," the black figure in the fire-place shot back at her.

The tone of his voice made Keith steal another glance at him. The white eyes shone right at him in a rather friendly fashion, and further down a huge red slit in the black face framed two rows of teeth no less white than the eyes. Keith guessed that the dark visitor from the chimney was smiling at him in a fashion that seemed to bode no harm.

In another minute the man was gone, and Keith hurried back to the living-room to ask a question of his mother:

"Could he really take me?"

"Not unless we gave him leave," she replied. "But sometimes, when little boys are very, _very_ bad, their parents turn them over to the sweep as apprentices, because they are not good for anything else."

Keith thought long and hard.

"I ain't bad," he declared at last.

"Not exactly," his mother remarked diplomatically "But you could be a great deal better. What were you doing in the kitchen just now? I have told you not to run out there all the time. Lena does not like you to get in her way, you know."

"But Granny is there," Keith protested.

"Yes, of course, and you must be nice to her, but...."

As his mother did not go on, Keith asked: "Why does Granny always stay in the kitchen?"

"Because she wants to," his mother answered.

"But why does she want to?"

"It is her way--a sort of pride she has. And I have long ago given up trying to persuade her."

Her tone indicated clearly that further discussion of the subject was not desirable.

X

Keith was playing in his own corner that very evening, trying to keep as quiet as possible while his father had an unusually late dinner. His mother had gone out into the kitchen a few moments earlier. Thence she returned suddenly with a half empty bottle in her hand and a look of extreme annoyance on her face.

"Carl," she said, "look what I just found in a corner of the cupboard."

"Humph," the father grunted with a sideglance at the bottle. "Ours is locked up, is it not?"

"Yes, but that is neither here nor there. She would rather die, she says, than touch a drop of ours."

"Where does she get it?"

"I can't make it out. Somebody must bring it in, of course. I fear it is Mrs. Karlgren, and I am simply going to tell her to keep away hereafter. The idea of her coming here practically begging, and then doing such a thing, after all I have done for her!"

"But you are not sure," the father objected earnestly, and Keith paid special notice to his objection because he had already learned, or divined, that his father could not bear the sight of the poor woman in question.

"No, it is impossible to be sure," the mother admitted. Then she added after a pause: "What puzzles me more than anything else is where she gets the money."

Though no name was mentioned, Keith knew perfectly well that they were speaking of Granny. And he recalled having laughed at her in the kitchen earlier in the evening before the father came home. Her eyes had a funny look and seemed a little inflamed. Her still thick braids were loosened and about to come entirely undone. She was talking more than usual and in a tone that suggested defiance.

As he recalled all this, Keith forgot to listen to his parents, who went on discussing so intently that he was able to leave his corner and reach the door to the kitchen unnoticed. An irresistible desire to see Granny at once had seized him. Back of it lay a vaguely sensed mixture of curiosity and sympathy.

Granny was in her favourite place beside the kitchen sofa, seated on a footstool almost as large as an ordinary chair, but somewhat lower. That stool was the one bone of contention between her and Keith, because he was carrying it off as often as he could get at it. Turned upside down, with Keith seated snugly between its four legs, it became a sleigh drawn across icy plains by a team of swift reindeer, or a ship rocking mightily on the high seas.

The kitchen was full of a peculiar sweetish smell, by which Keith knew without looking that Granny was dressing the old wound on her left leg that had developed "the rose" and would not heal. She was leaning far over, busy with a bandage which she wound tightly about her leg, from the ankle to the knee. The boy sniffed the familiar smell with a vague sense of discomfort, which, however, did not prevent him from going up to the grandmother and putting one arm about her neck.

"Old hurt is hard to mend," she muttered quoting one of the old saws always on her lips. Then without raising her head, she added in the peevish, truculent tone of a thwarted child: "You had better go back in there before they come and get you. I am nothing but a servant, and as such I know my place and keep it. I am less than a servant, for they wouldn't dare do to Lena what they do to me."

"Oh, yes, they would," Lena put in from across the room. "And they would have a right, too."

As if she had not heard at all, Granny sat up straight and looked hard at the boy.

"Whatever you do, Keith," she said, and he noticed that her voice sounded a little strange, "see that you make a lot of money when you grow up. To be poor is to have no rights, and the worst thing of all is to be dependent on others, no matter how near they are to you."

"I think Mrs. Carlsson is very ungrateful," said Lena. "There are thousands of old people who would give anything to have a nice home and nothing to worry over."

"Anybody can talk, but it takes a head to keep silent," said Granny impersonally, quoting another old saw. Then her manner changed abruptly and she turned to Keith effusively.

"Give me a kiss! You love your old Granny, don't you? You don't despise her, do you, because she has nothing and is nothing? And can be sure she loves you more than anybody else."

The boy's feelings were so mixed that he really could not feel anything at all. His arm was still about the grandmother's neck, mechanically he gave her the kiss she asked for, but it was with real relief he saw his mother open the door to the living-room and responded to her demand that he go to bed at once.

XI

Hardly any memory left behind by Keith's childhood was more acute than the image of Granny seated in the centre of the kitchen, her stolid, yet pleasant old face bent over some household task, and her whole figure instinct with a pa.s.sive protest against her enforced dependency or, maybe against life's arbitrariness in general. One moment she seemed to be brooding deeply, and the next she looked as if there was not a thought in her head. For one reason or another, her anomalous position and peculiar att.i.tude occupied Keith's mind a great deal, and many of the questions with which he plied his mother were concerned with Granny.

They were fairly discreet as a rule, but on the morning after the scene just described, some impulse of which he had no clear understanding made him perplex his mother with the abrupt question:

"Why does Granny drink?"

They were alone in the living-room at the time, she seated in her big easy chair by the window and he, as usual, kneeling on the ha.s.sock at her feet.

She looked up at him with as much surprise as if he had hit her viciously. A deeper red flowed into her cheeks that kept their soft pinkness even when she was thought at death's door and lost it only under the pressure of extreme anger.

At the same time a look came into her eyes that gave Keith a momentary scare. It was only a flash, however, and changed quickly into something like the helplessness that used to characterize her glance in moments of heavy depression. Her voice trembled a little as she spoke:

"Because Granny's life has been very hard, and not very happy."

"Tell me about it," urged the boy.

There was a long pause during which he watched his mother's face closely. Gradually its expression changed into one of resignation, and then into determination, as if she had made up her mind to be done once for all with a task that could not be avoided indefinitely. It was a long story she told, at first hesitatingly, then with an eagerness that betrayed an awakening purpose. Everything she said stuck deeply in the boy's mind, and whenever he thought of Granny's life afterwards, he had the impression of having learned all about it at that one time, although the likelihood is that many details were picked up by degrees and dovetailed into the memory of that first narrative as integral parts of it.

"Your grandmother was not born to be a servant," his mother began. "She was a rich man's daughter, and there was not a thing her father didn't want to do for her. Yet he left her in the hands of strangers who cheated her of her rights and treated her as if she had been a beggar...."