The Siege of the Seven Suitors - Part 9
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Part 9

I had made a wrong turn on leaving the Prescott Arms, and I came out presently near Katonah village. I got my bearings of a shopkeeper and started again for Hopefield Manor; but the mid-afternoon was warm, and the hills were steep, and as Miss Hollister's admirable cob showed signs of weariness, I drove into a fence-corner and loosened the mare's check. On a sunny slope several hundred yards above the highway lay an orchard, advertised to the larcenous eye by the ruddiest of red apples.

Not in many years had I robbed an orchard, and I felt irresistibly drawn toward the gnarled trees, which were still, in their old age, abundantly fruitful.

When I reached the orchard I found it quite isolated, with only fallow fields, seamed with stone fences, stretching on either hand. A spring near by sent the slenderest of brooks flashing down the slope. There was no house in sight anywhere, and the neglected orchard flaunted its bright fruit with pathetic bravado. I drew down a bough and plucked my first apple, tasted, and found it good. At my palate's first responsive t.i.tillation, something whizzed past my ear, and following the flight of the missile, I saw an apple of goodly size fall and roll away into the gra.s.s. I had imagined myself utterly alone, and even now, as I looked guiltily around, no one was in sight. The apple had pa.s.sed my ear swiftly and at an angle quite un-Newtonian. It had been fairly aimed at my head, and the law of gravitation did not account for it. As I continued my scrutiny of the landscape, I was addressed by a voice whose accents were not objurgatory. Rather, the tone was good-natured and indulgent, if not indeed a trifle patronizing. The words were these:--

"Soup of the evening, beautiful soup!"

It was then that, lifting my eyes, I beheld, sitting lengthwise of the wall, with her feet drawn comfortably under her, a girl in a white sweater, bareheaded, munching an apple. There was no question of ident.i.ty: it was the girl whose head behind the cashier's grill of the Asolando had interested me on the occasion of my second visit to the tea-room. In soliciting my attention by reciting a line of verse, she had merely followed the rule of the tea-room in like circ.u.mstances.

The casting of the apple at my head possessed the virtue of novelty, but now that her shot was fired and her line spoken, she addressed herself again to her apple. Her manner implied indifference; but her unconcern was that of a trout not wishing to discourage the fisherman, feigning a languid interest in a familiar fly dropped at its nose.

While I tried to think of something to say, I pecked at my own apple, but kept an eye on her. She concluded her repast calmly and flung away the core.

"I mentioned soup," she remarked. "The courses are mixed. We have partaken of fruit. Are you fish, flesh, fowl, or good red herring?"

"Daughter of Eve, I will be anything you like. I 'm obliged for the apple, and I apologize for having entered Eden uninvited."

"It's not my Eden. n.o.body invited me. But it's not too much to say that these apples are grand."

"I 'm glad we 're both in the same boat. I 'm a trespa.s.ser myself. I don't even know the name of the owner. But if you have had only one apple, two more are coming to you, if you follow Atalanta's precedent."

"I don't follow precedents, and I 've forgotten the name of the boy who threw the apples in the race. It does n't matter, though; nothing matters very much."

Her hands clasped her knees. Her skirt was short, and I was conscious that she wore tan shoes. She continued to regard me with lazy curiosity. She seemed younger than at the Asolando. Not more than eighteen times had apples reddened on the bough in her lifetime! She was even slenderer and more youthful in her sweater than in the snowy vestments of the Asolando. Her hair which, in the glow of the lamp at Asolando cash-desk had been golden, was to-day burnished copper, and was brushed straight back from her forehead and tied with a black ribbon.

"I quite agree with your philosophy. Nothing is of great importance."

"So it's not your orchard?" she asked.

"The thought flatters me. I own no lands nor ships at sea. I 'm a chimney doctor, and if necessary I 'll apologize for it."

"You needn't submit testimonials; I take the swallows out of my own chimneys."

"That requires a deft hand, and I 'm sure you 're considerate of the swallows."

"You may come up here and sit on the wall if you care to. I saw you driving in a trap. I hope your horse is n't afraid of motors; motors speed scandalously on that road."

"I am not in the least worried about my horse. It's borrowed. As you remarked, this is a nice orchard. I like it here."

"If you are going to be silly, you will find me little inclined to nonsense."

"Shall we talk of the Asolando? I haven't been back since I saw you there. And yet,--let me see, is n't this your day there?"

She seemed greatly amused; and her laughter rose with a fountain-like spontaneity, and fell, a splash of musical sound, on the mellow air of the orchard. She had changed her position as I joined her, sitting erect, and kicking her heels lazily against the wall.

"Mr. Chimney Man, something terrible happened just after you left that afternoon. I was bounced, fired; I lost my job."

"Incredible! I 'm sure it was not for any good cause. I can testify that you were a model of attention; you were surpa.s.singly discreet.

You repelled me in the most delicate manner when I intimated that I should come often on the days that you made the change."

"The sad part of it was that that was not only my last day but my first! I had never been there before, except for a nibble now and then when I was in town. But I could n't stand it. It was like being in jail; in fact, I think jail would be preferable. But I 'm glad I spent that one day there. It proved what I have long believed, that I am a barbarian. That poetry on the walls of the Asolando made me tired, not that it is n't good poetry, but that the walls of a tea-shop are no place for it. I always suspect that people who like their poetry framed, and who have uplift mottoes stuck in mirrors where they can study them while they brush their hair in the morning, never really get any poetry inside of them. You need a place like this for poetry,--an old orchard, with blue sky and a crumbly wall to sit on. I tried the Asolando as a lark, really, not because I 'm deeply entertained by that sort of thing. They dispensed with my company because I remarked to one of the silly girls who are making the Asolando their life-work that I thought the English Pre-Raphaelites had carried the dish-face rather too far. The girl to whom I uttered this heresy was so shocked she dropped a tea-cup,--you know how brittle everything is in there,--and I came home. You were really the only adventure I got out of my day there. And I did n't find you entirely satisfactory."

"Thank you, Francesca, for these confidences. And having lost your position you are now free to roam the hills and dream on orchard walls.

Your scheme of life is to my liking. I can see with half an eye that you were born for the open, and that the walls of no prison-house can ever hold you again."

She nodded a dreamy acquiescence. Then she turned two very brown eyes full upon me and demanded:--

"What is your name, please?"

I mentioned it.

"And you doctor chimneys? That sounds very amusing."

"I 'm glad you like it. Most people think it absurd."

"What are you doing here? There's not a chimney in sight."

"Oh, I have a commission in the neighborhood. Hopefield Manor; you may have heard of Miss Hollister's place."

"Of course; every one knows of her."

"And now that I think of it, it was she about whom you asked in the Asolando that afternoon. You wanted to know what she said about the tea-room."

"I remember perfectly."

She was quiet for a moment, then she threw back her head and laughed that rare laugh of hers.

"You might let me into the joke."

"It would n't mean anything to you. I have a lot of private jokes that are for my own consumption."

"Your way of laughing is adorable. I hope to hear more of it. In the Asolando you repulsed me in a manner that won my admiration, but I venture to say now that, if you roam these pastures, I am the gra.s.s beneath your feet; and if yonder tuneful water be sacred to you, I sit beside the brook to learn its song."

"You talk well, sir, but from your tone I fear you can't forget that we met first in the Asolando. That day of my life is past, and I am by no means what you might call an Asolandad. I don't seem to impress you with that fact. I 'm a human being, not to be picked like a red apple, or trampled upon like gra.s.s, or listened to as though I were a foolish little brook. I 'm greatly given to the highway, and I prefer macadam.

I like asphalt pavements, too, for the matter of that. I should love a motor, but lacking the coin I pedal a bicycle. My wheel lies down there in the bushes. You see, Mr. Chimney Man, I am a plain-spoken person and have no intention of deceiving you. My name was Francesca for one day only. It may interest you to know that my real name is Hezekiah."

"Hezekiah!"

I must have shouted it; she seemed startled by my violence.

"You have p.r.o.nounced it correctly," she remarked.

"Then you are Cecilia's sister and Miss Hollister's niece."

"Guilty."

"And you live?"--

"Over there somewhere, beyond that ridge," and she waved her hand vaguely toward the village and laughed again.

"Pray tell me what this particular joke is: it must be immensely funny," I urged, struggling with these new facts.