For--and here comes the answer to the second part of my querist's appeal--I hold that pure brandy, wine and whiskey are of inestimable value as medicine. I know that the judicious use of them as restoratives has saved many lives. I know, too, how nearly worthless they are where the system of the patient is used to them as daily or frequent beverages.

I hold, furthermore, that there is no sin or even danger--unless the taste be already enkindled--in the occasional use of them in the kitchen, as one would handle vanilla, lemon or bitter-almond flavoring extracts. I do not believe that a single drunkard was ever made by the tablespoonful of wine that goes into a half pint of pudding-sauce, or the winegla.s.sful that "brightens" a quart of jelly. Every house-mother knows for whom she is catering. If one of her family or guests already loves and craves the stimulant, it is prudent to omit it. The same man would be tempted by the wine of the consecrated cup. When the disease of inebriety has gone thus far she cannot save him, but she can look to it that her hand does not give the final touch, which is death.

I have written frankly, and I think temperately. I am not a "crank"

upon this--I hope not upon any subject. I am a temperance woman who does not scruple to avow what is her practice, as well as her belief.

That thousands of better people than I will think my creed goes too far, and as many that it stops short of temporal and spiritual safety, ought not to trouble me. Upon the individual conscience lies the responsibility of principle and action. Yet holding as I do that each of us is his brother's keeper, I lift my hand in protest against the crying sin of the age, and the mistaken toleration of good people with that which leads to it.

CHAPTER x.x.xII.

FAMILY MUSIC.

Our grandfathers and our grandmothers were drilled in vocal music in the church or neighboring singing-school. In that day--and for twenty-five years later--almost every household possessed and made frequent use of the Boston Academy, the Carmina Sacra, the Shawm and other collections of vocal music adapted for the use of societies and churches. Nearly everybody sang by note, and she was dull of ear or wits who could not bear her part at sight in any simple church tune.

The pianoforte took the place of our grandmother's spinet and harpsichord, and every girl in every family was taught to play upon it after a fashion. She who had not taste or talent for music gave it up after her marriage. In this particular she was no more derelict than the "performer" of our times, whose florid flourish of cla.s.sic music costs thousands where her grandmother's strumming cost hundreds.

The musical education of the girl of that period hardly deserved the name. The national ear for music, like the national eye for painting and sculpture, has made marvelous progress in fifty years. The singing school has gone to the wall along with the volunteer choir and the notion that every boy and girl can and ought to sing. Once in several whiles you find a "music-mad family," of which every member plays upon some instrument and studies music with expensive professors. Or one child displays what relatives rate as musical genius, and is educated to the full extent of the parent's ability. This done, the proficient becomes, in his or her own opinion, a privileged prodigy. Critical from the outset of his musical career, he grows intolerant of amateur work and disdainful of such compositions as the (musically) unlearned delight to honor.

"Don't you suppose," said the late Mrs. Barrow (the dearly-beloved "Aunt f.a.n.n.y" of a host of little ones) to me at an evening _musicale_, "that seven out of ten professed disciples of the Wagner cult here present would, if they dared be unfashionable and honest, ask for music that has a tune in it rather than that movement in something flat or sharp to which they have seemed to give breathless attention for the last fifteen minutes?"

"A tune in it!" repeated a bystander in intense amus.e.m.e.nt. "Dear Mrs.

Barrow, tunes are musical tricks, not true art."

This dogma, and others like unto it, are putting all our music-making into the hands of professional artists and hushing the voice of song and gladness in our homes. The one musician of the household is accredited with perfect taste and unerring judgment, and usually becomes a nuisance to his circle of acquaintances. He shudders at a false note; the woman who sings sharp is an agony, the man who flats is an anguish, and the mistakes of both are resented as personal affronts.

I know one girl (I wish I could stop at the singular number) who cannot enjoy going to her own church because the choir does not come up to her standard of perfection. She never sings in church herself.

To mingle her voice with the tide of thanksgiving and praise would be like the crystal flash of the arrowy Rhone into the muddy Arve. She sets her teeth while ignorant and unfeeling neighbors join in the service of song, and confides on her way out of church to anybody who will listen to her that she really thinks it a misfortune to have as fine and true an ear as her own so long as people who do not know the first principle of music _will_ persist in trying to sing. She has many companions in the persuasion that this part of the worship of the sanctuary should be left altogether to a trained and well-salaried choir. In the family honored by her residence there is no home music except of her making. There are, moreover, so many contingencies that may deprive her expected audience of the rich privilege of hearkening to the high emprise of her fingers and voice, that the chances are oftentimes perilously in favor of her dying with all her music in her.

Shall I ever forget, or rally from, the compa.s.sionate patronage with which she, a week agone, met my pet.i.tion for

"When sparrows build and the leaves break forth?"

"I never sing ballad music," she said, loftily. "Indeed I could not do myself justice in anything this evening. I make it a matter of conscience not to attempt a note unless I am in perfect tune throughout--mentally, spiritually and physically. I should consider it an offence against the n.o.blest of arts were I to sing just because somebody wishes to hear me."

This is not entirely affectation. The tendency of her art-education has been to make her disdainfully hypercritical. It has not awakened the spirit of the true artist, who is quick to detect whatever promises excellence and encourages the tyro to make the best of his little talent.

With all our newly-born enthusiasm for German composers, we have not taken lessons from the German people in this matter of home music. We do not even ask ourselves what has made them a musical nation. At the risk of writing myself down a hopeless old fogy, I venture the opinion that we were more nearly upon this track when the much-ridiculed singing-school was in full swing and every child was taught the intervals and variations of the gamut, and ballads were popular and part-songs by amateurs a favorite entertainment for evenings at home, than we are in this year of our Lord. The pews in that age united with a volunteer choir in singing with the spirit and with the understanding. The few may not have played their part as well as now, but the many did their part better. In the family, Jane may have surpa.s.sed her sisters in musical talent and proficiency, but one and all knew something of that in which she excelled, enjoying her music the more for that degree of knowledge. This brings forward another argument for the musical education of the ma.s.ses, large and small. It would make general and genuine appreciation of good music, and put an end to the specious pretences of which we spoke just now. The German artisan's ear and voice are cultivated from childhood; his love of music is intelligent, his enjoyment of it hearty, yet discriminating.

Our babies hear few cradle songs under the new _regime_, except such as are crooned, more or less tunelessly, by foreign nurses. Girls no longer sing old ballads in the twilight to weary fathers and allure restless brothers to pa.s.s the evening at home in innocent partic.i.p.ation in an impromptu concert, the boys bearing their part with voice and banjo or flute. We did not make perfect music when these domestic entertainments were in vogue, but we helped make happy homes and clean lives.

We used to sing--all of us together--upon the country porch on summer nights, not disdaining "Nelly Was a Lady" and the "Old Kentucky Home,"

and sea songs and love songs and battle songs that had thundering choruses in which ba.s.sos told mightily. Moore was in high repute, and Dempster and Bailey were in vogue. The words we sang were real poetry, and so distinctly enunciated as to leave no doubt in the listener's mind as to the language in which they were written. We had not learned that tunes were musical tricks. Better still were the Sunday evenings about the piano, everybody lending a helping (never hindering) voice, from grandpapa's cracked pipe down to the baby's tiny treble. Every morning the Lord of the home heard "our voices ascending high" from the family altar, and in the nursery feverish or wakefully-fretful children were lulled to health-giving slumber by the mother's hymns.

These are some of the bits of home and church life we would do well to bring forward and add to the more intricate sum of to-day's living.

Granted, if you will, that we have outgrown what were to us the seemly garments of that past. Before relegating them to the attic or ragpicker, would it not be prudent and pleasant to preserve the laces with which they were trimmed?

CHAPTER x.x.xIII.

FAMILY RELIGION.

We are living in an age of surprising inventions and marvelous machinery. As a natural sequence, ours is an age of delegation. The habit of doing nothing by hand that can be as well done by a machine begets the desire to seek out new and presumably better methods of performing every duty appointed to each of us. Fine penmanship is no longer a necessity for the clerk or business man; skill with her needle is not demanded of the wife and mother. Our kitchens bristle with labor-saving implements warranted to reduce the scullion's and cook's work to a minimum of toil.

An important problem of the day, involving grave results, is founded upon the fact that, with the countless multiplicity of Teachers' Helps and Scholars' Friends, International Lesson Papers, Sunday-school weeklies and quarterlies and the banded leagues of a.s.sociated youth whose watchword is "Christ and the Church," the children and young people of to-day are, as a rule, less familiar with the text of Holy Writ, with Bible history and the cardinal doctrines which the Protestant Church holds are founded upon G.o.d's revealed Word than were the children and youth of fifty years ago. Let me say here that I am personally responsible for this statement and what is to follow it.

Having been a Bible-cla.s.s teacher and an active worker in religious and charitable societies for forty years, and numbering as I do between twenty-five and thirty clergymen among my near kinsmen, I do not speak idly or ignorantly upon this subject. My appeal for corroboration of my testimony is to my contemporaries and co-workers.

The superficiality and glitter that are the bane of modern methods of education in our country have not spared sanctuary ordinances and family religion. "The church which is in thy house" is an empty form of speech when applied to a majority of so-called Christian homes.

Early trains and late dinners, succeeded by evening engagements, have crowded out family prayers, and the pious custom, honored in all ages, of "grace before meat," is in many houses disregarded, except when a clergyman is at the table. Then the deferential bend of the host's head in the direction of the reverend guest is rather a tribute to the cloth than an acknowledgment of the Divine Giver to whom thanks are due. In the olden days it was the pupil who studied the Sunday-school lessons as needfully as he conned the tasks to be prepared for Monday's schoolroom. The portion of the old Union Question Book appointed for next Sunday was gone over under the mother's eye, the references were looked up, the Bible Dictionary and Concordance consulted. Then a Psalm or part of a chapter in the New Testament was committed to memory, and four or five questions in the catechism were added to the sum of knowledge to be inspected by the Sunday-school teacher and "audited" by the superintendent.

In writing the foregoing paragraph a scene arises before me of my father's fine gray head and serious face as he sat at the head of the room, Bible and reference books upon the stand before him; of the dusky faces of the servants in the background, intent upon the reading and exposition of the Word as they came from the lips of the master of the household, who for the hour was also the priest. I hear much, nowadays, of the "hard lines" that fell to the children of that generation, in that they were drilled after the manner I have described, and compelled to attend church twice or three times on Sunday. I affirm fearlessly that we did not know how badly off we were, and that the aforesaid "lines" seemed to our unsophisticated imaginations to be cast to us in pleasant places. The hour devoted each Sunday evening to the study of next Sunday's lesson was full of interest, the prayer that preceded it and the two or three hymns with which the simple service closed, gave it a solemnity that was delight, not boredom.

"Primitive methods" we call those studies now, and contemn, gravely or jeeringly, the obsolete practice of "going through" the Bible yearly by reading a given number of chapters every day. We a.s.sume that those were mechanical contrivances which, at the best, filled the mind with an undigested ma.s.s of Biblical matter and made sacred things trite.

They who censure or sneer take no exception to the story that Demosthenes translated the works of Thucydides eight times, and also committed them to memory, that his style might be informed with the spirit and tone of his favorite exemplar. We cannot do away with the pregnant truth that the Bible-reading child of 1845 so steeped imagination and memory in the Holy Word that the wash of years and the acids of doubt have never robbed him of it. The Psalms and gospels then learned stay by us yet, responsive to the p.r.i.c.k of temptation, the stroke of sorrow, the sunlight of joy. When strongly moved we unconsciously fall into Scriptural phraseology. G.o.d's promises then learned are our song in the house of our pilgrimage. We do not confound patriarchs with prophets, or pa.s.sages from the epistles with the Psalms of David.

I am continually confronted by ill.u.s.trations of the truth that the "contract system" prevails in religious teaching as extensively as in the manufacture of garments and food and furniture, and that the results in all cases are the same. Machine work cannot compare in neatness and durability with hand-made goods. The complaint, "I cannot get my Bible cla.s.s to study the lessons," is almost universal. I have known large cla.s.ses of adults to be made up with the express proviso that none of the members should be expected to prepare the lesson.

Their appearance in the cla.s.sroom at the stated hour fulfills their part of the compact. In thus presenting themselves they "press the b.u.t.ton." The teacher does the rest. The mother, taking her afternoon siesta, or reading her Sunday novel at home, rarely knows the subject of the Bible lesson, much less what the teacher's treatment of it is.

I do not mention the pastor purposely. Except when he sees them in the Sunday-school, the faces of the children belonging (by courtesy) to his cure of souls are seldom beheld by him. The Sunday-school originally intended for the neglected children of the illiterate poor, has come to be the chief instrumentality upon which well-to-do church members depend for the spiritual upbuilding of those who are to form the church of the future. If one is tempted to challenge the a.s.sertion, let him compare the number of children (not infants) enrolled in our Sunday-schools with those who habitually attend upon divine service. The absence of the sunny, restless polls from the rows of worshipers in the pews, the troops of boys and girls who wend their way homeward at the conclusion of the Sunday-school exercises are accounted for by so-called humane apologists by the plea that two services in one day are burdensome to the little folk. And mothers "enjoy the service far more when they are not disturbed by fidgety or drowsy children." "Then, too, much of the sermon is unintelligible to them. Why torture them by a mere form?"

An old-fashioned clergyman--a visitor to a city church which I chanced to attend last winter--prefaced his sermon, "as was his custom at home," he said, by "a five-minute talk to the lambs of the fold." In the congregation of at least 800 souls there were exactly three "lambs" under fifteen years of age. It was impossible for the most reverent of his hearers to help thinking of the solitary parishioner who composed his pastor's congregation upon a stormy day, and objected to the sermon dutifully delivered by the minister "as good, but too personal."

It is as impossible for the thoughtful student of the signs of the times to avoid the conclusion that the growing disposition of the young to deny the authority of the church and to supersede her stated ordinances by organizations established and run by themselves may be the legitimate fruit of the prominence given by their parents to what should be the nursery of the church over the church itself. It would be strange if, after witnessing for fourteen or fifteen years such open and systematic disrespect of the gates of Zion, they were to develop veneration for her worship and devout appreciation of the mystic truth that this is the place where G.o.d's honor dwells.

If--and the "if" is broad and deep and long--the little ones are faithfully trained by the parents in the nurture and admonition of the Lord (dear, quaint old phraseology, fine, subtle and pervasive as lavender scent!), if sacred songs and Bible stories and tender talk of the Saviour's love and the beautiful life of which this may be made a type and a foretaste, keep in the minds of the little ones at home the sanct.i.ty and sweetness of the day of days, there is a shadow of excuse for the failure to make room for them in the family pew. Even then the tree will grow as the twig is inclined.

The mother whose knee is the baby's first altar, who gathers about her for confession, for counsel and for prayer sons and daughters who will, in older and sterner years, call her blessed for the holy teachings of their childhood, will teach them to find, with her, the tabernacles of the Lord of Hosts "amiable," _i.e._, worthy of all love and fidelity. The chrism of motherhood consecrates a woman as a priestess. Neither convenience nor custom can release her from the office. Let not another take her crown.

CHAPTER x.x.xIV.

A PARTING WORD FOR BOY.

Upon the satin seat of a chair in the corner of the drawing-room, lie six white Lima beans, and three small red-spotted apples. Wild fruit they are, cast by a superannuated crab, spared by the woodman's axe because it stands on the verge of the orchard. The apple-pickers never look under it for gleanings. The beans were pulled from a frost-bitten vine in the garden, and sh.e.l.led with difficulty, the pods being tough, and Boy's fingers tender. Both trophies secured, they were brought into the house, deposited in the safest place Boy's ingenuity could devise, and, alas! forgotten in the hurry of catching the "twain."

There was no room for them in Boy's long-suffering pockets. They bulged to the bursting point with chestnuts, also the spoil of the grasping little fingers.

Boy is city-born and city-bred, and a day in the country is better than a thousand in street and park. A day in the woods, when chestnuts and walnuts hustle down with every breath of air, and the hollows are knee-deep with painted leaves, has joys the eager tongue trips over itself in the endeavor to recount. Boy and Boy's mother took the six o'clock train to town last night. This morning, throwing open the parlor blinds, I espy the six flat, white beans and the three red-speckled crab-apples. They were so much to the owner; except for the value imparted by a.s.sociation with the dancing blue eyes and the tight clutch of fingers that had green stains on them when the wrestle with the pods was over, they are so much more than worthless to everybody else--that there is infinite pathos in the litter. It is picturesque and poetic.

There will be no poetry, picturesqueness or pathos in the litter when Boy is older by a year or two. His leavings in outlandish places will become "trash," and still later on "rubbish" and "hateful." At twelve years of age he will be a "hulking boy," and convicted of bringing more dirt into the house upon one pair of soles than three pairs of hands can clean up. Eyes that fill now in surveying the tokens of his recent occupations and his lordly disregard of conventionalities, will flash petulantly upon books left, face downward, over night, on the piazza floor; muddy shoes kicked into the corner of the hall; the half-whittled cane and open knife on the sofa, and coats and caps everywhere except upon the hooks intended for them.

I once heard a grown-up beauty declare in the presence and hearing of a half-grown brother, that, "every boy should be put under a barrel at fourteen, and kept there until he was twenty, out of the sight of his kindred and acquaintances."