The Social Cancer - The Social Cancer Part 68
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The Social Cancer Part 68

"To get married when her first fiance is about to be hanged!"

"That's what's called prudence, having a substitute ready."

"Well, when she gets to be a widow--"

Maria Clara was seated in a chair arranging a salver of flowers and doubtless heard all these remarks, for her hand trembled, she turned pale, and several times bit her lips.

In the circle of men the conversation was carried on in loud tones and, naturally, turned upon recent events. All were talking, even Don Tiburcio, with the exception of Padre Sibyla, who maintained his usual disdainful silence.

"I've heard it said that your Reverence is leaving the town, Padre Salvi?" inquired the new major, whose fresh star had made him more amiable.

"I have nothing more to do there. I'm going to stay permanently in Manila. And you?"

"I'm also leaving the town," answered the ex-alferez, swelling up. "The government needs me to command a flying column to clean the provinces of filibusters."

Fray Sibyla looked him over rapidly from head to foot and then turned his back completely.

"Is it known for certain what will become of the ringleader, the filibuster?" inquired a government employee.

"Do you mean Crisostomo Ibarra?" asked another. "The most likely and most just thing is that he will be hanged, like those of '72."

"He's going to be deported," remarked the old lieutenant, dryly.

"Deported! Nothing more than deported? But it will be a perpetual deportation!" exclaimed several voices at the same time.

"If that young man," continued the lieutenant, Guevara, in a loud and severe tone, "had been more cautious, if he had confided less in certain persons with whom he corresponded, if our prosecutors did not know how to interpret so subtly what is written, that young man would surely have been acquitted."

This declaration on the part of the old lieutenant and the tone of his voice produced great surprise among his hearers, who were apparently at a loss to know what to say. Padre Salvi stared in another direction, perhaps to avoid the gloomy look that the old soldier turned on him. Maria Clara let her flowers fall and remained motionless. Padre Sibyla, who knew so well how to be silent, seemed also to be the only one who knew how to ask a question.

"You're speaking of letters, Senor Guevara?"

"I'm speaking of what was told me by his lawyer, who looked after the case with interest and zeal. Outside of some ambiguous lines which this youth wrote to a woman before he left for Europe, lines in which the government's attorney saw a plot and a threat against the government, and which he acknowledged to be his, there wasn't anything found to accuse him of."

"But the declaration of the outlaw before he died?"

"His lawyer had that thrown out because, according to the outlaw himself, they had never communicated with the young man, but with a certain Lucas, who was an enemy of his, as could be proved, and who committed suicide, perhaps from remorse. It was proved that the papers found on the corpse were forged, since the handwriting was like that of Senor Ibarra's seven years ago, but not like his now, which leads to the belief that the model for them may have been that incriminating letter. Besides, the lawyer says that if Senor Ibarra had refused to acknowledge the letter, he might have been able to do a great deal for him--but at sight of the letter he turned pale, lost his courage, and confirmed everything written in it."

"Did you say that the letter was directed to a woman?" asked a Franciscan. "How did it get into the hands of the prosecutor?"

The lieutenant did not answer. He stared for a moment at Padre Salvi and then moved away, nervously twisting the sharp point of his gray beard. The others made their comments.

"There is seen the hand of God!" remarked one. "Even the women hate him."

"He had his house burned down, thinking in that way to save himself, but he didn't count on the guest, on his _querida_, his _babaye_,"

added another, laughing. "It's the work of God! _Santiago y cierra Espana!_" [170]

Meanwhile the old soldier paused in his pacing about and approached Maria Clara, who was listening to the conversation, motionless in her chair, with the flowers scattered at her feet.

"You are a very prudent girl," the old officer whispered to her. "You did well to give up the letter. You have thus assured yourself an untroubled future."

With startled eyes she watched him move away from her, and bit her lip. Fortunately, Aunt Isabel came along, and she had sufficient strength left to catch hold of the old lady's skirt.

"Aunt!" she murmured.

"What's the matter?" asked the old lady, frightened by the look on the girl's face.

"Take me to my room!" she pleaded, grasping her aunt's arm in order to rise.

"Are you sick, daughter? You look as if you'd lost your bones! What's the matter?"

"A fainting spell--the people in the room--so many lights--I need to rest. Tell father that I'm going to sleep."

"You're cold. Do you want some tea?"

Maria Clara shook her head, entered and locked the door of her chamber, and then, her strength failing her, she fell sobbing to the floor at the feet of an image.

"Mother, mother, mother mine!" she sobbed.

Through the window and a door that opened on the azotea the moonlight entered. The musicians continued to play merry waltzes, laughter and the hum of voices penetrated into the chamber, several times her father, Aunt Isabel, Dona Victorina, and even Linares knocked at the door, but Maria did not move. Heavy sobs shook her breast.

Hours passed--the pleasures of the dinner-table ended, the sound of singing and dancing was heard, the candle burned itself out, but the maiden still remained motionless on the moonlit floor at the feet of an image of the Mother of Jesus.

Gradually the house became quiet again, the lights were extinguished, and Aunt Isabel once more knocked at the door.

"Well, she's gone to sleep," said the old woman, aloud. "As she's young and has no cares, she sleeps like a corpse."

When all was silence she raised herself slowly and threw a look about her. She saw the azotea with its little arbors bathed in the ghostly light of the moon.

"An untroubled future! She sleeps like a corpse!" she repeated in a low voice as she made her way out to the azotea.

The city slept. Only from time to time there was heard the noise of a carriage crossing the wooden bridge over the river, whose undisturbed waters reflected smoothly the light of the moon. The young woman raised her eyes toward a sky as clear as sapphire. Slowly she took the rings from her fingers and from her ears and removed the combs from her hair. Placing them on the balustrade of the azotea, she gazed toward the river.

A small banka loaded with zacate stopped at the foot of the landing such as every house on the bank of the river has. One of two men who were in it ran up the stone stairway and jumped over the wall, and a few seconds later his footsteps were heard on the stairs leading to the azotea.

Maria Clara saw him pause on discovering her, but only for a moment. Then he advanced slowly and stopped within a few paces of her. Maria Clara recoiled.

"Crisostomo!" she murmured, overcome with fright.

"Yes, I am Crisostomo," replied the young man gravely. "An enemy, a man who has every reason for hating me, Elias, has rescued me from the prison into which my friends threw me."

A sad silence followed these words. Maria Clara bowed her head and let her arms fall.

Ibarra went on: "Beside my mother's corpse I swore that I would make you happy, whatever might be my destiny! You can have been faithless to your oath, for she was not your mother; but I, I who am her son, hold her memory so sacred that in spite of a thousand difficulties I have come here to carry mine out, and fate has willed that I should speak to you yourself. Maria, we shall never see each other again--you are young and perhaps some day your conscience may reproach you--I have come to tell you, before I go away forever, that I forgive you. Now, may you be happy and--farewell!"

Ibarra started to move away, but the girl stopped him.

"Crisostomo," she said, "God has sent you to save me from desperation. Hear me and then judge me!"

Ibarra tried gently to draw away from her. "I didn't come to call you to account! I came to give you peace!"