"It was a hard life, but it had the satisfaction. But it was hard. Terrible hard in them old days. You'll hear stories would turn your hair blue overnight and I'm the boy could tell 'em. There was some wild, lawless places, a man did what he wanted. Guess you know about that, being who you are! But things changed. When the d.a.m.n place give up on the hard times and swapped 'em in for confederation with Canada what did we get? Slow and sure we got government. Oh yar, Joey Smallwood said 'Boys, pull up your boats, b.u.m your flakes, and forget the fishery; there will be two jobs for every man in Newfoundland.' " He laughed mirthlessly, showing Quoyle four teeth, lit another cigarette.

[65] "Well, I was a sucker, I believed him. I went along with everything the first ten years or so. Sure, I wanted them things, too, the electricity and roads, telephone, radio. Sure I wanted health care, mail service, good education for me kids. Some of it come in. But not the jobs.

"And the fishing's went down, down, down, forty years sliding away into nothing, the G.o.dd.a.m.n Canada government giving fishing rights to every country on the face of the earth, but regulating us out of business. The d.a.m.n foreign trawlers. That's where all the fish is went. Then the b.l.o.o.d.y Greenpeace trying to shut down the sealing. O.k., I says, back when I see I couldn't make it on fish no more, o.k. I says, I'll get smart, I'll get with it, get on the government plan. So, I goes to the Canada Manpower office at Killick-Claw and says, 'Here I am. Need a job. What you got for me to do?'

"And they says, 'What can you do?'

" 'Well,' I says, 'I can fish. Worked in the woods in the winter.'

" 'No, no, no. We don't want fishermen. We'll train you in a marketable skill.' See, they're bringing in industry. Jobs for everybody. First thing they got me into a d.a.m.n tannery down to Go Slow Harbor. There was only ten or fifteen men working there because it wasn't in full production. The skill they learned me was throwing these stinking hides, come from where, Argentina or somewhere, into vats. I done that all day long for four days, then they ran out of hides and no more come in, so we just stood around or swept the floors. Couple more months the tannery went belly-up. So I goes back home and fishes long as I could. Then to Canada Manpower again.

" 'Fix me up,' I says. 'I needs another job.' "

" 'What can you do?' they says.

" 'I can fish, I can cut wood, I can throw hides in a vat all day long, sweep floors.'

" 'No, no, no. We'll train you. Industrialization of Newfoundland.' They send me down to St. John's where there's a big new plant that's going to make industrial machinery, all kinds of machines, feed mills, crushing machinery for rocks and peanuts, diamond drills, grinders. That was one h.e.l.l of place. Big. I never seen [66] nothing like it. Five-million-dollar plant. But n.o.body in it. So I go down there, I get a room I shared with some stinking old bug, I wait. I was down there, half starving, finding what I could for a quarter a day waiting for that d.a.m.n plant to open up. Son of a b.i.t.c.h never did. Never turned out a single thing. So I goes back home and fishes the season.

"Come fall, I hit Manpower again and says, 'It's gettin' rough. I need that job.' At that time I still believed they was going to find something for me, what with the industrialization and all. 'Well,' the Manpower feller says, never misses a beat, 'there's heartbreak in every trade, Jack. But we're looking out for you. We're going to put you in the Third Mill over to Hyphenville. Going to make cardboard liners.' I worked in that nuthouse for three months. It closed down. They told me next, with my experience, I could get a good job either at the new oil refinery at Bird Wing or at the Eden Falls power project. The refinery wasn't operative yet they said, so they helped me fill out this job application about two miles long, told me to go home and wait for the letter from Eden Falls. I'm still waiting. Yar, they started it up, all right, but there's only a very few of jobs. So I stayed home, doing what fishing I could. Lean times. My wife was sick, we're on the pinch end of things. It was the worst time. We'd lost our oldest boy, you know. So back I goes.

" 'Look, boys, things is hard. I needs a job.' They said they had the perfect thing for me. Saving it all these trial years. And it was right across the Omaloor Bay, a glove factory! Right out there, Quoyle, right out there by your place on the point. They was going to make gloves there, leather gloves. Made it sound like the government built the thing just for me. They said I was a natural for a job due to my experience in the tannery. I was practically a master craftsman of the leather trade! I could prob'ly get an overseer's job! Wasn't I some glad? They got the ferry going. Big crowd showed up to go to work first day. Well, you believe it, we went over there, went inside, there was a lot of people standing around, a nice cafeteria, big stainless steel vats for dyeing, sewing machines and cutting tables. Only two things they didn't have-somebody who [67] knew how to make gloves, and the leather. See, the leather for the gloves was supposed to come from the tannery I worked at years before, but it had folded and n.o.body ever told the guys building the glove factory, n.o.body ever told Canada Manpower. That was that.

"So I'm on my way home across the bay, the ferry's making its second and last run. And I'm thinking. I'm thinking, 'If I'd knew this sucker didn't have no leather I could have saved myself a trip.' Now, how do you know things? You read 'em in the paper! There wasn't no local paper. Just that government mouthpiece down to St. Johns, The Sea Lion The Sea Lion. So I says, not knowing nothing about it, hardly able to write a sentence-I only got to 'Tom's Dog' in school-but I made up my mind that if they could start a glove factory with no leather or n.o.body that knew how to make 'em, I could start a newspaper.

"So I goes over to Canada Manpower and I says, 'I want to start a newspaper. You fellows think you can help me out?'

" 'How many people you gonna employ?' they says. I takes a wild flyer. 'Fifty. Once I gets going,' I says. ' 'Course there has to be a training period,' I says. 'Develop skills.' They ate it up. They give me boxes and boxes of forms to fill out. That's when my trouble begun, so I got Billy Pretty to give over his fishing and come on board. He writes a beautiful hand, can read like a government man. We done it.

"They sent me off to Toronto to learn about the newspaper business. They give me money. What the h.e.l.l, I hung around Toronto what, four or five weeks, listening to them rave at me about editorial balance, integrity, the new journalism, reporter ethics, service to the community. Give me the fits. I couldn't understand the half of what they said. Learned what I had to know finally by doing it right here in my old shop. I been running Gammy Bird Gammy Bird for seven years now, and the circulation is up to thirteen thousand, gaining every year. All along this coast. Because I know what people want to read about. And no arguments about it. for seven years now, and the circulation is up to thirteen thousand, gaining every year. All along this coast. Because I know what people want to read about. And no arguments about it.

"First I hired Billy, then Tert Card. Good men. Out there in Toronto half the place was filled up with women yakking and [68] laughing and looking the men over, or them looking the women over. Not working at all. Billy knows all you have to know to write the women's stuff up. He's an old bachelor can cook like h.e.l.l. My wife, Mrs. Buggit, looks it over just in case. I know what my readers wants and expects and I gives 'em that. And what I say goes. I don't want to hear no journalism ideas from you and we'll get along good."

Stopped talking to light another cigarette. He looked at Quoyle whose legs had gone to sleep. Nodding slowly into his hand.

"O.k., Mr. Buggit, I'll do my best."

"Call me Jack. Now here's the rundown on this paper. First of all, I runs the show. I'm the skipper.

"Billy Pretty covers the Home Page, writes Scruncheons-don't you tell n.o.bODY n.o.bODY he's junior Sugg-handles local news, councils and education. There is more government in Canada than any other place in the world. Almost half the population works for the government and the other half is worked on. And what we got on the local level is meetings up and down the coast going on every minute of the day. Billy does some of the crime, too. And there's more of it than there used to be. See, what used to be called fun and high jinks they now calls vandalism and a.s.sault. Billy Pretty. He's been with me since I started he's junior Sugg-handles local news, councils and education. There is more government in Canada than any other place in the world. Almost half the population works for the government and the other half is worked on. And what we got on the local level is meetings up and down the coast going on every minute of the day. Billy does some of the crime, too. And there's more of it than there used to be. See, what used to be called fun and high jinks they now calls vandalism and a.s.sault. Billy Pretty. He's been with me since I started Gammy Bird Gammy Bird."

"I covered the munic.i.p.al beat at the Record Record," Quoyle croaked, his voice seized up.

"I just told you Billy does that. Now there's Nutbeem writes the foreign, provincial and national news, gets his stories off the radio and rewrites. Also covers s.e.xual abuse. He can't hardly keep up. We run two or three S.A. stories every week, one big one on the front page, the others inside. He does the sports, too, and fillers, some features, but we're not so big on features. He's only been on this paper for seven or eight months. And I won't say he's perfect. He's temporary, anyway. YOU HEAR THAT NUTBEEM? YOU HEAR THAT NUTBEEM?"

"Indeed," from the outer office.

"Tert Card stands in for me when I'm not here, he's the managing editor and a lot of other things. Hands out the a.s.signments, typeset, pasteup, takes the mechanicals to the printer in [69] Misky Bay, does the labels and mailing, distribution, fills in on some local stories if he's got time. Been here couple years. I heard a lot of complaints about Tert Card and typos, but typos are part of Gammy Bird Gammy Bird.

"Takes care of the ads. Any fishing stories, I want to hear about 'em first. I knows the problems, being as I'm still in the fishery.

"Now, what I want you to do. I want you cover local car wrecks, write the story, take pictures. We run a front-page photo of a car wreck every week, whether we have a wreck or not. That's our golden rule. No exceptions. Tert has a big file of wreck pictures. If we don't have a fresh one, we have to dip into his file. But we usually have a couple of good ones. The Horncup crowd keeps us supplied. Tert will show you where the camera is. You give the film to him. He develops it at home.

"And the shipping news. Get the list from the harbormaster. What ships come into Killick-Claw, what ones goes out. There's more every year. I got a hunch about this. We're going to play it by ear. See what you can do."

"Like I said on the phone," said Quoyle, "I haven't had much experience with ships." Car wrecks! Stunned with the probabilities of blood and dying people.

"Well, you can tell your readers that or work like h.e.l.l to learn something. Boats is in your family blood. You work on it. And fill in where Tert Card tells you."

Quoyle smiled stiffly, got up. His hand was on the doork.n.o.b when Jack Buggit spoke again.

"One more thing. I'm not no joke, Quoyle, and I don't never want to hear jokes about Newfoundland or Newfoundlanders. Keep it in mind. I hates a Newfie joke."

Quoyle came out of the office. Car wrecks. Stared at the tattered phone books.

"Quoyle!" whispered Nutbeem. "Ahoy, Quoyle, you're not going to go weepy on us, are you? You're not going to go running [70] back to the States, are you? We're counting on you, Quoyle. We're building a cargo cult around you, Quoyle."

Jack Buggit stuck his head out the gla.s.s door.

"Billy! Elvis have his pups yet?"

"Yar, he did. Last week. Three of 'em. Every one of 'em's black with white feet."

"Well, I want one of them pups." The door shut again.

8.

A Slippery Hitch "On shipboard the knot is seldom called for, but in small boats, especially open boats that are easily capsized, the necessity frequently arises for instant casting off, and the SLIPPERY HITCH is found indispensable."

THE ASHLEY BOOK OF KNOTS.

"I DON'T think I can handle this job," said Quoyle. Who had swallowed two beers and eaten a bag of stale popcorn at the Sea Anchor in Killick-Claw wondering if he was strapped into a mistake like a pa.s.senger in a plane that briefly rises, then crashes on the runway. think I can handle this job," said Quoyle. Who had swallowed two beers and eaten a bag of stale popcorn at the Sea Anchor in Killick-Claw wondering if he was strapped into a mistake like a pa.s.senger in a plane that briefly rises, then crashes on the runway.

The aunt looked up. She sat on the round bed, knitting a cloud of angora as fast as a machine, Warren slumped at her feet, only the scarlet-rimmed eyes moving. Bunny tear-stained in a chair with a torn cushion. The chair faced a corner of the room. Sunshine ran at Quoyle, bellowing.

"Daddy, she bit me. Bunny bit me on the leg." She showed Quoyle two semicircular dents on her thigh.

"She started it!" shouted Bunny. Scowling like Beethoven.

[72] "You're a rotten bitey s.h.i.t!" bawled Sunshine.

"For G.o.d's sake, pipe down," said the aunt. "Nephew, we've got to do something. These children need a place to go. Out at the house, if we had a lion tamer, we could have them weeding potatoes and sweeping, washing dishes and windows instead of clawing and biting each other. They're cooped up here. And Warren's half dead from lack of exercise."

"Guess what, Dad," said Sunshine. "Warren threw up under your bed."

"She's not herself, that's certain," muttered the aunt. "What did you say about your job?" Brittle voice.

"I said I don't think I can do it. This paper's not like anything I know. The editor's kind of crazy. Jack Buggit. I don't know the area or the people yet and he wants me to cover car wrecks. I can't cover car wrecks. You know why. I think of what happened. Car wrecks. Ships. I doubt we can move out to the house, either. The station wagon won't last a week on that road. How will I get back and forth to work? I suppose we could buy a truck with four-wheel drive and heavy-duty shocks, but it means hours of driving. What about renting something here in Killick-Claw?"

The aunt drove her needles furiously. Wool twitched through her fingers.

"Of course you can do the job. We face up to awful things because we can't go around them, or forget them. The sooner you get it over with, the sooner you say 'Yes, it happened, and there's nothing I can do about it,' the sooner you can get on with your own life. You've got children to bring up. So you've got to get over it. What we have to get over, somehow we do. Even the worst things."

Sure, get over it, thought Quoyle. Ten-cent philosophy. She didn't know what he had been through. Was going through.

"Now, I've spent the whole week looking, dragging these kids around Killick-Claw in Tom Rock's taxicab looking for some, thing-a house, apartment, even a couple of rooms. I've got to get my business started up. I've mentioned this every night. But your mind is somewhere else." Wondered how long he would keep [73] wallowing in the dead woman's grave. "We've all got to get a grip here and pull together."

"You're right, Aunt. And I'm sorry you've had to do all the looking." He was here and there was nothing to go back to.

"Well, I haven't found much, either. There is a dark little room with old Mrs. Speck. The government told her to change the sheets and put out a bed-and-breakfast sign. It is worse than this dump, though cheaper. But there's only room for one person. Seems to be a housing shortage in Killick-Claw. Place is having a boom." Her sentences speeding up, tripping out as if to catch time with the clicking needles.

"It's like I said, we need a boat. Cross the bay in half an hour. Foolish to waste money renting a house when we have the old family place right over there that only needs fixing up. I talked today to a carpenter. Dennis Buggit, lives in Killick-Claw. He's not doing much. Says he can work on it right away. His wife is going to take care of the girls tomorrow and I'll go over to the house with Dennis, work up some estimates, see what's involved. Beety, that's the wife. Thinking of starting a day-care in her house. Best news I heard since we got here. These two," jerking her head, "could be the first and best customers."

Bunny kicked the wall. Sniveled.

The only word Quoyle heard was "boat." "Aunt, I don't know anything about boats. They are expensive. They are uncomfortable. They are dangerous. You need a dock or something. I don't want a boat."

"Afraid it's the sensible answer. Unless you want to stay here at a hundred and something a night. That's two days work for the carpenter." Barking. Her eyes hot.

Quoyle pressed the b.u.t.tons of the television set, forgetting it was dead.

"It doesn't work, Daddy," sobbed Sunshine.

"I hate this place." Bunny, kicking at the wall with her scuffed shoes. "I want to go in a boat. I want to go fix the green house where the aunt was born and have my own room. I will sweep the floor if we can go, Daddy. I'll do everything."

[74] "Let's go have supper," muttered Quoyle. "I can't handle this right now."

"The dining room is closed to the public tonight. It's the curling championship dinner. They fixed us some chowder, but we'll have to go get it ourselves and eat it here in the room."

"I want meat," said Bunny. "I want meat chowder."

"Too bad," said the aunt rather savagely, "it's not on the menu." To herself she added, eat fish or die.

Tert Card in a red shirt and white necktie, on the phone: Billy Pretty on the other line. Billy laughing, choking out dark sentences Quoyle couldn't understand, almost another language. Drumming rain, the bay stippled. The gas heater howled in the corner.

Quoyle looked at Nutbeem. "Is a guy named Dennis Buggit related to Jack? A carpenter? The aunt's talking to him about fixing up the old house. We've got to do something. We can't stay in that d.a.m.n motel much longer. And the road out to the Point is lousy and there's nothing for rent in Killick-Claw. I don't know what we're going to do. I'll move back to the States before I buy a boat.

Nutbeem dragged his jaw down, raised both hands in mock horror. "Don't like boats? Can be rather amusing, you know. Practical for a place that's all coast and cove and little road. That's how I ended up here, you know, because of my boat. Borogove Borogove. I call her that because she's mimsy, a bit." Nutbeem's transitory talk. Theatrical speeches like a stump-jumper's spiel, urgent at the time, but forgotten by morning and the speaker on the way to another place.

Quoyle's notebook propped on his tea mug, a half-finished paragraph on a truck accident in the manual typewriter. Everyone else had a computer.

"You'll get one when I give you one," Jack Buggit had said. But not meanly.

"Dennis is Jack's youngest son," said Tert Card, who heard everything, leaning toward them, his foul breath spouting across the room. "He don't get along with the old man. Used to be the [75] apple of the old man's eye, especially after they lost poor Jesson, but not now. You never know, Jack might take it wrong if Dennis works for you. Then again, he might not." The phone trilled like a toy whistle.

"That's him now," said Card, who always knew, and picked it up.

"Gammy Bird! Yut, o.k. Got you, Skipper." Hung up, swiveled his chair, looked at the marred sea. Laughed. "Billy! What do you think. He's up at the house with double earache. Says 'You won't see me until tomorrow or next day.' " Yut, o.k. Got you, Skipper." Hung up, swiveled his chair, looked at the marred sea. Laughed. "Billy! What do you think. He's up at the house with double earache. Says 'You won't see me until tomorrow or next day.' "

"I thought it would be cracked ribs this time," said Nutbeem. "Earache is good. We haven't had that one yet." The phone rang.

"Gammy Bird! Yut, o.k., o.k. What's your number? Hold on. Nutbeem, Marcus's Irving station down in Four Hands Cove is on fire. You take it?" Yut, o.k., o.k. What's your number? Hold on. Nutbeem, Marcus's Irving station down in Four Hands Cove is on fire. You take it?"

"Why don't don't you get a boat, Quoyle?" Billy Pretty shouted from his corner. He had two laundry baskets on his desk, one of molded plastic, the other of hand-woven stems. you get a boat, Quoyle?" Billy Pretty shouted from his corner. He had two laundry baskets on his desk, one of molded plastic, the other of hand-woven stems.

Quoyle pretended he had not heard. But couldn't avoid Nutbeem at the next desk who pushed his radio away, looked excitedly at Quoyle. His face creased, his fingers tapped a beat, remnant of his time in Bahia mesmerized by afoxes afoxes and and bloco afros bloco afros, the music of drums and metal cones, spangled thumb cymbals, the stuttering repique. Nutbeem influenced by the lunar cycle. Had a touch of werewolf. At full moon he burst, talked himself dry, took exercise in the form of dancing and fighting at the Starlight Lounge, then slowly fell back to contemplation.

Before Bahia, Nutbeem said, he had hung around Recife, working for a rum-poached ex-London Times man who put out a four-pager in a mixture of languages. man who put out a four-pager in a mixture of languages.

"That's where I got my first idea of owning a boat," said Nutbeem, choosing a date from the packet on his desk. "It was living on the coast, I think, seeing boats and water every day. Seeing the jangadas jangadas-these extraordinary little fishing boats, just a platform of half a dozen skinny logs-something like balsa-pinned together with wooden dowels and lashed with fiber. Wind driven, steered with an oar. The world was all knots and lashings once- [76] flex and give, that was the way it went before the brute force of nails and screws. Tells you something, eh? From a distance the fishermen look like they're standing on the water. In fact, they are. The water washes right over the platform. Over their feet." He was up and pacing, raising his chin to the ceiling.

Billy kicked in. "That's how the old komatiks, the sleds, was made. There wasn't a nail in them. All lashed with sinew and rawhide."

Nutbeem ignored the interruption. "I liked the way the boats looked, but I didn't do anything about it. After a blowup with the feculent Times Times bloater-lying there on his waterbed playing the paper comb and drinking black rum-I flew up to Houston, Texas-don't ask me why-and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn't have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that f.u.c.king bicycle seat which was, by that time, welded into the crack of me a.r.s.e, if ever I got pried off the thing I'd take to the sea and never leave her." bloater-lying there on his waterbed playing the paper comb and drinking black rum-I flew up to Houston, Texas-don't ask me why-and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn't have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that f.u.c.king bicycle seat which was, by that time, welded into the crack of me a.r.s.e, if ever I got pried off the thing I'd take to the sea and never leave her."

The phone rang again.

"Gammy Bird! Yut. Yut, Jack, he's here. No, Nutbeem's just gone to cover a fire. Marcus's Irving station. Four Hands Cove. I dunno. They just give me a number. Yut. O.k. Soon's he comes in. Quoyle, it's Jack again. For you." Yut. Yut, Jack, he's here. No, Nutbeem's just gone to cover a fire. Marcus's Irving station. Four Hands Cove. I dunno. They just give me a number. Yut. O.k. Soon's he comes in. Quoyle, it's Jack again. For you."

"What stories you done this week?" Voice bullets shooting out of the receiver and into his ear.

"Uh. The truck wreck. I just finished that."

"What wreck was that?"

"A semi lost it on the curve coming down into Desolation and rolled. Loaded with new skimobiles. Half of them fell in the water [77] and every boat in the harbor started hauling them out with grapnels. Driver jumped. n.o.body hurt."

"Don't forget the shipping news." The phone went dead.

"NUTBEEM! You better get on that fire before it's out and you can't get any nice pictures of leaping flames. And take the camera. It's helpful when you have to take pictures." Scratchy sarcasm.

"Why don't you get a nice little rodney?" said Billy Pretty. "Oh now's the time to pick up a beauty. You could jig for guffies on the weekend, get your picture took by tourists. You'd look good in a boat."

But Nutbeem wasn't ready to leave. "So, Quoyle, there I was back in London, starving again. At least I had my tape collection intact. But I knew I had to have a boat. I was in despair. You may think that the equation is 'boat and water.' It's not. It's 'money and boat.' The water is not really necessary. That's why you see so many boats in backyards. Not having any money I was in despair. I spent an entire year reading books about boats and the sea. I began to hang about boatyards. There was one place where two young chaps were building a rowboat. They seemed to be doing a lot of planing-I've always thought planing rather jolly-and it came to me. Just like that. I would build my own boat. And I would sail it across the Atlantic."

"NUTBEEM!" roared Card.