The light came fast now, and with my gla.s.s I could bring the hill-top near. I could make out the Parthenon--also the Temple of Victory, I thought, and those marble women who have seen races pa.s.s and nations crumble, and religions fade back into fable and the realm of shades. It was all aglow, presently--a vision! So many wonderful mornings, we have had, but none like this. Nor can there be so many lives that hold in them a sunrise on the Acropolis from the Bay of Phaleron.

I lost no time in getting on deck, but it seemed that everybody was there ahead of me. They were strung along the rail, and each one had his gla.s.s, or his neighbor's, and was pointing and discoursing and argufying and having a beautiful time. The Diplomat was holding forth on the similarity of modern and ancient Greek, and was threatening to use the latter on the first victim that came within range. The Patriarch, who is religious when he happens to think about it, was trying to find Mars Hill, where St. Paul preached; the Credulous One was pointing out to everybody Lykabettos Hill as Mt. Ararat (information obtained from the Horse-Doctor), while the Apostle and the Colonel were quarrelling fiercely over a subject which neither of them knew anything about--the rise of Christianity in Greece.

I got into a row myself, presently, with one of the boys, just because I happened to make some little cla.s.sical allusion-- I have forgotten what it was now, and I didn't seem to know much about it then, from what he said. We were all stirred up with knowledge, brought face to face with history, as we were, and bound to unload it on somebody. Only the Music-Master wasn't. A little apart from any group, he stood clutching the rail, his face shining with a light that was not all of the morning, gazing in silence at his hill of dreams.

We went ash.o.r.e in boats that had pretty Greek rugs in them, and took a little train on which all the cars were smoking-cars (there are no other kind in Greece), and we looked out the windows trying to imagine we were really in Greece where once the G.o.ds dwelt; where Homer sang and Achilles fought; where the first Argonauts set sail for the Golden Fleece. I wish we could have met those voyagers before they started.

They wouldn't have needed to go then. They could have taken the Golden Fleece off of this crowd if they had anything to sell in that Argosy of theirs, and their descendants are going to do it yet. I know from the conversation that is going on behind me. The Mill and a lot of her boon companions are doing the talking, and it is not of the cla.s.sic ruins we are about to see, but of the lace they bought in Malta and Gibraltar, and of the embroidery they are going to buy in Greece.

Our chariots were waiting at the station--carriages, I mean, nice modern ones--and we were started in a minute, and suddenly there was the Theseum, the best preserved of Greek ruins, I believe, right in front of us, though we did not stop for it then. But it was startling--that old, discolored temple standing there unenclosed, unprotected, unregarded in the busy midst of modern surroundings.

We went swinging away down a fine street, staring at Greek signs and new types of faces; the occasional native costume; the little panniered donkeys lost in their loads of fruit. I was in a carriage with Laura and the Diplomat, and the Diplomat translated Greek signs, rejoicing to find that he could make out some of the words; also that he could get a rise out of the driver when he spoke to him, though it wasn't certain whether the driver, who was a very large person in a big blue coat (we christened him the Blue Elephant), was talking to him of the horse, and we were all equally pleased, whichever it was.

The Acropolis was in sight from points here and there, but we did not visit it yet. Instead, we turned into a fine boulevard, anch.o.r.ed for a time at the corner of a park, waiting for guides, perhaps, then went swinging down by the royal gardens and the white marble palace of the king.

It is King George First now, a worthy successor to the rulers of that elder day when Greek art and poetry and national prosperity set a standard for the world. Athens was a pretty poor place when King George came to the throne in 1863. He was only eighteen years old, then--the country was bankrupt, the throne had gone begging. In _Innocents Abroad_ Mark Twain says:

"It was offered to one of Victoria's sons, and afterwards to various other younger sons of royalty who had no thrones and were out of business, but they all had the charity to decline the dreary honor, and was laid out in a natural hollow by Lycurgus, before Christ over three hundred years, and was rebuilt something less than five hundred years later by the Averof of that day, Herodes Atticus, whose body was buried there. Then came the tumble and crumble of European glory; the place fell into ruin, was covered with debris, and lay forgotten or disregarded for a thousand years; after which, King George took up the matter, and dug out the remains as soon as he could get money for the job."

That was Averof's inspiration. Without it he would most likely have spent his money in Alexandria, where he made it. Certainly without King George to point the way the progress of Athens would have been a sorry straggle instead of a stately march.

[Ill.u.s.tration: WE LOOKED ACROSS THE ENTRANCE AND THERE ROSE THE ACROPOLIS, HIGH AGAINST THE BLUE]

The stadium seats fifty thousand, and has held half as many more when crowded. In the revived Olympic games in 1896 the Greeks won twelve prizes, the Americans followed with eleven, France carried off three, and the English one. That was a good record for the Americans, and we didn't fail to mention it, though I think most of us were thinking of those older games, won and lost here under this placid sky, and of the crowds that had sat here and shouted themselves hoa.r.s.e as the victors turned the goal. Then, standing high on the marble seats, we looked across the entrance, and there rose the Acropolis, lifted high against the blue, just as those old spectators had seen it so long ago. Through half-closed lashes we re-created it in gleaming pentelican and so gazed upon a vision, the vision they had seen.

[Ill.u.s.tration: HE WOULD SWING HIS ARMS AND BEGIN, "YOU SEE--!" THE REST REQUIRED A MIND-READER]

It was hard to leave that place. It would have been harder, if it had not been for the guide we had. He insisted on talking in some language which n.o.body recognized, and which upon inquiry I was surprised to find was English. He had learned it overnight, it having been discovered that the guide engaged for our party had been detained--probably in jail--for the same offence. Still our sample would have done better if he had sat up later. As it was he knew just two words. He would swing his arms and point to something and begin, "You see--!" The rest required a mind-reader. The German guide was better--much better. I haven't a perfect ear for German, but I concluded to join that party.

It was not far to the Temple of Jupiter--the group of fifteen Corinthian columns which are all that remain of what Aristotle called "a work of despotic grandeur." It must have been that. There were originally one hundred and four of these columns, each nearly sixty feet high and more than five and a half feet in diameter. Try to imagine that, if you can!

Think of the largest elm-tree you know; its trunk will not be as thick as that, nor as high, but it will give you a tangible idea. Then try to imagine one hundred and four marble pillars of that size, the side extending in double row the length of a city block, and the ends in triple row a little less than half as far--pure-white and fluted, crowned with capitals of acanthus leaves, and you will form some vague idea of what Aristotle meant. We cramped our necks and strained our eyes, gazing at the beautiful remnant of that vast structure, but we did not realize the full magnitude of it until we came near a fallen column and stood beside it and stepped its length. Even then it was hard to believe that each of the graceful group still standing was of such size as this.

Peisistratos the tyrant began this temple and picked the location, said to be the spot where the last waters of the Deluge disappeared. It was to be dedicated to Deucalion, the founder of the new race of mortals, and the low ground was filled up and made level and bulwarked round with a stone substructure, as good to-day as when it was finished, twenty-five hundred years ago.

Peisistratos did not get the temple done. He died when it was only fairly under way, and his sons did not remain in power long enough to carry out his plans. He was a tyrant, though a gentle one, ambitious and fond of all lovely things. He had his faults, but they were mainly lovable ones, and he fostered a cultivation which within a century would make Athens the architectural garden of the world.

The example of Peisistratos was followed lavishly during the next hundred years, but his own splendid temple was overlooked. Perhaps Pericles did not like the location and preferred to spend his money on the Acropolis, where it would make a better showing. I don't know. I know it was left untouched for nearly four hundred years, and then the work was carried on by Antiochus of Syria, who constructed it on a grand scale. But it killed Antiochus, too, and then it waited another three hundred years for the Emperor Hadrian to come along, about 174 A.D., and complete it, and renew it, and dedicate it to Jupiter Olympus, whose reign by that time was nearly over.

Never mind who built it, now, or what creed was consecrated there. The glory of the Golden Age rises on the hill above us, but I think one can meet nothing more impressive than this in all Greece.

Hadrian's arch is just beyond the Temple of Jupiter, and we drove through it on our way to the Acropolis. It is not a very big arch, nor is it very impressive. I don't think Hadrian built it himself or it wouldn't have been like that. It looks as if it had been built by an economical successor.

However, it is complimentary enough. On the side toward what was then the new part of Athens, called Hadrianople, is an inscription in Greek which says "This is the City of Hadrian, and not of Theseus," and on the side toward the Acropolis, "This is the old city of Theseus." And old it was, for the newest temples on the Acropolis had been built six hundred years even then.

It was only a little way to the foot of the Acropolis and the Theatre of Dionysus. We have visited no place where I wished so much to linger.

This was the theatre of Greece in her Golden Age. Here aeschylus and Euripides had their first nights--or days, perhaps, for I believe they were mostly matinees--and Sophocles, too, and here it was that the naughty Aristophanes burlesqued them with his biting parodies. Here it was they competed for prizes, and tried to be friends though playwrights, and abused the manager when they got into a corner together, and abused the actors openly, and vowed that some day they would build a theatre of their own where they could present their own plays in their own way, and where their suppressed ma.n.u.scripts could get a hearing.

Perhaps history does not record these things, but it does not need to. I know a good many playwrights and managers and actors, and I know that human nature has not changed in twenty-four hundred years. I know that the old, old war was going on then, just as it is now, and will continue to go on so long as there are such things as proscenium and auditorium, box-office, gallery, and reserved seats.

I took one of the last named--a beautiful marble chair in the front row, just below the plinth where once the throne of Hadrian sat--a chair with an inscription which told that in the old days it was reserved for a priest or dignitary--and I looked across the marble floor where the chorus did its rhythmic march, and beyond to the marble stage-front with its cla.s.sic reliefs and the figure of Silenus whose bowed shoulders have so long been the support of dramatic art. The marble floor--they called it the Orchestra then--is no longer perfect, and gra.s.s and flowers push their way up between the slabs. The reliefs are headless and scarred, but the slabs are still the same the chorus trod, the place is still a theatre, and one has but to close his eyes a little to fill it with forms vague and shadowy indeed, as ghosts are likely to be, but realities none the less. Our party had moved along now to other things, and Laura and I lingered for the play.

It was much better than our theatres at home. There was no dazzle of lights, no close air or smell of gas, and there was plenty of room for one to put his feet. However, the play I did not care for so much as the chorus. The acting was heavy and stilted, I thought, and declamatory. I was inclined to throw a piece of the theatre at the leading man.

[Ill.u.s.tration: I WOULD HAVE APPLIED FOR A POSITION IN THE CHORUS MYSELF]

But the chorus! Why, the very words "Greek Chorus" have something in them that rouses and thrills, and I know, now, the reason why. In movement, in voice, in costume it was pure poetry. I would have applied for a position in the chorus myself, but Laura suddenly announced that the show was over and that everybody but us had gone long ago.

If I had lived in that elder day I should have gone mainly to the plays of Aristophanes. They were gay and full of good things, and they were rare, too, and poetic, even though they were not always more than skin deep. That was deep enough for some of his contemporaries. Deep enough for the popocrat Cleon, who tried to deprive Aristophanes of his citizenship, in revenge.

Aristophanes wrote a play that acted like a mustard-plaster on Cleon. It made him howl and caper and sweat and bring libel suits. Whereupon Aristophanes wrote another, and when he could get no actor to take the leading part--that of Cleon--he took it himself, and Cleon went to see it and wore out his teeth on tenpenny nails during the performance. Yes, I should have had a weakness for Aristophanes in those days, though I wish he might have omitted that tragic satire which twenty years later was to send Socrates the hemlock cup.

We climbed the hill a little way to a grotto and drank of the spring of aesculapius and all our diseases pa.s.sed away. It only cost a penny or two, and was the cheapest doctor bill I ever paid. I never saw a healthier lot than our party when they came out of the grotto and started for the Odeon--the little theatre which Herodes Atticus built in memory of his wife.

Two thousand years ago Cicero wrote home from Athens: "Wherever we walk is history." We realize that here at the base of the Acropolis. From the Theatre of Dionysus to the Spring of aesculapius is only a step. From the Spring to the Sanctuary of Isis is another step; from the Sanctuary to the Odeon of Herodes is a moment's walk; the Pnyx--the people's forum--is a stone's-throw away, and the Hill of Mars. All about, and everywhere, great events have trod one upon the other; mighty mobs have been aroused by oratory; mighty armies have rallied to the a.s.sault; a hundred battles have drenched the place with blood. And above all this rises the Acropolis, the crowning glory.

We postponed the Acropolis until after luncheon. There would have been further riot and bloodshed on this consecrated ground had our conductor proposed to attempt it then. Our Argonauts are a fairly well-behaved lot and fond of antiquities, even though they giggle at the guide now and then, but they are human, too, and have the best appet.i.tes I ever saw.

They would leave the Acropolis for luncheon, even though they knew an earthquake would destroy it before they could get back.

We did stop briefly at the Pnyx hill--the gathering-place of the Athenians--and stood on the rostrum cut from the living rock--the "Bema"

from which Demosthenes harangued the populace.

[Ill.u.s.tration: TOOK TURNS ADDRESSING THE MULt.i.tUDE]

As usual Laura, age fourteen, and I got behind the party. We stood on the Bema and took turns addressing the mult.i.tude, until we came near being left altogether by the Diplomat and the Blue Elephant, who finally whirled us away in a wild gallop to the hotel, which, thanks to Jupiter and all the Olympian synod, we reached in time.

We made a new guide arrangement in the afternoon. It was discovered that the guide for the German party could handle English, too, so we doubled up and he talked to us first in one language, then in the other, and those of us who knew a little of both caught it going and coming.

Perhaps his English was not the best, but I confess I adored it. He lisped a little, and his voice--droning, plaintive, and pathetic--was full of the sorrow that goes with a waning glory and a vanished day. We named him Lykabettos because somehow he looked like that, and then, too, he towered above us as he talked.

So long as I draw breath that afternoon on the Acropolis will live before me as a sunlit dream. I shall see it always in the tranquil light of an afternoon in spring when the distant hills are turning green and forming pictures everywhere between mellowed columns and down ruined aisles. Always I shall wander there with Laura, and resting on the steps of the Parthenon I shall hear the sad and gentle voice of Lykabettos recounting the tale of its glory and decline. I shall hear him say:

"Zen Pericles he gazzer all ze moany zat was collect for ze army and he bring it here. But Pericles he use it to make all zese beautiful temple, and by and by when ze war come zere was no moany for ze army, so zay could not win."

Lykabettos' eyes wander mournfully in the direction of Sparta, whence the desolation had come. Then a little later, pointing up to a rare section of frieze--the rest missing--!

"Zat did not fall down, but stay zere, always ze same--ze honly piece zat Lord Elgin could not take away," and so on and on, through that long sweet afternoon.

I shall not attempt the story of the Acropolis here. The tale of that old citadel which later became literally the pinnacle of Greek architecture already fills volumes. I do not think Lykabettos was altogether just to Pericles, however, or to Lord Elgin, for that matter.

True, Pericles did complete the Parthenon and otherwise beautify the Acropolis, and in a general way he was for architecture rather than war.

But I do not find that he ever exhausted the public treasury on those temples, and I do find where his war policy was disregarded when disregard meant defeat. Still, if there had been more money and fewer temples on the Acropolis, the result of any policy might have been different, and there is something pathetically gratifying in the thought that in the end Athens laid down military supremacy as the price of her marble crown.

As for Lord Elgin, it may be, as is said, that he did carry off a carload or so of the beautiful things when he had obtained from the Government (it was Turkish then) permission to remove a few pieces. But it may be added that the things he removed were wholly uncared for at that time and were being mutilated and appropriated by vandals who, but for Elgin, might have robbed the world of them altogether. As it is, they are safe in the British Museum, though I think they should be restored to Greece in this her day of reincarnation.

We stood before the Temple of Victory and gazed out on the Bay of Salamis, where victory was won. We entered the Erechtheum, built on the sacred spot where Athena victoriously battled with Poseidon for the possession of Athens, and we stood in reverential awe before the marble women that have upheld her portico so long. We crossed the relic-strewn s.p.a.ce and visited the Acropolis museum, but it was chilly and lifeless, and I did not care for the cla.s.sified, fragmentary things. Then we entered the little enclosure known as Belvedere and gazed down on the Athens of to-day.

If anybody doubts that modern Athens is beautiful, let him go to that spot and look down through the evening light and behold a marble vision such as the world nowhere else presents. Whatever ancient Athens may have been, it would hardly surpa.s.s this in beauty, and if Pericles could stand here to-day and gaze down upon the new city which has arisen to preserve his treasures, I think he would be satisfied.

When the others had gone to visit the Hill of Mars, Laura and I wandered back to the Parthenon, followed its silent corridors, and saw it all again to our hearts' content. And when our eyes were tired, we rested them by looking out between the columns to the hills, Hymettus and Pentelicus, glorified in the evening light, wearing always their "violet crown."