"'"Be that as it may," Klingsohr replied, without paying much attention to what Wolfframb said, "whencesoever you may have derived your art, what warrants you in attempting to place yourself on a level with me?

Are you aware how diligently I have studied in Rome, in Paris, in Cracow; that I have travelled to the distant east, and learned the secrets of the wise Arabs; that I have sucked the essence of every school of the singer's craft that exists, and wrung the prize from every one who has competed with me; that I am a master of the Seven Liberal Arts? Whereas you, who have spent your days in far-off Switzerland, at a distance from everything in the shape of art and science, you, who are a mere laic, ignorant of all book-knowledge, cannot by any possibility have acquired even the rudiments of the true craft of song."

"'During this speech of Klingsohr's, Wolfframb's anger had quite calmed down. The cause may have been that, at Klingsohr's braggart language, the precious gift of song within him shone forth more jubilantly bright, as do the sunbeams when they break victoriously through the heavy clouds which the storm has brought driving up on its wings. A gentle and pleasant smile spread over his face, and he said, in a quiet tone of self-command, to the irritated Master Klingsohr:

"''Nay, good master, I might reply that though I have never studied at Rome or Paris, nor sought out the wise Arabs in their own distant land, I have known many singers of fame and skill (to say nothing of my master, Friedebrand, whom I followed into the heart of Scotland) whose instruction has much profited me; and that--like yourself--I have gained the singer's prize at the courts of many of our exalted princes in Germany. But I hold that all instruction, and all intercourse with the greatest masters would have availed me nothing, had not the eternal might of heaven placed within me the spark which has blazed up into the glorious beams of song; had I not held--and did I not still hold--afar from me all that is false or base; did I not strive, with all my strength, to sing nothing other than that which truly fills my heart."

"'And here he began--he scarcely knew how, or why--to sing a glorious song, in the "Golden Tone," which he had shortly before composed.

"'Master Klingsohr paced up and down full of wrath. Then he paused before Wolfframb, gazing at him with his fixed, gleaming eyes, as if he would pierce him through and through. When Wolfframb had ended, Klingsohr laid his hands on his shoulders, and said, gently and quietly, "Well, since you will not have it otherwise, Wolfframb, let us sing against one another, in all the tones and manners. But we will go elsewhere; this chamber is not fit for the like. Besides, you must drink a cup of good wine with me."

"'At this instant the little mannikin who had been writing tumbled down from his stool, and, as he fell hard on to the floor, he gave a little delicate cry of pain. Klingsohr turned quickly round, and pushed the little creature with his foot into a sort of cupboard under the desk, which he closed upon him. Wolfframb heard the mannikin making a low whimpering and sobbing. After this, Klingsohr shut all the books which were lying about open; and each time that he closed one, a strange, awe-inspiring sound, like a death sigh, pa.s.sed through the room. Next he took up in his hands wonderful roots; which, as he took them, had the appearance of strange unearthly creatures, and struggled with their stems and fibres, as if with arms and legs. Indeed, often a little, distorted human-looking countenance would come jerking out grinning and laughing in a horrible manner. At the same time it grew unquiet in the cupboards round the room, and a great bird appeared, flapping about in wavering, irregular flight with whirring wings that glittered like gold. Darkness was falling fast, and Wolfframb began to feel profound alarm. Klingsohr took a stone out of a case, which immediately diffused a light as bright as the sun through the room. On this all grew still, and Wolfframb saw and heard no more of that which had caused his uneasiness.

"'Two servants, dressed in the same strange fashion, in many-coloured silks, as the one who had opened the door at first, came in with magnificent garments, in which they dressed their master. And then Klingsohr and Wolfframb went out together to the Town-Cellar.

"'They drank to friendship and reconciliation, and they sang against each other in all the most skilful and artful "manners." There was no other master present to decide which of them was the victor, but had there been one he would doubtless have declared that Klingsohr had the worst of it. For with the utmost efforts of his art and intelligence he never in the least attained to the power and sweetness of the simple songs which Wolfframb sung.

"'The latter had just ended one of his most successful essays when Master Klingsohr leaned back in his chair, and said, in a low, gloomy tone:

"'"You called me vain and braggart, Master Wolfframb; but you would much mistake me if you supposed that I was so blinded by vanity that I should not recognize the true art of song wherever I come across it--were it in the wilderness, or in the master's hall. There is none here to judge between you and me; but I tell you that you have vanquished me Master Wolfframb: and, by my so saying, you may recognize the genuineness of my art."

"'"Oh, good Master Klingsohr," said Wolfframb, "it may be that a certain special sense of happiness which I feel within me to-night may have made my efforts more successful than they may be at other times.

Far be it from me to rank myself higher than you on that account.

Perhaps your heart was heavy to-day--how often it happens that a heavy weight seems to lie upon one, like mists resting upon a meadow, and hindering the flowers from lifting up their heads. You may say you are vanquished to-night, but nevertheless I admired much in your beautiful songs, and you may very probably gain the victory to-morrow."

"'"What does that single-hearted modesty of yours avail you?" cried Master Klingsohr, who started up quickly from his seat, and turning his back to Wolfframb, placed himself at the lofty window, through which he gazed in silence at the pale moonbeams falling from on high.

"'After some minutes of this he turned, walked up to Wolfframb and said, in a loud voice, while his eyes glared with anger:

"'"You were right, Wolfframb of Eschinbach. My skill and knowledge are backed up by powers of darkness; and your nature and mine must ever be at variance. You have vanquished me: but in the night which follows this I will send one to you who is called Nasias. Sing against him; and have a care that he does not vanquish you."

"'With which Master Klingsohr went storming out of the Town-Cellar.

"'NASIAS COMES BY NIGHT TO VISIT WOLFFRAMB OF ESCHINBACH.

"'Wolfframb lodged in Eisenach over against the Bread House with a burgher of the name of Gottschalk: a kindly, pious man who held him in great honour. Although Klingsohr and Eschinbach had thought they were alone and un.o.bserved in the Town-Cellar, it might well have been that many of the young scholars of song who dogged and watched every step of the celebrated master, and strove to catch every word and syllable that fell from his lips, might have found means to listen to the two masters singing against each other. At all events, the news that Wolfframb of Eschinbach had overcome the great Master Klingsohr had spread abroad in Eisenach, so that Gottschalk had come to hear of it. He hastened to his lodger full of joy, and asked him how it could possibly have happened that this haughty master should have consented to undertake a prize-singing in the Town-Cellar. Wolfframb told him all that had happened, not concealing the circ.u.mstance that Master Klingsohr had threatened to set one of the name of Nasias at him in the night. At this Gottschalk turned pale with terror, beat his hands together, and cried in a lamentable tone:

"'"Ah! gracious heavens, good sir, do you not know that Master Klingsohr has dealings with evil spirits, which are subject to him and obliged to execute his commands? Helgrefe, in whose house Master Klingsohr has taken up his abode, tells his neighbours the strangest tales as to what goes on there. It seems that often in the night time one would think a large concourse of people were collected in his room, although no one is ever seen to go in; and then there begins a wild, extraordinary singing, and the strangest goings on of all kinds--all the windows streaming with dazzling light. Very likely this Nasias may be the very evil one in person, and will carry you off to perdition--you ought to set off, dearest master. Do not wait for this terrible visitor--get away, I implore you."

"'"What?" answered Wolfframb. "My good landlord Gottschalk, why would you have me go away as if I was afraid to sing against this same Nasias? That would not be conduct for a master singer by any means. Be Master Nasias an evil spirit or not, I await him patiently and tranquilly. He may sing me down with his acherontic 'manners,' but he will strive in vain to beguile my pious heart, or to do hurt to my immortal soul!"

"'"I am well aware," said Gottschalk, "that you are a valiant gentleman, and have not the slightest fear of the very devil himself.

But if you are determined to stay here, at least allow my servant Jonas to be in the room with you. He is a pious, stalwart, broad-shouldered fellow, and doesn't mind the singing one hair's breadth. And if you chance to get a little spent, and feel a trifle faint with all the devilish howling--so that Nasias should be like to get the better of you and come at you--Jonas will give a shout, and we will come in with holy water and consecrated candles. And they say the devil cannot endure the stink of musk which a Capuchin friar has worn on his breast in a bag. I'll have some of that handy, and will make such a fumigation that Master Nasias won't have enough breath left to sing a bar."

"'Wolfframb of Eschinbach laughed at his landlord's kindly anxiety, and said he was now quite ready, and only wished the trial between him and Nasias were over. Jonas, however--the pious man with the broad shoulders, proof against all singing, of whatsoever kind--might stay and be welcome.

"The fateful night arrived. At first all was quiet; till the works of the church clock whirred and rattled, and it struck twelve. Then a gust of wind came breezing through the house, ugly voices howled in confusion and a wild croaking scream as of pain and terror--like that of some frightened night-bird--was heard. Wolfframb had been immersed in beautiful, pure, pious poets' fancies, and had almost forgotten the evil visit in store for him. But now icy shudders ran through his veins; yet he pulled himself together and went to the centre of the room. The door burst open with a tremendous crash, which shook the whole house; and a tall form, surrounded with fiery light, stood before him, and gazed at him with gleaming, malignant eyes. This form was of such terrible aspect that doubtless many a man would have lost his courage, nay, fallen to the ground in wild apprehension; but Wolfframb stood firm, and asked in a grave and emphatic manner:

"'"What is your will and business in this place?"

"'The form answered, in a horrible, yelling voice:

"'"I am Nasias, come to contend with you in the singer's craft."

"'Nasias opened his large cloak, and Wolfframb saw that he had a number of books under his arms, which he let fall on the table beside him. He then at once began a wonderful song, which treated of the Seven Planets and the music of the Heavenly Spheres, as described in Scipio's Dream, and he rang the changes on the most ingenious and complicated "tones"

and "manners." Wolfframb, who had seated himself in his armchair, listened calmly, with downcast eyes; and when he had quite finished began a beautiful "tone" or "manner" upon religious themes. At this Nasias jumped hither and thither, and tried to interrupt Wolfframb with howlings, and to throw the heavy books he had brought with him at the singer. But the clearer and the stronger that Wolfframb's song streamed forth, the paler grew Nasias's fieriness, and the more his form crumbled and shrunk together, so that at last he was running up and down on the cupboards, with his little red cloak and the thick ruff at the throat of it, no more than a span long--weaking and squeaking.

Wolfframb, when he had ended his song, was going to catch hold of him, but he shot out at once to his original size, and breathed out flames of fire all round him.

"'"Hei! hei!" he cried, in a terrible voice, "none of these tricks on me, young sir; very likely you may be a great authority on theology, and well versed in the doctrines and subtleties of your fat book; but you are not therefore a singer fit to measure himself against me and my master. Let us have a nice love song, and see where your mastership will be then."

"He then sang a song concerning Fair Helen, and the marvellous delights of the Venusberg. And indeed this song was fascinating; and it was as if the flames which Nasias emitted turned to perfume, breathing voluptuous pa.s.sion, delight, and desire, amid which the beautiful sounds floated up and down, like love G.o.ds at play. Wolfframb had listened to this song as to the former one quietly, with his eyes fixed on the ground. But soon there came to him a sense as though he were wandering along the shady alleys of some beautiful garden, while lovely tones of an exquisite music came floating over the beds of flowers, breaking through the leafy shadows like the dawning red of morning; and the songs of the Evil Thing sunk away before them into night, as the birds of darkness plunge terrified into some deep ravine, croaking at the coming of the day. And as those tones streamed clearer and clearer, his heart throbbed with sweet antic.i.p.ation and ineffable longing. Soon she who was his life came forth from the thick bushes, in all the splendour of her beauty and grace; and the leaves rustled, and the clear streams plashed, greeting the fairest of women with a thousand sighs of love. She came floating onward, borne on the pinions of song, as on the outstretched wings of a beautiful swan; and when her heavenly glance touched him all the bliss of the purest love-rapture awoke in his heart. In vain he strove to find words, or tones of music. But, when she vanished, he threw himself down on the flowery mead, he called her name to the breezes, he embraced the tall lilies, he kissed the roses on their glowing lips; and all the flowers understood his rapture, and the morning wind, the brooks, and the bushes talked with him of the nameless ecstasy of pure affection.

"'Thus, while Nasias was going on with his vain and empty love songs, Wolfframb was thinking of the moment when he saw Lady Mathilda for the first time in the garden at the Wartburg; just as she had appeared to him then, he saw her before him now in all her beauty, looking at him with the self-same eyes of love.

"Thus he had heard none of that which the Evil Thing was singing, and when it was done he himself began a song which treated of the bliss of a pious singer's pure affection in the most glorious strains of power.

"'The Evil Thing grew more and more restless, till at last he began to bleat like a goat, and do all manner of mischief in the room. Then Wolfframb arose, and commanded him, in the name of Christ and the saints, to take himself off. Nasias, spurting out fiery flames around him, gathered his books together, and cried, with mocking laughter:

"'"Schnib! Schnab! what are you but an ignorant laic?--yield the mastership to Klingsohr!" he stormed out like a hurricane, and a stifling stench of sulphur filled the room.

"'Wolfframb opened the windows; the fresh morning air streamed in, and cleared away all traces of the Evil Thing. Jonas woke up from the deep sleep into which he had fallen, and wondered not a little to learn that all was over. He called his master, to whom Wolfframb related all that occurred. And if Gottschalk had honoured the n.o.ble Wolfframb before, he now looked upon him as a very saint, whose pious power could baffle the denizens of h.e.l.l itself. When he chanced to cast his eyes towards the ceiling of the room, what was his astonishment to see, written in letters of fire above the door, the words:

"'"Schnib! Schnab! what are you but an ignorant laic?--yield the mastership to Klingsohr!"

"The Evil Thing had written there the last words he spoke when he took his departure, by way of an eternal defiance. "Not a single happy hour," said Gottschalk, "can I spend in this house while that devilish writing--an affront to my dear Master Wolfframb of Eschinbach--keeps on burning there on the wall." He went off straight and fetched masons to plaster the words over with lime. It was so much labour wasted.

"They put on a finger's depth of lime, and still the writing was as plain as ever. And when they took it all off again and came to the bare bricks the writing was burning upon them as brightly as before.

Gottschalk uttered loud complaints, and begged Wolfframb to sing something which should constrain Nasias to remove the horrible writing himself. Wolfframb said, laughing, that this might not be in his power, but that Gottschalk should wait patiently, and see if the writing might perhaps disappear when he had gone away.

"'It was high noon when Wolfframb of Eschinbach left Eisenach in the happiest possible frame of mind, and the highest spirits, like one who sees the brightest and most hopeful of prospects dawning before him.

Not far from the town there came, meeting him, Count Meinhard of Muehlberg, and Walther of Bargel, the cupbearer, dressed in the richest attire, on gaily caparisoned horses, attended by a numerous retinue.

Wolfframb saluted them, and learned that Landgrave Hermann had despatched them to Eisenach to escort the renowned Master Klingsohr to the Wartburg. On the previous night Klingsohr had repaired to a high window of Helgrefe's house, and consulted the stars with great care.

When he drew his astrological figures, one or two students of astrology, who had joined him, saw from his looks and manner that some important secret which he had read in the stars was filling his mind.

They did not hesitate to inquire of him concerning it. Then Klingsohr rose from his seat, and said, in a solemn tone:

"'"Know that, this night, a daughter will be born to Andreas the Second, King of Hungary. Her name will be Elizabeth; and, for her goodness and virtues, she will be canonized, in after time, by Pope Gregory the Ninth. And this Saint Elizabeth will be the wife of Ludwig, the son of your Landgrave Hermann."

"'This prophecy was at once communicated to the Landgrave, who was beyond measure delighted thereat. And he altered his opinion concerning the renowned master, whose mysterious knowledge had announced the rising of so fair a star of hope. Wherefore he had determined that Klingsohr should be conducted to the Wartburg with the pomp and ceremony due to a prince.

"'Wolfframb thought that now, in all probability, the decision of the singers' life-and-death trial would be postponed on this account, especially as Heinrich of Ofterdingen had not made his appearance as yet. But the knights said that the Landgrave had received news of Heinrich's arrival, that the inner court of the castle was chosen as the scene of the contest, and Stempel, the executioner from Eisenach, ordered to be in attendance.

"'MASTER KLINGSOHR QUITS THE WARTBURG, AND THE SINGERS-CONTEST IS DECIDED.

"'In a fair and lofty chamber of the Wartburg sate Landgrave Hermann and Klingsohr in confidential converse together. Klingsohr again a.s.sured the Landgrave that he had distinctly seen and carefully read the meaning of the constellations on the previous night, and ended by advising him to despatch an Emba.s.sy at once to the King of Hungary to beg that the infant princess might be betrothed to his son, then eleven years of age. This counsel pleased the Landgrave well, and, as he now extolled the master's wisdom, Klingsohr began to discourse so beautifully of the secrets of nature, and of the macrocosm and the microcosm, that the Landgrave (himself not unversed in such matters) was filled with the profoundest admiration.

"'"Master Klingsohr," said the Landgrave, "I would fain continue in the enjoyment of your skilled and wise society. Leave the inhospitable Siebenburgen, and take up your abode at this Court of mine, where, as you must admit, Art and Science are more highly prized and more truly cherished than elsewhere. The masters of song will look upon you as their lord, for I make no doubt that you are as highly gifted in their art as in astrology and other profound sciences. Remain here, therefore, and think not of returning to Siebenburgen."

"'"Nay," most gracious Prince," said Master Klingsohr, "on the contrary, I must crave your permission to return to Siebenburgen this very hour. The country is not so inhospitable as you may suppose. And then, it is thoroughly meet for my studies. Consider, moreover, that I may not offend my own king, Andreas the Second, from whom I draw a yearly allowance of three thousand silver marks, on account of my knowledge of mining matters, whereby I have discovered for him many most valuable lodes of metal; so that I live in that peace and freedom which are essential to the due cultivation of science and art. Whereas here--even could I forego my yearly allowance--I should be involved in continual questions and disputes with your masters. My art is based upon other foundations than theirs, and its inward and outward forms are totally different. It may be that their pious minds, and what they term their rich imaginations, suffice to them for the composition of their works, and that, like timid children, they are afraid to enter upon another province of their art. I do not say that I think slightingly of them on that account, but to take my place amongst them is for ever impossible."